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Author: Steven H Silver

The Golden Age of Science Fiction: Death’s Master, by Tanith Lee

The Golden Age of Science Fiction: Death’s Master, by Tanith Lee

Cover by David Schleinkofer
Cover by David Schleinkofer

Cover by Tim White
Cover by Tim White

Cover by Ken Kelly
Cover by Ken Kelly

In 1972, the British Fantasy Society began giving out the August Derleth Fantasy Awards for best novel as voted on by their members. In 1976. The name of the awards was changed to the British Fantasy Award, although the August Derleth Award was still the name for the Best Novel Award. From the award’s founding until 2011, the August Derleth Award was presented for Best Novel. In 2012, the Robert Holdstock Award for Best Fantasy Novel was created and the August Derleth Award became focused on Horror novels. The first August Derleth Award was presented to Michael Moorcock for The Knight of the Sword and Moorcock won four of the first five awards. The last August Derleth Award (before it became a Horror Award) was announced for Sam Stone for Demon Dance, but she declined the award. The category has remained part of the awards to the present day, although a re-alignment in 2012 means the awards are now selected by a jury rather than the full membership of the British Fantasy Society. In 1980, the awards were presented at Fantasycon VI in Birmingham.

Lee was the first woman to win the August Derleth Award. Although Sam Stone would win the award in 2011 for her novel Demon Dance, no other woman accepted the award until 2014, when Lauren Beukes won it for The Shining Girls. Catriona Ward has since won the award in 2016 for Rawblood. However, when Lee won the award, it was for Best Novel. In 2012, the August Derleth Award had a focal shift to Best Horror novel, with Fantasy novels winning the Robert Holdstock Award from that point on. As it happens, even if Lee had lost in 1980, that year’s award would have gone to a woman, as the other nominees were Phyllis Eisenstein and Patricia A. McKillip.

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The Golden Age of Science Fiction: “Can These Bones Lie?” by Ted Reynolds

The Golden Age of Science Fiction: “Can These Bones Lie?” by Ted Reynolds

Cover by Mike Hinge
Cover by Mike Hinge

The Analog Award was launched in 1979 for works published in the magazine in the preceding year. The Short Story category was one of the original categories and has been given every year the award has been in existence. It was won the first year by Orson Scott Card for his story “Lifeloop.” In 1980, it was won by Ted Reynolds for his story “Can These Bones Live?” Reynolds was nominated again the following year in the same category for the story “Meeting of Minds.”

Reynolds opens “Can These Bones Live?” with a cliché. His main character awakens and doesn’t know where she is, having to explore the world anew and figure out what is going on. One of her earliest memories is that she has actually died, so she would seem to be in some sort of afterlife. Unfortunately, Reynolds spends too much time working this cliché as his never named viewpoint character continues to move through her uninhabited world, searching for other people, food, or any recognizable landmark. Her sole indication that she is still somewhere on Earth is her ability to recognize the Moon.

Eventually, Reynolds does take his story in a different, and unique direction, although it happens at a leisurely rate and he doesn’t really give the reader a reason to care about his protagonist. Eventually, she falls asleep and begins to commune with the Roanei, an alien race that informs her that humanity has gone extinct and she is the last human. If she requests it, the Roanei can bring humans back from extinction, but if they decide not to, the human race will remain dead.

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The Golden Age of Science Fiction: Leanne Frahm

The Golden Age of Science Fiction: Leanne Frahm

Cover by Gavin O'Keefe
Cover by Gavin O’Keefe

The Ditmar Awards are named for Australian fan Martin James Ditmar Jenssen. Founded in 1969 as an award to be given by the Australian National Convention, during a discussion about the name for the award, Jenssen offered to pay for the award if it were named the Ditmar. His name was accepted and he wound up paying for the award for more years than he had planned. Ditmar would eventually win the Ditmar Award for best fan artist twice, once in 2002 and again in 2010.

