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Author: Rich Horton

Retro Review: The Magazine of Fantasy & Science Fiction, June 1955

Retro Review: The Magazine of Fantasy & Science Fiction, June 1955

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The Magazine of Fantasy and Science Fiction, June 1955. Cover by George Salter

By 1955 J. Francis McComas had resigned as co-editor of F&SF, and Anthony Boucher was sole editor. George Salter remained art director. Both Boucher and Salter left the magazine in 1958. This issue also has a cover by Salter — his last but one for the magazine — he did one more in 1966. I really enjoy Salter’s work, and I learned today that he did the covers for such significant works as the first editions of The City and the Stars, Atlas Shrugged, and A Fine and Private Place. He also shares a birthday with me.

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Mars Missions, Vengeful Djinn, and Haunted Dolls: The Magazine of Fantasy & Science Fiction, April 1952, a Retro-Review

Mars Missions, Vengeful Djinn, and Haunted Dolls: The Magazine of Fantasy & Science Fiction, April 1952, a Retro-Review

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The Magazine of Fantasy & Science Fiction, April 1952 (Mercury Press). Cover by George Salter

In its early years, one of the most notable characteristics of The Magazine of Fantasy and Science Fiction was its regular use of reprints — fantastical stories from outside the genre, often by very well-known writers, given exposure to SF and Fantasy readers. Another notable characteristic was covers by its art director, George Salter.

Both aspects are features of this issue — indeed, this seems almost a comically pure exemplar of the Boucher/McComas era. I’ll highlight the non-genre history of some of the writers in the issue. (As for Salter, I enjoy his delightfully weird art quite a bit.)

Here are the stories. There is also one feature, “Recommended Reading,” by the Editors.

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Retro-Review: Universe, September 1953

Retro-Review: Universe, September 1953

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Universe, September 1953. Cover by Robert Gibson Jones

Universe was one of the many new science fiction magazines that appeared in the early 1950s. It was founded by Ray Palmer, the notorious editor of Amazing Stories during the 1940s, reviled for his promotion of the “Shaver Mystery” (about a race of people living underground.) He left Amazing when the publisher, Ziff-Davis, moved to New York. Palmer stayed in Chicago and started a magazine called Other Worlds Science Stories (published by Clark Publications.) Financial troubles led to the demise (temporarily, it turned out) of Other Worlds, and a new company, Bell Publications, was founded, and published two magazines: Science Stories, and Universe. The company was soon renamed Palmer Publications. Science Stories lasted four issues, and Universe ten, after which Palmer returned to the name Other Worlds Science Stories.

The editor at the beginning was “George Bell,” which meant Ray Palmer and Bea Mahaffey. After two issues of Universe, the editors were credited under their real names. Mahaffey was Palmer’s co-editor at Other Worlds, Science Stories, Universe, and another publication, Mystic Magazine, from late 1952 into 1955, at which time Palmer’s continuing financial issues caused him to lay her off. She is often credited with being the primary fiction editor of those magazines, and there is little disputing that the quality of the fiction was higher during her tenure than in Amazing before that, or in Palmer’s magazines after she was let go.

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Alexei Panshin, August 14, 1940 — August 21, 2022

Alexei Panshin, August 14, 1940 — August 21, 2022

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The Anthony Villiers by Alexei Panshin: Star Well, The Thurb Revolution,
and Masque World (Ace Books, 1968-1969). Covers by Kelly Freas

Alexei Panshin has died. He was one of the first SF critics I read — I read both Heinlein in Dimension and SF in Dimension as a teen. At the time I took his words as Gospel — in times since I have learned to question a lot of what he said, but what he said was well considered and an advance in understanding science fiction.

He was also a novelist of considerable ability. I don’t like his Nebula winner Rite of Passage as much as many, in part for the petty reason that I felt its Nebula undeserved in the presence of novels like the Hugo winner Stand on Zanzibar, Joanna Russ’ Picnic on Paradise, and above all one of my favorite novels ever, Samuel R. Delany’s Nova. But as I said that’s petty — Rite of Passage is an accomplished and enjoyable novel, a triumph as a first novel; and if I would argue with it that’s OK — I think it was arguing with itself (something I failed to perceive when reading it as a young teen.)

