Black Gate

Blackout

Every year around the time of my favorite holiday season, reports make the news about “extreme” haunted attractions. This sort of thing is so far beyond your local Jaycee’s haunted house that putting them in the same category is just this side of dangerous.

Why, you ask?

Because around 10 years ago, someone decided jump scares and fake blood was no longer doing the trick when it came to getting one’s heart and adrenaline racing. Actually, the original someone’s were the proprietors of Blackout who launched their sadomasochistic experience in 2009 immediately attracting a very enthusiastic fanbase. For $50 and your signature on a waiver, you embarked on an hour-long odyssey which required a “safe word” in case you had enough of being screamed at, choked, blasted with a fire hose, and having all five of your rational senses otherwise assaulted.

I remain conflicted about what to think of this whole thing, mainly because getting scared — whether at the movies or attending an October event — is generally a safe version of escapism. I mean, the chance of zombies actually chasing you is relatively low in real life.

Relatively.

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Every September for the last 20+ years, “The Season” has begun the same way – with a special sneak preview event at our local Chicagoland Six Flags amusement park called Fright Fest. Saying I look forward to this is a significant understatement. Like the whole kid calendar revolving around Christmas in A Christmas Story, the whole Goth Chick year revolves around Halloween, and Fright Fest has historically been the high-water mark that kicks off the festivities.

Though every year has not necessarily been created equal,  one can usually expect copious decorations, a large number of staff in very high quality costumes (the Edward Scissorhands of one past year is still one of the best I’ve seen), and multiple themed “zones” throughout the park such as an alien zone, a zombie zone, etc, where everything is kicked up a notch. Some years back, Six Flags made the patron-sensitive decision to split the park in half for the protection of younger visitors. Enter the gate and go right, the experience is of more the pumpkin and skeleton varieties; go left, and a very high-quality wolfman could chase you half a city block. In other words, the experience was definitely “adult.” In addition, there were 5 to 6 “haunted houses” each year, again, ranging in intensity. However, the “headliner” houses, of which there were usually two, were high-quality experiences with good special effects, great décor and plenty of actors delivering the scares.

Alas, that was previous years.

Though Fright Fest 2018 had shown a marked decline, I didn’t want to call it a trend after one season. However, this year clinched it and I could not be sadder.

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We here at Goth Chick News have the pleasure of covering several trade shows annually, dealing with a variety of topics on and near the horror industry. Many of these concern haunters both professional and amateur who pour their money and talent into one month a year when the U.S. embraces all things scary.

But as the band Ministry told us in 1986, for some every day is Halloween, and in 2018 a show came through Chicago which catered to this crowd in particular. Unfortunately, I was unable to attend its premier in the Windy City but corrected that in late July when the Oddities and Curiosities Expo came back through town, drawing together precisely what its name implied; two show-floor levels of artists specializing in the odd and curious.

Targeted toward “the lovers of the strange and unusual,” the O&CE describes itself as…

The first and Original Traveling Oddities event. We have expanded from 2 cities in 2017 to 8 cities in 2018 and now for 2019 we have 16 cities! We want to support local/national vendors, dealers and small businesses by giving them a place to sell and feel welcome. We have vendors on all spectrums of weird, creepy and unusual. Our goal is to bring like-minded people together and have events that people truly enjoy.

Organizers Tony and Michelle have partnered with Ripley’s Believe It or Not, a taxidermy school, suspension artists (read, people hanging from their piercings) and over a hundred vendors and craftspeople to put on an exposition which more than lives up to its name.

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