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Author: Steven H Silver

Birthday Reviews: William R. Forstchen’s “The Truthsayer”

Birthday Reviews: William R. Forstchen’s “The Truthsayer”

Cover by James Warhola
Cover by James Warhola

William R. Forstchen was born on October 11, 1950.

Forstchen is a professor of American History, specializing in military history, the Civil War, and the history of technology. He may be best known in science fiction circles for his The Lost Regiment series and for a series of alternate history novels co-written with Newt Gingrich. Forstchen has also collaborated on fiction with Larry Segriff, Raymond E. Feist, Jaki Demarest, Greg Morrison, Andrew Keith, Ben Ohlander, Christopher Stasheff, and John Mina. He has collaborated with Bill Fawcett, Jennie Ethell Chancey, and Donald V. Bennett on non-fiction.

“Truthsayer” originally appeared in Susan Shwartz’s anthology Arabesques: More Tales of the Arabian Nights, in 1988. In 2007, it was translated into French as “Le diseur de vérité” for publication in the anthology Fantasy 2007, published by Bragelonne.

Forstchen retells the story of the fall of the empire of Khwarazm and the flight of Muhammad Shah from his empire in “Truthsayer.” Historically, Ala ad-Din Muhammad incurred the wrath of Chinggis Khan by murdering a Mongol ambassador who sought to establish trade between the Mongol and Khwarezmian empires. Chinggis led armies into Khwarezm to exact vengeance and the Mongol armies, led by the Mongol general Subutai, destroyed the empire, murdering millions while Muhammad fled, eventually to die of disease on an island in the Caspian Sea.

In Forstchen’s version, Muhammad is accompanied by Ali, a Truthsayer. In this world, Truthsayers, of whom Ali is the last of a long line, have the ability to tell if someone is telling the truth, and the inability to lie. At the same time, they have a magic to evoke the truth from people. Muhammad makes rare use of Ali’s ability, but includes him on his flight from the Mongols. In the end, Muhammad abandons his entourage and Ali learns from the Khwarazm general Maluk that Muhammad feared and hated Ali for the truth the man had forced the shah to confront.

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Birthday Reviews: Robert J. Howe’s “The Little American Man: A True Pelvic Story”

Birthday Reviews: Robert J. Howe’s “The Little American Man: A True Pelvic Story”

Cover photo by Beth Gwinn
Cover photo by Beth Gwinn

Robert J. Howe was born on October 10, 1957.

Howe’s fiction has appeared in numerous magazines and anthologies, including Black Gate 14 (with “The Natural History of Calamity”). He co-edited the anthology Coney Island Wonder Stories with John Ordover. Howe served as Secretary of the Science Fiction and Fantasy Writers of American from 2010-2012. He is married to SF editor Eleanor Lang.

“The Little American Man: A True Pelvic Story” is a surreal tale set in Latin America. Pilar is a prostitute who notes that she likes the American client she has recently had who pays, doesn’t try to romance her, and doesn’t take up too much of time. A pregnancy scare forces her to visit her physician, Doctor Escobar, and his examination reveals that while not pregnant, a tiny version of the American man is living inside her. Although Escobar offers to remove the squatter, Pilar refuses.

Over the next several weeks, Pilar changes her business model from turning tricks to allowing people to view the little American man inside her. As time progresses, the man begins decorating his surroundings and adding furnishings, although neither Pilar nor Howe seem particularly curious about the method he has for obtaining his décor. Although Pilar does ask him about his plans and his name, he refuses to answer any of her questions and she allows them to pass.

In the course of the story, Doctor Escobar give his diagnoses of the little American man’s presence as “uterocolonialism,” which seems a reasonable interpretation of his actions, even if his presence seems benign. However, no matter how little direct impact he seems to have on Pilar, his very presence appears to make changes to her as she is unable to conduct her traditional business and she realizes that she is aging more rapidly than she should. By the time Pilar asks Doctor Escobar to remove the little man, it is too late.

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Birthday Reviews: Robert Reed’s “Night of Time”

Birthday Reviews: Robert Reed’s “Night of Time”

The Silver Gryphon-small

Cover by Thomas Canty

Robert Reed was born on October 9, 1956.

In 1986, Reed’s story “Mudpuppies” won the Writers of the Future 2nd Quarter Contest as well as that year’s Grand Prize. In 1995, his novel Down the Bright Way won the Grand Prix d’Imaginaire for its French translation. Reed won the Hugo Award for Best Novella in 2007 for “A Billion Eves.” He has been nominated for the Hugo Award 8 times, the Nebula Award twice, the Theodore Sturgeon Memorial Award 9 times, and the World Fantasy Award once.

