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Author: Soyka

Still Not Ready for Prime Time

Still Not Ready for Prime Time

6276241335_53830189a1_o1Well, just as everyone is remarking on how the new conversant iPhone is making science fiction true to life, one pretty big part of the science fiction imagination remains just that; while the 21st century has not only arrived, we’re a decade into it, but we won’t be taking any sight seeing trips to Mars in the near future.  Even a suborbital cruise will have to wait until 2013. The overly ambitiously and to-date technically impossibly named Virgin Galactic, a space tourism company founded by British billionaire and all-around let’s do something fun and make some money at it guy Sir Richard Branson, has announced that commercial flights have been delayed for another two years.  But don’t start buying any tickets, as this is something like the fourth time the schedule has been bumped forward since flights were supposed to begin back in 2008.

If you did want to get in on the ground floor, so to speak, tickets cost $200,000, with a deposit of$20,000 required.  Not sure if that includes complimentary drinks.

Asimov on 21st Century Advertising

Asimov on 21st Century Advertising

imagesBack in 1977, science-fiction writer Isaac Asimov wrote a piece for Advertising Age predicting, among other things, that consumers would opt to receive ads personalized to their interests as well as the role of “persuasion techniques developed by advertology (sic)” to promote social change. While Asimov got the general idea right, he was wrong on the delivery channel for target marketing (he thought it would be television, having no notion of the Internet) and the evolution of political advertising (he thought it would be for the purpose of “battling ignorance and folly” as opposed to most political messages today that’d rather promote ignorance and folly).

Asimov was from a generation of SF writers who saw their avocation in part as to predict the future as a positive, better place to live. In the same article, Asimov conjectured that by 2000, “Energy will once more be relatively plentiful, and it will be used more wisely, we hope, by a world that has been taught by the events of these recent decades to cooperate for survival.” Good luck with that.

I was thinking about this after reading “Novelists Predict Future With Eerie Accuracy” by John Scwartz in The New York Times Sunday Review. He notes the range of predictions that have come to pass, ranging from Jules Verne staging moon launches from Florida to Arthur C. Clarke’s anticipation of satellite communications to Internet virtual realities envisioned by William Gibson and Bruce Sterling, two of the founding fathers of the cyberpunk movement in the 1980s. But he fails to distinguish between those like Asimov who hoped they were right in promoting a future enhanced by technological development and those whose extrapolations of global corporate and media trends led to more decidedly dystopic premonitions.

193176591Alas, it seems as if the optimists who envisioned the twenty-first century as some sort of glittering technological utopia might have gotten some of the details right, but the award for getting right the overall picture of media and marketing malevolence goes to the more pessimistic cyberpunks. As the opening line of the archetypical cyberpunk novel — Gibson’s Neuromancer describes it:

The sky above the port was the color of television, tuned to a dead channel.

Gibson delineates a world in which industry, technology, and mass media dominate human existence, but not in good ways that Asimov thought it might turn out. Certainly not one in which we’ve all decided to cooperate for our mutual survival.

A Pleasure to Read

A Pleasure to Read

bradbury-burn1Ray Bradbury’s A Pleasure to Burn is a collection of short stories that served as the basis for one of his novels (and what few novels he has written are based on his short stories) Fahrenheit 451. This is repackaging, recycling, and rebranding old stuff (really old, as the novel appeared in 1953 and the stories date back to 1947) to make it appear fresh. Now in his ninth decade, Ray has more than earned the right to let his publishers generate some cash for him the same way the Beatles (as well as a multitude of musical groups from the era) and their heirs keep coming up with repackaged versions of the same old catalog. But, just like repeated listening to the Beatles over the decades, anything that makes you reconsider some “old” notions in a new context still has value.

If you’re not familiar with Fahrenheit 451 (and you really need to rectify that), the premise is that of a dystopia in which television is the ruling order’s opiate to keep the masses content and placid; to that end, reading is literally outlawed as disruptive to social conformity. Firemen no longer put out fires but set fires to surreptitious libraries of the banned books. The protagonist is a fireman who begins to question his purpose and eventually decides to take a look at what he’s supposed to be destroying. Needless to say, his experience in reading books proves the authorities right. Which, of course, Ray wants us to understand, is actually a good thing.

Remember, this was written in the 1950s, back before anyone could even begin to imagine something as stupefying today as The Situation and Snooki, or the anti-intellectualism of the Republican presidential field, or 150 channels and nothing much to watch. This was also the era of McCarthyism, though Bradbury always maintained his novel was not about censorship, easy as it would be to interpret it that way, but rather a critique of American culture.

It still is.

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Weird Tales Summer 2011

Weird Tales Summer 2011

wt358-170As usual, I’m behind the curve. I was delighted when I first heard that Ann VanderMeer was taking over Weird Tales but never got around to reading an issue under her direction because, well, I just never got around to it.  Alas, now she’s been relegated to the slush pile as a new owner wants to return the magazine back to its pulp Lovecraftan roots (although, the latest news is that the transition is being handled with a little more class than originally reported and it seems a final VanderMeer edited adieu issue is forthcoming).

I’m undoubtedly in the minority here amongst the crew of the good ship Black Gate in not being overly fond of Lovecraft, Howard and all the other pulp writers and am much more inclined to the “New Weird” sort of fiction that VanderMeer has championed.  Just take a look at the cover of the latest issue.  Nothing pulpish here. To my sensibilities, that’s a good thing.

Or, I guess I now have to say, was a good thing.

