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Author: Steven H Silver

A to Z Reviews: “Fire in the Dark,” by Alex Azar

A to Z Reviews: “Fire in the Dark,” by Alex Azar

A to Z ReviewsOver the past several years, I’ve embarked on a series of year-long review cycles at Black Gate. In 2018, I reviewed a story-a-day to coincide with an author whose birthday it was. In 2022, I selected stories completely at random from my collection to review. In both of those cases, the projects served to find forgotten and minor works of science fiction that spanned a range of years. They also served to make me read stories and authors who I haven’t read before, even if they were in my collection.

For this year’s project, I’ve compiled a list of all the stories and novels in my collection. I then identified the first and last works for each letter of the alphabet and over the next twelve months, I’ll be looking at those works of fiction, starting with Vance Aandahl’s “Bad Luck” and ending with David Lee Zweifler’s “Wasted Potential.” Looking at the 52 works (two for each letter), I find that I’ve only reviewed one of the works previously. Interestingly, given the random nature of the works, only three novels made the list, while four anthologies have multiple stories on the list. The works range in publication date from 1911’s “The Hump,” by Fernan Caballero to Zweifler’s story from last year.

The final story in my collection by an author whose name begins with an A is Alex Azar’s “Fire in the Dark,” which appeared in the anthology Wyrms, edited by Eric Fomley in 2022. Wyrms is a collection of drabbles, a literary format in which a story is told in exactly 100 words. In the interest of transparency, I should note that my story “Best Policy” also appears in Wyrms. I’ll also note the last word of this sentence (including the introduction) is the 300th word of this article.

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A to Z Reviews: “Bad Luck,” by Vance Aandahl

A to Z Reviews: “Bad Luck,” by Vance Aandahl

A to Z ReviewsOver the past several years, I’ve embarked on a series of year-long review cycles at Black Gate. In 2018, I reviewed a story-a-day to coincide with an author whose birthday it was. In 2022, I selected stories completely at random from my collection to review. In both of those cases, the projects served to find forgotten and minor works of science fiction that spanned a range of years. They also served to make me read stories and authors who I haven’t read before, even if they were in my collection.

For this year’s project, I’ve compiled a list of all the stories and novels in my collection. I then identified the first and last works for each letter of the alphabet and over the next twelve months, I’ll be looking at those works of fiction, starting with Vance Aandahl’s “Bad Luck” and ending with David Lee Zweifler’s “Wasted Potential.” Looking at the 52 works (two for each letter), I find that I’ve only reviewed one of the works previously. Interestingly, given the random nature of the works, only three novels made the list, while four anthologies have multiple stories on the list. The works range in publication date from 1911’s “The Hump,” by Fernan Caballero to Zweifler’s story from last year.

To kick off the series, we start with Aa, specifically, Vance Aandahl’s story “Bad Luck,” which appeared in the November 1989 issue of The Magazine of Fantasy and Science Fiction. Throughout his thirty year career, the majority of Aandahl’s short fiction initially appeared in that magazine.

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Interview with an AI: High Fantasy

Interview with an AI: High Fantasy

In the first of an occasional series, I interview the Bing AI about high fantasy.  The AI’s responses have not been edited.

What is high fantasy?

The Hobbit and
The Lord of the Rings

High fantasy, also known as epic fantasy, is a subgenre of fantasy defined by the epic nature of its setting or by the epic stature of its characters, themes, or plot. High fantasy is set in an alternative, fictional (“secondary”) world, rather than the “real” or “primary” world. This secondary world is usually internally consistent, but its rules differ from those of the primary world. By contrast, low fantasy is characterized by being set on Earth, the primary or real world, or a rational and familiar fictional world with the inclusion of magical elements.

High fantasy stories often feature world-threatening forces, fantastic creatures, historic or unusual technologies, magical elements, and other unearthly elements. The story might also include characters from royalty and be seen through the viewpoint of one hero, an underdog.

Some examples of high fantasy literature include J. R. R. Tolkien’s The Lord of the Rings, Ursula K. Le Guin’s Earthsea, and George R. R. Martin’s A Song of Ice and Fire.

How does high fantasy differ from sword and sorcery?

