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Author: S.M. Carrière

When S.M. Carrière isn't brutally killing your favourite characters, she spends her time teaching martial arts, live streaming video games, and cuddling her cats. In other words, she spends her time teaching others to kill, streaming her digital kills, and cuddling furry murderers. Her most recent titles include 'Daughters of Britain' and 'Skylark.' https://www.smcarriere.com/
Yes, Everyone Can

Yes, Everyone Can

thewallpaperco3

This is one of my favorite pieces of art. I found it ages ago at thewallpaper.co.

Good morning, Readers!

I had an argument with a friend the other day, and it’s kind of stuck in my throat a bit. Permit me to indulge myself and get all my thoughts around the issue out. It always helps to write it out. You’re all basically my therapists.

Jokes aside, the argument centered around the idea that not everyone can (as in should) be a writer. He says not, I say absolutely they can, and should if they so desire.

Now, this isn’t an argument about whether people have the time or the will to become writers. That is a separate issue. If the assumption is that they want to, then they absolutely can, and absolutely should.

His argument was something around talent, that just because someone can string a few sentences together, it doesn’t make them writers. Their story ideas may be garbage. They may not be able to spell all that well. They can’t adequately turn what’s in their head into something understandable on the page.

In a way, I suppose, he’s right.

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The Cost of Publishing Through a Small Press

The Cost of Publishing Through a Small Press

chizine-publications

I’m sure many of you by now have heard of the sudden controversy that erupted around Canadian horror/speculative fiction publisher, ChiZine. The story has been picked up by Victoria Strauss of Writer Beware. You always know it’s bad when Writer Beware gets involved. For those of you who are blissfully unaware of the situation, good for you. Stay that way if you can. If you insist on knowing it all, I can recommend a great round-up by High Fever Books (here). Start at the bottom and work your way up through the updates.

It’s bad.

For the most part, there has been an outpouring of support for those affected; the authors who were not paid, and the former staff who were so atrociously abused. As with all controversies, however, there have been a number of bad takes. The worst has come from an editor by the name of Stephen Jones, who had this to say:

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I Admit, I’m Intrigued

I Admit, I’m Intrigued

The Witcher USA

Good morning, Readers!

So, the main trailer and release date for Netflix’s new nerd acquisition, The Witcher, dropped a fortnight or so ago. Knowing that I streamed the lengthy final game (and its DLCs) in the trilogy not all that long ago and had a good time with it, a number of my friends directed me towards the trailer when it dropped. I may have also had and voiced opinions about the news that Netflix acquired the rites to The Witcher, and then had more opinions when Henry Cavill was announced in the titular role.

A few things to note about me and my opinions. They’re horribly ill-informed. My experience with The Witcher is the third game (The Wild Hunt). That’s it. If you’re curious about how I felt about the game, you can check out my review on Chalgyrs here. I’ve not read the books on which the game was based, though I do plan to (should I make it a thing to do, and then share my thoughts here, do you think?). I don’t have as strong an emotional attachment to the world, the characters or the story as I might have had I read (presuming I enjoyed them) the books, or even had followed the games from the first.

But about the Netflix series….

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How I Survive Conventions

How I Survive Conventions

Portal

Conventions are portals into the wonderful. Like portals, though, they can be a little scary to step into. Image by alan9187 from Pixabay

Good evening, Readers!

As of the writing of this, I am coming off of a wonderful three day speculative fiction convention in Ottawa. I’m of course, talking about Can*Con. I’ve mentioned it before. It was a hectic, people-ly, wonderful weekend. As wonderful as it all was, conventions, even 2019 Aurora Award winning ones (I had to brag. I had to), can be tricky for me to navigate. I am an extreme introvert – hardly a unicorn in the spec fic crowd, I know. While I love to be around my friends, or even friendly people, it can quickly become exhausting and even terrifying. Here’s how I survive a three day stint of extreme peopleing.

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The Dark Crystal: Age of Resistance – Thoughts

The Dark Crystal: Age of Resistance – Thoughts

The_Dark_Crystal_1982 Film_Poster 2

This was almost my entire childhood.

Good morning, Readers!

I grew up on The Dark Crystal. In my house, it shared a VCR tape with The Secret of NIMH. Or was it a Beta Max cassette? I can’t really remember, save that we had both players in the house. That’s not the point. The point is, I grew up watching The Dark Crystal. It was one of the favorite movies of my childhood. I remember being so invested in Jen and Kyra, terrified of the Garthim, and utterly petrified of the Chamberlain, whose terrible whimper became a signal for immediate danger.

I credit this movie for my love of all things dark fantasy, because it was incredibly dark. With the name Jim Henson attached, one might be forgiven in thinking it is a light, friendly tale designed for young children. While I would recommend it for children, as a matter of personal philosophy, The Muppets it is not. It is a dark story with frightening events that led to more than one nightmare (incidentally, having rewatched it as an adult, I found the story still excellent, the puppetry breathtaking, but the narration so thoroughly irritating. It’s still watchable for me, as long as I fast forward through the narration).

When I heard Netflix was “remaking” The Dark Crystal, my eyes rolled skywards and I cursed under my breath. Not only was The Dark Crystal perfectly fine as it is, but there are so many original stories, or even adaptations of original stories that deserve attention. Whhyyyyyyyyyyyyy must studios constantly remake things that already exist? I resolved to never watch it. Until I saw the trailer.

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What Is Genre, Anyway? (AKA, I am Totally Lost)

What Is Genre, Anyway? (AKA, I am Totally Lost)

Steampunk 1

This is… Steampunk Assassin’s Creed? It’s pretty cool whatever it is.

Good morning, Readers!