The first Ditmar for Best Fan Writer was awarded in 1979, when it was won by Marc Ortlieb. The award has been presented each year since then with a record four-year winning streak set by Bruce Gillespie (1989-92). Gillespie tied with Ian Gunn in the second year of that winning streak and has won the award a record nine times between 1989 and 2005. Leanne Frahm won the award for the first time in 1980 and would win the award a second time in 1998.

Leanne Frahm was born in Brisbane, Australia on February 28, 1946.

Frahm attended James Cook University and worked in a bank. She became involved in acting in and directing community plays and eventually attended a writers’ workshop in Sydney, which led to her publishing in fanzanes and a professional career.

She was nominated for the Ditmar Award for Best Fan Writer in 1979 and the following year she won the award. She would win a second Ditmar Award for Best Fan Writer in 1998.

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The Golden Age of Science Fiction: The Magazine of Fantasy and Science Fiction

The Golden Age of Science Fiction: The Magazine of Fantasy and Science Fiction

Cover by Ron Walotsky
Cover by Ron Walotsky

Cover by Barclay Shaw
Cover by Barclay Shaw

Cover by David A. Hardy
Cover by David A. Hardy

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Book Publisher Award dates back to 1972, although in 1975 and 1976 the Publisher Award was split into paperback and hardcover categories. Ballantine Books won the award each year from its inception through 1977 (winning the paperback for the two experimental years with the Science Fiction Book Club winning the hardcover award). In 1978, when Del Rey was established as an imprint of Ballantine, Ballantine/Del Rey began winning the award. The award was not presented in 1979 for works published in 1978, but when it was reinstituted in 1980, Ballantine/Del Rey picked up its winning streak. In 1980. The Locus Poll received 854 responses.

Anthony Boucher and J. Francis McComas pitched the idea of a fantasy magazine to Lawrence Spivak at Mercury Press in the mid-1940s and a companion to Spivak’s publication Ellery Queen’s Mystery Magazine. The Magazine of Fantasy was founded in Fall, 1949 with editors Boucher and McComas. With the second issue, the title was changed to The Magazine of Fantasy and Science Fiction. Boucher and McComas set the magazine apart from other science fiction magazines not only with their choice of material, which tended to being more literary in nature, but also in the magazine’s design. McComas left the magazine following the August 1954 issue for health reasons, but Boucher continued to edit the magazine until the August 1958 issue. Following Boucher’s departure, Robert P. Mills edited the magazine until March 1962 and then Avram Davidson took over until November 1964. Joseph Ferman, who had bought the magazine in 1954 edited it for a year before turning the editorial tasks over to his son, Edward K. Ferman, who edited the magazine until June 1991, after which Kristine Kathryn Rusch became the magazine’s editor until May 1997. Gordon van Gelder took over editorial duties and purchased the magazine from Ferman in 2001, turning over the editorship to Charles Coleman Finlay in 2015.

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The Golden Age of Science Fiction: Australian Gnomes, by Robert Ingpen

The Golden Age of Science Fiction: Australian Gnomes, by Robert Ingpen

Cover by Robert Ingpen
Cover by Robert Ingpen

The Ditmar Awards are named for Australian fan Martin James Ditmar Jenssen. Founded in 1969 as an award to be given by the Australian National Convention, during a discussion about the name for the award, Jenssen offered to pay for the award if it were named the Ditmar. His name was accepted and he wound up paying for the award for more years than he had planned. Ditmar would eventually win the Ditmar Award for best fan artist twice, once in 2002 and again in 2010. The Ditmar Award for Best Australian Long Fiction (alternatively, Best Australian Novel) has been presented each year the Ditmar Awards have existed. The 1979 award was won by Robert Ingpen for his artbook, Australian Gnomes at Swancon 5, held in Perth.

In 1979, in his Ditmar Award winning book Australian Gnomes, Australian author/artist Robert Ingpen created a version of Australia in which gnomes lived, mostly unseen, amongst humans, much as Brian Froud would do with the subsequent Lady Cottington’s Pressed Fairy Book (1984). Since Australia is a land of immigrants, Ingpen’s gnomes also came from different places around the world, each group retaining ties to its specific culture of origin and based on the human society from whence they came. His gnomes come from Ireland, Northern and Southern Europe, Mongolia, and Argentina. Just as with the humans who have settled Australia, they have built a combination culture even while retaining their ties to their homelands.

