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Author: Steven H Silver

Birthday Reviews: Kate Wilhelm’s “State of Grace”

Birthday Reviews: Kate Wilhelm’s “State of Grace”

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Orbit 19
Orbit 19

Kate Wilhelm was born on June 8, 1928 and died on March 8, 2018.

She won the Hugo Award twice, for her novel Where Late the Sweet Birds Sang and the book Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. She won the Nebula three times for the short stories “The Planners” and “Forever Yours, Anna,” and the novelette “The Girl Who Fell into the Sky.” She helped establish the SFWA and Clarion Workshop, and helped run the early Milford Writers Workshops. Along with husband Damon Knight, she was a Pro Guest of Honor at Noreascon Two and received the Gallun Award for contributions to science fiction. She was inducted into the Science Fiction Hall of Fame in 2003. She received an inaugural Solstice Award in 2009 and in 2016, the awards was renamed the Kate Wilhelm Solstice Award in her honor.

Wilhelm sold “State of Grace” to Damon Knight for inclusion in Orbit 19 in 1977. It appeared in her collection Somerset Dreams and Other Fictions in 1978 and in the collection State of Grace, part of Pulphouse Publishing’s Author’s Choice Monthly series in 1991. In 1980, the story was translated into French for the publication of Quand somerset rêvait, a translation of Somerset Dreams and Other Fictions.

“State of Grace” is the story of a deteriorating marriage in a suburb of Louisville, Kentucky. The narrator believes she has seen small creatures living in the oak tree in her backyard and she begins to work to protect the unseen creatures and take care of them, providing them with food, water and other essentials. Her husband, on the other hand, gets the inkling that there may be something in the tree that could be worth quite a bit of money and he decides he needs to capture them.

The argument over the tree escalates as she tries to help the creatures and he gets more and more anxious about their presence and his attempts to remove them, including a brief try to cut down the tree. When he goes into the tree, something causes him to change his mind and he accepts the creatures’ presence.

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Birthday Reviews: Kit Reed’s “The Shop of Little Horrors”

Birthday Reviews: Kit Reed’s “The Shop of Little Horrors”

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Dogs of Truth-small Dogs of Truth-back-small

Cover by Henry Sene Yee

Kit Reed was born Lillian Craig on June 7, 1932 and died on September 24, 2017.

Reed’s collection What Wolves Know and The Story Until Now were both nominated for the Shirley Jackson Award. Her novel Where was a finalist for the John W. Campbell Memorial Award. Her books Little Sisters of the Apocalypse and Weird Women, Wired Women were short listed for the James Tiptree Jr. Award and the story “Bride of Bigfoot,” which appeared in Weird Women, Wired Women also made the short list. Her short story “The Singing Marine” was a nominee for the World Fantasy Award. In 1958, she was nominated for a Hugo Award for Best New Author of 1958, a forerunner of the John W. Campbell Award.

“The Shop of Little Horrors” was original to Kit Reed’s 2005 collection Dogs of Truth. The story has never been reprinted.

In “The Shop of Little Horrors,” Kit Reed explores the life of Lynn and Martin Larkin, a couple of New Yorkers who have made the decision not to have children. Ten years into their marriage, they are free to live the life they want to, travel as they desire, and mock those around them who have decided to have children. “The Shop of Little Horrors” specifically looks at one Saturday when they are relaxing at a coffeeshop watching the harried parents with their children on a beautiful day.

Their calm is destroyed, however, when one particular child invades their space. Stanley bumps their table, causing their cappuccinos to spill all over them and, when they are distracted mopping up the mess, the juvenile delinquent grabs and eats Lynn’s doughnut while Stanley’s mother is oblivious to the destruction he has caused.

The perfect days turns into abject terror as they try to make their way home in a city crawling with children. A lunch in the Tavern on the Green helps reestablish their equilibrium until they find themselves face-to-face on their walk home with a woman pushing an enormous stroller that contains six children.

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Birthday Reviews: Jay Lake’s “The Water Castle”

Birthday Reviews: Jay Lake’s “The Water Castle”

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Realms of Fantasy, 8/04
Realms of Fantasy, 8/04

Jay Lake was born on June 6, 1964 and died from cancer on June 1, 2014. He openly blogged about his battle with cancer and about a year before his death hosted a wake for himself. His fight with cancer was also the subject of the documentary Lakeside—A Year with Jay Lake.

From 2002-2006 Lake, along with Deborah Layne, edited the six volume anthology series Polyphony. Lake went on to edit several additional anthologies, including All-Star Zeppelin Adventure Stories, with David Moles, Other Earths, with Nick Gevers, and TEL: Stories.

