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Future Treasures: Warren the 13th and the Whispering Woods by Tania del Rio and Will Staehle

Future Treasures: Warren the 13th and the Whispering Woods by Tania del Rio and Will Staehle

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Back in September I wrote a brief piece on Warren the 13th and The All-Seeing Eye, the opening book in a new middle grade series written by Tania Del Rio and illustrated by Will Staehle. I’d been seeing glowing coverage of the book and had decided to order it, and as I said in the piece, “I can make up my mind on Staehle’s artwork right now — and I think it’s fantastic.”

So I was very pleased to see a new entry in the series, Warren the 13th and the Whispering Woods, on the schedule for March 21, 2017. The books follow the adventures of twelve-year-old Warren, a kid who looks like he escaped from an Edward Gorey cartoon. Warren is the sole surviving heir to a grand (but rapidly decaying) old hotel, and his exploits see him mixed up with a terrific cast of supporting characters who live on or near the grounds of the rambling hotel, including monsters, witches, a ghostly girl who creeps around the hedge maze, and his twisted Aunt Annaconda and her evil sisters.

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A Tale of Two Covers: Swords Against Darkness

A Tale of Two Covers: Swords Against Darkness

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Last September we reported here on the massive stack of research material Paula Guran was digesting in a noble attempt to produce the ultimate modern Swords & Sorcery anthology. The project, Swords Against Darkness, now has a cover (above right), and a release date (July). It does not (yet) have a table of contents. But when it does, you’ll be the first to know.

Anyway, I thought it would be fun to put Paula’s cover side by side with its namesake, Andrew J. Offutt’s groundbreaking 1977 paperback anthology from Zebra, which spawned a series of five books containing original S&S tales from Poul Anderson, Tanith Lee, Charles R. Saunders, Orson Scott Card, Charles de Lint, Diana L. Paxson, Keith Taylor, Manly Wade Wellman, Richard L. Tierney, David Drake, Ramsey Campbell, Andre Norton, and many others. Paula’s new anthology is twice as long as that slender paperback, and will come crammed with classic stories by Leigh Brackett, Robert E. Howard, C.L. Moore, Michael Moorcock, Tanith Lee, Steven Erikson, and many others.

Of course, Offutt’s version also boasted an original cover by the great Frank Frazetta, and it’s hard to compete with that. The new cover goes for a more modern look and, while I’m old-school enough to wish for cover art instead of a photo edit, I think it does the job well enough. Here’s the back cover text.

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The Arian Baptistry in Ravenna, Italy

The Arian Baptistry in Ravenna, Italy

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Ceiling of the Arian Baptistry

Last week I blogged about the fantastic Basilica of San Vitale, in Ravenna, Italy. That’s only one of several fine examples of Late Antique art in the city and only one of eight UNESCO World Heritage Sites there.

Another is the Arian Baptistry, built by the Ostrogothic king Theodoric the Great at the end of the 5th century. Theodoric was an Arian Christian, following a creed that believed that Christ was distinct from, and subordinate to, God the Father. This is because Christ did not always exist but was created by God the Father. More orthodox Christians at the time believed that Christ was both human and divine but was one and equal to God the Father. Theodoric had both types of Christians in his kingdom and to avoid trouble, kept them in separate neighborhoods with separate houses of worship

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The Poison Apple: The Paintbrush is as Mighty as the Sword — An Interview With Lissanne Lake

The Poison Apple: The Paintbrush is as Mighty as the Sword — An Interview With Lissanne Lake

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Cover for Hammer of the Gods, photo by E. Crowens

Lissanne Lake is a Sword and Sorcery fantasy illustrator with an artistic career spanning over thirty years. A New Jersey resident, she’s designed everything from book jacket and magazine covers to tarot cards, games and wall murals for public art projects and has also worked with famous authors such as Sir Terry Pratchett. On the side, she’s a fencing instructor, a re-enactor, and is learning to speak Japanese.

Crowens: Were there any particular artists from whom you drew your inspiration?

LL: Western art paintings and illustrations by contemporaries Charlie Russell and Frederic Remington. Comic book art most likely had its genesis from Russell, and certainly he was (Hall of Fame action-style Sword and Sorcery and comic book illustrator) Frank Frazetta’s hero.  Russell’s work always captured motion — the horses are charging, the bears attacking, and hats are flying off cowboys’ heads.

Were these strictly fine art paintings?

They were illustrations for newspapers. I believe he wrote the articles, as well.

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Visiting the Basilica of San Vitale, Ravenna

Visiting the Basilica of San Vitale, Ravenna

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The apse dome of the Basilica of San Vitale shows Christ
enthroned, and looking very much like a Byzantine emperor

I’ve been posting a lot lately about my recent trip to Italy. The high point of the trip for me, indeed the travel high point of the year, was visiting Ravenna.