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The Golden Age of Science Fiction: Dragondrums, by Anne McCaffrey

The Golden Age of Science Fiction: Dragondrums, by Anne McCaffrey

Cover by Steve Weston
Cover by Steve Weston

Cover by Fred Marcellino
Cover by Fred Marcellino

Cover by Elizabeth Malczynski
Cover by Elizabeth Malczynski

The Balrog Award, often referred to as the coveted Balrog Award, was created by Jonathan Bacon and first conceived in issue 10/11 of his Fantasy Crossroads fanzine in 1977 and actually announced in the final issue, where he also proposed the Smitty Awards for fantasy poetry. The awards were presented for the first time at Fool-Con II at the Johnson County Community College in Overland Park, Kansas on April 1, 1979. The awards were never taken particularly seriously, even by those who won. The final awards were presented in 1985. A Balrog Award for Novel was presented each of the years the award existed.

Anne McCaffrey first introduced her world of Pern in “Weyr Search,” the cover story of the October 1967 issue of Analog. Although the story had all the trappings of a faux Medieval fantasy tale, McCaffrey claimed from the very beginning that it was a science fiction story, a claim bolstered by its presence in Analog, a science fiction magazine. The story went on to win the Hugo Award and McCaffrey used it in her first Pern novel. By 1978, she had published three novels in the Dragonriders of Pern series and the first two novels in the related Harper Hall series, Dragonsong and Dragonsinger. She had also clearly demonstrated the science fictional underpinnings of her world.

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The Golden Age of Science Fiction: Fantasy Newsletter

The Golden Age of Science Fiction: Fantasy Newsletter

Fantasy Newsletter January 1979
Fantasy Newsletter January 1979

Fantasy Newsletter March-April 1979
Fantasy Newsletter March-April 1979

Fantasy Newsletter June 1979
Fantasy Newsletter June 1979

The Balrog Award, often referred to as the coveted Balrog Award, was created by Jonathan Bacon and first conceived in issue 10/11 of his Fantasy Crossroads fanzine in 1977 and actually announced in the final issue, where he also proposed the Smitty Awards for fantasy poetry. The awards were presented for the first time at Fool-Con II at the Johnson County Community College in Overland Park, Kansas on April 1, 1979. The awards were never taken particularly seriously, even by those who won the award. The final awards were presented in 1985. Both categories in which Allen was nominated, Amateur Achievement and Amateur Publication, lasted the entire run of the Balrog Awards. Allen had won the Achievement award the first year the awards were presented.

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs. The Non-Professional Special Award has been part of the award since its founding. In 1980, the year Allen received the award for his work on Fantasy Newsletter, the convention was held in Baltimore, Maryland.

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The Golden Age of Science Fiction: Marilyn Pride

The Golden Age of Science Fiction: Marilyn Pride

Lewis Morley & Marilyn Pride, photo by Cat Sparks
Lewis Morley & Marilyn Pride, photo by Cat Sparks

The Ditmar Awards are named for Australian fan Martin James Ditmar Jenssen. Founded in 1969 as an award to be given by the Australian National Convention, during a discussion about the name for the award, Jenssen offered to pay for the award if it were named the Ditmar. His name was accepted and he wound up paying for the award for more years than he had planned.

The Best Australian Fantasy/SF Artist category was not one of the original Ditmar Award categories in 1969, and the award had several names after it was introduced. The first art awards given by the Ditmar Awards occurred in 1980 when the category was called Best Australian Fantasy/SF Artist and was won by Marilyn Pride. Over the years, the category has changed titles and direction several times, sometimes being for “Best Australian SF or Fantasy Artist,” sometimes being for Best SF or Fantasy Artist, without concern about origin, sometimes being specifically for Best Fan Artist, and once being for Best Australian SF or Fantasy Artist, Cartoonist, or Illustrator. There have also been times that the award has disappeared or replaced by an away for Best Artwork (or given in addition to a Best Artwork Award. The most recent Best Fan Artist Award was presented in 2016, with Best Artwork being awarded as recently as 2018.