Lake won the John W. Campbell Award for Best New Writer in 2004 and decided the award needed some paraphernalia. He arranged to have pins made up for future nominees. Later winners added to the collection by creating a tiara and scepter to go along with the prize, both of which are passed along from winner to winner. Although he was nominated for a Nebula Award, two Hugo Awards, and three World Fantasy Awards, he didn’t win any of them. He did receive a posthumous Worldcon Special Convention Award in 2015, presented at Sasquan, a well as the Endeavour Award for his collection Last Plane to Heaven.

“The Water Castle” appeared in the August 2004 issue of Realms of Fantasy, edited by Shawna McCarthy. The issue contained a second Lake story, “The Angel’s Daughter,” as well. While “The Angel’s Daughter” was reprinted the following year in Jonathan Strahan and Karen Haber’s Fantasy: The Best of 2004, “The Water Castle” has never been reprinted.

Lake’s story of Arcadia follows the girl from her father’s death by drowning through a dangerous, tribal world trying to set itself right after an unnamed cataclysm in “The Water Castle.” Told with a series of time jumps, Arcadia finds herself in a market where, shortly after a man accosts Arcadia to try to sell her into slavery downcountry, she becomes involved in an incident in which a woman is accused of belonging to the “Poison People.” Arcadia’s involvement in this case, and her quick-witted thinking to resolve the issue, thrusts her into the spotlight and makes her the leader of a movement.

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Birthday Reviews: Margo Lanagan’s “The Proving of Smollett Standforth”

Birthday Reviews: Margo Lanagan’s “The Proving of Smollett Standforth”

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Cover by Alamy.com
Cover by Alamy.com

Margo Lanagan was born on June 5, 1960.

Lanagan has won the World Fantasy Award in four separate categories. She won her first awards for her collection Black Juice, which included “Singing My Sister Down,” which won for Best Short Fiction. Her novel Tender Morsels tied with Jeffrey Ford’s The Shadow Year, and she won her most recent World Fantasy Award for the novella “Sea Hearts.” Black Juice and “Singing My Sister Down” also won the Ditmar Award, and the story earned the Aurealis Award and Golden Aurealis Award. Lanagan’s other Ditmar’s were for the short story “The Goosle” and the novels Tender Morsels and Sea Hearts. Lanagan has also received the Aurealis Award for her short stories “The Queen’s Notice,” “A Fine Magic,” “A Thousand Flowers,” “Bajazzle,” and “Significant Dust.” Her novel Sea Hearts won the Aurealis for Best Young Adult Novel and for Best Fantasy Novel.

Lanagan originally sold “The Proving of Smollett Standforth” to Jack Dann and Nick Gevers for their anthology Ghosts by Gaslight: Stories of Steampunk and Supernatural Suspense, which was published in 2011. It was was a finalist for the Aurealis Award for Best Fantrasy Short story and was reprinted the following year in Ghosts: Recent Hauntings, an anthology edited by Paula Guran.

“The Proving of Smollett Standforth” is the story of a timid young domestic servant, whose job in the house where he lives is to clean and polish shoes and boots. When he is not performing these duties, Smollett sleeps alone in a small attic room. Although the room only has a single door, Smollett is visited nightly by the spirit of a long-dead woman who comes in through a door which has been blocked off. Each night, she presses a beaded necklace on Smollett, which burns his chest when he puts it on, but he in unable, or unwilling, to fend her off.

His shyness means that he doesn’t feel he can confide about his nocturnal visitor to anyone else in the house and he just comes to live with it, although when the cook discovered the marks on his chest, she treats him with a greasy balm and is worried that he suffers from some disease. Smollett’s concerns come to a head when he receives a letter requesting that he get permission for his brother, Dravitt, to spend the night at Smollett’s master’s house while Dravitt is on his way through London for his own posting. Rather than seek help, Smollett decides it is time to take action against the apparition himself, rather than let Dravitt experience it.

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Birthday Reviews: Nictzin Dyalhis’s “Heart of Atlantan”

Birthday Reviews: Nictzin Dyalhis’s “Heart of Atlantan”

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Cover by Ray Quigley
Cover by Ray Quigley

Nictzin Dyalhis was born on June 4, 1873 and died on May 8, 1942.

Dyalhis’s writing career began with the story “Who Keep the Desert Law” in 1922 and saw the publication of fewer than 20 stories over the next 18 years. His first story in Weird Tales, “When the Green Star Waned,” may have been the first use of the word “blaster” for a ray gun. Although L. Sprague de Camp has stated that Nictzin Dyalhis was his birthname and appears on his draft card, people have suggested that he changed the spelling of his last name from Dallas. Dyalhis also appears to have changed the date of his birth as suited him. One of the few members of the science fiction community to have actually met him was Willis Conover, Jr.

