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Author: Steven H Silver

A to Z Reviews: “Permission,” by Mark Dachuk

A to Z Reviews: “Permission,” by Mark Dachuk

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A to Z Reviews

Tesseracts is a Canadian anthology series that published 23 issues between 1985 and 2019. First edited by Judith Merril, each subsequent volume was edited by different authors and featuring new science fiction by various Canadian authors. One volume, Tesseracts Q, edited by Jane Brierley and Elisabeth Vonarburg, featured English reprints of stories originally published in French. Mark Dachuk’s “Permission” appeared in Tesseracts Ten in 2006, edited by Edo van Belkom and Robert Charles Wilson.

Dachuk has created a world in which everyone’s goal appears to be to leave the planet earth. Luana lives alone in a small house with an attached garden. When rockets launch from a nearby facility, she looks at them longingly, wanting to leave the world behind, but she doesn’t have the wherewithal to purchase her own tickets to leave the earth. Her hopes rest in the possibility that one of the plants growing on her property, the permission, will one day flower. She surmises that the house’s previous owner was lucky enough to get a blossom, which led to his departure.

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A to Z Reviews: “Hamlet’s Ghost Sighted in Frontenac, KS,” by Vincent Czyz

A to Z Reviews: “Hamlet’s Ghost Sighted in Frontenac, KS,” by Vincent Czyz

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A to Z Reviews

Published in the Festschrift volume Stories for Chip: A Tribute to Samuel R. Delany, Vincent Czyz’s “Hamlet’s Ghost Sighted in Frontenac, KS” has a promising title, which the story doesn’t quite live up to, although it is accurate.

Calling it a story may not be correct. It is more the relating of a slice of life, an evening in Frontenac, Kansas, when Jim Lee, UFO enthusiast and former Marine, spends a night with friends, likely the same as the night before, the night after, and every other night.

The evening begins with him shooting the breeze and sniffing cocaine with Logan, apart Native American whose head was injured in a horseback riding accident. They eventually head over to the local dive bar to hang, shoot the breeze, and sniff more cocaine with addition friends. Their conversation turning to their own histories, giving them the air of men who know that their best days are behind them and anything they do in the future won’t matter. There is a sense of futility to the story.

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A to Z Reviews: “The Hump,” by Fernan Caballero

A to Z Reviews: “The Hump,” by Fernan Caballero

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A to Z Reviews

Fernán Caballero was the pen name of Cecilia Francisca Josefa Böhl de Faber y Ruiz de Larrea (1796–1877). In 1811, she published the short fable “The Hump,” which is a take on the fairy tale trope of a king promising to give half his kingdom away to anyone who would marry his stubborn daughter.

What struck me in reading this story is the oddity of the trope. Sure, monarchs would marry their children (or themselves) off to make alliances with other monarchs, but part of this trope is that it is so random. Marrying the princess off to whoever could slay a dragon or whatever may demonstrate that the individual is skilled in combat, but it doesn’t necessarily equate to the skills to rule a kingdom.

In “The Hump,” the king determines to marry his daughter off to whomever can say what materials she used to have a tambourine made. Even less of an indicator of ability to rule a kingdom, although perhaps useful if the king is more interested in marrying his daughter off to a musician.

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A to Z Reviews: “Alexandria,” by Monica Byrne

A to Z Reviews: “Alexandria,” by Monica Byrne

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A to Z ReviewsMonica Byrne offers a romance in her story “Alexandria,” which was published in the January 2017 issue of The Magazine of Fantasy & Science Fiction. Aside from being set in the future, there is very little about the story that reads as science fiction.

Beth Miyake is coming to terms with the death of her husband, Keiji. Through her memories of him, the reader learns that while they had a deep love for each other, it manifested itself in ways which were not obvious to outsiders. Beth’s family never understood their relationship and Keiji tended to be quiet when the two of them weren’t alone.

When they were along, they understood each other perfectly, although Beth could never understand why Keiji insisted that she memorize and then destroy the love poems that he wrote for her, refusing to allow her to discuss them with anyone else. They were emblematic of their love for each other.

Aside from one disappointing trip they took for their honeymoon, the two didn’t leave Kansas. Upon arriving in Alexandria, Egypt on that trip, they discovered that the Lighthouse of Alexandria had been destroyed seven centuries earlier. It had never occurred to them that it was no longer standing. Since then, their travels had been done virtually through reading books about the places they would never physically visit.

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A to Z Reviews: “Simple Sentences,” by Natalie Babbitt

A to Z Reviews: “Simple Sentences,” by Natalie Babbitt

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A to Z ReviewsNatalie Babbitt first published “Simple Sentences” in her collection The Devil’s Other Story Book, which includes a variety of tales about humanity’s encounters with the Devil. The book is a follow-up to her collection The Devil’s Story Book, so there are plenty of tales for Babbitt’s fans. This particular story was selected by Terri Windling for inclusion in The Year’s Best Fantasy: First Annual Collection, which Windling co-edited with Ellen Datlow and became the first volume of the twenty-one volume series that was later called The Year’s Best Fantasy and Horror.

Best known for writing the novel Tuck Everlasting, Babbitt clues in the reader with the first line that “Simple Sentences” will be a humorous story. The demons processing new arrivals to Hell are having trouble determining what to do with two men who arrived simultaneously. One of the men is a professional pick pocket, the other an author of complex books the surpassed the understanding of readers.

