Browsed by
Author: Steven H Silver

Birthday Reviews: Robert A. Heinlein’s “Sky Lift”

Birthday Reviews: Robert A. Heinlein’s “Sky Lift”

Cover by W.E. Terry
Cover by W.E. Terry

Robert A. Heinlein was born on July 7, 1907 and died on May 8, 1988.

Heinlein won his first Hugo Award in 1956 for his novel Double Star. He subsequently won three more Hugo Awards for Best Novel for Starship Troopers, Stranger in a Strange Land, and The Moon Is a Harsh Mistress. Although he has never won a Nebula Award, despite four nominations, Heinlein was the first person designated a Grand Master by the SFWA, in 1975. In 1980 he received the Forry Award from LASFS. He has won the Prometheus Hall of Fame Award seven times, for The Moon Is a Harsh Mistress, Stranger in a Strange Land, Red Planet, Methusaleh’s Children, Time Enough for Love, “Requiem,” and “Coventry.” In 1978, I Will Fear No Evil won the Seiun Award. Heinlein has also won the Retro Hugo Award four times, for “The Man Who Sold the Moon,” Farmer in the Sky, “The Roads Must Roll,” and “If This Goes On…” Heinlein was Guest of Honor at three separate Worldcons, Denvention 1 in 1941, Seacon in Seattle in 1961, and MidAmeriCon in Kansas City in 1976. The only other person to be a Guest of Honor at three Worldcons was John W. Campbell, Jr. In 1998, he was a Posthumous Inductee into the Science Fiction Hall of Fame.

“Sky Lift” was first published by William L. Hamling in the November 1953 issue of Imagination. Heinlein included it in his collection The Menace from Earth in 1959. The story was selected by Damon Knight for A Century of Science Fiction and was included in Off the Main Sequence: The Other Science Fiction Stories of Robert A. Heinlein. Gregory Benford and George Zebrowski chose to include it in Sentinels: In Honor of Arthur C. Clarke in 2010 and it was also reprinted in New Worlds to Conquer, part of the Virginia Edition, which reprinted all of Heinlein’s works. In addition to its English language publications, it has been translated into Italian twice, first by Hilja Pini for Urania #306 and a new translation, also by Pini using the name Hilia Brinis, for Gamma #14. Fritz Steinberg translated it into German for Unternehman Alptraum. It has also been translated into French twice.

“Sky Lift” is a strangely titled story about a medical supply run to the planet Pluto which has to be conducted under extreme conditions due to the urgency to get supplies to the distant planet (the title used in its first Italian translation, “Accelerazione ‘3g’” is a much better title). Like Tom Godwin’s “The Cold Equations,” which would be published in Astounding nine months later, Heinlein achieves emotional impact by creating a situation heavily stacked against the protagonists, Joe Appleby and Lieutenant Klueger.

Read More Read More

Birthday Reviews: John Langan’s “The Unbearable Proximity of Mr. Dunn’s Balloons”

Birthday Reviews: John Langan’s “The Unbearable Proximity of Mr. Dunn’s Balloons”

Cover by Alamy.com
Cover by Alamy.com

John Langan was born on July 6, 1969.

Langan’s novel The Fisherman received the Bram Stoker Award for Best Novel. His earlier collection Mr. Gaunt and Other Uneasy Encounters was also nominated for the award. The story version of “Mr. Gaunt” as well as his story “On Skua Island,” were both nominated for the International Horror Guild Award. Langan serves on the Board of Directors for the Shirley Jackson Award.

He wrote “The Unbearable Proximity of Mr. Dunn’s Balloons” for Jack Dann and Nick Gevers for the anthology Ghosts by Gaslight. Published in 2011, the story has never been reprinted.

“The Unbearable Proximity of Mr. Dunn’s Balloons” is the story of Mark Stephen Chapman, an author who has arranged to spend the summer at the home of Parrish Dunn, a spiritualist whose home, and especially the strange balloons he decorates it with, are intriguing to Chapman. On his way up to Dunn’s estate, Chapman meets Cal and Isabelle Earnshaw, who are also on their way to spend time with Dunn. Cal is dying and has hopes that Dunn can ease his passage.

