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Short Fiction Review #32: Bull Spec #2 Summer 2010

Short Fiction Review #32: Bull Spec #2 Summer 2010

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bullspec2a-1The unfortunately named Bull Spec (I’m assuming this is a reference to Bull Durham tobacco and/or the Kevin Costner movie that takes place in Durham, N.C. where the magazine is based and its intent to feature local writers of “speculative fiction”) has published its second issue as part of an ambitious plan in an age when print is on the decline to put out two more in 2010 and qualify as a quarterly magazine.  Editor Samuel Montgomery-Blinn responded to my complaint that the website looks like something from the 1990s that it was in fact built using software tools of that era because, for now, he’s more concerned about the look and quality of the print publication (also available as a pdf download).

In that, he’s succeeded in producing a full-size, glossy, thick stock, some color magazine that has a look and feel comparable to Interzone, featuring interviews, a serial graphic story, reviews. poetry and short fiction. While the magazine looks fresh and contemporary, like the website the short fiction is from another era, i.e., a pulp magazine of the 1940s. All five stories hinge on the main character coming to some realization about his/her plight in life due to some science fictional contrivance or fantastical occurrence. In every case, you see the O’Henry twist  long before it is supposed to surprise you.

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Short Fiction Roundup: World Fantasy Nominees

Short Fiction Roundup: World Fantasy Nominees

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readerLocus reports the ballot of nominees for the World Fantasy Awards.  It’s a little confusing.  I can’t seem to find the ballot on the World Fantasy site, which does references the “2009” nominees and winners for last year (meaning these were for works published in 2008 that won at the 2009 convention). Locus refers the “2009 Nominees,” by which it means works published in 2009 that will be awarded at the 2010 WF convention in October. Why this isn’t on the WF site I couldn’t say.  Now that I’ve cleared that up, here are the nominees in the novella and short story categories:

(Haven’t read any of these.  In fact, for the entire ballot, the only thing I’ve read is The City & The City by China Miéville.  Maybe I get extra credit for reading some of James Enge’s Morlock stories; his Blood of Ambrose is also a novel nominee.)

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Whither the Bookstore?

Whither the Bookstore?

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bn_logo2Following up on John’s post (and subsequent discussion) concerning the predicament of Barnes and Noble, which seems to be getting a taste of its own medicine as e-books and online book buying may relegate the superstore concept as nostalgic as the local independent book dealer, is this article from The New York Times. What’s interesting is the prediction that despite the growing acceptance of reading on handheld screens and website ordering, surviving independent stores may still flourish because of their personalized service to niche customers.

thin21Makes sense. Every time I go into an independent bookstore, I feel compelled to buy something even if I already have to many books I haven’t read yet, much less that I could get the book cheaper online (or even at Barnes and Noble). One reason I like to support these guys is that there’s something very attractive about “non-chain store” shopping, where owners have put their own individual stamp on the presentation and perusal of their wares.

True, they may not be as deep stocked as B&N (or at least used to be).  But, funny how the books they do carry in the fiction section are almost exactly the kinds of things I’m interested in.

To give B&N its due, though, I always thought it conveyed more a sense of a traditional bookshop than its much more troubled competitor, Borders. (Gone into one lately?  It’s like Waldenbooks on steroids, meaning appealing to the lowest common denominator is even more depressing when it’s bloated with stationary and puzzles).  And the people who worked there do seem to be knowledgeable and enthusiastic about books, unlike some of the clueless clerks you might find in a mall record store (do they still have those?).

As for what will happen to the physical book once we’re all reading on our Kindles or iPads or inner eyelid digital display inlays, check out this article by Rob Walker, also from theTimes.  I particularly like the idea of using an old discarded book to house your Kindle. And that someone could actually sell it for $25.

See, all those books bending your bookshelves do have some future value.  Get ’em while you can.

Short Fiction Review #31: Interzone Issue #229 July-August 2010

Short Fiction Review #31: Interzone Issue #229 July-August 2010

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225The lead story for the July/August issue of Interzone (the cover of which has nothing to do with its contents, serving instead as a panel for a226 complete artwork comprising all the issues in 2010) is “Mannikin” by Paul Evanby.  The story opens in July 1776, the date  of American declared independence from British colonial rule (sidenote:  the writer is Dutch and the magazine is published in the U.K.).  But this isn’t about Ben Franklin or Thomas Jefferson, and doesn’t even take place in the colonies, but rather signifies the irony of a revolution that resulted in freedom for  white Protestant male landowners who relied on the exploitation of  African-American slaves to maintain economic autonomy.