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A to Z Reviews: “Fire in the Dark,” by Alex Azar

A to Z Reviews: “Fire in the Dark,” by Alex Azar

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A to Z ReviewsOver the past several years, I’ve embarked on a series of year-long review cycles at Black Gate. In 2018, I reviewed a story-a-day to coincide with an author whose birthday it was. In 2022, I selected stories completely at random from my collection to review. In both of those cases, the projects served to find forgotten and minor works of science fiction that spanned a range of years. They also served to make me read stories and authors who I haven’t read before, even if they were in my collection.

For this year’s project, I’ve compiled a list of all the stories and novels in my collection. I then identified the first and last works for each letter of the alphabet and over the next twelve months, I’ll be looking at those works of fiction, starting with Vance Aandahl’s “Bad Luck” and ending with David Lee Zweifler’s “Wasted Potential.” Looking at the 52 works (two for each letter), I find that I’ve only reviewed one of the works previously. Interestingly, given the random nature of the works, only three novels made the list, while four anthologies have multiple stories on the list. The works range in publication date from 1911’s “The Hump,” by Fernan Caballero to Zweifler’s story from last year.

The final story in my collection by an author whose name begins with an A is Alex Azar’s “Fire in the Dark,” which appeared in the anthology Wyrms, edited by Eric Fomley in 2022. Wyrms is a collection of drabbles, a literary format in which a story is told in exactly 100 words. In the interest of transparency, I should note that my story “Best Policy” also appears in Wyrms. I’ll also note the last word of this sentence (including the introduction) is the 300th word of this article.

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A to Z Reviews: “Bad Luck,” by Vance Aandahl

A to Z Reviews: “Bad Luck,” by Vance Aandahl

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A to Z ReviewsOver the past several years, I’ve embarked on a series of year-long review cycles at Black Gate. In 2018, I reviewed a story-a-day to coincide with an author whose birthday it was. In 2022, I selected stories completely at random from my collection to review. In both of those cases, the projects served to find forgotten and minor works of science fiction that spanned a range of years. They also served to make me read stories and authors who I haven’t read before, even if they were in my collection.

For this year’s project, I’ve compiled a list of all the stories and novels in my collection. I then identified the first and last works for each letter of the alphabet and over the next twelve months, I’ll be looking at those works of fiction, starting with Vance Aandahl’s “Bad Luck” and ending with David Lee Zweifler’s “Wasted Potential.” Looking at the 52 works (two for each letter), I find that I’ve only reviewed one of the works previously. Interestingly, given the random nature of the works, only three novels made the list, while four anthologies have multiple stories on the list. The works range in publication date from 1911’s “The Hump,” by Fernan Caballero to Zweifler’s story from last year.

To kick off the series, we start with Aa, specifically, Vance Aandahl’s story “Bad Luck,” which appeared in the November 1989 issue of The Magazine of Fantasy and Science Fiction. Throughout his thirty year career, the majority of Aandahl’s short fiction initially appeared in that magazine.

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Interview with an AI: High Fantasy

Interview with an AI: High Fantasy

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In the first of an occasional series, I interview the Bing AI about high fantasy.  The AI’s responses have not been edited.

What is high fantasy?

The Hobbit and
The Lord of the Rings

High fantasy, also known as epic fantasy, is a subgenre of fantasy defined by the epic nature of its setting or by the epic stature of its characters, themes, or plot. High fantasy is set in an alternative, fictional (“secondary”) world, rather than the “real” or “primary” world. This secondary world is usually internally consistent, but its rules differ from those of the primary world. By contrast, low fantasy is characterized by being set on Earth, the primary or real world, or a rational and familiar fictional world with the inclusion of magical elements.

High fantasy stories often feature world-threatening forces, fantastic creatures, historic or unusual technologies, magical elements, and other unearthly elements. The story might also include characters from royalty and be seen through the viewpoint of one hero, an underdog.

Some examples of high fantasy literature include J. R. R. Tolkien’s The Lord of the Rings, Ursula K. Le Guin’s Earthsea, and George R. R. Martin’s A Song of Ice and Fire.

How does high fantasy differ from sword and sorcery?

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A Genealogical Look at Parke Godwin

A Genealogical Look at Parke Godwin

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Parke Godwin
Parke Godwin

Recently, we marked the tenth anniversary of the death of author Parke Godwin. As it happens, I started looking into Godwin’s background and it led me down a rabbit hole that goes back 333 years, to the birth of his great-great-great-great-great grandfather. It turns out Godwin came from a rather illustrious family that included state assemblymen, generals, editors, hoteliers, and industrialists, some of whom were associated with significant American figures including George Washington and Alexander Hamilton.

Before we look at his ancestors, let’s take a quick look at Parke Godwin. Godwin won the World Fantasy Award in 1982 for his novella “The Fire When It Comes,” which also earned him his only Hugo and Nebula Award nominations. He would later earn a World Fantasy Award nomination for a collection of the same title. His novel Firelord, a retelling of the Arthurian legend, was nominated for both the World Fantasy Award and the short-lived coveted Balrog Award, losing to Gene Wolfe’s The Shadow of the Torturer and Stephen R. Donaldson’s The Wounded Land.

I imagine many people discovered Godwin’s writing with the publication of his satirical duology Waiting for the Galactic and The Snake Oil Wars, both of which were reprinted by the Science Fiction Book Club. He also wrote a two volume Robin Hood sequence, novels tackling Beowulf, St Patrick, and Harold of England.

But I promised a look at his ancestors, so we set the WABAC machine for 1720, when a thirty-year-old carpenter named Abraham Godwin arrived in New York from Hereford, England. Godwin worked as a carpenter for the Dey Company, where his son would also work before setting out from New York. Abraham died in 1770 in Totowa, New Jersey.

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