The majority of the story is told as a series of conversations between Isabelle and Chapman, although occasionally Langan includes a page from Chapman’s journals, as Chapman shared much about his past with Isabelle. Chapman also talks about his life with Cal, who regrets not having lived the full life he sees Chapman as having had. The most enigmatic of the characters is Dunn, who appears occasionally, but rarely interacts with Chapman until the story’s denouement.

Until the end of the story, there is little fantastic that occurs. Dunn’s treatment of Cal and Cal’s response are all physical in nature, whether or not Dunn is an actual spiritualist or a charlatan. Chapman never really develops a relationship with Dunn and finds himself uncomfortable around the paper balloons. Eventually, when Isabelle decides she wants to take Cal away from Dunn, Chapman serves to distract him and learns the truth about Dunn’s balloons and why they are so disturbing, although Langan does not indicate why others have not felt the same concern about them.

Read More Read More

Birthday Reviews: Jody Lynn Nye’s “Theory of Relativity”

Birthday Reviews: Jody Lynn Nye’s “Theory of Relativity”

Cover by Bob Warner
Cover by Bob Warner

Jody Lynn Nye was born on July 5, 1957.

Nye began her career writing technical articles and gaming related fiction, including several choose-your-path adventures in the Crossroads Adventures series for Anne McCaffrey’s Pern and Piers Anthony’s Xanth. She followed those ups with The Dragonlover’s Guide to Pern and Magic of Xanth before beginning to publish her own works as well as collaborative novels. Many of her novels and short stories are humorous and she has also written military science fiction. Nye was good friends with Robert Lynn Asprin and collaborated with him on the later books in his Myth series before continuing the series after his death. Her own series includes the Mythology 101 series, the Imperium trilogy, the Dreamland series, and others.

She wrote “Theory of Relativity” for Larry Segriff and Martin H. Greenberg for the anthology Past Imperfect. Published in 2001, the story has never been reprinted.

“Theory of Relativity” is an epistolary story, although the framing device seems superfluous. It does immediately tell readers that they are in a slightly different world since Nye refers to both the book packager, TeknoBooks, and one of the books editors, Larry Segriff, disguised as Barry Seacliff, although it is questionable how many people would catch the two references since the book was published by DAW. This framing device does recur at the end, when Seacliff’s partner, Dr. Gruneberg (Martin H. Greenberg) is referenced.

The story opens with some techno babble about the time travel, or dimensional travel, device created by Dr. Rachel Fenstone. Once that information is out of the way, the story can really begin, with Rachel writing about her trip to another timeline, which appears to be closer to our own, to discover her doppelganger, June Fennell. The two women connect and once June is informed about Rachel’s experiment, they work together to figure out when their two worlds branched from each other, determining it happened shortly after their great grandfather came to the United States. Their next stop is to travel back to see him and figure out which of their timelines is “real,” although they each know it is their own.

Read More Read More

Birthday Reviews: Peter Crowther’s “Cliff Rhodes and the Most Important Voyage”

Birthday Reviews: Peter Crowther’s “Cliff Rhodes and the Most Important Voyage”

The Mammoth Book of New Jules Verne Adventures
The Mammoth Book of New Jules Verne Adventures

Peter Crowther was born on July 4, 1949.

Crowther, who runs PS Publishing, has received two World Fantasy Special Professional Awards for the press, one in 2004 and one in 2008. The press has also received seven British Fantasy Awards for Small Press, and Postscripts Magazine, edited by Crowther and Nick Gevers, has also won a BFA for Best Magazine. Crowther’s short story collection Lonesome Roads was his first BFA Award in 2000.

The story “Cliff Rhodes and the Most Important Voyage” was published in Mike Ashley and Eric Brown’s 2005 anthology The Mammoth Book of New Jules Verne Adventures. It is one of the stories set in Crowther’s bar The Land at the End of the Working Day and was collected with three other stories set there in the collection The Land at the End of the Working Day in 2008.

