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Author: Steven H Silver

Birthday Reviews: D.G. Compton’s “In Which Avu Giddy Tries to Stop Dancing”

Birthday Reviews: D.G. Compton’s “In Which Avu Giddy Tries to Stop Dancing”

Cover by Edward Miller
Cover by Edward Miller

D.G. (David Guy) Compton was born on August 19, 1930.

Compton’s 1971 novel The Steel Crocodile was nominated for the Nebula Award, and in 2007 he was named Author Emeritus by the SFWA. In addition to writing science fiction, Compton also writes Gothic novels and crime novels. Compton has used variations of his own name, and has also published using the pseudonym Frances Lynch. Compton collaborated with John Gribbin on the novel Ragnarok.

“In Which Avu Giddy Tries to Stop Dancing” appeared in Starlight 3, edited by Patrick Nielsen Hayden in 2001. It is Compton’s most recent science fiction short story, and has not been reprinted.

The characters in Compton’s “In Which Avu Giddy Tries to Stop Dancing” live in a world where it is illegal not to dance, although Compton never fully describes what life is like in a world in which everyone dances as they go about their private lives. Instead, he looks at Avu Giddy’s decision to set himself apart from the law-abiding masses and the effects it has on his relationships, none of which were particularly good to begin with.

Avu’s main relationship for the purposes of the story is with the narrator. Although the narrator doesn’t particularly like Avu, the two are of a similar age and have known each other a long time, having grown comfortable in each other’s presence. They work relatively close to each other and meet for lunch in a park with some regularity. When Avu makes his decision to quit dancing, the narrator is dragged into the situation by Avu’s estranged daughters, Jenna and Karen who sought his help in talking sense to their father.

Jenna, who had a husband and children of her own, was mostly concerned with the perception people would have of the family with such an out-law father, while single Karin, who only recently left Avu’s house, firmly believed her father had made his decision with the sole purpose of embarrassing her.

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Birthday Reviews: Brian W. Aldiss’s “Tarzan of the Alps”

Birthday Reviews: Brian W. Aldiss’s “Tarzan of the Alps”

Cover by Edward Miller
Cover by Edward Miller

Brian W. Aldiss was born on August 18, 1925 and died on August 19, 2017, the day after his 92nd birthday.

Aldiss won a Hugo Award in 1962 for his short story “Hothouse” and a non-fiction Hugo in 1987 for his history of the science fiction field, Trillion Year Spree, written with David Wingrove, in which they continued to popularize Aldiss’s contention that science fiction began with Mary Shelley’s Frankenstein. In 1966 his novella “The Saliva Tree” received the Nebula Award. He has won the British SF Association Award five times and the John W. Campbell Memorial Award once. His novel Helliconia Spring won both of those awards as well as the Kurd Lasswitz Preis. Trillion Year Spree also won the Eaton Award. Aldiss has won a Ditmar Award for Contemporary Author and Lifetime Achievement Awards from the Prix Utopia, Pilgrim Award, IAFA Award, and World Fantasy Award. He was inducted into both the First Fandom Hall of Fame and the Science Fiction Hall of Fame in 2004. Aldiss was named a Grand Master by SFWA in 2000. In 2005, Aldiss was awarded the title Officer of the Order of the British Empire (OBE) by Queen Elizabeth as part of the Birthday Honors list for his service to literature.

Aldiss first published “Tarzan of the Alps” in the first issue of the magazine Postscripts, edited by Peter Crowther in 2004. The following year, the story was used by Aldiss to lead off his collection Cultural Breaks. The story has not appeared anywhere else.

Aldiss sets “Tarzan of the Alps” in Patagonia, about as far from Africa or Switzerland as one could get. It tells the story of José Pareda, whose truck breaks down in the middle of nowhere and Alejo and Maria Galdos, who just happen to live in the middle of nowhere and come to his aid, along with their son who works in the nearest town as a mechanic. In the days that Pareda stays with the Galdoses while his truck is being repaired, they bond over their shared life experiences, being of a similar age, and Pareda thanks his hosts with his stock in trade, a traveling movie that he projects from his van.

The Galdoses live so far from anything that this is the first film they have ever seen, a version of Tarzan of the Apes, which they misunderstand as Tarzan of the Alps. Being the first film they saw, the movie made a huge impression on the Galdoses and they decide that they wanted to visit the jungles of the Alps before they die. Unfortunately, Alejo dies before they have enough money for the trip and the story ends with Maria preparing their son for his journey to see the Alps as they imagine they existed in Tarzan.

