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Author: S.M. Carrière

When S.M. Carrière isn't brutally killing your favourite characters, she spends her time teaching martial arts, live streaming video games, and cuddling her cats. In other words, she spends her time teaching others to kill, streaming her digital kills, and cuddling furry murderers. Her most recent titles include 'Daughters of Britain' and 'Skylark.' https://www.smcarriere.com/
What Is Genre, Anyway? (AKA, I am Totally Lost)

What Is Genre, Anyway? (AKA, I am Totally Lost)

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Steampunk 1

This is… Steampunk Assassin’s Creed? It’s pretty cool whatever it is.

Good morning, Readers!

I have a wee problem. I’m absolute rubbish at categorizing works of fiction. Sure, some things fit quite nicely into easy designations. The Lord of the Rings? Fantasy, duh! Dragon’s Egg? Science fiction, duh! Battlefield Earth? Nonsensical drivel, duh! Sorry. I genuinely dislike that book. It’s alright if you like it. I just don’t. Anyway, what was I saying? Ah, yes. Genre.

Things, however, very rarely fit ever so neatly into a single genre, though, especially now when so many diverse voices are bringing fresh takes, pushing boundaries and deliberately blurring the lines between genre. This experimentation, this refusal to be bound by boring rules that are no longer relevant, has created some of the most interesting, immersive stories I have read in a long time (which is to say, I don’t get bored rereading all the same tropes over and over to the point where I can accurate predict the trajectory of a story from the first chapter). I love that I don’t get bored reading now. I was starting to, if I’m honest.

It’s all a lovely, fascinating, confusing mess.

In a world obsessed with categorizing everything neatly, however, it’s creating a little bit of friction.

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Thoughts on Our Ecosystem

Thoughts on Our Ecosystem

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pegasus

This is one of mine. I’m working on getting better.

Good morning, Readers!

One of my favorite conventions, Can*Con, is rapidly approaching (sure, it’s the only convention I can afford to go to, it being in my hometown, and all, but that doesn’t detract from the fact that it is, in truth, a wonderful convention), and I’m excited. This excitement, however, is also tinged with not a little trepidation. There are many reasons for this, but foremost among them is anxiety. I am anxious for a number of reasons.

First among those reasons are the sheer number of people. There will be a lot of them. Some of them will be important-types. Some will be just regular folk like myself. Being a very small, unimportant fish, struggling to grow, being surrounded by much bigger, more successful fish can feel a little suffocating. It’s difficult to get seen, and harder still to be heard.

One of the reasons I so love Can*Con is how, despite how it has continually grown, it hasn’t forgotten those of us who aren’t so big and important. When I first turned up there, I purchased a table to sell my one and only book, a self-published collections of short stories and poems called The Dying God & Other Stories. It was the only thing I had. Despite having only one book, and despite it being a self-published thing, I was welcomed warmly.

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Not Your Typical Hero

Not Your Typical Hero

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God of war

Good morning, Readers!

On occasion, I review video games for the site chalgyr.com. It’s really just a small thing I do every so often, when I’ve finished playing a game.  Currently, I’m working my way through Far Cry Primal, and enjoying it immensely. Not too long ago, though, I played through the latest iteration of God of War. I enjoyed the older God of War games on a very surface level. I moved my avatar, rage-incarnate, Kratos, across the screen and used him to utterly obliterate my enemies. I felt nothing for Kratos, and despite cut scenes that were designed to make him at least a little sympathetic, I wasn’t particularly attached to his story. There is nothing compelling or appealing about the embodiment of toxic rage. I played for the mayhem and the silly fun.

Then came old man Kratos and his son, and everything changed.

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Opinion: It’s Not Magic. Sort Of.

Opinion: It’s Not Magic. Sort Of.

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broken amnnequins

Image by Stefan Keller from Pixabay. If you think about it, the Muses are incredibly creepy.

Good morning, Readers!

Back in the day, just a bit before my time, creativity was once thought to be an external force. It was a supernatural intervention, the whispering of a deity in the ear of her fortunate unfortunate, compelling them to create in a fugue of mystical madness… probably. It’s likely I made that up. I have no citation.

It’s a myth that appears to have a rather oddly long life. Still to this day, people talk of creativity as if it’s some strange external thing. They do the same with talent, as if either are some kind of divine gift… or curse (some days, folks. Some days). The fact of the matter is, it’s not some strange magic. There are no spirits whispering in one’s ear, commanding creation, directing creativity.

Creativity, and talent for that matter, is a skill. It is a muscle that has been exercised relentlessly. From youth, creativity is fed on a steady supply of stories of the impossible, mind-bending images, and lots of time to ponder and play. Talent’s diet consists simply of practice. Hours and hours of practice. These things, when given freely and often in a person’s youth, creates a solid foundation for creativity.

This skill must be nurtured, the muscle flexed often, or it is lost. Like most things that are done in this manner, creativity as part of a routine can appear effortless to the outside eye. No one really sees the years of effort, practice and failure that goes into the effortless exertion they are witness to. The creative knows.

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An Uncomfortable Truth

An Uncomfortable Truth

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Good morning, Readers!

