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Author: Tina Jens

Things Your Writing Teacher Never Told You: Pro-Tip From Craig Shaw Gardner

Things Your Writing Teacher Never Told You: Pro-Tip From Craig Shaw Gardner

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Craig Shaw Gardner-smallOur Pro-Tip author this week is the prolific and funny Craig Shaw Gardner. Perhaps best-known for his humorous fantasy, he also writes horror and science fiction. Craig sold his first short story in 1977, and began writing full time in 1987. He’s written six or seven trilogies and a whole bunch of stories and novelizations. (At least 34 novels and two collections, and still going strong.) His trilogies include The Cineverse Cycle, Dragon Circle, and Arabian Nights.

Critique Groups and First Readers: Good Idea or Bad Idea?

Most writers (myself included) have something of a Love/Hate relationship with their prose. Often, when I start writing a story, I think “What a great idea! What a clever approach! This will be my best story ever!” And then, somewhere in the middle of the process, doubts creep in. “This is too long! No one will ever read this! I could have done a better job of characterization/ plot/ suspense/etc.”

Chances are, neither one of these visions of your work, both the high and the low, are entirely true. It’s hard to get the distance from your own prose to seriously judge yourself mid-story. This is where other readers come in. Many writers (myself included) depend on a writing group or first reader to give them perspective on what works and what doesn’t. A good writing group can gently tell you about the good and the bad in your story. You may not always agree with their proposed solutions, but their critiques will help you write a better story.

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Things Your Writing Teacher Never Told You: Season’s Greetings: Some Recommendations To Warm Your Cold Cockles

Things Your Writing Teacher Never Told You: Season’s Greetings: Some Recommendations To Warm Your Cold Cockles

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xmas carol 1-small

Regardless of whether you’re more a Scrooge or a Tiny Tim, I’ve got two recommendations that make perfect reading for the season (and a viewing and listening recommendation, if you haven’t got time to read both books).

The first is Hogfather, by Terry Pratchett (available in HC, ppb & ebook), set in the popular Discworld series. If there are still F/SF readers who haven’t encountered this quirky world before, it is a place much like our own. Magic may be real, but the wizards and witches and guards on the City Watch are as human, and eccentric, as any neighbor you’d want to meet. Pratchett’s novels defy fantasy conventions and rise above any preconceptions you might have about that sort of novel. They’re funny, and filled with wry social commentary and compassion for human weakness.

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Things Your Writing Teacher Never Told You: Pro-Tip from Gemma Files

Things Your Writing Teacher Never Told You: Pro-Tip from Gemma Files

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Gemma Files-smallFormerly a film critic, teacher, and screenwriter, Gemma Files is a Canadian horror author who’s published four novels, two short fiction collections, a story-cycle, and two chapbooks of speculative poetry.

Five of her stories were adapted into episodes of The Hunger, an erotic horror anthology series made for Showtime by Tony and Ridley Scott. Her story “The Emperor’s Old Bones” won the International Horror Guild’s 1999 Best Short Fiction award. She’s a two-time Shirley Jackson Award nominee, and has twice appeared in the Year’s Best Fantasy and Horror. Her latest release is Experimental Film (a contemporary ghost story novel) from ChiZine Publications.

Plot vs. Character — What’s Your Opinion?

My opinion on Plot vs. Character is that you really do need time, space and wordage in order to explore both at once, like in a novel: a long-form, chaptered narrative which develops organically, changing as much through reaction as it does through action. That’s why, when I’m writing a short story, I often find myself making a calculated decision to sacrifice one for the other. It all depends on where you want to place your emphasis: if it’s a deeper exploration of character you’re after, that can mean an overall flattening and simplification of plot, whereas a complicated plot with lots of exposition involved doesn’t leave a lot of room for complex characters. Instead, you get a conglomerate of sketches as your main cast, trope-y but hopefully not cliché, people easily reduced to a few simple traits — the kind of people who show up in movie credits as Angry Librarian or Homeless Artist.