The title refers to artificial creatures  fashioned using 18th century pseudo-scientific notions of “animalcula” blowing about in the atmosphere that contain the essence of life; the male reproductive system somehow absorbs these animalcula (beware windy days!) to power sperm production.  Consequently, the “man”-nikins are entirely male, produced like fermented spirits out of barrels.

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Short Fiction Roundup: The Year’s Best

Short Fiction Roundup: The Year’s Best

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ed-al906_bkrvsc_dv_20100722175927Over at The Wall Street Journal, Martin Wooster has reviewed this year’s annual of Gardner Dozois picks so I don’t have to. What’s particularly interesting about this review is the contention that while most short fiction today is the output of navel gazing MFA candidates (and could not be possibly of interest to normal folks, like those who read The Wall Street Journal), genre magazines still publish quality traditional plot-driven stories once characteristic of mass circulation magazines that have long ago succumbed to short-attention reader spans and market vicissitudes.

As it happens, I stopped reading Asimov’s, which Dozois formerly edited, because I was coming across too many traditional plot-driven hard SF tales that are okay once in awhile, but, for my tastes, make for a kind of bland diet.  For largely the same reason, as well as for lack of time, I’ve become less obsessed with studying every iteration of The Year’s Best Science Fiction, though Wooster’s review may make me reconsider (even the ones he doesn’t like sound intriguing too me).  But as for whether genre magazines are the only home of short fiction that isn’t willfully obtuse in focusing on obsessions that matter only to a self-conscious elite (a charge frequently made of genre’s pulp forebears, funnily enough), I don’t know.

It’s been awhile since I’ve read much from the so-called literary magazines, and I probably haven’t read enough of them to know if this is more canard than truism.  I did use to get Glimmer Magazine, which, if I recall correctly, was the first place where I read anything by Junot Diaz, who wrote The Brief Wondrous Life of Oscar Wao.

Depending on what you thought of that book may either prove or disprove Wooster’s point.

Short Fiction Roundup

Short Fiction Roundup

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july2010Each week, Lightspeed features a short story from its current magazine, that is otherwise available for a $2.99 PDF download. The current one is “The Zeppelin Conductor Society’s Annual Gentleman’s Ball” by Genevieve Valentine. Next Tuesday (July 27) it will be “… for a single yesterday” by George R. R. Martin.

Theodora Goss is the new Folkroots editor for Realms of Fantasy.

Here’s another take on Gary MacMahon’s The Harm, which sees a lot more in it that my own lukewarm review.

The 2009 Shirley Jackson Awards winner in the short story category is “The Pelican Bar” by Karen Joy Fowler (Eclipse 3).  Haven’t read it, nor any of the nominees (nor for that matter, any nominees any category, maybe I get out too much):

  • “The Crevasse,” Dale Bailey & Nathan Ballingrud (Lovecraft Unbound)
  • “Strappado,” Laird Barron (Poe)
  • “Faces,” Aimee Bender (The Paris Review, Winter ‘09)
  • “The Jacaranda Smile,” Gemma Files (Apparitions)
  • “Procedure in Plain Air,” Jonathan Lethem (The New Yorker 10/26/09)
Short Fiction Review# 30: The Harm by Gary McMahon

Short Fiction Review# 30: The Harm by Gary McMahon

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theharm3TTA Press, publishers of Black Static, Interzone and Crimewave magazines as well as a few books, has launched a (potential) new line of exclusive novellas, beginning with Gary McMahon’s The Harm:

We hope that this will be the first of many TTA Press novellas, stories that you’d expect to see in Black Static and Interzone but are just too long for the magazines. They will be of varying lengths, and many we expect will be much longer than The Harm, but each one will be priced the same, just £5. In time, we hope to offer subscriptions to these novellas and offer significant savings.

The Harm is aimed at the Black Static audience, i.e., horror.  The story depicts the not unpredictable intertwined fates of three now grown up victims of particularly gruesome (though the adjective may be a redundancy) child molestation, as well as that of a sister of one of the casualties.  

The title intends to convey not just the horror of physical and sexual abuse of children (and, actually, the narrative is not, thankfully, directly concerned with detailing this) but the harm to all those who survive.

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Thinking about it

Thinking about it

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193350027102lzzzzzzz193350032802lzzzzzzzFor all those recovering English majors interested in science fiction criticism, you might want to check out Paul Kincaid’s review of Cheek by Jowl by Ursula K Le Guin and Imagination/Space by Gwyneth Jones.

Also in last week’s Strange Horizons is the always erudite though sometimes unfathomable critic John Clulte’s Scores column, a comparison and contrast between Cory Doctorow and Robert Heinlein.

Also, you can read one critic’s assessment (Niall Harrison) of another critic’s (Gary K. Wolfe) collection of reviews here.