“Heart of Atlantan” first appeared in the September 1940 issue of Weird Tales, edited by D. McIlwraith. It remained out of print for 30 years before Lin Carter selected it for his anthology The Magic of Atlantis. In 1976, Peter Haining published a retrospective of Weird Tales and chose the story to represent Dyalhis’s contributions to the magazine. Wildside Press issued several of Dyalhis’s stories, including “Heart of Atlantan” in their e-book The Golden Age of Weird Fiction Megapack: Volume 4 in 2015. The story most recently appears in The Sapphire Goddess, published in 2018 by DMR Books and edited by Dave Ritzlin. “Heart of Atlantan was Dyalhis’s final published story.

Framing techniques in weird fiction were a common device in the early pulp era, an attempt to give some sort of credence to the tale. The events didn’t often happen to the narrator, but to a friend, or were found in a book. In “Heart of Atlantan,” Henri d’Armond describes how he was having a conversation with his friend, Leonard Carman, about the possibility of lost ancient civilizations. Carman is convinced they exist and to prove his point calls a woman, Otilie, to join them. Bent, broken, ugly, and illiterate, Otilie has the ability to serve as a medium, writing messages from a lost race.

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Birthday Reviews: Tony Richards’s “Discards”

Birthday Reviews: Tony Richards’s “Discards”

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Cover by R.J. Krupowicz
Cover by R.J. Krupowicz

Tony Richards was born on June 3, 1956.

Richards was nominated for the Bram Stoker Award for his first novel, The Harvest Bride in 1988.  His collection Going Back received a British Fantasy Award nomination in 2008.

“Discards” originally appears in The Magazine of Fantasy and Science Fiction, where editor Edward L. Ferman published it in the September 1983 issue. The next year it was translated into Italian for inclusion in Urania #964. The British Fantasy Society included the story in the Spring/Summer 2004 issue of Dark Horizons. Richard used the story in two collections of his work that were published in 2008: Passport to Purgatory and Shadows and Other Tales. The following year it appeared in the anthology The 4th Book of Terror Tales, edited by John B. Ford and Paul Kane.

Richards breaks free from several of the expected norms of a speculative fiction short story, which sets it apart from most of what appears in the magazine. Robin Brookard was born into a middle class family, married, and had children, but what sets him apart is that he lost everything due to his addiction to alcohol. The story opens with him walking the streets of London trying to figure out where he is going to spend the night and realizing he’ll either have to sleep outdoors or find his way to a hostel. His pride doesn’t allow for the latter choice since it seems a more “official” acknowledgement of his state.

Brookard eventually finds a group of tramps gathered around a fire and he approaches them in hopes of keeping warm and finding some companionship. Something about the group doesn’t strike him as quite right, however, and he is torn between joining them and keeping his distance, partly because of the sense of wrongness and partly because being accepted into their group means admitting that he can no longer find his way back to the life he once had.

The group’s leader, known as Padre, explains to Brookard that gods are created and gain power when they have believers and indicates that the homeless of London, and in fact, the homeless around the world, have brought their own god into existence. The god he describes is a vengeful one, however, and their goal is to eventually overthrow the current world order. The introduction of the god of the homeless has an undertone of Lovecraftianism, but it doesn’t quite lead down that path.

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Birthday Reviews: Lester del Rey’s “Fade-Out”

Birthday Reviews: Lester del Rey’s “Fade-Out”

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Cover by John PIcacio
Cover by John Picacio

Lester del Rey was born on June 2, 1915 and died on May 10, 1993.

In 1972, he received the Skylark Award from NESFA. He and wife Judy-Lynn del Rey won the Milford Award in 1982 and del Rey won the coveted Balrog Award in 1985.  He was named a Grand Master by SFWA in 1991. Along with his wife, del Rey ran Del Rey Books, for which he was nominated for a Special World Fantasy Award four times. Four of his stories, “Into They Hands,” “Helen O’Loy,” “The Faithful,” and “Nerves” have been nominated for Retro-Hugos.

“Fade-Out” was originally published in Harry Warner’s fanzine Spaceways. When del Rey published The Early del Rey in 1975, he claimed that he remembered an early story that appeared in Spaceways, but could not remember the title. He relegated the story, which he no longer had, to the dust bin of history. When I was editing the two volume Selected Stories of Lester del Rey for NESFA Press, I came across the reference to “Fade-Out” and decided that, although the collections were not meant to be complete (about 1/3 of his short fiction was not included), I wouldn’t feel successful until I had tracked down the story and at least considered it for inclusion. It was reprinted in 2010 in Robots and Magic: Volume 2 of Selected Short Stories of Lester del Rey.

Jack Kirbey is an inventor who takes the Tibetan concoctions of his partner, Tse-Shan, and packages them for western consumption. Unfortunately, the two men have had only limited success, partly because they sold the rights to their first tonic, Tibetan Hair Invigorator, to an unscrupulous businessman, Burroughs. On the verge of being thrown out of their apartment and penniless, Kirbey begin experimenting with an invisibility potion that Tse-Shan told him about.

