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Author: William Patrick Maynard

Husband and Father. Authorized by Sax Rohmer's Literary Estate to continue the Fu Manchu thrillers. THE TERROR OF FU MANCHU was published by Black Coat Press in April 2009. THE DESTINY OF FU MANCHU followed in 2012. Contributed short stories to numerous anthologies including GASLIGHT GROTESQUE (EDGE Publishing, 2009), TALES OF THE SHADOWMEN: GRAND GUIGNOL (Black Coat Press, 2009), THE RUBY FILES (Airship 27, 2012), FURTHER ENCOUNTERS OF SHERLOCK HOLMES (Titan Books, 2014), THE MX BOOK OF NEW SHERLOCK HOLMES STORIES (MX Books, 2015), TOWERS OF METROPOLIS (Airship 27, 2016), and THE MX BOOK OF SHERLOCK HOLMES CHRISTMAS ADVENTURES (MX Books, 2016).
Blogging Dark Horse Comics’ The Curse of Dracula

Blogging Dark Horse Comics’ The Curse of Dracula

dark-horse-the-curse-of-dracula-tpb-122289Marvel Comics’ long-running Tomb of Dracula series by Marv Wolfman and Gene Colan was a landmark in the medium. The award-winning series set a standard in the industry that is still felt four decades on. Marvel shamefully squandered their efforts to turn the controversial monthly title into an adult-oriented comic magazine free from the strictures of the Comics Code Authority. A dozen years later, the duo reunited to revive the series for Marvel’s Epic Comics line, but this highly underrated four-part limited series was not granted the accolades or the follow-up it deserved. Flash forward to 1998 and Dark Horse Comics offered Wolfman and Colan a three-part limited series to reinvent the property for the up and coming rival in the field.

The only tragedy is that The Curse of Dracula ended up being another one-shot limited series, despite the storyline’s potential to be expanded further. Much of the Dark Horse series recalls the story and artwork in the Epic Comics limited series from earlier in the decade. The plot is equally complex and adult and the art pushes the boundaries to the edge yet again. Once again, Marv Wolfman is crafting a new set of vampire hunters and has Dracula rooted in the world of politics.

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The Blob: the Making of a Classic B-Movie

The Blob: the Making of a Classic B-Movie

bk3153The_Blob_posterThe nostalgia for the 1950s has been with us for over forty years now. Blame George Lucas and American Graffiti (actually set during the Kennedy administration, but responsible for engendering nostalgia for the previous decade) for making us so fondly recall the birth of rock ‘n’ roll and the popularity of sock hops, drive-in movies, and the introduction of a fad for 3-D movies that is currently enjoying its third vogue, appropriately enough.

The popular mindset tends to ignore the influential role played by be-bop jazz, the beat poets, film noir’s move to television, and the introduction of Cinemascope in the same decade. Beneath the artificially clean post-war American dream, where everyone on the big screen and small screen appeared to be white, upper middle class, and enjoying cocktails and cigarettes with no ill effects, while watching Rock Hudson pursuing a virginal Doris Day, there were the McCarthy witch hunts, the Red Scare, atomic fears, juvenile delinquency, and shell-shocked WWII veterans unable to readjust to civilian life.

It was in this world that the third wave of the horror film took hold. The steadily growing move from splitting the atom to racing to the moon saw science fiction take a steady hold on the genre that took it far from the space fantasy of decades past into an allegorical means of confronting the dark fears behind the baby boomers’ dream world. One of the most potent and influential b-movies to fill drive-ins during the late 1950s was The Blob.

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Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Four

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Four

51GMetCspFL__SY346_1134691Sax Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The last quarter of the book picks up with Sir Denis Nayland Smith and Bart Kerrigan having witnessed Dr. Fu Manchu’s meeting with German dictator Rudolf Adlon. Der Fuhrer received his final warning from the Si-Fan and was given one hour to leave Venice or else he would face assassination.

Smith and Kerrigan make their way through the villa and come upon the lotus room with the trap floor once more. Inside the room is Ardatha, with a set of keys, on a mission of mercy to save them from their fates. She leads both men out of the house, giving Smith a key to lock the door behind him, but refuses to flee with them.