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A Genealogical Look at Parke Godwin

A Genealogical Look at Parke Godwin

Parke Godwin
Parke Godwin

Recently, we marked the tenth anniversary of the death of author Parke Godwin. As it happens, I started looking into Godwin’s background and it led me down a rabbit hole that goes back 333 years, to the birth of his great-great-great-great-great grandfather. It turns out Godwin came from a rather illustrious family that included state assemblymen, generals, editors, hoteliers, and industrialists, some of whom were associated with significant American figures including George Washington and Alexander Hamilton.

Before we look at his ancestors, let’s take a quick look at Parke Godwin. Godwin won the World Fantasy Award in 1982 for his novella “The Fire When It Comes,” which also earned him his only Hugo and Nebula Award nominations. He would later earn a World Fantasy Award nomination for a collection of the same title. His novel Firelord, a retelling of the Arthurian legend, was nominated for both the World Fantasy Award and the short-lived coveted Balrog Award, losing to Gene Wolfe’s The Shadow of the Torturer and Stephen R. Donaldson’s The Wounded Land.

I imagine many people discovered Godwin’s writing with the publication of his satirical duology Waiting for the Galactic and The Snake Oil Wars, both of which were reprinted by the Science Fiction Book Club. He also wrote a two volume Robin Hood sequence, novels tackling Beowulf, St Patrick, and Harold of England.

But I promised a look at his ancestors, so we set the WABAC machine for 1720, when a thirty-year-old carpenter named Abraham Godwin arrived in New York from Hereford, England. Godwin worked as a carpenter for the Dey Company, where his son would also work before setting out from New York. Abraham died in 1770 in Totowa, New Jersey.

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Random Review: “The Devil Was Sick” by Bruce Elliott

Random Review: “The Devil Was Sick” by Bruce Elliott

Cover by George Salter
Cover by George Salter

Bruce Elliott was the author of ten short stories and three novels during a career that ran from 1944 until 1970, with seven of his stories appearing between 1951 and 1953. “The Devil Was Sick” appeared in the April 1951 issue of The Magazine of Fantasy and Science Fiction and was promptly reprinted in the anthology Adventures in Tomorrow, edited by Kendell F. Crossen.  It was subsequently reprinted in Deals with the Devil, Heaven and Hell, and Isaac Asimov’s Magical Worlds of Fantasy #8: Devils.

Set in the distant future (the forty-sixth century is well in the past), the only route off Earth is through original research. Acleptos is hoping to leave the home planet for a planet in orbit around Alpha Centauri, where the love of his life had emigrated following her successful research. Running some ideas for research through the almost-all-knowing Machine, he comes up with the question of whether devils and demons are real or hallucinatory. Ascleptos tackled the issue with the hopes of being reunited with his lost love.

Acleptos’ research leads him to an attempt to summon a demon with the assistance of his friend Ttom. Although they are successful, it is the appearance of the demon that causes the story to fail. Elliott offers up some interesting ideas, but there is a lack on internal consistency in the story and it seems he wasn’t able to decide exactly what was happening. It is possible this is caused by Acleptos’ inability to accurately understand the situation, but it feels as if Elliott hadn’t thought it through carefully enough.

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Random Review: “The Theft of Destiny” by Josepha Sherman

Random Review: “The Theft of Destiny” by Josepha Sherman

Cover by Jean-Francois Podevin
Cover by Jean-Francois Podevin

The other day I was talking about writing with someone who began pointing out the similarity of ideas behind a variety of books. I pointed out that the idea wasn’t always the important thing, what an individual author did with the idea was important. Two authors who come up with the same basic idea would write extremely different stories.

Josepha Sherman’s “The Theft of Destiny,” which first appeared in the Margaret Weis anthology Legends: Tales from the Eternal Archives is certainly not based on a new idea. In fact, Sherman’s story is a retelling of an ancient Mesopotamian myth concerning Enlil, Anzu, and Ninurta. However, Sherman relates the legend in a way that is more resonant with the modern reader.

Over the course of only a few pages, Sherman presents three different viewpoints, beginning with Enlil, who has custody of the Tablets of Destiny. Sherman follows the tablets when they are stolen by Anzu, and, by extension, begins to look at Anzu’s motivations in the theft. Ninurta, Enlil’s son, comes into the picture when his father informs the gods of the theft and his underrated son sees an opportunity to achieve something and make a name for himself.

