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Category: Art

Jack Kirby’s Fourth World: 45 Years Later

Jack Kirby’s Fourth World: 45 Years Later

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I’ve been discussing comic books with a friend of mine who moved to Ottawa. Based on a stray comment of his, I committed to tracking down and reading Jack Kirby’s 4th World comics.

I obviously know about Darkseid and the New Gods, but from later works at DC, like the classic Great Darkness Saga in The Legion of Super-Heroes (check it out!).

And I’d read lots of 1960s Marvel Kirby as well as Machine Man and The Eternals at Marvel in the 1970s (I even blogged about The Eternals here).

Kirby was *huge* in the 1960s, having been a major creator of the current Marvel Universe. But by 1970, he was looking for a change and DC signed him to a 5-year exclusive deal.

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Exploring the Medieval Museum of Bologna

Exploring the Medieval Museum of Bologna

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The museum has a small but choice selection of Renaissance stained glass

Italy is full of medieval treasures. On a recent trip to Bologna, I got to visit the city’s medieval towers and numerous churches. I also made sure to visit the city’s celebrated Museo Civico Medievale. The museum is housed in the Palazzo Ghisilardi-Fava, a noble residence of the late 15th century built on Roman foundations.

Wandering through the museum’s spacious rooms and rambling hallways takes you past some incredible products of the Italian Middle Age and Renaissance, plus samples from other parts of Europe and the Ottoman Empire. Here are a few shots to give you an idea.

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Etruscan Treasures in Bologna

Etruscan Treasures in Bologna

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The two stone boxes are Etruscan ossuaries

On a recent trip to Bologna in northern Italy, I got to admire the city’s famous medieval towers and beautiful churches. The city’s medieval and Renaissance history is everywhere. What is less apparent is that it was a major center for Etruscan civilization. No Etruscan monuments survive in the city itself, so it’s fortunate that the Museo Civico Archeologico has an excellent Etruscan collection. This is thanks to several pioneering archaeologists in the 19th and early 20th century who excavated numerous Etruscan buildings and tombs and carefully preserved their findings.

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A Tale of Two Covers: Alan Baxter’s Crow Shine and Sarah Remy’s The Bone Cave

A Tale of Two Covers: Alan Baxter’s Crow Shine and Sarah Remy’s The Bone Cave

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This week’s Tale of Two Covers looks at two very similar covers, released a month apart late this year. (Click the images above for bigger versions.)

The first is Crow Shine, published by the Australian independent publisher Ticonderoga Publications on November 11, 2016. Crow Shine is the debut horror collection from Australian dark fantasy writer Alan Baxter, and it gathers stories from F&SF, Beneath Ceaseless Skies, Postscripts, and multiple anthologies. You can read more about it at the Ticonderoga website, but unfortunately it doesn’t identity the cover artist.

The second is The Bone Cave, published in paperback yesterday by Harper Voyager Impulse. It’s the third volume in Sarah Remy’s Bone Magic series, following Stonehill Downs (2014) and Across the Long Sea (2015). See all the details at the publisher’s website here. Like Crow Shine, the cover artist is uncredited.

While both books clearly make use of the same base image, there are also interesting design differences. Note the lamp affixed to the rock in the cover on the left (missing on the right), and the skull at the base of the rock on the right. They’ve also gone with different color schemes — Crow Shine is a pale white, almost green, and The Bone Cave has colored the entire background red.

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A Hidden Synagogue in Tangier

A Hidden Synagogue in Tangier

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The interior of the Nahon Synagogue, with lamps donated by local families

Both of my readers have probably been wondering where I’ve been the past few weeks. I just got back from one of my semi-regular writing retreats in Tangier, Morocco. Besides getting heaps of writing done, every time I go to Tangier I always discover something new in this historic and complex city. This time I found a beautiful synagogue hidden at the end of a tiny alley.

Nahon Synagogue was built in 1878 by a wealthy banker from the nearby city of Tetouan in honor of his father Mose Nahon. Or this might have happened in 1868. The plaque on the front of the building says 1868, the caretaker and the synagogue’s literature say 1878.

The history of Jews in Tangier stretches back way before the 19th century. Archaeologists have dug up potsherds decorated with menorahs dating from Carthaginian times. Nothing else is known about Tangier’s Jewish community for this early period.

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A Tale of Two Covers: Shadows and Tall Trees 7 edited by Michael Kelly

A Tale of Two Covers: Shadows and Tall Trees 7 edited by Michael Kelly

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Michael Kelly’s Shadows and Tall Trees may be the most acclaimed original horror anthology series on the market. It’s been growing in stature and popularity every year, and anticipation is high for volume 7, due in March from Undertow Publications.

Michael had revealed the striking covers for both the trade paperback (at left) and hardcover (right) editions of the upcomnig volume at the Undertow website. About the trade edition he writes:

Very pleased to reveal the cover design for the Trade edition of Shadows & Tall Trees 7 coming March 2017. Art by Yaroslav Gerzhedovich. Design by Vince Haig. The hardcover will have a completely different cover.

