Mamluk era mosque lamp from 15th century Cairo.
The tradition of hand painted mosque lamps continues
to this day, even though they now contain electric lights
Last week I discussed some of Tutankhamun’s treasures in Cairo’s National Museum. That museum is an amazing collection of items from ancient Egypt. The city’s other great museum, the Museum of Islamic Art, focuses on the Muslim period and has one of the greatest collections of its kind in the world.
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The explosion in popularity of adult coloring books over the past few years is quite possibly one of the greatest things to happen for us big kids, who are stuck performing stupid “adulting” activities such as going to a day job and paying bills.
Relieving anger and stress by coloring complex and hilarious pictures, (seriously, check out the Farting Animals coloring book; you won’t be disappointed) has become a norm among grown-ups, resulting the marketing of implements significantly more expensive and fancy than the most coveted of childhood creativity tools; the 64-color crayon pack.
So it was only a matter of time before the “Shut the F*** Up and Color” and “Drunk, Foul-Mouthed Jerk Unicorns” coloring book creators sought to capture revenue from an even more diverse audience by venturing further into inappropriate subject matters such as the horror genre.
Welcome to the new world of coloring slashers, corpses and skulls.
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io9 is reporting that Amazon temporarily blocked sales of The Corroding Empire, the short story collection from pseudonymous “Johan Kalsi” that Castalia House created to troll John Scalzi’s new Tor release The Collapsing Empire.
The Collapsing Empire by John Scalzi was released from Tor Books Tuesday, almost a year after it was first announced. Earlier this month, Theodore Beale (aka Vox Day) revealed on his blog that The Corroding Empire from Johan Kalsi was available for pre-order… and would be released one day before Scalzi’s book. Amazon temporarily made the book unavailable to buy, but it looks to have been restored for the time being… There’s a reason Beale made a cover that looks exactly like Scalzi’s, and it’s not to ride his coattails. This is all part of Beale’s longstanding feud (or obsession) with Scalzi, who hasn’t shied away from criticizing him in the past.
I assumed the Castalia House release was a parody of Scalzi’s new book, but that doesn’t appear to be the case — it’s a straight up collection of SF stories, packaged to look virtually identical to The Collapsing Empire. I’m not sure of the exact point, but Theo is obsessively tracking the comparative sales of the two books on his blog.
Ivory headrest. This is used as a pillow in many African
cultures if you want to preserve your hairdo. How you’re
supposed to actually get any sleep is beyond me
King Tutankhamun (1336-1327 BC) was a short-lived 18th dynasty pharaoh who was obscure and little studied by egyptologists until Howard Carter discovered his nearly intact tomb in 1922. Since then his most elaborate burial goods have been photographed countless times, and the whole world is familiar with images of his famous death mask, sarcophagi, and other golden treasures.
But these are only a small fraction of all the finds in the tomb. A total of 5,398 artifacts were retrieved, and on a recent visit to the Egyptian Museum during a writing retreat in Cairo, I had the privilege to see some of the ones not often reproduced in books.
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Richard Adams’ Watership Down is perhaps my favorite fantasy novel. It’s been reprinted countless times since it was first published in 1972, on the way to selling over 50 million copies worldwide. I’ve collected multiple editions over the years, since I’m a sucker for a good cover.
But I’ve never seen anything like the poster series for the novel created by Raid71, which I fell in love with immediately. These aren’t covers for the novel, but full size wall posters suitable — very suitable, in my opinion — for framing. Click the images above for bigger versions.
I learned about the posters from John Freeman’s British comics blog Down the Tubes last year. Here’s what he said at the time.
Back in September I wrote a brief piece on Warren the 13th and The All-Seeing Eye, the opening book in a new middle grade series written by Tania Del Rio and illustrated by Will Staehle. I’d been seeing glowing coverage of the book and had decided to order it, and as I said in the piece, “I can make up my mind on Staehle’s artwork right now — and I think it’s fantastic.”