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The Golden Age of Science Fiction: Watchtower, by Elizabeth A. Lynn

The Golden Age of Science Fiction: Watchtower, by Elizabeth A. Lynn

Cover by William Giese
Cover by William Giese

Cover by Eric Ladd
Cover by Eric Ladd

Watchtower
Watchtower

The World Fantasy Award was established in 1975 as part of the World Fantasy Convention. Seen as a fantasy version of the Hugo and the Nebula Awards (neither of which are strictly for science fiction), the nominees and winners are selected by a panel of judges, although currently, two positions on the ballot are opened up to nominations from members of the World Fantasy Convention. The Novel Award has been presented since the first year, when it was won by Patricia A. McKillip for her novel The Forgotten Beasts of Eld. There have been six years in which the award resulted in a tie, most recently in 2018, when Fonda Lee and Victor LaValle both received the award. Originally, the trophy was a Gahan Wilson created grotesque bust of H.P. Lovecraft. In recent years as more and more authors, fans, and winners of the award spoke out against Lovecraft’s misogyny and racism, the trophy was replaced by a sculpture of a tree created by Vincent Villafranca. In 1980, the award was won by Elizabeth A. Lynn for her novel Watchtower.

Watchtower is the first volume of Elizabeth Lynn’s Chronicles of Tornor series, the second volume of which, The Dancers of Arun, was not only released in the same year, but also appeared on the World Fantasy Award ballot opposite this volume. The series was completed the following year with the publication of Northern Girl.

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The Golden Age of Science Fiction: Ballantine/Del Rey

The Golden Age of Science Fiction: Ballantine/Del Rey

Cover by Darrell K. Sweet
Cover by Darrell K. Sweet
The World of Science Fiction
The World of Science Fiction
Cover by Doug Beekman
Cover by Doug Beekman

Peter Graham is often quoted as saying that the Golden Age of Science Fiction is 12. I was reminded of this quote last year while reading Jo Walton’s An Informal History of the Hugo Awards (Tor Books) when Rich Horton commented that based on Graham’s statement, for him, the Golden Age of Science Fiction was 1972. It got me thinking about what science fiction (and fantasy) looked like the year I turned twelve and so this year, I’ll be looking at the year 1979 through a lens of the works and people who won science fiction awards in 1980, ostensibly for works that were published in 1979. I’ve also invited Rich to join me on the journey and he’ll be posting articles looking at the 1973 award year.

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Book Publisher Award dates back to 1972, although in 1975 and 1976 the Publisher Award was split into paperback and hardcover categories. Ballantine Books won the award each year from its inception through 1977 (winning the paperback for the two experimental years with the Science Fiction Book Club winning the hardcover award). In 1978, when Del Rey was established as an imprint of Ballantine, Ballantine/Del Rey began winning the award. The award was not presented in 1979 for works published in 1978, but when it was reinstituted in 1980, Ballantine/Del Rey picked up its winning streak. In 1980, the Locus Poll received 854 responses.

Del Rey published eight hardcovers in 1979, including Anne McCaffrey’s Dragonquest, Katherine Kurtz’s Camber of Culdi, Roger Zelazny’s Roadmarks, Han Solo at Stars’ End and Han Solo’s Revenge, by Brian Daley, and Dark Is the Sun and The Lovers, by Philip José Farmer. The three trade paperbacks they published included a reprint of Raymond Healy & J. Francis McComas’s landmark anthology iAdventures in Time and Space, the collection The Fantasy Worlds of Peter S. Beagle, and Lester del Rey’s non-fiction work The World of Science Fiction: 1926-1976: The History of a Subculture. They also published more than 100 mass market paperbacks with several, such as McCaffrey’s Dragonflight and Stephen R. Donaldson’s The Power That Preserves having multiple reprints throughout the year.

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