In any event, since nothing makes you more eager to catch up on your to-do-list than finding out some of the items are about to disappear, herewith my review of the fiction in the next-to-last VanderMeer edited Weird Tales.

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Interzone #236 September-October 2011

Interzone #236 September-October 2011

374The new Interzone features contains stories by Jason Sanford (“The Ever-Dreaming Verdict of Plagues”), Mercurio D. Rivera (“Tethered”), Jon Ingold (“The Fall of the City of Silver”), Fiona Moore (“The Metaphor”) and Stephen Kotowych (“A Time for Raven”); art by Richard Wagner, Ben Baldwin, Jim Burns and Martin Hanford. There’s also the regular columns, Ansible Link by David Langford, Mutant Popcorn by Nick Lowe,  and Laser Fodder by Tony Lee; book reviews including an interview with Lavie Tidhar conducted by Maureen Kincaid Speller.

You can also download issue 230 for free, containing stories by Aliette de Bodard, Nina Allan, Lavie Tidhar , Patrick Samphire and Tim Lees.

In other news, Locus reports that the Amazing Stories trademark has been acquired, possibly for use as the title for an online magazine. This would be how many times the dead magazine has been resurrected? Although this time, a true resurrection, as it wouldn’t have a physical paper form.

Strange Horizons 2011 Fund Drive

Strange Horizons 2011 Fund Drive

sh_headWebzine Strange Horizons is conducting its 2011 fund drive, where your donation supports one of the first (and one of the few surviving from that era) on-line speculative fiction markets. Publishing weekly for over a decade (which in Internet time is something like a century/), Strange Horizons features short fiction (this past week it was Lewis Shiner), regular columns from the likes of John Clute and Matthew Cheney, articles, poetry and book reviews. To my knowledge, Strange Horizons is the only paying on-line market that relies on the “public broadcasting” non-profit model of member donations to keep operations afloat. So the one value of “subscribing” is you at least get a tax deduction out of it.

As of Friday, they were a little over a quarter of the way towards their goal of $8,000.

The Dying Bookstore, Continued

The Dying Bookstore, Continued

ri_-img_2608Further news on the plight of the physical bookstore front.  Berkeley’s Serendipity Books is closing. Man, if a bookstore can’t survive in Berkeley, where can it?  Well, one place is Charlottesville, VA, which I chose to move to in part because of the plethora of bookstores.  But even here in this cultural mecca that shades blue in otherwise red  territory, bookstores may not survive the retirement or demise of their owners.

In related news, Criminal Records, one of Atlanta’s largest non-chain music retailers whose owner was involved in forming Record Store Day, a nationwide event to increase awareness of and traffic to independent record stores, is expected to close by November, barring some benefactor.  Eric Levin blames the economy, not digital downloads or box stores, but it would also seem he missed the class about paying your taxes.

Speaking of the demise of physical presence, Michael Hart, who is credited with creating the first e-book forty years ago by typing the Declaration of Independence into a computer on, you guessed it, July 4, has died.

If you can, go out today to your local bookseller/record store and buy something.  Do your bit to get the economy going. Exactly how someone is supposed to help you get your personal economy going, I’m not sure, but a good book or record can at least make you feel better about not being able to buy other stuff you can’t afford.

Black Static#24

Black Static#24

360The new Black Static cover features Ben Baldwin‘s illustration for Ramsey Campbell’s “Recently Used”: here’s the opening paragraph:

Tunstall thought he hadn’t slept when the phone rang. He clutched it and sat up on the bed, which felt too bare and wide by half. On the bedside table the photograph of him with Gwyneth in the sunlit mountains far away was waiting to be seen once more, and beyond it the curtains framed a solitary feeble midnight star. He rubbed his aching eyes to help them focus on the mobile as he thumbed the keypad. “Hello?” he said before he’d finished lifting the phone to his face.

Other fiction includes “Dermot” by Simon Bestwick, “A Summer’s Day” by K. Harding Stalter, “Still Life” by Simon McCaffery and “How the Sixties Ended” by Tim Lees.  Non-fiction columns by Stephen Volk, Christopher Fowler, Mike O’Driscoll and reviews by Tony Lee and Peter Tennant.

In related news, Mercurio D. Rivera’s “Tu Sufrimiento Shall Protect Us” from Black Static # 18 is up for the 2011 World Fantasy Short Story Award. Here’s the download.

You can subscribe to the print version here, or the electronic edition here; there’s also a special discounted rate for a joint subscription to both Interzone and Black Static. Also, the publishers are reintroducing lifetime subscriptions. What you’re buying, in essence, is a 10-year subscription at the current rate.  If you think you’re going to live for at least another decade, and you think Black Static will also be around for as long, this could be a bargain for whatever time you and the magazine have after that. If that weren’t enough, you can also opt for joint lifetime sub that gets you sister publication Interzone for a slightly reduced rate.  Sign your life away here.

Realms of Fantasy August 2011

Realms of Fantasy August 2011

august-2011-cover-250x347The August Realms of Fantasy is its 101st issue, the significance of which editor Douglas Cohen makes some sage observations. Fiction includes “The Progress of Solstice and Chance” by Richard Bowes, “Isabella’s Garden” by Naomi Krtizer, “Collateral Damage” by Katie Riedel, “Snake in the Grass” by W.R. Thompson and “Leap of Faith” by Alan Smale.  Here’s the complete Table of Contents.

You can subscribe to either print or digital editions.