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Things Your Writing Teacher Never Told You: It Was Only A Dream…

Things Your Writing Teacher Never Told You: It Was Only A Dream…

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Dallas JR EwingJust as there are certain guitar licks, walkdowns, turnarounds, and other patterns that can help with the flow and structure of a song, writing and storytelling have some generic techniques that can be used to great effect, or great failure, depending on how, when, and why they’re applied.

The most universal and familiar in fiction is probably the framing device that starts many children’s stories: “Once upon a time…” and ends them with, “And they lived happily ever after.” Those phrases are an emotional touchstone for most readers, taking them back to a magical time when stories were a centerpiece to our lives.

But most of these shortcut techniques aren’t used as often, and aren’t guaranteed to evoke a specific emotional response. Let’s look at a risky writing technique: The “It Was Only A Dream…” ending.

I generally hate this kind of ending, because it feels like a trick. It feels like the writer is chanting “Neener neener!” and laughing at the audience who fell for this prank.

However, as Eric Cherry (my frequent writing-neepery partner) and I explored specific instances of it being used, I realized that I didn’t always hate it. I just have such a strong emotional reaction when it’s used badly that it overshadows my appreciation of the times when it’s used well.

To use it in a way that respects the audience, it should shine the light of what we know about the story through a prism that reveals new facets to the story, rather than negating all that came before. It should make us embrace what we’ve already experienced within the story, and then view all of that in a new way.

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Things Your Writing Teacher Never Told You: Pro-Tip From Elizabeth Massie

Things Your Writing Teacher Never Told You: Pro-Tip From Elizabeth Massie

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Elizabeth Massie-smallOur Pro-Tip this week comes from Elizabeth Massie – a Bram Stoker Award- and Scribe Award-winning writer of horror and historical novels, short fiction, media tie-ins, poetry, and nonfiction, with works published by Simon & Schuster, Tor, Crossroad Press, Apex Books, Pocket Books, Berkley, Dark Fuse, and more.

What Do You Do to Get Unstuck and Solve Writer’s Block?

Some people believe there is no such thing as writer’s block…I know it to be a real problem at times, but it can be overcome. I always have at least two, sometimes three, projects going on at a time. A novel, a short story, a poem. Or any combination. When I get stuck on one, I can slide over to the other to work. Then when I come back to the first, that “locked down” feeling is usually gone and I can see it with a fresh eye.

Another trick is to always stop your day’s writing in the middle of a scene or in the middle of a sentence, even. Then the next day, when you come to it, you will find yourself more excited to get back into the story because you aren’t having to re-heat your engine from scratch.

A third suggestion is to give yourself a day away from writing. Sometimes we need to let our creative wells refill – and they will. So while there are times to push through, there are times to step back.

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Things Your Writing Teacher Never Told You: The Younger Sibling of 1st & Tight Limited 3rd: Simple Limited 3rd & The Case for Choosing A Single-Character POV

Things Your Writing Teacher Never Told You: The Younger Sibling of 1st & Tight Limited 3rd: Simple Limited 3rd & The Case for Choosing A Single-Character POV

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Victorian POV

This is Part 5 in the Choosing Your Narrative POV Series.

We’re continuing our examination of eight POV approaches commonly used in Fantasy. (You can find links to the previous installments in this series at the end of this article.) This week we’re looking at another variation of 3rd Person that is more closely related to 1st Person than to the Omniscient 3rds. And, I’ll explain why I think a single POV is most often the best choice for a traditional fantasy narrative.

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Things Your Writing Teacher Never Told You: Pro-Tip From Theodora Goss

Things Your Writing Teacher Never Told You: Pro-Tip From Theodora Goss

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Theodora Goss-smallThis week’s Pro-Tip comes from Theodora Goss, a popular and multi-award nominated writer of fairy tales and poetry who teaches writing at Boston University and the Stonecoast MFA program. She has been a finalist for the Nebula, Locus, Crawford, Seiun, and Mythopoeic Awards, as well as on the Tiptree Award Honor List. Her short story “Singing of Mount Abora” won the World Fantasy Award.

Do You Write for More Than One Medium or in More Than One Genre? Why?