But for me his prime achievement is the three novels about Anthony Villiers: Star Well, The Thurb Revolution, and Masque World. These are not perhaps deathless fictional masterpieces, but they are supremely entertaining.

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A Book of Wisdom and Wonder: Aspects by John M. Ford

A Book of Wisdom and Wonder: Aspects by John M. Ford

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Aspects by John M. Ford (Tor Books, April 5, 2022)

John M. Ford died in 2006, not yet 50 years old. He had been publishing SF, Fantasy, poetry, games and nonfiction for some three decades, and his fiction was gaining a reputation, for originality, intricacy, beauty, and cleverness; but he was still not truly widely known. Still, novels like The Dragon Waiting and stories like “Mandalay” (the first John M. Ford work I really noticed), “Walkaway Clause,” “Fugue State,” and “Erase, Record, Play” were highly respected by the cognoscenti. And on places like the Usenet newsgroup rec.arts.sf.written I heard his friends mention a huge novel he was working, to be called Aspects — all I knew about it was that it was partly about trains (a favorite subject of Ford’s.)

But when he died, everything stopped. His heirs had no connection to the SF world, his agent left the field, and his works fell out of print. People knew that Aspects, unfinished, existed in some form, but hopes for any movement towards publishing it seemed pointless. But in 2019, a journalist named Isaac Butler got interested in his case, and found his heirs, leading eventually to plans to republish his existing works. The Dragon Waiting appeared from Tor in 2020, The Scholars of Night in 2021. And now, in 2022, we have Aspects — his big unfinished novel.

Is it worth it? Oh Goddess yes!

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The Timeless Strangeness of “Scanners Live in Vain”

The Timeless Strangeness of “Scanners Live in Vain”

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Fantasy Book No. 6, January 1950, first appearance of
“Scanners Live in Vain” by Cordwainer Smith. Cover by Jack Gaughan

I recently had occasion to reread Cordwainer Smith’s Science Fiction Hall of Fame story “Scanners Live in Vain.” This was probably my fifth rereading over the years (soon followed by a sixth!) — it’s a story I’ve always loved, but for some reason this time through it struck me even more strongly. It is a truly great SF story; and I want to take a close look at what makes it work.

In this series I often discuss the background details of a story’s publication history, and of its author, first — and these are especially interesting in the case of this story; but I don’t want to bury the lede either. So I’ll discuss the story first, and then go over the history of its publication, and its author’s career. As ever in these essays, the discussion will be rife with spoilers.

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An Extravagant and Wonderful Fantasy with Assassins, Ghosts, and Necromancers: Saint Death’s Daughter by C. S. E. Cooney

An Extravagant and Wonderful Fantasy with Assassins, Ghosts, and Necromancers: Saint Death’s Daughter by C. S. E. Cooney

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Saint Death’s Daughter by C.S.E. Cooney (Solaris, April 12, 2022)

Here’s a novel I’ve been anticipating for some time — years even. C. S. E. Cooney has been working on it for even longer, to be sure. It is in a sense her first novel, except that an earlier planned novella, started I believe long after this novel was first drafted, got away from her a bit and ended up novel length, even though it has only been published in an original anthology. (This is The Twice-Drowned Saint, from the Mythic Delirium anthology A Sinister Quartet, which is well worth your time for all its stories.)

Time for full disclosure — I’ve known Claire Cooney for a long time now, and I consider her a good friend. I’ve been reading her fiction since 2007, when her first stories appeared, and I’ve reprinted several of her pieces. We are both long-time contributors to this eminent publication (and indeed it was John O’Neill, the overlord of Black Gate, who introduced us.) Claire gave me an advance copy of Saint Death’s Daughter. So calibrate this review as you will — I was praising her work before I knew her, mind you (and I thought the author of “Stone Shoes” might be male at first.) Still, I clearly am predisposed to like her fiction.

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Still Not Telling Us: “The Last Flight of Dr. Ain” by James Tiptree, Jr.

Still Not Telling Us: “The Last Flight of Dr. Ain” by James Tiptree, Jr.