“Cliff Rhodes and the Most Important Voyage” offers up a bar story, or rather, several bar stories. The drinkers gathered in The Land at the End of the Working Day begin sharing strange stories, some mundane, such as Edgar’s rides back and forth to work on a bus with a strange child, to the supernatural, with Jim describing how he helped free a ghost haunting the bars on his usual pub crawl. Cliff Rhodes, who has been listening, postulates that what all the stories have in common is that they involve journeys of some sort.

The story actually kicks off with two men entering the bar and asking if there was a back room. Horatio Fortesque and Meredith Lidenbrook Greenblat have a reason for asking their strange question, but Crowther is very content to allow the question, and answer, linger in the background as his barflies tell their stories, joke back and forth, and draw out the tale. Their question, however, leads to the focus of the story, tying the various tales to the popularity of Jules Verne, who is mentioned repeatedly throughout “Cliff Rhodes and the Most Important Voyage” as Crowther obliquely looks at the attraction Verne has maintained on the literary world since the 1860s.

Read More Read More

Birthday Reviews: Michael Shea’s “Fast Food”

Birthday Reviews: Michael Shea’s “Fast Food”

Cover by David Christiana
Cover by David Christiana

Michael Shea was born on July 3, 1946 and died on February 16, 2014.

Shea won the World Fantasy Award twice, in 1983 for the novel Nifft the Lean and in 2005 for the novella “The Growlimb,” the latter of which was also nominated for the International Horror Guild Award. His story “Autopsy” was nominated for the Hugo Award for Best Novelette and the Nebula Award for Best Novella. He previously had been nominated for a Nebula for his novelette “The Angel of Death.” His novel A Quest for Simbilis was nominated for the August Derleth Award.

Shea sold “Fast Food” to Robert K.J. Killheffer and it appeared in the third issue of Century in September/October, 1995. Shea subsequently included the story in his 2008 collection The Autopsy and Other Tales, published by Centipede Press.

“Fast Food” is a revenge story with a difference. Jivaro in native to a part of the Amazonian rain forest which is being bulldozed to make way for grazing land for Mighty Burger, an American fast food chain. Befriended by Henry, one of the bulldozer drivers, Jivaro swaps bodies with another driver, Vic, sending Vic to live in the rainforest as Jivaro while the original Jivaro destroys the two bulldozers and gets himself and Henry sent back to the states. Applying for a job at the fast food chain, Jivaro continues to body swap while at the same time causing the chain’s food to infect its diners with strange bumps and rashes.

Jivaro had a long term plan to not only get vengeance on Mighty Burger, but also to attempt to repopulate the Amazon rain forest. Shea’s story points out that just as the forces behind Mighty Burger don’t care what happens when they pillage the rain forest, dooming animals and the indigenous population, Jivaro also doesn’t care what happens to the innocent people whose only connection to Mighty Burger may be that they eat there, or to the animals that he summons up far from their natural habitat.

Read More Read More

Birthday Reviews: Kay Kenyon’s “The Executioner’s Apprentice”

Birthday Reviews: Kay Kenyon’s “The Executioner’s Apprentice”

Cover by Kenn Brown and Chris Wren
Cover by Kenn Brown and Chris Wren

Kay Kenyon was born on July 2, 1956.

Kenyon has been nominated for the Philip K. Dick Award for her novel Maximum Ice. Her novel The Braided World was nominated for the John W. Campbell Memorial Award. She was nominated for the Endeavour Award three years in a row for the novels Bright of the Sky, A World Too Near, and City Without End.

She wrote “The Executioner’s Apprentice” for Julie Czerneda and Isaac Szpindel’s anthology ReVisions, which focused on scientific achievements as the catalyst for alternate history. Published in 2004, the story has never been reprinted.