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Birthday Reviews: Rachel Pollack’s “Burning Beard: The Dreams and Visions of Joseph Ben Jacob, Lord Viceroy of Egypt”

Birthday Reviews: Rachel Pollack’s “Burning Beard: The Dreams and Visions of Joseph Ben Jacob, Lord Viceroy of Egypt”

Cover by Connie Toebe
Cover by Connie Toebe

Rachel Pollack was born on August 17, 1945.

Pollack won the Arthur C. Clarke Award in 1989 for the novel Unquenchable Fire and the World Fantasy Award in 1997 for the novel Godmother Night. She was also nominated for the Nebula Award in 1994 for Temporary Agency, which was also nominated for the James Tiptree Jr. Memorial Award and the Mythopoeic Award. Godmother Night received additional nominations for the James Tiptree Jr. Memorial Award and the Lambda Award. Her story “The Beatrix Gates” was nominated for the Gaylactic Spectrum Award. In addition to science fiction, Pollack has written for comics and Tarot, including the creation of her own Tarot Deck and books about reading Tarot and Dali’s Tarot deck.

“Burning Beard: The Dreams and Visions of Joseph Ben Jacob, Lord Viceroy of Egypt People of the Book” was first published in Interfictions: An Anthology of Interstitial Writing, edited by Delia Sherman and Theodora Goss in 2007. Three years later, Rachel Swirsky and Sean Wallace included the story in People of the Book: A Decade of Jewish Science Fiction and Fantasy. It was reprinted a second time by John Joseph Adams in the May 2014 issue of Lightspeed.

Pollack retells the story of Joseph from Genesis from Joseph’s point of view, with additional depictions of the events surrounding Moses’ story from Exodus in “Burning Beard: The Dreams and Visions of Joseph Ben Jacob, Lord Viceroy of Egypt People of the Book.”

Joseph is shown to be somewhat insufferable, giving an understanding of why his brothers would choose to throw him into a pit and sell him into slavery. At the same time, Joseph is well aware that his prophecies are going to come true, whether people believe them or not and whether he wants them to or not. What makes this even more poignant is that he sees the destruction Moses will level on Egypt and Joseph not only feels responsible for it, but sees both the Hebrews and the Egyptian as his people.

The story shifts between times, covering Joseph’s life from his childhood when he doesn’t understand his gifts through his fall and rise in Egypt and finally his death, although one of the interesting aspects of Joseph’s prophecy is that he gets his visions from a future Moses (and occasionally Aaron or Miriam). He develops a sort of one-sided relationship with his brother’s three descendants, determining that he does not like Moses for a variety of reasons, even before he sees what Moses does in his efforts to free the Hebrews, although the prophecies have a strange tendency to focus on the attempts to release the Hebrews form Egypt while glossing over their servitude to the Pharaoh.

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Birthday Reviews: Andrew J. Offutt’s “Gone with the Gods”

Birthday Reviews: Andrew J. Offutt’s “Gone with the Gods”

Cover by Rick Sternbach
Cover by Rick Sternbach

Andrew J. Offutt was born on August 16, 1934 and died on April 30, 2013. Offutt also published science fiction and fantasy using the pseudonyms John Cleve, Jeff Douglas, and J.X. Williams. He occasionally collaborated with Richard K. Lyon and Keith Taylor, while many of the stories published under the John Cleve house name were collaborations with a wide variety of authors including Victor Koman, Roland J. Green, G.C. Edmonson, and Jack C. Haldeman II, among others. In addition to his career in speculative fiction, which included a stint as President of SFWA, Offutt has a very successful career writing pornographic novels.

Offut was nominated for the Balrog Award for his short story “Conan and the Sorcerer” and for editing the anthologies Swords Against Darkness IV and Swords Against Darkness V, as well as for the entire anthology series. His My Lord Barbarian was nominated for the August Derleth Award and in 1986 he received the Phoenix Award at DeepSouthCon.

“Gone with the Gods” was originally published in the October 1974 issue of Analog Science Fiction/Science Fact, edited by Ben Bova. When Stanley Schmidt decided to issue the anthology Analog’s Lighter Side in 1982, he included Offutt’s story.

