Black Gate

Infinity Science Fiction, June 1956. Cover by Ed Emsh

In my previous Retro Review I covered If, which I called a “classic digest magazine of what might be called the “second tier” of SF magazines.” Infinity was another, though it lasted for a much shorter time — 19 issues from 1955 through 1958. (I note for the record that the magazines of the so-called “first tier” – that is, the Big Three of Astounding/Analog, Galaxy, and F&SF – all went through ups and downs in quality and sometimes other magazines surpassed them – notably Venture in the late ‘50s, If in the mid-60s, Thrilling Wonder and Startling in the early ‘50s, and others, including, as John O’Neill reminds me, Amazing and Fantastic in the early ’60s under Cele Goldsmith Lalli. I’ll also note that there was surely a third tier, magazines of lesser quality than the likes of If and Infinity.)

The editor of Infinity was the greatly respected Larry T. Shaw. The original anthology series Infinity, from the early 1970s, edited by Robert Hoskins, was published by Lancer Books, which was the successor company to Royal Publications, the firm responsible for the magazine. Indeed Robert Hoskins was the immediate successor to Larry Shaw as editor of the Lancer SF line. Hoskins did reprint the most famous story the magazine published, Arthur C. Clarke’s Hugo winner “The Star,” in the first volume of the original anthology, and therein he called the anthology the “lineal descendant” of the magazine.

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IF, December 1957. Cover by Mel Hunter

If was a classic digest magazine of what might be called the “second tier” of SF magazines. (The term second tier might be a bit dismissive — there were a number of quality magazines that for a time surpassed one or more of the so-called “Big Three” (Astounding/Analog, Galaxy, and F&SF.) That said, those three magazines, via comparative longevity, consistent quality, and simply tradition were considered “the big three” by the SF community for most of the ’50s through ’70s.) It was founded by James Quinn (Quinn Publishing Company) in 1952, with Paul Fairman the initial editor. Quinn took over from Fairman fairly soon (though Larry Shaw was listed as Associate Editor but was apparently the actual editor from May 1953 to March 1954), and he edited it until 1958, after which Damon Knight briefly took over. Quinn sold the magazines to the publishers of Galaxy, and it was a companion to Galaxy for the rest of its existence; under the editorship, sequentially, of H. L. Gold, Frederik Pohl, Ejler Jakobsson, and Jim Baen, before folding after the November-December 1974 issue.

There was a single-issue revival in 1986, edited by Clifford Hong, officially called Worlds of If. Though that revival quickly failed, it should be said that the list of contributors is fairly impressive (Niven, Van Vogt, Salmonson, Schenck, Card, Zelazny, etc.) As far as I know the official title of the magazine (except for the last issue) was always If, sometimes subtitled “Worlds of Science Fiction,” but the cover, especially late in the run, often appeared to give the title Worlds of If. During Pohl’s editorship, when it was positioned as the somewhat lighter, more adventure-oriented, magazine in the Galaxy stable, it won three consecutive Hugos as best magazine, supposedly to Pohl’s slight dismay, as he considered Galaxy the better product.

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The Magazine of Fantasy and Science Fiction, June 1955. Cover by George Salter

By 1955 J. Francis McComas had resigned as co-editor of F&SF, and Anthony Boucher was sole editor. George Salter remained art director. Both Boucher and Salter left the magazine in 1958. This issue also has a cover by Salter — his last but one for the magazine — he did one more in 1966. I really enjoy Salter’s work, and I learned today that he did the covers for such significant works as the first editions of The City and the Stars, Atlas Shrugged, and A Fine and Private Place. He also shares a birthday with me.

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The Magazine of Fantasy & Science Fiction, April 1952 (Mercury Press). Cover by George Salter

In its early years, one of the most notable characteristics of The Magazine of Fantasy and Science Fiction was its regular use of reprints — fantastical stories from outside the genre, often by very well-known writers, given exposure to SF and Fantasy readers. Another notable characteristic was covers by its art director, George Salter.

Both aspects are features of this issue — indeed, this seems almost a comically pure exemplar of the Boucher/McComas era. I’ll highlight the non-genre history of some of the writers in the issue. (As for Salter, I enjoy his delightfully weird art quite a bit.)

Here are the stories. There is also one feature, “Recommended Reading,” by the Editors.

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Universe, September 1953. Cover by Robert Gibson Jones

Universe was one of the many new science fiction magazines that appeared in the early 1950s. It was founded by Ray Palmer, the notorious editor of Amazing Stories during the 1940s, reviled for his promotion of the “Shaver Mystery” (about a race of people living underground.) He left Amazing when the publisher, Ziff-Davis, moved to New York. Palmer stayed in Chicago and started a magazine called Other Worlds Science Stories (published by Clark Publications.) Financial troubles led to the demise (temporarily, it turned out) of Other Worlds, and a new company, Bell Publications, was founded, and published two magazines: Science Stories, and Universe. The company was soon renamed Palmer Publications. Science Stories lasted four issues, and Universe ten, after which Palmer returned to the name Other Worlds Science Stories.

The editor at the beginning was “George Bell,” which meant Ray Palmer and Bea Mahaffey. After two issues of Universe, the editors were credited under their real names. Mahaffey was Palmer’s co-editor at Other Worlds, Science Stories, Universe, and another publication, Mystic Magazine, from late 1952 into 1955, at which time Palmer’s continuing financial issues caused him to lay her off. She is often credited with being the primary fiction editor of those magazines, and there is little disputing that the quality of the fiction was higher during her tenure than in Amazing before that, or in Palmer’s magazines after she was let go.

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