Sir Denis quickly raises the Venetian police to raid the villa, in the hopes of rescuing Rudolf Adlon, who disappeared the previous night and has still not returned. The raid fails, as the villa is deserted except for the steward, who denies all knowledge of any Asian visitors and informs them the villa is the property of James Brownlow Wilton, an American newspaper tycoon, munitions manufacturer, and Nazi sympathizer (and a fairly transparent analogue of William Randolph Hearst). Mr. Wilton has just left his villa for his yacht, Silver Heels.

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Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Three

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Three

poster_05Sadrums_of_fu_manchu_posterx Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The third quarter of the book picks up with Ardatha having risked her life to warn Bart Kerrigan to leave Venice immediately. The beautiful Eurasian climbs through the startled Englishman’s window in his canal-side hotel room and pleads with him to cease interfering in the Si-Fan’s plans to assassinate German dictator Rudolf Adlon.

While Kerrigan’s mind reels at the thought that Ardatha shares the same feelings for him as he does for her, the two are interrupted by the sound of footsteps outside. They fall silent, fearing she has been followed, but when the footsteps pass, the two fall into one another’s arms and make passionate love in their desperation.

After Ardatha departs into the night, Kerrigan first fears for her safety and then is overcome with guilt at the thought that she acted the part of a decoy who kept him from his duty of watching over Sir Denis. He rushes to his friend’s room and finds Smith has disappeared. Kerrigan is forced to realize that while he made love with Ardatha, Sir Denis fell into the hands of the Si-Fan and their efforts to protect Rudolf Adlon from assassination have been compromised as a result.

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Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Two

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part Two

drums2dofm-cover-front-300Sax Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The second quarter of the book picks up with a weary Sir Denis Nayland Smith contemplating whether he is too old to continue warring with Dr. Fu Manchu and the Si-Fan. Their conflict has stretched for nearly thirty years and the Si-Fan is growing in strength, while Nayland Smith is growing old.

Chief Inspector Gallaho of Scotland Yard brings news that galvanizes Smith back into action. Dr. Martin Jasper, research director of Caxton armament factory, has received his final notice from the Si-Fan. Smith, Bart Kerrigan, and Gallaho immediately depart for Jasper’s Suffolk estate, Great Oaks. Naturally, they arrive too late. The staff of the great house is in an uproar as their master has barricaded himself in his laboratory and is believed to be dead.

Breaking through the barricade, they discover the latest victim of the Green Death is not Dr. Jasper, but his Japanese employer, Mr. Osaki. While interviewing the staff, Smith learns Dr. Jasper had a frequent Eurasian visitor – a woman whose description does not match Ardatha, to Kerrigan’s relief, but rather Fah lo Suee, the now deceased daughter of Fu Manchu.

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Blogging Sax Rohmer’s The Drums of Fu Manchu, Part One

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part One

imagesCA33UWU0imagesCAUEKJGUSax Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The book marked a welcome return to the first person narrative voice in the tradition of Conan Doyle’s Sherlock Holmes mysteries and constituted a return to the series’ roots with a close re-creation of the very first Fu Manchu episode, “The Zayat Kiss” in the opening chapters of the new novel.

The narrator is Fleet Street journalist Bart Kerrigan, a Dr. Petrie substitute who is an old friend of Sir Denis Nayland Smith from his days as a colonial administrator. As in the first book, our narrator is disturbed one night by the unexpected arrival of Nayland Smith, seeking shelter from the Si-Fan agents on his tail. Smith has once again returned to London to save the life of a man marked for death by the Si-Fan.

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Excavating The Lost Novels of Bram Stoker

Excavating The Lost Novels of Bram Stoker

51pMBAY14rL__SY300_7147091565_7a7c1898aaLast year, Skyhorse Publishing commemorated the centennial of Bram Stoker’s death by collecting his three lesser known horror novels in one massive volume, edited by Stephen Jones and published under the title The Lost Novels of Bram Stoker. The title is a bit of a misnomer, since none of these books can really claim to have been lost. Although having recently read all three in sequence, one may be able to make a convincing argument that at least a couple of them deserve to be buried.

The Jewel of the Seven Stars (1903) opens the collection and is far and away the best of the three titles. Often referred to as Stoker’s Mummy novel; the story concerns reincarnation, possession, obsession, and even a Biblical damning of those who dare too much. This well-written novel recalls Sir Arthur Conan Doyle’s writing style far more than Stoker’s earlier triumph with Dracula, but that is hardly a fault. The style is more modern and the pacing and characterization are excellent until the stilted finale, which falls surprisingly flat.