Without delving too deeply into the mythology behind the two gods, the demon, or the Tablets of Destiny, Sherman works to provide each of them with very realistic and understandable motives for their actions. Anzu doesn’t steal the Tablets merely to set the action of the story in motion and Ninurtu chases after Anzu because he feels the need to demonstrate that he is as capable, or more capable, than the more establish deities.

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Random Review: “Reconciliation” by Fredric Brown

Random Review: “Reconciliation” by Fredric Brown

Cover by Kohs
Cover by Kohs

Fredric Brown was known for doing two things quite well. He was a master of the twist ending, science fiction’s O. Henry, if you like, and he was prolific with extremely short stories, flash fiction in modern parlance. Combining the two is not particularly easy, but since one aspect of flash fiction is “its ability to hint at or imply a larger story,” according to Robert Swartwood, the fact that the author needs to use words sparingly means that they have to imply a great deal of the plot, characters, and setting, leaving the stories rife for misinterpretation or misdirection.

One of Brown’s pieces of flash fiction is “Reconciliation,” which first appeared in Browns’ collection Angels and Spaceships. In only 311 words, Brown tells the story of a couple whose marriage is falling apart. John has come to view his unnamed wife as someone who only married him for his money and hangs around with women whom he dislikes. His wife denies that his money has anything to do with their relationship, but feels humiliated by the fact that John has had an affair and is positive that he will have future affairs, a fact that he confirms.

Brown has captured the vitriol and hate of two people stuck in a relationship that can only be headed for an ending, whether separation, divorce, or murder.

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Random Reviews: “Shadow in the City” by Dean Wesley Smith

Random Reviews: “Shadow in the City” by Dean Wesley Smith

Cover by G-Force Design
Cover by G-Force Design

Dean Wesley Smith wrote “Shadow in the City” for the anthology Stars: Original Stories Based on the Songs of Janis Ian. Ian, a longtime science fiction fan, had attended the Worldcon in 2001 and became friends with several authors over the next several years, including Mike Resnick, with whom she edited this anthology in 2003.  Smith’s story is inspired by Ian’s song “Here in the City,” from her 1999 album Unreleased 2: Take No Prisoners.

Set in the aftermath of a calamity that has depopulated the Pacific Northwest, if not the entire world, Carey Noack has been living alone for four years near the Oregon coast when she decides it is time to return to Portland to see if anyone is living in the city, or at least to retrieve some of the belongings from her old apartment. In Portland, Toby Landel is living in a penthouse apartment he has commandeered surrounded by surveillance equipment he set up around town in hopes of finding someone else living in the otherwise deserted city.

Although both are looking for other people, they are also aware of the danger of finding someone else. Toby’s one discovery of a person moving through Portland since the catastrophe resulted in him not revealing himself for fear that the transient would just as likely kill him as anything else. The tension of the story comes, in part, from Carey and Toby’s concerns once they realize that there actually is someone else around.

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Random Reviews: “Why Do You Think They Call It Middle Earth?” by Susan Casper

Random Reviews: “Why Do You Think They Call It Middle Earth?” by Susan Casper

Cover by Larry Elmore
Cover by Larry Elmore

Because I’ve been asked about the process by which I’ve been selecting stories for the Random Review series, I thought I’d take a moment to explain how the stories are selected.

I have a database of approximately 42,000 short stories that I own sorted by story title. When it comes time for me to select a story to review as part of this series, I role several dice (mostly ten sided) to determine which story should be read. I cross reference the numbers that come up on the die with the database to see what story I’ll be reviewing.  This week I rolled 40,278, which turned out to be Susan Casper’s short story “Why Do You Think They Call It Middle Earth?

One of the things I hoped to get out of this series, from a personal point of view, was to discover authors and short stories that I’ve owned and have never read. Of course, I also hoped to share those discoveries, good or bad, with the readers of Black Gate.

Casper’s story is told from Emily Prentiss’s point of view, a thoroughly unlikable, self-absorbed woman who prides herself on her no-holds-barred attitude in the boardroom. While berating a homeless man one day, she falls through a crack in the earth and finds herself in a fantastic realm, intent on finding someone who will pay for her misfortune.

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