“The Executioner’s Apprentice” takes a place in an Aztec empire which is advanced enough to make use of genetic testing in determining who has violent tendencies and likely criminal behavior to determine the appropriate victims of execution. Pacal is the titular apprentice who is preparing for his first execution and has completely bought into the traditional system. When his friends arrange for him to lose his virginity prior to his first execution, Kina, the woman he is with, tries to make him understand that there are better ways than executions.

On the eve of his induction into the ranks of Executioners, Pacal learns that the methodology he has been taught by the priests to find victims is a lie, and that his first victim will be Kina. Rather than culling the Aztecs of their most violent citizens, the priests are working to remove those who abhor violence, building a society which is ready to defend themselves not only against their traditional enemies but also the mysterious Eastern Army, which is implied to be made up of European conquistadors.

The discovery that genetic testing was not used for what Pacal believed is only the first twist that Kenyon introduces. When Kina and Pacal flee so he doesn’t have to kill her, Kenyon reveals more about the Eastern religion Kina follows and the holy book she reveres and tries to get Pacal to understand. This last twist is a nice touch, although it doesn’t help place the time period or the evolution of society to the story, if anything confusing it even more.

Read More Read More

Birthday Reviews: Genevieve Valentine’s “From the Catalogue of the Pavilion of the Uncanny and Marvellous, Scheduled for Premier at the Great Exhibition (Before the Fire)”

Birthday Reviews: Genevieve Valentine’s “From the Catalogue of the Pavilion of the Uncanny and Marvellous, Scheduled for Premier at the Great Exhibition (Before the Fire)”

Cover by Allen Williams
Cover by Allen Williams

Genevieve Valentine was born on July 1, 1981.

Valentine was nominated for the World Fantasy Award for Best Short Story in 2010 for “Light on the Water.” In 2012, her short story “Things to Know About Being Dead” was a Shirley Jackson Award nominee and her novel Mechanique: A Tale of the Circus Tresaulti was a Nebula Award nominee. That same year Mechanique won the William L. Crawford — IAFA Award.

“From the Catalogue of the Pavilion of the Uncanny and Marvellous, Scheduled for Premier at the Great Exhibition (Before the Fire)” was published by Ellen Datlow in Queen Victoria’s Book of Spells: An Anthology of Gaslamp Fiction in 2013. It has not been reprinted.

Genevieve Valentine’s “From the Catalogue of the Pavilion of the Uncanny and Marvellous, Scheduled for Premier at the Great Exhibition (Before the Fire)” is a story told in the form of letters, catalogue entries, and quotations from books about a lost pavilion at London’s Great Exhibition of 1851. According to Valentine, part of the Exhibition was to be devoted to creatures and oddities from around the world: actual mermaids, fairies, and other mythical creatures, but a fire before the opening destroyed the exhibit.

The catalog of these exhibitions is interspersed throughout the story, beginning with the “Biddenden Maids,” a pair of German Siamese twins, but the entries get more inventive very quickly. Letters from Walter Goodall, the artist hired to paint images of the pavilion are also included as the reader is given background information about both the Exhibition and the staff that is handling this particular pavilion.

The plot of the story, such as it is, is essentially revealed in the work’s title. The enjoyment of the story comes from the descriptions of the oddities which would have been found in the pavilion and Goodall’s letters indicating that he is attempting to maintain at least a semblance of normalcy despite the strangeness of his commission. As a story, it works less well, but it is evocative and makes the reader want to learn more about the Exhibition and if anything like the Pavilion of the Uncanny and Marvellous was meant to exist.

Read More Read More

Birthday Reviews: June Index

Birthday Reviews: June Index

Cover by Tony Roberts
Cover by Tony Roberts

Black Gate Issue 1
Black Gate Issue 1

Cover by John Picacio
Cover by John Picacio

January index
February index
March index
April index
May index

June 1, James P. Killus: “Flower of the Void
June 2, Lester del Rey: “Fade Out
June 3, Tony Richards: “Discards
June 4, Nictzin Dyalhis: “Heart of Atlantan
June 5, Margo Lanagan: “The Proving of Smollett Standforth
June 6, Jay Lake: “The Water Castle

Read More Read More

Birthday Reviews: Adam Roberts’s “Pest Control”

Birthday Reviews: Adam Roberts’s “Pest Control”

Cover by Julek Heller
Cover by Julek Heller

Adam Roberts was born on June 30, 1965.