So I was very pleased to see a new entry in the series, Warren the 13th and the Whispering Woods, on the schedule for March 21, 2017. The books follow the adventures of twelve-year-old Warren, a kid who looks like he escaped from an Edward Gorey cartoon. Warren is the sole surviving heir to a grand (but rapidly decaying) old hotel, and his exploits see him mixed up with a terrific cast of supporting characters who live on or near the grounds of the rambling hotel, including monsters, witches, a ghostly girl who creeps around the hedge maze, and his twisted Aunt Annaconda and her evil sisters.
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Last September we reported here on the massive stack of research material Paula Guran was digesting in a noble attempt to produce the ultimate modern Swords & Sorcery anthology. The project, Swords Against Darkness, now has a cover (above right), and a release date (July). It does not (yet) have a table of contents. But when it does, you’ll be the first to know.
Anyway, I thought it would be fun to put Paula’s cover side by side with its namesake, Andrew J. Offutt’s groundbreaking 1977 paperback anthology from Zebra, which spawned a series of five books containing original S&S tales from Poul Anderson, Tanith Lee, Charles R. Saunders, Orson Scott Card, Charles de Lint, Diana L. Paxson, Keith Taylor, Manly Wade Wellman, Richard L. Tierney, David Drake, Ramsey Campbell, Andre Norton, and many others. Paula’s new anthology is twice as long as that slender paperback, and will come crammed with classic stories by Leigh Brackett, Robert E. Howard, C.L. Moore, Michael Moorcock, Tanith Lee, Steven Erikson, and many others.
Of course, Offutt’s version also boasted an original cover by the great Frank Frazetta, and it’s hard to compete with that. The new cover goes for a more modern look and, while I’m old-school enough to wish for cover art instead of a photo edit, I think it does the job well enough. Here’s the back cover text.
Ceiling of the Arian Baptistry
Last week I blogged about the fantastic Basilica of San Vitale, in Ravenna, Italy. That’s only one of several fine examples of Late Antique art in the city and only one of eight UNESCO World Heritage Sites there.
Another is the Arian Baptistry, built by the Ostrogothic king Theodoric the Great at the end of the 5th century. Theodoric was an Arian Christian, following a creed that believed that Christ was distinct from, and subordinate to, God the Father. This is because Christ did not always exist but was created by God the Father. More orthodox Christians at the time believed that Christ was both human and divine but was one and equal to God the Father. Theodoric had both types of Christians in his kingdom and to avoid trouble, kept them in separate neighborhoods with separate houses of worship
Cover for Hammer of the Gods, photo by E. Crowens
Lissanne Lake is a Sword and Sorcery fantasy illustrator with an artistic career spanning over thirty years. A New Jersey resident, she’s designed everything from book jacket and magazine covers to tarot cards, games and wall murals for public art projects and has also worked with famous authors such as Sir Terry Pratchett. On the side, she’s a fencing instructor, a re-enactor, and is learning to speak Japanese.
Crowens: Were there any particular artists from whom you drew your inspiration?
LL: Western art paintings and illustrations by contemporaries Charlie Russell and Frederic Remington. Comic book art most likely had its genesis from Russell, and certainly he was (Hall of Fame action-style Sword and Sorcery and comic book illustrator) Frank Frazetta’s hero. Russell’s work always captured motion — the horses are charging, the bears attacking, and hats are flying off cowboys’ heads.
Were these strictly fine art paintings?
They were illustrations for newspapers. I believe he wrote the articles, as well.
The apse dome of the Basilica of San Vitale shows Christ
enthroned, and looking very much like a Byzantine emperor
I’ve been posting a lot lately about my recent trip to Italy. The high point of the trip for me, indeed the travel high point of the year, was visiting Ravenna.
Ravenna has the best collection of Late Antique church art in the world. As the Western Roman Empire crumbled, Ravenna became the refuge for the last emperors and acted as the capital from 402 to 476 AD. Unlike the more exposed city of Rome, Ravenna was protected on all sides by swamps and was also a base for the Roman navy, making it easy to defend. It eventually fell into Germanic hands but became Roman once again when it served as the Exarchate for the Byzantine Empire from 540 to 751 AD. The Exarch was the representative of the Byzantine emperor in Constantinople and ruled over portions of Italy. Ravenna has a rich collection of religious buildings constructed by the Romans, Christian Ostrogoths, and Byzantines.