And for the hardcover:

Very happy to reveal the cover for the hardback version of Shadows and Tall Trees, Vol. 7. Artwork and design is by the talented Vince Haig. Vince created that font specifically for this project. Kudos to him.

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Medieval Treasures on Display in Madrid

Medieval Treasures on Display in Madrid

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Mirror case, France, 1370-1400. Ivory. It depicts a love scene in a
garden where the happy couple hold a heart as cupids hover
overhead holding a shield and a hooded figure looks on.

One of Madrid’s leading private galleries is hosting a major exhibition on medieval art. The Pillars of Europe: Middle Ages in the British Museum brings together more than a hundred objects ranging from 400 to 1500 at CaixaForum’s Madrid branch.

The exhibition aims to show through objects and images how Europe transformed from the fragmentation after the fall of the Roman Empire through the Middle Ages and into the emerging nation states at the beginning of the Renaissance. An excellent map shows how borders shifted over the century, and a slideshow gives period depictions of Europe’s cities as they grew and became more prominent. The objects are grouped into four themes: Royal Power, Heavenly Treasures, Courtly Life, and Urban Life.

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Cover Reveal: Damnation by Peter McLean

Cover Reveal: Damnation by Peter McLean

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Drake, the first novel in Peter McLean’s new series, was published in January. The highly-anticipated second novel, Dominion, will be released on November 2nd in the US, and November 4 in the UK and the rest of the world. Here’s what I said about Drake late last year.

Peter McLean’s first novel will be released in paperback by Angry Robot in early January, and it sounds pretty darn good.

Don’t believe me? Drake features a hitman who owes a gambling debt to a demon, his faithful magical accomplice The Burned Man (an imprisoned archdemon), the Furies of Greek myth, an (almost) fallen angel named Trixie, and oh, yeah. Lucifer. Dave Hutchinson calls it “a gritty, grungy, funny, sweary noir thriller with added demons. Don Drake is a wonderful creation.” I told you it sounded good. Drake is the opening installment in a new series titled The Burned Man.

Black Gate is very proud to present an exclusive cover reveal for the third novel, Damnation, scheduled to appear on May 2 of next year. See below for additional details of the book, and a high-res pic of the cover.

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Feast Your Eyes on Robert McGinnis’ New Covers for Neil Gaiman’s Early Paperbacks

Feast Your Eyes on Robert McGinnis’ New Covers for Neil Gaiman’s Early Paperbacks

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I know I’m not the only one out there who’s purchased a new edition of a favorite book just because I loved the new cover.

And I’ll definitely be getting in line to pick up the new mass market paperback editions of Neil Gaiman’s American Gods, Neverwhere, Anansi Boys, and Stardust, all gorgeously rendered by famous paperback 50s artist Robert McGinnis, who’s now in his 90s but still doing brilliant work. Neil takes about how the new covers came about on his blog:

About a year ago, Jennifer Brehl and I were talking. Jennifer is my editor at William Morrow… I went off about how paperback covers used to be beautiful, and were painted, and told you so much. And how much I missed the covers of the ’50s and ’60s and ’70s, the ones I’d collected and bought back in the dawn of time. And somehow the conversation wound up with me asking if Harper Collins would publish a set of mass market paperbacks of my books with gloriously retro covers and Jennifer saying that yes, they would….

I sent a note to Jennifer asking if there was even the slightest possibility that Mr McGinnis would be interested in painting the covers for the paperback set we wanted to do. He said yes. I say that so blithely. But he has retired, pretty much, and he doesn’t have email, and it was only because the Morrow art director had worked with him, and he was intrigued by the commission… and ROBERT MCGINNIS SAID YES.

Neil has been talking about each cover in more detail on Tumblr. Check it out here.

The new mass market paperback edition of American Gods was published August 16, Stardust arrives on September 27, Anansi Boys on October 25, and Neverwhere on November 29. All four covers are painted by Robert E McGinnis, with lettering by Todd Klein. Click the images above for bigger versions.

Exploring Historic Cádiz

Exploring Historic Cádiz

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The Santa Cueva Oratory in Cádiz was finished in 1796
and is one of the best examples of its kind. It features some
unusually bright and cheery paintings by Francisco de Goya

A couple of weeks ago, I wrote about Phoenician and Roman Cádiz, the early history of one of the oldest continually inhabited cities in Europe, on the southwestern coast of Spain near the Strait of Gibraltar. While Cádiz was important throughout its history, its sheltered harbor on the Atlantic made it a good spot for launching the many exploratory vessels that Spain sent out into the world starting in the late 15th century. Columbus made his second and fourth voyages to America from Cádiz, and some of the tropical plants growing in the city squares are said to be descendants of samples he brought home.

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