Black Gate

Way back in 2000, I submitted a book review to Black Gate magazine on a dare.

I had recently fallen in love with the first three installments of the newly published Series of Unfortunate Events by Lemony Snicket (aka Dan Handler) and was going on about them at work to anyone who would listen. Finally, a coworker dared me to tell someone who might actually care and send my annoyingly enthusiastic review to his favorite publication, Black Gate – assuming, I am sure, that head honcho John O’ would effectively tell me to shut it, in writing.

But sixteen years later, thanks to that annoyed coworker and the high tolerant nature of our editor-in-chief, I continue to occupy a subterranean office at Black Gate where I perpetually maintain a small shrine to Handler beside the blender: not only because his work is where Goth Chick News began, but because he remains to this day, just that entertaining.

In 2004, five years after the first book in the Series of Unfortunate Events was published, Hollywood made what I deem a truly disastrous attempt to bring them to life on the big screen; “disastrous” because rather than focusing on the three, young protagonists, Violet, Klaus and Sunny, Paramount Pictures offered it up as a vehicle for Jim Carey. And pulling out every facial expression and delivery shtick from every one of his past characterizations all the way back to In Living Color, Carey dealt the potential franchise an agonizingly slow, 108-minute death.

At least that is what I say happened.

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