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Galaxy, March 1969, containing “The Last Flight of Dr. Ain,” by James Tiptree, Jr. Cover by Chaffee

“. . . Take ‘The Last Flight of Dr. Ain.’ That whole damn story is told backward. . .. It’s a perfect example of Tiptree’s basic narrative instinct. Start from the end and preferably 5,000 feet underground on a dark day and then DON’T TELL THEM.”

This is James Tiptree, Jr., on his story “The Last Flight of Dr. Ain.” Or, this is Alice Sheldon, referring to “Tiptree” in the third person — and, still, NOT TELLING US.

“Tiptree”/Sheldon was a little dismissive of “The Last Flight of Dr. Ain” at times. I disagree. It was certainly the first of her stories to gain wide notice (and a Nebula nomination.) And it’s the earliest of her publications to really light me up. Thus I’d like to take a very close look at it here, in my latest piece trying to figure out how stories, particularly good stories, really work. (I note with some amusement that this essay is roughly the same length as the original story. I also add that of necessity I have “spoiled” the story, but I add that this story in particular is unspoilable, partly because it demands and rewards rereading. That said, if you haven’t read the story and you can find a copy, do go ahead and read it first!)

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Pushing Us Away from Gender-Based Assumptions: “Winter’s King” by Ursula K. Le Guin

Pushing Us Away from Gender-Based Assumptions: “Winter’s King” by Ursula K. Le Guin

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The Wind’s Twelve Quarters (Harper & Row, 1975). Cover by Patricia Voehl

After a bit of a hiatus, I’m returning to my series of essays about stories I find particularly interesting – often because of how good they are, but sometimes for other reasons. My goal is to examine them closely, and to try to understand – at least a bit – why they work, or why they don’t, or at least why they are interesting.

Ursula Le Guin is a favorite writer of mine. That’s hardly a challenging stance to take! I love many of her novels: The Left Hand of Darkness and The Dispossessed of course, and the Earthsea books, but also her last novel, Lavinia, and the YA novels that preceded it, collectively called Annals of the Western Shore; and her first completed novel (published much later): Malafrena. And too I love her short fiction, above all I’d say “Nine Lives” and “The Stars Below”. Another short story – or novelette – that has long been a particular favorite of mine is “Winter’s King.”

I first read “Winter’s King” in her collection The Wind’s Twelve Quarters (a collection I chose long ago as the best single author collection of SF of all time (not counting “Best of” collections, or “Collected Stories”).) (Since that time I’d allow Stories of Your Life, and Others, by Ted Chiang, as another contender.) But, intriguingly, Le Guin’s introduction to that story in her collection mentions that it is revised from its original version in one important way: the gender of the characters from the primary planet of that story, Winter, is represented as female in the new version, but in the original version they were depicted as both male and female.

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Retro-Review: The Magazine of Fantasy & Science Fiction, Summer 1950

Retro-Review: The Magazine of Fantasy & Science Fiction, Summer 1950

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The Magazine of Fantasy and Science Fiction, Summer 1950. Cover by George Salter

This was the third issue of The Magazine of Fantasy and Science Fiction, though only the second under that name. (The first issue, Autumn 1949, was titled The Magazine of Fantasy.) Here we see it in the classic form of its early years… Whimsical fantasies… reprints from the 19th and early 20th Century, often by prominent writers … modest essays into not very hard SF… a real attempt to find good SF and Fantasy from writers in other genres.

And, I might add, covers by George Salter. Salter (born Georg Salter in Bremen, Germany, October 5, 1897 (so I share a birthday with him!) contributed 9 covers in the first two years of F&SF, then 2 more (in 1955 and 1966) — his illustrations were very much in the spirit of the early F&SF, somewhat whimsical, semi-abstract, clever. I like them a lot, though I know that taste isn’t shared by everyone.

Early F&SF was light on features. This issue featured only one… “Recommended Reading,” by the editors (Anthony Boucher and J. Francis McComas.) This was published just as genre SF was beginning to be widely published in book form. The recommendations include two Heinlein books (Sixth Column from Gnome, and Waldo and Magic, Inc. from Doubleday), as well as an anthology from Judith Merril, a couple of books from outside the genre, and more… if I am to be honest, none of the books mentioned are really all that memorable, save perhaps the Heinleins — and those more because they are Heinlein books, rather than because they are particularly outstanding.

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