Roberts won the John W. Campbell Memorial Award and the British SF Association Award for his novel Jack Glass in 2013. In 2016, he won a second BSFA Award for his non-fiction book Rave and Let Die: The SF and Fantasy of 2014. He has also been nominated for the Arthur C. Clarke Award, the British Fantasy Award, the Philip K. Dick Award, the Sidewise Award, and the Kitschies. In addition to writing series science fiction, he also has published several fantasy parodies, usually identifiable based on a series of Rs as his middle initial.

“Pest Control” was purchased by Mike Ashley for inclusion in the 2005 anthology The Mammoth Book of New Comic Fantasy. Although it appeared in a Science Fiction Book Club reprint of the volume, it has not appeared elsewhere.

A familiarity with the poem Beowulf is a benefit for those reading Adam Roberts’s “Pest Control,” although at the same it can be something of an hindrance. The story relates the events of the poem, but rather than Beowulf coming to Hrothgar’s aide to rid Heorot of Grendel, in Roberts’s version of the story, Beowulf, or Mr. Wulf, calls a modern day pest control company to get rid of the creature.

The humor of the story comes from the juxtaposition of the ancient story of Beowulf and Des Hannigan, the representative of King and Kegan Pest Control, treating the situation as normal, although he thought he was being called to take care of a rat infestation rather than a Grendel. The story follows the tripartite nature of the original poem, so anyone who knows the poem has a good idea about the results of each of the attempts at pest eradication.

Roberts manages to make his jokes land, although it seems like having Mr. Wulf as the pest control specialist and the person with the Grendel problem being a Mr. Hrothgar would have fit the pattern of the original poem a bit better. As it is, Des provides solutions for the clearly not very bright Mr. Wulf and while the reader is allowed to see the progression of the story, the ultimate pest control issue is left to the imagination.

Read More Read More

Birthday Reviews: Jeff Duntemann’s “Guardian”

Birthday Reviews: Jeff Duntemann’s “Guardian”

Cover by Alex Schomburg
Cover by Alex Schomburg

Jeff Duntemann was born on June 29, 1952.

Duntemann began publishing in 1974 with “Our Lady of the Endless Sky,” and has mostly published short fiction. In 1981 Duntemann appeared on the Hugo Award for Short Story ballot twice, for “Cold Hands” and “Guardian,” losing to Clifford Simak’s “Grotto of the Dancing Deer.” In 2005 ISFiC Press published his first novel, The Cunning Blood. He collaborated with Nancy Kress on the story “Borovsky’s Hollow Woman” in 1983.

“Guardian” appeared in the September 1980 issue of Isaac Asimov’s Science Fiction Magazine, edited by George H. Scithers. It was translated for its appearance in the German edition of the magazine, Isaac Asimovs Science Fiction Magazin 13 Folge and was included by Herbert W. Franke in the anthology Kontinuum 4 in 1987.

Duntemann’s “Guardian” is an interesting mix of futuristic and historic. The Guardian in question has been tasked with protecting Princess Divin Rea Hol Wervig, even beyond death. When the princess’s skull is taken from the swamp where she was interred, the Guardian seeks its return and vengeance. He makes his way into the nearby village where he finds himself confronting Abbot Gorman Izak.

In the millennia since the princess died and the Guardian, which is clearly robotic in nature, has come into contact with human civilization, society has changed, as has the technology level. Abbott Izak is clearly a religious in the Christian tradition who is able to have an intelligent conversation with the Guardian and manages to delay its vengeance by a week, during which time the Abbot promises to find the culprit who stole the skull.

Read More Read More