I have a wee problem. I’m absolute rubbish at categorizing works of fiction. Sure, some things fit quite nicely into easy designations. The Lord of the Rings? Fantasy, duh! Dragon’s Egg? Science fiction, duh! Battlefield Earth? Nonsensical drivel, duh! Sorry. I genuinely dislike that book. It’s alright if you like it. I just don’t. Anyway, what was I saying? Ah, yes. Genre.

Things, however, very rarely fit ever so neatly into a single genre, though, especially now when so many diverse voices are bringing fresh takes, pushing boundaries and deliberately blurring the lines between genre. This experimentation, this refusal to be bound by boring rules that are no longer relevant, has created some of the most interesting, immersive stories I have read in a long time (which is to say, I don’t get bored rereading all the same tropes over and over to the point where I can accurate predict the trajectory of a story from the first chapter). I love that I don’t get bored reading now. I was starting to, if I’m honest.

It’s all a lovely, fascinating, confusing mess.

In a world obsessed with categorizing everything neatly, however, it’s creating a little bit of friction.

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Thoughts on Our Ecosystem

Thoughts on Our Ecosystem

pegasus

This is one of mine. I’m working on getting better.

Good morning, Readers!

One of my favorite conventions, Can*Con, is rapidly approaching (sure, it’s the only convention I can afford to go to, it being in my hometown, and all, but that doesn’t detract from the fact that it is, in truth, a wonderful convention), and I’m excited. This excitement, however, is also tinged with not a little trepidation. There are many reasons for this, but foremost among them is anxiety. I am anxious for a number of reasons.

First among those reasons are the sheer number of people. There will be a lot of them. Some of them will be important-types. Some will be just regular folk like myself. Being a very small, unimportant fish, struggling to grow, being surrounded by much bigger, more successful fish can feel a little suffocating. It’s difficult to get seen, and harder still to be heard.

One of the reasons I so love Can*Con is how, despite how it has continually grown, it hasn’t forgotten those of us who aren’t so big and important. When I first turned up there, I purchased a table to sell my one and only book, a self-published collections of short stories and poems called The Dying God & Other Stories. It was the only thing I had. Despite having only one book, and despite it being a self-published thing, I was welcomed warmly.

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Not Your Typical Hero

Not Your Typical Hero

God of war

Good morning, Readers!

On occasion, I review video games for the site chalgyr.com. It’s really just a small thing I do every so often, when I’ve finished playing a game.  Currently, I’m working my way through Far Cry Primal, and enjoying it immensely. Not too long ago, though, I played through the latest iteration of God of War. I enjoyed the older God of War games on a very surface level. I moved my avatar, rage-incarnate, Kratos, across the screen and used him to utterly obliterate my enemies. I felt nothing for Kratos, and despite cut scenes that were designed to make him at least a little sympathetic, I wasn’t particularly attached to his story. There is nothing compelling or appealing about the embodiment of toxic rage. I played for the mayhem and the silly fun.

Then came old man Kratos and his son, and everything changed.

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Opinion: It’s Not Magic. Sort Of.

Opinion: It’s Not Magic. Sort Of.

broken amnnequins

Image by Stefan Keller from Pixabay. If you think about it, the Muses are incredibly creepy.

Good morning, Readers!

Back in the day, just a bit before my time, creativity was once thought to be an external force. It was a supernatural intervention, the whispering of a deity in the ear of her fortunate unfortunate, compelling them to create in a fugue of mystical madness… probably. It’s likely I made that up. I have no citation.

It’s a myth that appears to have a rather oddly long life. Still to this day, people talk of creativity as if it’s some strange external thing. They do the same with talent, as if either are some kind of divine gift… or curse (some days, folks. Some days). The fact of the matter is, it’s not some strange magic. There are no spirits whispering in one’s ear, commanding creation, directing creativity.

Creativity, and talent for that matter, is a skill. It is a muscle that has been exercised relentlessly. From youth, creativity is fed on a steady supply of stories of the impossible, mind-bending images, and lots of time to ponder and play. Talent’s diet consists simply of practice. Hours and hours of practice. These things, when given freely and often in a person’s youth, creates a solid foundation for creativity.

This skill must be nurtured, the muscle flexed often, or it is lost. Like most things that are done in this manner, creativity as part of a routine can appear effortless to the outside eye. No one really sees the years of effort, practice and failure that goes into the effortless exertion they are witness to. The creative knows.

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An Uncomfortable Truth

An Uncomfortable Truth

Good morning, Readers!

A fair warning, I’m attempting to tackle a topic that is currently at the center of a great deal of controversy in the realm. Because speculative fiction is a realm. This is especially of issue in the YA community.

A further disclaimer: despite my struggles to get noticed in a marketplace flooded with writers, I am fully aware that as a white, cis-het woman, I have a lot of privilege in this field. That will unavoidably impact what I’m trying to say here a little. If you belong to a minority, feel free to correct me where I misstep. I am always looking to learn, and I never mean to offend.

pixabay spellbook.

Literal magic.

Novels are incredible things. They are, frankly, magical. They are the conduits to adventure, to wonders unheard of. They are a means to explore truth via outlandish lies. They grapple with grief and loss, danger, and rage. Through the magic of books, we can face our greatest fears, from the safety of our comfiest nooks, and emerge triumphant. Novels, particularly the speculative, allow us to experience things we normally would be denied.

This includes the experiences of people we could never be.

As writers, it is our job to inhabit these lives that are not our own and bring them to life on the page. Oft times, these people are not folks that look, act or sound like us. They are people whose lives differ vastly from our own. Still, we write their experiences and pray that we are doing well. At risk of raising some fury, there is a limit to what we can do, and, I firmly believe, what we should do.

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