Let’s see, what have I written? A novel, which is coming out from Saga Press in 2017, with a sequel in 2018. Novellas, short stories, poems, essays. Some of my poems have been set to music, although they weren’t intended as song lyrics. I’ve written a poem to accompany a work of art in an exhibit. I’ve even written academic articles. There are certainly things I haven’t tried, but I’d like to . . .

Why do I write in different genres? Part of the reason is that for me, writing is half craft and half art. Writing in different genres lets me work on my craft: writing a poem, for example, will force me to pay attention to rhythms and the sounds of language, while writing a novel is an exercise in plotting, in constructing a more thoroughly realized world than I can create in a short story. Every genre requires something different from me, and writing in them all allows me to remain flexible, to practice my craft in a variety of ways.

The other part of the reason is that I love doing different things, just like a dancer who is trained in ballet but does modern and jazz, for the fun of it, to see what they will require from her, to rise to new challenges. I love new challenges! I haven’t yet written a script or a screenplay, but who knows… maybe someday!

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Things Your Writing Teacher Never Told You: 1st Person and Tight Limited 3rd – A Closely Related Duo

Things Your Writing Teacher Never Told You: 1st Person and Tight Limited 3rd – A Closely Related Duo

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water drop POV

This is Part 4 in the Choosing Your Narrative POV Series.

We’re continuing our examination of eight POV approaches commonly used in Fantasy. This week you’ll find our second and third POV forms – First Person and Tight Limited 3rd – are so similar they’re virtually identical twins. Think of the I vs. He or She pronouns as names: the equivalent to dubbing twins Mary and Carrie.

  1. 1st Person

This uses the I/Me/My pronouns. This can be a very powerful and intimate point of view.

But it can come across as self-indulgent and can slow the pacing of the story. It is more difficult than it first looks to do it successfully, though it’s not nearly as difficult as 2nd Person.

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Things Your Writing Teacher Never Told You: Pro-Tip From Martin Mundt

Things Your Writing Teacher Never Told You: Pro-Tip From Martin Mundt

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Martin Max-smallThis week’s Pro-Tip comes from Martin Mundt, who has a cult following among attendees of live readings series in Chicago, and fans of dark, twisted, humorous horror. His third short story collection, Synchronized Sleepwalking, has just come out.

To Outline or Not to Outline — What Works for You?

I don’t know if I approach the concept of outlining a story in the same way as anyone else. I start with an idea, and then I begin brainstorming about it, coming up with scenes, characters, dialogue and descriptions that seem appropriate. These can be anywhere from one sentence to one page long. Somewhere along the line of writing down these bits and pieces of the story – whether they’re bits and pieces I end up using or not – I end up figuring out the story and the characters. I normally end up with between 4 and 20 pages of notes, and I usually get the opening and closing scenes near the beginning of the process. The bulk, but not all, of the scenes, in the middle of the story, come later. Then I arrange the scenes in order, and fit them all together from beginning to end.

So, it’s not an outline actually, but it’s the way I’ve always written stories, and probably one of the reasons my stories sound a little off. For good or bad, I can’t say.

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Things Your Writing Teacher Never Told You: A Closer Look at Some POV Styles Commonly Used in Fantasy (Starting with Some Intriguing Uses of 2nd Person)

Things Your Writing Teacher Never Told You: A Closer Look at Some POV Styles Commonly Used in Fantasy (Starting with Some Intriguing Uses of 2nd Person)

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Castle POV

This is Part 3 in the Choosing Your Narrative POV Series.

Most English teachers will tell you there are 3 Point of View (POV) forms: 1st Person, which uses the I pronoun; 2nd Person, which uses the you pronoun; and 3rd Person, which uses the he, she or they pronouns. That’s true, as far as it goes. But like a good jazz improvisation, there are a lot of unique riffs that can be built around these three foundations, often mixing, matching, and masquerading as one of these three forms.

My friend and former co-editor Eric Cherry and I once brainstormed more than 25 POV variations, and realized we could have come up with even more. But over the course of this series of articles, I’m going to highlight and explore eight of them.

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