The main character of “Gone with the Gods” would seem to be a thinly disguised Offutt, a writer who turns out a prodigious number of novels at the back and call of his editor, writing in whatever genre is hot at the moment to fulfill the needs of an insatiable audience. When his editor calls him to look into the possibility that a former fraternity brother of the editor’s has invented a time machine, and asks him to check out the possibility that the device is real so the editor can invest in it, the authors finds himself looking into the far-fetched claim.

Of course the time machine, disguised as a VW microbus, eventually works and Harvey Moss, the author, Mark Ventnor, the publisher, and Ben Corrick, the inventor, all take their turns traveling in the bus, only to learn its limitations. It can only go one day into the future, but anywhen in the past. Although it remains tied to Earth, so they don’t have to worry about showing up in outer space, they do figure out how to take it to different places on Earth. Eventually, in order to make some money, Moss travels back in time to spur human development and plant evidence that he can use to write a best selling book that Ventnor can publish and sell.

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Birthday Reviews: Louise Marley’s “Diamond Girls”

Birthday Reviews: Louise Marley’s “Diamond Girls”

Fields of Fantasies
Fields of Fantasies

Louise Marley was born on August 15, 1952. She has published novels under her own name and using the pseudonyms Louisa Morgan and Toby Bishop.

Marley’s novel The Glass Harmonica won the Endeavour Award in 2001 and she won a second Endeavour Award in 2005 for The Child Goddess. Two of her other novels were also nominated for the award. Her novel The Terrorists of Irustan was nominated for both the Endeavour Award and the James Tiptree Jr. Memorial Award. The Child Goddess was also nominated for the John W. Campbell Memorial Award.

Marley first published “Diamond Girls” in the June 8, 2005 issue of Sci Fiction, edited by Ellen Datlow. Its first print publication came in Marley’s collection Absalom’s Mother & Other Stories in 2007. It was reprinted again in the science fiction sports anthology Future Games, edited by Paula Guran in 2013 and the following year, Rick Wilber included the story in his SF baseball anthology Field of Fantasies.

In “Diamond Girls,” Marley describes the first faceoff between a female pitcher and a female batter in the major leagues. For Ricky Arendsen, the match occurs in her second season as a pitcher, although starting the season at 0-3 has put a lot of pressure on her to perform. For Grace Elliott, it is her first game in the majors and she, and everyone else, knows that despite batting .300 in the minors, she was brought up essentially for a publicity stunt.

The duel between the two is described throughout the entire game, not just a single at bat, and Marley has a lot more going on than simply the first time two women face each other in a major league game. Arensen is genetically modified while Elliott isn’t, which has caused a lot of hubbub among the fans and the press. While Arendsen is concerned that if she loses another game she’ll be sent back to the minors, Elliott is worried that if she doesn’t perform, the same thing will happen to her, and she’ll never to get another shot at the Show.

The story has shades of Jackie Robinson, although Arendsen has already been playing for more than a season, as well as echoes of the film For Love of the Game, which gets inside the mind of a pitcher throwing a perfect game. What is also clear is that even though both Arendsen and Elliott are aware of the historical nature of the match up, they treat it like any other game. When Elliott comes up to bat against Arendsen, she does so as a ballplayer, not as a woman, although after the game, there is a natural camaraderie of sisterhood between the two.

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Birthday Reviews: Pat York’s “Great Leaving”

Birthday Reviews: Pat York’s “Great Leaving”

Cover by Diana Sharples
Cover by Diana Sharples

Pat York was born on August 14, 1949 and died on May 21, 2005 in a car accident.

York was nominated for the Nebula in 2001 for her short story “You Wandered Off Like a Foolish Child To Break Your Heart and Mine.”

York published “The Great Leaving” in Odyssey #2, edited by Liz Holliday, in 1998. The story has never been reprinted.

York tells the story of the days leading up to the departure of a colonizing spaceship in “The Great Leaving.” Although many of her friends, including her nominal boyfriend, are leaving on the flight, Clare refuses to even consider going because she had obligations to her mother in the small village in which they live. York makes it clear that there is no other reason for Clare to remain behind. German and Japanese investors in Ireland have made the country unrecognizable and essentially have killed off any culture or national pride the people might have been able to retain.

Despite calls for her to go on the ship, Clare refuses, remaining adamant and eventually falling back on the excuse that they are well past the deadline for her to change her mind. Of course, she also does begin to change her mind after the deadline is past, partly because of a declaration of love and commitment from Michael Hackett, the aforementioned boyfriend.

