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Author: S.M. Carrière

When S.M. Carrière isn't brutally killing your favourite characters, she spends her time teaching martial arts, live streaming video games, and cuddling her cats. In other words, she spends her time teaching others to kill, streaming her digital kills, and cuddling furry murderers. Her most recent titles include 'Daughters of Britain' and 'Skylark.' https://www.smcarriere.com/
That Horrid Question

That Horrid Question

INT. SMALL CONVENTION ROOM – EARLY EVENING

A young AUTHOR, new to pitching, steps cautiously into the room clutching a binder full of papers to their chest. An EDITOR for a well-regarded publisher sits at a table with an empty chair opposite. The EDITOR smiles at the AUTHOR and beckons them to the chair. So nervous they’re shaking, the AUTHOR sits down.

AUTHOR

Thanks so much for seeing me. I really appreciate it.

EDITOR

My pleasure.  So what have you got for me today.

AUTHOR

Well, it’s a [insert genre of choice].  The audience is quite adult.  I think.  I’m not sure.  The young adult/adult distinction is not something I’m all that familiar with.

EDITOR

All right.  So, what’s it about?

AUTHOR

Well, uh, it follows [character] and their team of [insert any kind of unit you like, knights? Rangers? Robot Space Marines?] and they —

EDITOR
(interrupting)

No, that’s what happens.  That’s the plot.  I want to know what the book is about.  What is the theme?

AUTHOR

Internal Screaming

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In Defense of Escapism

In Defense of Escapism

In defense of Escapism

One of the many attractions of genre fiction is the ability to have deep, meaningful conversations with the world around us; where we’re headed and what it might mean, where we’ve been and how that affects us today, where we are and the struggles we face in the moment. It gives us a lens, via the imagination, through which we can tackle some of humanity’s greatest challenges and, perhaps, offer solutions.

Crucially, however, it is entertaining, delivering important messages or asking important questions along with epic battles, political intrigue, inter-personal drama, more battles and a touch of romance. With all the potential in genre fiction for tackling the difficulties of the human condition, it doesn’t come as a surprise that some in the field turn their noses up at stories that do not do so, the stories that are still horror, fantasy or science fiction but skirt the big issues in favor of something else: fun, entertainment, escapism.

We tend to devalue escapism for its own sake as being somehow lesser, or entirely unworthy.

This, I feel, is a mistake. Escapism has value in and of itself. That value might be different from the big-issue type, but it is not lesser by any means.

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