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Blogging Dan Barry’s Flash Gordon, Part Seven

Blogging Dan Barry’s Flash Gordon, Part Seven

kurtzman_flash_gordon_cvr1089218651297“Circea” by Dan Barry was serialized by King Features Syndicate from March 22 to May 29, 1954. This lighthearted story begins with Zarkov encouraging Flash to propose to Dale. Just as he starts to ask her to marry him, the gravity of the area around them is thrown off and Flash and Dale find themselves hurtling past the clouds while the oxygen grows rapidly thinner.

They recover consciousness to find themselves in a rocketship hurtling through space. They leave our galaxy and pass through a comet unscathed before entering the atmosphere of an unknown planetoid in a far distant galaxy. They are brought to rest through the skylight of a large installation perched high on a cliff. They find themselves facing a beautiful woman named Circea who has observed Flash from afar and become infatuated with him.

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Blogging Dan Barry’s Flash Gordon, Part Six

Blogging Dan Barry’s Flash Gordon, Part Six

FlashGordon1_original55_d__0_FlashGordon1950sTVStarringStev“The Lost Continent” by Dan Barry was serialized by King Features Syndicate from October 26, 1953 to March 20, 1954. This is the story where Dan Barry finally realized his potential and would serve as the model for his best work on the strip over the next four decades. His art and plotting are reminiscent of the classic original work by Alex Raymond and rank alongside Al Williamson’s later work as the most faithful interpretations of Raymond’s unique style.

The story gets underway with Flash, Dale, and Zarkov enjoying a deep sea fishing trip in the West Indies when they are caught in a hurricane. Their yacht strikes a bathysphere in the storm and is washed ashore with it on the island of Bimini. A panel on the bathysphere opens and Flash, Dale, and Zarkov enter to find a pair of Neanderthals who quickly suffocate in the open air. The dying Neanderthals manage to speak a few words in their strange language and Zarkov makes out “Poseidon” and concludes they hail from the legendary capitol of the lost continent of Atlantis.

Dale discovers a cache of gold coins in the flooring while Zarkov discovers a recording machine that translates thoughts. The device translates the Atlan language into several different languages including English through which they learn the Neanderthals were on a mission to flood the markets of the surface world with the cache of gold in order to destroy the world economy to pave the way for an invasion. The trio resolves to pilot the bathysphere down to Atlantis to sabotage their plan after giving the Neanderthals a proper burial on Bimini.

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Blogging Dan Barry’s Flash Gordon, Part Five

Blogging Dan Barry’s Flash Gordon, Part Five

kurtzman_flash_gordon_cvr1MV5BMzk2NTI0Nzg3MF5BMl5BanBnXkFtZTcwMTg3MjE5Mw@@__V1_SY317_CR3,0,214,317_“The Space Kids on Zoran” was Dan Barry’s first Flash Gordon storyline following the departure of Harvey Kurtzman from the strip. It was published by King Features Syndicate from April 21 to October 24, 1953. The storyline shows the influence of Captain Video and his Video Rangers, the seminal series that was to the first television generation what the Buster Crabbe Flash Gordon serials had been to their parents. As the storyline progresses, Barry incorporates another Biblical parable, this time offering up a space age twist on the Christ story.

Dan Barry had settled into a more comfortable style with the characters that was recognizably his own take on Alex Raymond’s original work. This style would remain constant until the early 1980s. The story begins with Flash and Dale driving to visit Ray Carson, who has set up a club called the Space Kids at an abandoned site. The boys have built a full-size model rocket out of wood and spare parts that Ray’s father gave him. Flash agrees to help the boys that weekend. There is a definite switch to a more juvenile approach to the strip, with the portrayal of the kids more reminiscent of Harvey Comics than a dramatic adventure strip. The sight of Flash smoking a pipe as he surveys the youngsters’ work is also somewhat disconcerting.

From there, Flash leaves for a meeting with aeronautics industrialist, J. B. Pennington, who is employing Ray’s dad to build a rocket and has hired Flash to fly it. Pennington is the stereotypical capitalist authority figure. He is dismissive of his employees and unloving to his young son, Cyril. Flash’s contemptuous attitude is meant to endear him to the young readers of the strip more than it is to offer social criticism as the generation gap becomes one of the major themes of the storyline.

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