“Night of Time” was initially published by Gary Turner and Marty Halpern in The Silver Gryphon, the twenty-fifth book published by Golden Gryphon Press in 2003. David G. Hartwell selected it for his Year’s Best SF 9 in 2004 and it was translated into Italian by Piero Anselmi for the Millimondi edition of the Hartwell anthology. Gardner Dozois also selected the story for his The Year’s Best Science Fiction: Twenty-First Annual Collection. In 2005, Reed included the story in his second collection from Golden Gryphon, The Cuckoo’s Boys. He also used the story in his 2013 collection, The Greatship. “Night of Time” is tied to a specific memory. I attended the Worldcon in Boston in 2004 and I was reading Hartwell’s Year’s Best SF 9 on the plane. I finished reading “Night of Time” and realized that the person sitting next to me was Robert Reed’s wife and Robert was sitting on the other side of her.

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Birthday Reviews: Frank Herbert’s “By the Book”

Birthday Reviews: Frank Herbert’s “By the Book”

Cover by John Schoenherr
Cover by John Schoenherr

Frank Herbert was born on October 8, 1920 and died on February 11, 1986.

Herbert won the inaugural Nebula Award for Best Novel in 1966 for Dune, which also tied for the Hugo Award that same year. Dune would eventually also win the Seiun Award in 1974. Herbert’s novel Hellstrom’s Hive won the Prix Apollo in 1978. In 2006, Herbert was a posthumous inductee into the Science Fiction Hall of Fame.

Herbert’s masterpiece, Dune, spawned five sequels written by Herbert and several additional novels written by his son, Brian Herbert, and Kevin J. Anderson. Dune has been filmed twice, once for theatrical release while Herbert was still alive and later as a miniseries.

Originally published by John W. Campbell, Jr. in the October 1966 issue of Analog Science Fiction Science Fact, “By the Book” was reprinted in 1971 in The Worlds of Frank Herbert and again in The Best of Frank Herbert. It was also included in the Herbert collections Eye and The Collected Stories of Frank Herbert. The story was translated into Croatian in 1978 for inclusion in the Yugoslavian magazine Sirius and into French in 1987 for the Hebert collection Champ Mental.

Despite being well past the age when he should be retired, Ivar Norris Gump has been summoned to the moon by his friend Poss Washington to help troubleshoot a problem. The story follows Ing, as Gump is known, as he tries to figure out what has gone wrong with the tubes and beams which propel interstellar travel. Ing and Washington are in constant communication, with Washington trying to balance the need to diagnose and fix the problem with the corporate bottom line.

Ing knows he was one of the best troubleshooters the company has and he has trained most of the troubleshooters who came after him. His mantra is to follow the rules laid out in the company manual and do everything “by the book.” Ing needs to work fast because the first colony ship is approaching its target planet and the beam is designed to provide the infrastructure needed to ensure the colony is successful. Ing demonstrates that working within the confines of the book does not necessarily mean thinking linearly or traditionally and as he tackles the issues he faces, he comes up with not only potential solutions but also a manner of interpreting the rules to allow him to try them out.

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Birthday Reviews: Steven Erikson’s “Goats of Glory”

Birthday Reviews: Steven Erikson’s “Goats of Glory”

Cover by Brian Carré
Cover by Brian Carré

Steven Erikson was born on October 7, 1959. Trained as an anthropologist and archeologist, Erikson’s real name is Steve Lundin.

Erikson was nominated for the World Fantasy Award for his novel Gardens of the Moon in 2000 and in 2017, the ten book series begun with that novel, Malazan Book of the Fallen, was nominated for the Aurora Award for Best of the Decade. The Malazan books are set in a world which Erikson and his friend, Ian Cameron Esslemont, created in 1982 for their role-playing games. In addition to the novels Erikson has written, Esslemont has also written books set in the same world.

Originally published in Swords & Dark Magic: The New Sword and Sorcery, edited by Jonathan Strahan and Lou Anders in 2010, Paula Guran selected “Goats of Glory” for inclusion in her 2017 anthology Swords Against Darkness.

“Goats of Glory” tells the story of a band of five warriors who are escaping a huge defeat. Originally known as Rams for the pins they wear, they have re-dubbed themselves goats following the loss and have stumbled across the tiny and remote village of Glory. As soon as their arrival is made known, one of the villagers begins digging graves for them, expecting that they will visit the ancient ruins of the castle on the hill and be killed by the demonic inhabitants.

Erikson splits his narrative between the points of view of Swillsman, Glory’s innkeeper, Graves, the gravedigger, and the five goats. By shifting viewpoints, Erikson successfully manages to build suspense as to which of his characters will succeed and which will die, although once the Goats go up against the demonic hordes, the suspense quickly evaporates. The battle sequences between the five goats and the demons are, perhaps, the weakest part of the story, although Erikson does break them up by revisiting the other characters to show them making plans for the heroes’ eventual defeat and deaths, clearly showing that the heroes aren’t the first to brave the abandoned fortress.

