Black Gate

You can always count on interesting offerings from the Toronto International Film Festival. Founded in 1976, “TIFF” is now one of the most prestigious events of its kind in the world, considered second only to Cannes in terms of high-profile pics, stars and market activity.

Screening close to 400 films each season, just a few of the notables which launched at TIFF include American Beauty, Slumdog Millionaire and The King’s Speech, all of which went on to win Best Picture at the following Oscars.

So perhaps we should entertain such hopes for Lace Crater, an indy film which made its debut at TIFF on Tuesday.

Being billed as a lo-fi, horror-comedy, the trailer teases the story of an awkward young woman (Lindsay Burge) who gets a sexually transmitted disease from a ghost. That’s right: this woman has sex with a ghost and suffers the consequences.

And you thought your twenties sucked.

Lace Crater is the feature directorial debut of writer/director and local Chicago, Northwestern University grad Harrison Atkins. Here’s the official synopsis.

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Nearly two years have passed since I first reported Warner Bros. continued to slog through script development on a movie version of Erik Larson’s tale of murder in the 1893 Chicago World’s Fair, The Devil in the White City.

Larson’s book, which tells the twin narratives of serial killer H.H. Holmes and Daniel H. Burnham the architect behind the World Fair, was first put in development by Tom Cruise’s production company, but the option lapsed in 2004.

What then ensued was a series of various studio options, all which lapsed before the movie could get out of development hell. White City finally came to rest with Warner Bros. where it has languished for the last several years until their option also expired, resulting in an aggressive bidding war which was ultimately won this summer by Paramount.

Leonardo DiCaprio has been attached to the White City project for nearly ten years, doggedly pursuing the film since shortly after Cruise’s company lost out. DiCaprio is specifically keen to play Holmes rather than the far more likable character of Burnham, because DiCaprio wants to portray an entirely unsympathetic “bad guy.”

Holmes most certainly fits the bill.

H.H. Holmes murdered between 27 and 200 people, mostly single young women, against the backdrop of the Chicago World’s Fair. The reason the spread on the quantity of victims is so large is, due to his insidious corpse disposal methods, the exact body count was impossible to pin down. Even Holmes himself couldn’t recall the precise number, when he was finally caught, tried, and hung in 1896.

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If only this place really existed, I would never again suffer a Black Gate company road trip, trapped in a zeppelin with a load of less-than-hygienic fan boys, but instead would be enjoying my suite in the goth girl’s equivalent of the Four Seasons.

According to The Hollywood Reporter, my all-time favorite animated film Hotel Transylvania will be coming to the small screen, courtesy of Canadian company Nelvana Enterprises.

Debuting in early 2017 (venue pending), the series will focus on Mavis, the daughter of Dracula, expanding on her teenage years and her friends at the world-famous monster five-star resort.

News of the TV adaptation comes ahead of the sequel Hotel Transylvania 2 hitting theaters this fall, on September 25.

And speaking of the sequel…

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It is an amazing time to be a fan of Stanley Kubrick’s body of work, and in my case, specifically a fan of The Shining.

Thirty-five years ago in May, The Shining debuted in US theaters and redefined the term “psychological horror.” Kubrick, the film’s director, was already an unparalleled auteur due to his previous work that included 2001: A Space Odyssey and A Clockwork Orange.

2015 has seen a wealth of previously unpublished information about Kubrick and his work, including Centipede Press’s massive 752-page compendium, The Shining: Studies in the Horror Film and the currently-touring Stanley Kubrick exhibition.

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You know how some people talk about seeing something that scarred them for life?

I mean really scarred – like way worse than any episode of My Strange Addiction, or “casual Friday” in the Black Gate offices in July.

This happened for me in my early teens when during a sleepover, my friend snagged her Dad’s secret, “unrated” copy of Malcolm McDowell in Caligula.

Though I’ve seen things since that could be categorized as “more disturbing,” nothing has come close to those vomit-inducing scenes burned into my 14 year old retinas.

Of course, as you probably guessed, in the coming years I got seriously busy seeking out every bit of cinema that McDowell had ever done and eventually found my way to Cat People and A Clockwork Orange. If you only know McDowell from Star Trek or Entourage, you definitely need to check out his earlier work.

It takes a special talent evoke an audience’s gag reflex with that much panache.

So it really came as no surprise that today, Rob Zombie’s Facebook page made the following announcement.

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