Black Gate

Good morning, Readers!

Floating around the Twitterverse yesterday was a long thread of new authors bemoaning all the extra stuff they’re expected to do — all of that extra work extraneous to their craft — that writers are expected to engage in if they have any hope of being successful with their publication.

It’s true. When I first started on this publishing quest oh, some [indistinct] years ago, my research revealed that I had a lot of things to do if I wanted to be successful. I had to be on several social media site. I had to belong to several writing groups. I had to blog. I had to do a book blog tour. I had to secure book reviews and interviews (but good luck getting either if you’re self-published or published by a small/micro press, and entirely unknown). I had to create a launch party. I had to create and maintain a newsletter. The list seemed endless and entirely overwhelming. I understand the dismay and frustration expressed on Twitter yesterday.

It’s valid. There is a lot of hidden work behind being a successful writer (unless you’re very, very lucky).

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Image by Сергей Катышкин from Pixabay

Growing up, I had no heroes.

I’m not sure if this is a sign of anything in particular that might be wrong with me, but growing up, there was no one in any field — sports, literature, politics, or life — that I considered a hero of mine. There were certainly people whose skill and success I greatly admired. My favourite artists come out of the surrealist movement, and they are remarkable, both in how well the portray realism and how expertly they undermine it; twist it and make it strange. I have always loved Tolkien and regularly stand in awe of what he built. I feel the same way about Steven Erikson, a more contemporary writer. Martin Lass was my favourite violinist, and Tommy and Phil Emmanuel my favourite all-time guitarists. I was enamoured with the skill of tennis stars Pat Cash and Pat Rafter…

If you needed proof of my Australian-ness, I think that’s it right there…

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Image by psychofladoodle from Pixabay.

I have been thinking a lot recently about life, writing and all the things that orbit around those things. Currently, while I’m waiting for things here in Ottawa, Canada to return to something approaching normal again (it looks like we’ll be close at the beginning of 2022), there isn’t much else I’ve been able to do. I find in my writing endeavors, I’m chugging along well enough, but a daily routine of writing at lunch isn’t really anything worth blogging about. As for films and television, I’m falling back to old favorites, as they are comforting and relatively without stressed. I know what’s going to happen.

It has been quite depressing to all my youthful hopes and dreams that I haven’t been able to make a living writing. I wasn’t expecting to become rich. But I was hoping to be able to scrape by. That has not materialized. It was a hard lesson to learn, really, particularly since I have to keep relearning it every time I get any time at all to think about life and where I am in it.

Writing, however, has taught me an awful lot about life that I’m extremely grateful for, that translates well in almost every other endeavor of mine.

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Image by dae jeung kim from Pixabay

There have been a few hot takes in writing Twitter since the last time I posted. Most of them I’ve already made comment on in older posts either here or on my personal blog; mostly refuting these hot takes… though sometimes with caveats.

Let’s see, there was the ill-conceived screed against fan fiction by an author whose published work is ironically a ‘retelling.’ I don’t have the time or the energy to go over her nonsense and point out all the ways it is, in fact, nonsense, not least of all because writing Twitter did such a thorough job of it on Twitter. It’s highly amusing, if ever you want to seek it out.

The other one I’ve noted is the recent wave of harsh writing advice (™). Twitter immediate took the original poster to task, writing some of the funniest, silliest harsh writing advice (™) I’ve read of late. This gentle mocking of the idea of harsh writing advice is, to my mind, the perfect way to deal with harsh writing advice (™).

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Image by Patrik Houštecký from Pixabay

Good morning! What a fortnight it has been. The news is insane, isn’t it? I’m not going to talk about it here. Instead, I’m going to talk about something that I did a couple of weeks ago that brought me joy.

I am a member of my local SFF writing community here in Ottawa (Canada, just to be clear). Thanks to the raging pandemic, we did not have our annual gathering of incredible minds and imaginations that is Ottawa’s own Can*Con. I find the press and bustle of people incredibly stressful, but this convention is always so enjoyable, I risk a panic attack every year just to attend. I love it.

Thankfully, the organizers of Can*Con haven’t left us entirely floundering in the dark. They are live-streaming incredibly thoughtful panels on YouTube every so often (by the by, you can subscribe to their YouTube channel here), and the Facebook group is pretty active with articles and sometimes even book recommendations.

Our humble little community is genuinely lovely to be a part of. I’m terribly glad for it. One of my favourite things, though, is something that I’ve only done once thus far, that the organizers of Can*Con has set up for its members.

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