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Birthday Reviews: David Brin’s “Just a Hint”

Birthday Reviews: David Brin’s “Just a Hint”

Cover by George Angelini
Cover by George Angelini

David Brin was born on October 6, 1950.

Brin won the Hugo Award and Nebula Award in 1984 for his novel Startide Rising. He subsequently won Hugo Awards in 1985 for his short story “The Crystal Spheres” and in 1988 for his novel The Uplift War. His novel The Postman won the John W. Campbell Memorial Award in 1986 and was turned into a film starring Kevin Costner. He won a coveted Balrog Award for The Practice Effect and the Hal Clement Award for Sky Horizon: Colony High, Book One. Infinity’s Shore received an Italia Award. He has won the Seiun Award for translations of The Uplift War and Heaven’s Reach. In 1998, LASFS recognized him with a Forry Award. Brin was an Author Guest of Honor at Nippon 2007, the 65th Worldcon in Yokohama, Japan.

“Just a Hint” was Brin’s first published short story, appearing shortly after his debut novel, Sundiver. “Just a Hint” initially appeared in the April 27, 1981 issue of Analog Science Fiction/Science Fact, edited by Stanley Schmidt. The next year it was translated into German to appear in Analog 5, a collection of stories previously published in the American edition of Analog. Brin included it in his first collection Rivers of Time, originally published by Dark Harvest in 1986. It was translated into German a second time in 1989 to appear in the anthology An der Grenze, edited by Wolfgang Jeschke. In 2010 James L. Sutter included the story in Before They Were Giants: First Works from Science Fiction Greats.

Brin tells the story of two races, the human race and a race he calls sophonts. There is little action in the story, which is mostly talking between characters on the separate planets. On Earth, Liz Browning is a graduate assistant to Sam Federman. Sam is searching for intelligent life in the universe, but his real specialty is finding and maintain funding for his project while all around him money is drying up. On a distant planet, Fetham is decrying his loss of funding to bureaucrat Gathu. As with Federman, Fetham is also trying to reach alien races.

Each society has its own problems. Federman lives in a world in which the weather report is accompanied by statistics of the chance that the world will end in a nuclear conflagration before the year is out. Knowing that pollution was solved once the obvious steps were figured out, Federman hopes that an alien race might be able to share knowledge of what those steps would be for war.

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Birthday Reviews: Zoran Živković’s “The Whisper”

Birthday Reviews: Zoran Živković’s “The Whisper”

Cover by Dominic Harman
Cover by Dominic Harman

Zoran Živković was born on October 5, 1948.

Živković is a Serbian author whose works have been translated into English. His story “The Library” won the World Fantasy Award for Best Novella in 2003 and his 2008 novella Twelve Collections & the Teashop was a nominee for the Shirley Jackson Award. In addition to his own writing, Živković has translated science fiction from English into Serbian, published the Polaris imprint, and has won the Miloš Crnjanski Award, the Isidora Sekulić Award, the Stefan Mitrov Ljubiša Award, the Art-Anima Award, the Stanislaw Lem Award, and the Golden Dragon Award.

Živković’s story “The Whisper” first appeared in English in issue #170 of Interzone, edited by David Pringle and published in August 2001, followed by the subsequent stories in the same sequence over the following six months. The story as included in Živković’s 2006 collection Impossible Stories as well as his fix-up novel in the same year, Seven Touches of Music, which had been published in Serbian in 2001 as Sedam dodira muzike.

“The Whisper” is a short story that opens Zoran Živković’s fix-up novel Seven Touches of Music. It is set in Dr. Martin’s classroom for children on the autistic spectrum, where Martin tries to find ways to engage his students. Martin feels like he is fighting a losing battle since the students are all non-communicative to various extents. One of the ways Martin tries to teach the students is by having them draw, but their responses range from drawings which they destroy before he can see them to intricate patterns to random scribbles.

When Martin introduces music to the drawing sessions, it seems to influence one of the boys in the class. Martin begins to experiment with types of music to see if other music will repeat the influence or cause other outcomes. His experiments are inconclusive, but lead him to think he may be on the right track if he can just figure out how and why the music is having the impact he sees.

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Birthday Reviews: Gary Couzens’s “Half-Life”

Birthday Reviews: Gary Couzens’s “Half-Life”

Cover by Cathleen Thole
Cover by Cathleen Thole

Gary Couzens was born on October 4, 1964.

His fiction has been collected into two volumes and he has edited four anthologies, one of which, Extended Play: The Elastic Book of Music won the 2007 British Fantasy Award. He co-edited Deep Ten with Sara Jayne Townsend and co-edited Mind Seed with David Gullen. In 2017, five of his editorials for the magazine Black Static were also nominated for the British Fantasy Award. He has collaborated with D.F. Lewis, Miriam Robertson, and Martin Owton on various short stories.

