Black Gate

Erol Otus hates me… It’s a dead on fact, something that can’t be changed, I’m afraid, and yet I find myself having a hankering to talk about him in a favorable light. I went after Erol for Art Evolution, and he was the very first artist I’d never met to get an invite to the project. Erol wasn’t interested, and no matter what I did to try to entice him he just kept getting further away from a commitment. It’s the name of the game, a numbers game, and John O’Neill once told me that if I went out to get 20 artists and my approach had a capture rate of 19, then whatever went wrong couldn’t be put on me.

Still, the more Art Evolutions I did, the more I found people asking for Erol and what his contribution would look like. Erik Mona over at Paizo went so far as to say that without Erol my project would never be complete.

To tell you the honest truth, when I was young I detested Otus’s contributions to the field. I thought his work was that of a child among men, and if you showed me an Otus image I’d sneer at it in veritable disgust. Remember, however, that youth doesn’t represent good taste, and certainly as the years went by and my eye for art changed, a greater respect grew for Otus’s work. Now that’s not to say it became ‘better’ art, but it did facilitate a nostalgic bent to my youth that softened its edges and helped me accept what it was.

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I’m a fan of Dragon Magazine, or at least I was back in the 80s. That’s not to say that the now fully online version doesn’t have its good points, but when it comes to what I remember fondly from my youth, Dragon certainly ranks up there with the greats.

One of the most memorable things about the magazine were the advertisements, almost all for games that I couldn’t readily find in a gaming store. I loved looking at these and dreaming of owning games like Aftermath, Talisman, or my personal favorite Bug-Eyed Monsters: They Want Our Women.

As a child of the late 70s and early 80s I missed the creature feature glory days of the 50s and 60s, so this game was my first real indoctrination to the world of female exploitation by powers beyond the scope of simple men.

This campy style of art was so over the top, so ludicrous, that I was drawn to it like a moth to flame. I’m certain marketing departments knew this as they’d been advising great artists to show such evocative scenes on movie posters and pulp magazines for a half century before I came into the picture.

No matter my desire, both for the game and the women represented, I didn’t acquire Bug-Eyed Monsters: They Want Our Women until 2002, but by that point I’d passed the simple acceptance of the awesomeness of it all and started to question the why…

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Art Evolution 2011 ends this month with our final artist of the year, but I have to say that once again it was a thrilling ride. Black Gate had the distinct pleasure of featuring the talents of Russ Nicholson, Janet Aulisio , Eva Widermann, and Chuck Lukacs this year and our final entry comes from the epic talents of Steve Prescott.

Now Steve has been doing this a long time, all the way back to the early days of White Wolf when an art director from the company visited his college campus and reviewed portfolios. For my part, I found Steve through Paizo’s Pathfinder. I remember waiting with anticipation for each Pathfinder adventure path to arrive at my home as the company slowly rolled out Rise of the Runelords and Curse of the Crimson Throne.

Both of these six volume series helped set the stage for each of the Pathfinder Iconic characters which were all done by artist Wayne Reynolds. When the company’s 3rd adventure path, A Second Darkness, began I was greeted with a cover credited once again to Wayne, but as I looked over the image I knew another artist had taken over the project with an incredible eye for detail.

Let’s try to put this in perspective, however, because taking over Iconics from Wayne is like replacing Joe Montana at quarterback. Thankfully, like the 49ers of the early 90s, Paizo had their own version of Hall of Fame QB Steve Young with Steve Prescott.

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