While Clare’s dedication to her mother and desire to stay and try to preserve what she can of her culture is admirable, the character is not particularly memorable, her decision understandable, but not particularly defensible. Once she does change her mind, York provides a deus ex machina which can trace back to a momentary nastiness by Clare to one of the immigrants to allow Clare to leave her mother and plan a future life with Michael.

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Birthday Reviews: Mary C. Pangborn’s “The Confession of Hamo”

Birthday Reviews: Mary C. Pangborn’s “The Confession of Hamo”

Cover by Lawrence Ratzkin
Cover by Lawrence Ratzkin

Mary C. Pangborn was born on August 13, 1907 and died on February 20, 2000.

Pangborn didn’t publish very many works during her career. Her first story appeared in 1979 and she published six stories by 1985 with one more appearing in 1996. Although she has written a novel, it has not yet been published. Three of her stories appeared in the Universe series, another in the New Dimensions series, one in Fantasy and Science Fiction.

Mary C. Pangborn’s third story was “The Confession of Hamo,” originally published in 1980 in Terry Carr’s Universe 10. Carr enjoyed the story so much that he included it the next year in his Fantasy Annual IV. When Several of the stories that appeared in the Fantasy Annual series were translated into Spanish for inclusion in the book Fantasias in 1989, “The Confession of Hamo” was one of them.

The title of “The Confession of Hamo” tells the reader exactly what they should expect, although without any of the details. Hamo, living in fifteenth century England, is confessing his sins to Brother Albertus, although it isn’t entirely clear that Hamo is fully aware of the extent and nature of his sins. Hamo has been traveling the countryside with his friend, Tom o’Fowey, who calls himself Moses the Mage. The two scam people into believing that they can change base metal into gold.

Through their travels, they occasionally meet up with another charlatan who goes by the name Black Jamie, who teaches them how to make it appear that they are creating gold. Although Hamo never explicitly identifies Black Jamie, it is clear that he is a representation of the Devil. Instead, Hamo is more concerned about the crime of alchemy that he and Tom practiced, although at the same time he is clearly proud of the scam they perpetrated.

Eventually, Black Jamie sends Hamo on a quest, warning him that part of himself would be taken from him. Hamo’s biggest concern that he would lose his genitalia proves to be unfounded, although he does lose an non-tangible part of himself which proves to be a huge problem for someone who earns their money scamming others. Hamo, who now calls himself the Accursed, also finds that Tom has been taken prisoner by the sheriff, and it’s up to the now destitute Hamo to figure out a way to free him without his own biggest asset.

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Birthday Reviews: Brenda Cooper’s “Second Shift”

Birthday Reviews: Brenda Cooper’s “Second Shift”

Love & Rockets
Love & Rockets

Brenda Cooper was born on August 12, 1960.

Cooper has won the Endeavour Award twice, for her novels The Silver Ship and the Sea and Edge of Dark. The latter was also a nominee for the Golden Duck Hal Clement Award while the former was nominated for the Philip K. Dick Award. Her short story “Savant Songs” was nominated for the Theodore Sturgeon Memorial Award. Cooper has collaborated with Larry Niven on both short fiction and a novel.

Cooper write “Second Shift” for the anthology Love & Rockets, edited by Martin H. Greenberg and Kerrie Hughes in 2010. In 2015, she included it in her collection Cracking the Sky.

Brenda Cooper looks at a strange form of love in “Second Shift.” Lance Parker is on a solo mission to the asteroid belt to mine ore. Because such missions take so long, companionship is necessary to help the astronauts maintain a sense of sanity. To this end, Sulieyan and Kami have both been hired to maintain contact with him, in shifts, to provide Lance with the required human contact that a computer just can’t provide.

Although the first rule is not to form a relationship with the astronaut, Kami and Lance have both proclaimed their love for each other, even as they realize that there is practically no chance of them ever meeting in real life. Lance’s mission is a lengthy and dangerous one and for him Kami and Sulieyan are simply voices in an otherwise empty cockpit. The situation, however, doesn’t make the feelings Kami has for him, or vice versa, and less real. Seeing what is happening, Sulieyan sends her grandson, Hart, to interview Kami for a newspaper article on love.

