Black Gate

It alarms quite a few people when I say I’m hit and miss on the Marvel Cinematic Universe. As far as the hardcore fans I’m acquainted with, it seems I must be either in or out, and my spotty fandom is definitely not something they approve of.

For example, in a convo with the guy that cleans my office aquarium, I discovered he was super excited when I said one of my favorite films was Iron Man, but was super put out when I had no plans to see Doctor Strange. I also loved Spider-Man with Tobey Maguire, but have been only so-so on the Spider-Man’s since. Yes, I’m missing out on all the cool, interconnectivity of the stories, and no, I’d agree I can’t say I’m a true MCU fan. I just like what I like in the standalone films and frankly do not have the attention-span to take my viewership much further.

At this point I’m lucky my fish aren’t dead.

When it came to comics, it’s no surprise I was more of a DC fan, from Wonder Woman, to House of Secrets and The Unexpected. It’s probably also no surprise that if there was an MC character I consistently enjoyed, it was Blade.

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Long ago A24 Films become my personal favorite independent film production company. Founded in 2012, they didn’t hit my radar until I discovered their 2015 horror hit The Witch, followed by Hereditary in 2018, then Midsommer in 2019. What I would call A24’s next-gen type scares ruled the company’s top box office earners until 2022 when Everything Everywhere All at Once and The Whale became this year’s Oscars darlings.

Just in case you’re wondering how A24 can crank out box office biggies like EEAaO, here’s the downlow. It’s less about the money than it is about the general principals guiding the company. A lot of what makes a production an “indie” movie is the director’s complete control over the creation and art of the final piece. Independent movie companies like A24 tend to work more on the funding, budget, and distribution of the movie, leaving the directors to be “independent” of studio content control.

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I recently enjoyed one of my periodic, cathartic rants about the state of vampires on film in the past couple of decades. Having had it with the very liberal license the entertainment industry has taken with my favorite classic monster, I was happy to share that Hollywood was finally going to give us a seriously violent throw-back version in the form of The Last Voyage of the Demeter. However, though I took exception to vampires being depicted as angsty, flannel-wearing mopes who despised their own blood-sucking nature, I never mentioned believing that vampires should not have a sense of humor.

I mean, if you had to hang around watching humans for roughly 590 years, you’d have to be able to laugh at stuff, right?

If you think about it, Dracula must appreciate the irony of his situation. Certainly director Chris McKay (The Tomorrow War, The LEGO Batman Movie) screenwriter Ryan Ridley (Ghosted, Rick & Morty), and comic book writer Robert Kirkman (The Walking Dead, Invincible) gave it a lot of thought, which is why you should mark your calendars for April 14th.

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Courtesy Wallpaperflair.com

If you’ve read GCN for any length of time, you’ve probably come to understand that as it pertains to vampires, I am a solid purist. I mean, I’m not at all against imagining them in modern society, as in Blade or Blood Red Sky, and I positively love alternative takes such as Let the Right One In and The Lost Boys. It’s also hard not to be a fan of What We Do in the Shadows because it’s just so darn wrong.

But what is absolutely a no-go for me are vampires who literally ignore all the rules of the genre such as sparkling, or going to high school (if only on cloudy days), etc, etc. If that sounds like the only vampires I don’t like live in Washington state, then you may well be right.

But the vampire stories I adore the most are those which cater to all of Bram Stoker’s original tropes, number one of which is that vampires are scary, blood-sucking monsters. And that’s why what I’m about to share is decidedly good news.

It appears that The Last Voyage of the Demeter, due out later this summer, could be the movie that brings my beloved legendary vampire back to his dark and sinister roots.

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If you’re wondering why I’m giving this whole thing any additional oxygen, that makes two of us. But sometimes the universe deals up such general absurdity that I can’t let it pass.

Case in point, the latest buzz-generating horror flick, Winnie-the-Pooh: Blood and Honey.

First, I need to point out (if it wasn’t obvious) that the said buzz isn’t good; though Hollywood has always maintained all publicity is good publicity. In general, even hardcore horror types are expressing outrage that director Fyse Frake-Waterfield has crossed the line. If you didn’t see my original write up on this gem back in November, let me get you caught up.

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