A fair warning, I’m attempting to tackle a topic that is currently at the center of a great deal of controversy in the realm. Because speculative fiction is a realm. This is especially of issue in the YA community.

A further disclaimer: despite my struggles to get noticed in a marketplace flooded with writers, I am fully aware that as a white, cis-het woman, I have a lot of privilege in this field. That will unavoidably impact what I’m trying to say here a little. If you belong to a minority, feel free to correct me where I misstep. I am always looking to learn, and I never mean to offend.

pixabay spellbook.

Literal magic.

Novels are incredible things. They are, frankly, magical. They are the conduits to adventure, to wonders unheard of. They are a means to explore truth via outlandish lies. They grapple with grief and loss, danger, and rage. Through the magic of books, we can face our greatest fears, from the safety of our comfiest nooks, and emerge triumphant. Novels, particularly the speculative, allow us to experience things we normally would be denied.

This includes the experiences of people we could never be.

As writers, it is our job to inhabit these lives that are not our own and bring them to life on the page. Oft times, these people are not folks that look, act or sound like us. They are people whose lives differ vastly from our own. Still, we write their experiences and pray that we are doing well. At risk of raising some fury, there is a limit to what we can do, and, I firmly believe, what we should do.

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What Skyrim Can Teach Us About World-Building

What Skyrim Can Teach Us About World-Building

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Skyrim Banner

Good morning, Readers!

No one who knows me is surprised when I say I love video games. I’ve written about them previously for this very site. I think it’s hard to overstate just how much I adore video games (specifically narrative-focused games). The one game that got me to buy my first console and actually dive head-first into gaming was Bethesda Studio’s epic addition to their Elder Scrolls series, Skyrim.

This open world game lets you go anywhere, and do pretty much anything. Best of all, it has dragons (which you can kill and steal their souls to fortify your own powers [insert evil laugh]). Loving video games, but without a PC (my home computer is a Mac) or a console, I resorted to watching other folks have fun with them on YouTube. I stumbled across a Let’s Play of Skyrim, and after three episodes, I knew I had to play it for myself. I saved like a madwoman, bought myself a console, and Skyrim.

And I was never heard from again (not really.  I did not ignore my responsibilities… but it was close!).

Skyrim proved to be everything I had been promised. It was epic in scope, the combat was fun, the dragons were amazing, and it let you play however you would like.

For the record, I always play in first person, and my build is always a bosmer (wood elf), whose strengths lie in archery and sneaking. There’s something ridiculously satisfying about sniping fools from the shadows with a good bow.

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On Writing Advice

On Writing Advice

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Black Gate clouds-small

This isn’t my view, but it’s pretty darn close

Good afternoon, Readers!

It’s a beautiful summer’s day here in Ottawa, Canada as of the writing of this. A lovely cool breeze is coming in the window, mitigating the heat of the sun, while cotton-puff clouds float through an impossibly blue sky.

I’m sitting by the window while my dad cooks a spectacular fry- up brunch, letting my thoughts drift with the clouds. I have nothing with me but his old iPad and a cup of delicious locally roasted coffee from my friends at JenEric Coffee.

This is all a poetic way of saying that I’ve been thinking a lot about writing advice of late, and I figured I would share my thoughts with you.

(You want clumsy segues? I’m your gal!)

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Reflecting The World

Reflecting The World

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Diverse Rome

Yes, there were black people in Europe, dating as far back as the Bronze Age. Kindly get over it.

Good morning, Readers!

It’s pride month, so I’m going to talk about representation.

As much as speculative fiction can be an escape from the world, it is also a reflection of the world in which we live. It reflects to us our failings, fears and hopes in fantastical settings. Often times, these are set in worlds which are supposed to closely reflect our own world, or its history. But there’s a problem.

They don’t. Not really. Or rather, not often.

In fact, so pervasive is this psuedo-representation that now there is outrage when something closer to reality is portrayed in speculative fiction, be it book or film.

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A Love Letter to the 80s: Rim of the World

A Love Letter to the 80s: Rim of the World

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Rim-of-the-World-Poster-small

I was bored out of my tree last night, and so flipped through Netflix and stumbled across this film.  Remember that my friend Nate had recommended this movie, I decided to watch it. What the hay? It can’t be any worse than Bright. I was correct, it was not worse than Bright. It was a good deal better; a delightful, hilarious science fiction adventure that was a love letter to the films of the 80s that centered heroic children.

From IMDB:

Four misfit teenagers join forces to save the world when an alien invasion interrupts their summer camp.

If that doesn’t sound like the most 80s of plots, I don’t know what does.

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Writing Women

Writing Women

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A Woman
A Woman

Also a Woman
Also a Woman

Good afternoon, Readers!

Full disclosure: I am a woman, and so have a vested interest in how women are portrayed in all media, not even just the speculative. Since, however, the speculative is so able to better reflect the real world and imagine a better one, I’m going to talk about that for today.

I had been, at one point in my past, privy to a enormous internet argument about how terribly some male writers write women. The primary complaint of the defenders of bad writing of female characters was, and this is a literal quote, ” writing women is hard.”

Congratulations, random male internet commenter, you have accidentally his upon an immutable truth. Writing women is hard. Writing men is hard. Writing a compelling scene is hard. Writing plot is hard.

Writing is hard.

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