In a normal story, Hart and Kami would hit it off and Kami would transfer her affection to Suleiyan’s son, however, in Cooper’s story, Kami remains true to her distant and as yet unmet love. Her interactions with Hart are non-romantic, yet focus on a discussion of what love is and who Kami and Lance can be in love with each other despite the barriers places between them.

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Birthday Review: Alan E. Nourse’s “The Gift of Numbers”

Birthday Review: Alan E. Nourse’s “The Gift of Numbers”

Cover by Kelly Freas
Cover by Kelly Freas

Alan E. Nourse was born on August 11, 1928 and died on July 19, 1992. He also published stories using the names Al Edwards and Doctor X.

Alan E. Nourse received a Hugo nomination for Best Novelette for his story “Brightside Crossing” in 1956, the third year the Hugos were presented and the second time the Best Novelette Hugo was awarded. When Philip K. Dick’s novel Do Androids Dream of Electric Sheep was made into a film in 1982, the producers took the title of Nourse’s 1974 novel about underground medical services, The Bladerunner, for the Dick film. Nourse’s novel had been adapted for film in 1979 by William S. Burroughs, but the film was never made.

Nourse published “The Gift of Numbers” in Super-Science Fiction, edited by W.W. Scott in the August 1958 issue. The story was reprinted in Nourse’s 1971 collection Rx for Tomorrow and was also included in his German language collection Hospital Erde the following year. In 2012, Robert Silverberg selected the story for inclusion in the Haffner Press anthology Tales from Super-Science Fiction.

The Colonel is a low level con artist who scams ineffective bookkeeper Avery Mearns in a bar one evening.  In exchange for $20 (about $170 in 2018 dollar values), the Colonel promises to trade his ability with numbers to Mearns and thereby save his job. Mearns takes the Colonel up on the offer and, naturally, that is the last he sees of the con man.

However, the Colonel is not quite the con artist that he appears and Mearns finds that he suddenly is quite effective when it comes to bookkeeping.  Not only does he begin to save the company money, but he also realizes that he can skim from the company using bookkeeping tricks. While this would not have occurred to the mild-mannered Mearns who met the Colonel in the bar that evening, Mearns received some of the Colonel’s larceny along with his ability with numbers. Mearns used his abilities not only to steal from the company, but to steal other trinkets, completely unwittingly and unwillingly, until he is caught, at which time the company refused to press charges since he was bringing in more money than he was taking out. Mearns, however, began to look for the Colonel, who the police identified by several names and noted was on the lam.

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Birthday Reviews: Ward Moore’s “Rebel”

Birthday Reviews: Ward Moore’s “Rebel”

Cover by Ed Emshwiller
Cover by Ed Emshwiller

Joseph Ward Moore was born on August 10, 1903 and published fiction using the name Ward Moore. Moore died on January 29, 1978.

Moore’s most famous work was the novel Bring the Jubilee, an alternate history about the Civil War. His stories “Lot” and “Lot’s Daughter,” form a post-apocalyptic future which was collected and expanded into the novel Lot, which formed the basis for the film Panic in Year Zero! He collaborated with Avram Davidson on the novel Joyleg and with Robert Bradford on Caduceus Wild.

“Rebel” originally appeared in the February 1962 issue of The Magazine of Fantasy and Science Fiction, edited by Robert P. Mills. It was reprinted in the June issue of the British edition of the magazine the same year and a month later was translated into French for its appearance in Fiction #104. Ida Purnell Stone included the story in her anthology Never in This World while Demètre Ioakimidis, Gérard Klein, and Jacques Goimard reprinted the French translation in their anthology Histoires de demain.

Moore takes a very simple idea in “Rebel” and runs with it. Bach and Smith and his wife only want what’s best for their son, Caludo, just as parents throughout history. Unfortunately, just like children throughout history, Caludo is rebelling against his parents’ values and insists that he isn’t going through a phase and his desires are just as legitimate as theirs. What sets the story apart is that in the Smiths’ world, the norm is based in artistic endeavor and Caludo wants to go into business.

The Smiths consider Caludo’s attire, jacket and trousers, to be a bizarre affectation, although Caludo, who also insists on sitting up in a straight backed chair, informs them he wears the constricting clothing rather than robes and togas because he finds it comfortable. Moore pulls out every argument a parent has made in favor of capitalism and fitting in and restructured it to fit into the milieu of a world in which capitalism is seen as a quaint historical artifact. It was good enough for the Grand Masters like Rockefeller and Carnegie, but it surely has no place in the modern world.

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