Ravenna has the best collection of Late Antique church art in the world. As the Western Roman Empire crumbled, Ravenna became the refuge for the last emperors and acted as the capital from 402 to 476 AD. Unlike the more exposed city of Rome, Ravenna was protected on all sides by swamps and was also a base for the Roman navy, making it easy to defend. It eventually fell into Germanic hands but became Roman once again when it served as the Exarchate for the Byzantine Empire from 540 to 751 AD. The Exarch was the representative of the Byzantine emperor in Constantinople and ruled over portions of Italy. Ravenna has a rich collection of religious buildings constructed by the Romans, Christian Ostrogoths, and Byzantines.

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Jack Kirby’s Fourth World: 45 Years Later

Jack Kirby’s Fourth World: 45 Years Later

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I’ve been discussing comic books with a friend of mine who moved to Ottawa. Based on a stray comment of his, I committed to tracking down and reading Jack Kirby’s 4th World comics.

I obviously know about Darkseid and the New Gods, but from later works at DC, like the classic Great Darkness Saga in The Legion of Super-Heroes (check it out!).

And I’d read lots of 1960s Marvel Kirby as well as Machine Man and The Eternals at Marvel in the 1970s (I even blogged about The Eternals here).

Kirby was *huge* in the 1960s, having been a major creator of the current Marvel Universe. But by 1970, he was looking for a change and DC signed him to a 5-year exclusive deal.

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Exploring the Medieval Museum of Bologna

Exploring the Medieval Museum of Bologna

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The museum has a small but choice selection of Renaissance stained glass

Italy is full of medieval treasures. On a recent trip to Bologna, I got to visit the city’s medieval towers and numerous churches. I also made sure to visit the city’s celebrated Museo Civico Medievale. The museum is housed in the Palazzo Ghisilardi-Fava, a noble residence of the late 15th century built on Roman foundations.

Wandering through the museum’s spacious rooms and rambling hallways takes you past some incredible products of the Italian Middle Age and Renaissance, plus samples from other parts of Europe and the Ottoman Empire. Here are a few shots to give you an idea.

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Etruscan Treasures in Bologna

Etruscan Treasures in Bologna

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The two stone boxes are Etruscan ossuaries

On a recent trip to Bologna in northern Italy, I got to admire the city’s famous medieval towers and beautiful churches. The city’s medieval and Renaissance history is everywhere. What is less apparent is that it was a major center for Etruscan civilization. No Etruscan monuments survive in the city itself, so it’s fortunate that the Museo Civico Archeologico has an excellent Etruscan collection. This is thanks to several pioneering archaeologists in the 19th and early 20th century who excavated numerous Etruscan buildings and tombs and carefully preserved their findings.

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A Tale of Two Covers: Alan Baxter’s Crow Shine and Sarah Remy’s The Bone Cave

A Tale of Two Covers: Alan Baxter’s Crow Shine and Sarah Remy’s The Bone Cave

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This week’s Tale of Two Covers looks at two very similar covers, released a month apart late this year. (Click the images above for bigger versions.)

The first is Crow Shine, published by the Australian independent publisher Ticonderoga Publications on November 11, 2016. Crow Shine is the debut horror collection from Australian dark fantasy writer Alan Baxter, and it gathers stories from F&SF, Beneath Ceaseless Skies, Postscripts, and multiple anthologies. You can read more about it at the Ticonderoga website, but unfortunately it doesn’t identity the cover artist.

The second is The Bone Cave, published in paperback yesterday by Harper Voyager Impulse. It’s the third volume in Sarah Remy’s Bone Magic series, following Stonehill Downs (2014) and Across the Long Sea (2015). See all the details at the publisher’s website here. Like Crow Shine, the cover artist is uncredited.

While both books clearly make use of the same base image, there are also interesting design differences. Note the lamp affixed to the rock in the cover on the left (missing on the right), and the skull at the base of the rock on the right. They’ve also gone with different color schemes — Crow Shine is a pale white, almost green, and The Bone Cave has colored the entire background red.

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A Hidden Synagogue in Tangier

A Hidden Synagogue in Tangier

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The interior of the Nahon Synagogue, with lamps donated by local families

Both of my readers have probably been wondering where I’ve been the past few weeks. I just got back from one of my semi-regular writing retreats in Tangier, Morocco. Besides getting heaps of writing done, every time I go to Tangier I always discover something new in this historic and complex city. This time I found a beautiful synagogue hidden at the end of a tiny alley.

Nahon Synagogue was built in 1878 by a wealthy banker from the nearby city of Tetouan in honor of his father Mose Nahon. Or this might have happened in 1868. The plaque on the front of the building says 1868, the caretaker and the synagogue’s literature say 1878.

The history of Jews in Tangier stretches back way before the 19th century. Archaeologists have dug up potsherds decorated with menorahs dating from Carthaginian times. Nothing else is known about Tangier’s Jewish community for this early period.

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