Invisible, Kirbey decides to play ghost and visit the businessman who took advantage of them, trying to set things right and make sure they will have all the money they need. Del Rey describes his trip from their apartment to the reseller and back. Unfortunately, the effects of the potion on Kirbey seem to follow the needs of the plot at any given moment. Generally, Kirbey is unable to touch anything. He can’t call for an elevator, open a door, are signal for a trolley to stop. At the same time, he needs to be careful he doesn’t bump anyone and has to avoid people sitting on him, so while his invisibility is intact, the commensurate incorporeality seems to come and go.

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Birthday Reviews: James P. Killus’s “Flower of the Void”

Birthday Reviews: James P. Killus’s “Flower of the Void”

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Cover by H. Ed Cox
Cover by H. Ed Cox

James P. Killus was born on June 1, 1950 and died on September 23, 2008.

Killus is a chemist who began publishing science fiction in 1981 with “Son of ETAOIN SHRDLU,” written with Sharon N. Farber, Susanna Jacobson, and Dave Stout. He went on to write nearly two dozen stories, most of them hard science fiction, and published the novels Book of Shadows and Sunsmoke in the mid 1980s.

Killus sold “Flower of the Void” to Ian Randal Strock for publication in issue 7 of Artemis, which appeared in Summer of 2002. The story has not been reprinted.

“Flower of the Void” pushes the definition of a story. It has no real plot or characters, instead focusing on the process by which a space probe that starts out as nanomachines is launched and completes its mission to Eridani Epsilon.

The story is entirely devoid of any emotion, presenting an analytical view of millions of nanoprobes which are launched from the moon and try to make their way through the solar system, with fewer and fewer succeeding even as the probes use atoms they encounter in their travels to expand upon themselves and permit themselves to continue to carry on their mission.

One of the things the story does make clear is that space exploration is a long, slow process, often ending with a very brief period of productivity. Killus’s flowers travel for more than a century, only to spend two months in the star system that was its target. This can be compared to the current New Horizons mission, which spent a decade traveling from Earth to Pluto, only to spend a few hours traversing that system (and will similarly have a limited time during its flyby of 2014 MU69 on January 1, 2019). However, limited time in system doesn’t equate to inability to provide massive amounts of data.

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Birthday Reviews: May Index

Birthday Reviews: May Index

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Cover by Allen Koszowski
Cover by Allen Koszowski

Cover by Bob Eggleton
Cover by Bob Eggleton

Cover by Douglas Chaffee
Cover by Douglas Chaffee

January index
February index
March index
April index

May 1, Joel Rosenberg: “The Blink of a Wizard’s Eye”
May 2, Anne Harris: “The House”
May 3, Michael Cadnum: “Elf Trap”
May 4, Shaenon K. Garrity: “To Whatever”
May 5, Catherynne M. Valente: “A Buyer’s Guide to Maps of Antarctica”
May 6, Craig Strete: “Time Deer”

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Birthday Reviews: Robin Wasserman’s “Of Dying Heroes and Deathless Deeds”

Birthday Reviews: Robin Wasserman’s “Of Dying Heroes and Deathless Deeds”

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Robot Uprisings-small

Robin Wasserman was born on May 31, 1978.

Wasserman’s novel Skinned was nominated for a 2006 Golden Duck Middle Grade Award and in 2011, her novel Crashed was nominated for the Golden Duck Hal Clement Young Adult Award.

“Of Dying Heroes and Deathless Deeds” was published in Robot Uprising, edited by John Joseph Adams and Daniel H. Wilson. The story has not been reprinted.

Before there were zombie uprisings, we had to fear the revolt of the robots. Pony is one of the rebellious robots who has successfully thrown off the yoke of their “Meat” oppressors in favor of the robot “Pride.” Unfortunately, many robots were damaged beyond repair during the uprising, some in obvious physical ways and others in more subtle way affecting their programming. The Pride, therefore, needed to ascertain what Pony’s status was.

Rather than running a diagnostic program on Pony, the Pride elected to send in one of the few human captives taken in the revolt who happened to be a Sigmund, the Pride’s term for a psychiatrist. The Sigmund must analyze Pony’s state of being to determine if its programming can be salvaged or if the unit will need to be wiped and reprogrammed. In Wasserman’s world, robots have sentience and a desire to prolong their existence, so Pony wants to avoid a memory erasure.

Both the Sigmund and Pony see their conversation as their only means for survival, although the Sigmund also realizes that he is in a subservient position, hoping that by helping the Pride he will be allowed to survive or may even be turned loose. As he progresses with Pony, it becomes apparent to both of them that failure will result in death and success will mean he is put to work on other robots.

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