“Half-Life” was first published in the August 1996 issue of The Magazine of Fantasy and Science Fiction, edited by Kristine Kathryn Rusch. Couzens included the story in his first collection of short stories, Second Contact and Other Stories, in 2003.

Gary Couzens made the decision to write “Half-Life” in the second person, which is not a common choice, but in this case manages to given an immediacy to the story that would otherwise have been lacking. His unnamed protagonist (“you”) has died and his spirit is hanging around the house, spying on his wife as she moves through the days following his death, and witnessing his daughter and son come home for the funeral.

While the second person POV pulls the reader into the story, the fact of death separates the reader from the action. The death causes a dissociative sense regarding what is happening as “you” learn how you were viewed by your daughter, who couldn’t reveal that she was a lesbian to you, although she told your wife five years earlier and has brought her lover for the funeral. You also realize that you won’t see the child your son and his wife are pregnant with.

You and the reader are both left up in the air as to any purpose you have for sticking around in your old house, but it is clear that you are locked to the location, with your strongest presence in the hallway where you died. When your wife leaves the house, you realize that you aren’t tied to her and will continue to exist in your half-state for an indeterminate period of time, but will eventually disappear.

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Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

Cover by Ed Emshwiller
Cover by Ed Emshwiller

Radell Faraday Nelson was born on October 3, 1931. Nelson has published under a variety of pseudonyms, including Ray Nelson, R. Faraday Nelson, and Jeffrey Lord. Nelson is also an artist.

Nelson’s novel The Prometheus Man received a special citation Philip K. Dick Award in 1983. In 2001 he was nominated for a Retro-Hugo in the Best Fan Artist category.

“Time Travel for Pedestrians” was published in Harlan Ellison’s Again, Dangerous Visions in 1972, and has been reprinted in the various versions of that anthology, but has not been published outside of that work.

While the framing device in Ray Nelson’s “Time Travel for Pedestrians” may have been transgressive in 1972, when it was first published, the combination of rumination on masturbation and drug trips seems self-indulgent at a forty year distance.

Going beyond the framing device, as least as much as possible, the story offers numerous past life regressions for Nelson’s narrator, each one set earlier than the one before, each focusing on the conflict between the spread of Christianity and its competing belief systems, and each ending with the death of Nelson’s protagonist.

Intriguingly, the further back in time the narrator finds himself, the more receptive he is of Christianity, starting with a new age paganism, eventually becoming a priest in the Inquisition, and finally taking dictation from Mary Magdalen. While Nelson’s reflections on each of these vignettes offers different views on religion and belief, the framing mechanism intrudes, raising the question of whether the narrator is actually reliving past lives or if everything is part of the drug trip he has initiated, and which undermines Nelson’s story.

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Birthday Reviews: Edward Wellen’s “Barbarossa”

Birthday Reviews: Edward Wellen’s “Barbarossa”

Since I realize I jumped the gun and moved Walter Jon Williams’s birthday up a couple of weeks with my Birthday Review published earlier today, here is someone who was actually born on October 2.

Cover by Kevin Davidson
Cover by Kevin Davidson

Edward Wellen was born on October 2, 1919 and died on January 15, 2011.

Most of Wellen’s publications were short stories and he was more active in the mystery field than in science fiction, although he began publishing in the genre in 1952 with the non-fact article “Origins of Galactic Slang” in Galaxy. In 1971 he published his only science fiction novel.

“Barbarossa” was initially published in the June 1973 issue of Vertex: The Magazine of Science Fiction, edited by Donald J. Pfell. It was reprinted in the anthology Fantastic World War II in 1990, edited by Frank McSherry, Jr.

Wellen briefly explores the fate of a Nazi U-boat commander who refused to surrender to the Allies when Admiral Doenitz gave the order following Hitler’s death at the end of World War II. Using every trick he could think of, Helmut Niemans managed to escape the Allies, jettisoning enough flotsam from the ship that it was believed to be lost. Instead, he spent the next twenty-odd years as a pirate, picking up crew as he could to replace the Germans who died, tried to escape, or mutiny.

Less a story than a vignette showing how Niemens manages to continue adding to his crew, with a flashback to explain his history, Wellen fails to show how the ship manages to remain functional, although ever-decreasingly, through the years. He also doesn’t discuss how Niemens is able to avoid any sort of detection. Instead, the Commander is shown as a sad Captain Nemo, awaiting the revival of the Nazi ideology while he crews his boat with a rag-tag collection of slaves who don’t believe in his vision. Wellen also ignores the fourteen crewmen who were aboard the boat during World War II, and doesn’t clarify where their loyalties lie — whether to Niemens, the Reich, or simply remaining alive in their tight and smelly quarters.

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