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Author: Rich Horton

What if a UFO Landed in a Bar?Alien Island by T. L. Sherred

What if a UFO Landed in a Bar?Alien Island by T. L. Sherred

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Alien Island (Ballantine Books, January 1970). Cover by Carol Inouye.

Here’s my latest look at a little-remembered 1970s novel, T. L. Sherred’s Alien Island, which appeared in the very first month of the 1970s. These days T. L. Sherred is remembered for a single story, his SF Hall of Fame novella “E For Effort.” It’s a great story, and a deeply cynical one, so much so that there are those who claim that it was not chosen by John W. Campbell for Astounding, but by someone else in Campbell’s absence. (I’m skeptical myself — Campbell was a VERY hands-on editor, and he also chose to reprint “E for Effort” in The Astounding Science Fiction Anthology. And he was definitely known to publish good stories that seemed to run counter to his own ideology.)

Sherred published three other stories in the early 1950s: “Cure, Guaranteed,” “Eye for Iniquity,” and “Cue for Quiet,” and then fell silent (save for a story, “See for Yourself,” in Escapade in 1961, that I have not seen) until the 1970s. The novel at hand was published in 1970, and in 1972 Harlan Ellison included “Bounty” in Again, Dangerous Visions; and “Not Bach” appeared in the very well-regarded fanzine Outworlds.

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Three Thousand (plus) Words of Longing: “The Djinn in the Nightingale’s Eye” and Three Thousand Years of Longing

Three Thousand (plus) Words of Longing: “The Djinn in the Nightingale’s Eye” and Three Thousand Years of Longing

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Three Thousand Years of Longing (United Artists, 2022)

One of the leading fantasy movies of 2022 was Three Thousand Years of Longing, directed by George Miller of Mad Max fame, and starring Tilda Swinton and Idris Elba, who surely need no introduction. That might have been enough recommendation for me, but much more important was the source material, A. S. Byatt’s lovely novella “The Djinn in the Nightingale’s Eye.” The novella was first published in the Paris Review in 1994, but I first read it in her collection also called The Djinn in the Nightingale’s Eye, from 1998.

One of the enduring questions people tend to ask is — “What was better, the book or the movie?” The real answer is – well, it’s so tempting to say “always the book” but that’s flip and just not always true! (Exhibit A, to be sure, being The Godfather.) Actually, the real answer is “They are different media, doing different things, and they can both be good in different ways.” Banal, maybe? — but still true. So I thought to look at my reactions to Three Thousand Years of Longing, and to “The Djinn in the Nightingale’s Eye.” Which is better? Does it matter? Are they even directly comparable, or are they two different works of art, pleasing us in different ways?

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I Loved This Book: Being Michael Swanwick, by Alvaro Zinos-Amaro

I Loved This Book: Being Michael Swanwick, by Alvaro Zinos-Amaro

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Being Michael Swanwick (Fairwood Press, November 21, 2023)

Back in 2001 Michael Swanwick published a collection of interviews with his close friend, sometime mentor and collaborator, and fellow Philadelphian Gardner Dozois, called Being Gardner Dozois. That book focused on Dozois’s short fiction. And now Alvaro Zinos-Amaro, an accomplished writer of short SF himself, and a Hugo nominee for his 2016 collection of conversations with Robert Silverberg, Traveler of Worlds, has now published Being Michael Swanwick, a collection of interviews with Swanwick. This book covers essentially all of Swanwick’s short stories — which is pretty remarkable as he is quite prolific.

The book is organized chronologically, in five-year chunks, beginning in 1980, when Swanwick’s first stories, “Ginungagap” and “The Feast of Saint Janis,” appeared. I remember the excitement at the time about the Special Science Fiction Issue of the prestigious literary magazine TriQuarterly, and the surprise that a brand-new writer had a story (“Ginnungagap”) in it, amidst heavyweights like Le Guin, Wolfe, Delany, and Disch. Obviously the judgment of the editors has been vindicated — Swanwick would perhaps blush to read this, but his fiction fully stands with those great writers, and he is also clearly a writer of considerable literary merit, but also a writer who loves SF and Fantasy and inhabits the genre world enthusiastically.

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A British Country Mystery in Space: Murder on Usher’s Planet by Atanielle Annyn Noël

A British Country Mystery in Space: Murder on Usher’s Planet by Atanielle Annyn Noël

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Murder on Usher’s Planet (Avon, April 1987). Cover by Jill Bauman

I’m going to be reviewing a few novels, of ‘70s/’80s vintage, that were foisted on me generously given to me by Black Gate’s panjandrum, John O’Neill. For his sins, he gets to publish these reviews here in Black Gate!

I exaggerate – I bought some of these novels of my own volition (though often because John alerted me to their existence with a Black Gate Vintage Treasures article!) and I am sincerely grateful to John for those he did give to me, and those he made me aware of, either by pointing them out at a convention, or by writing about them. The novels I’m looking at now do cluster in the ‘70s and ‘80s – a period James Davis Nicoll likes to call the “Disco Era.” And I think it’s worthwhile to consider books from that period – when I was a teenager or a newly hatched adult – especially the more obscure books. But this does mean a good many of these reviews might not be, er, entirely positive!

The first review to fit this paradigm might be my look at Mick Farren’s The Song of Phaid the Gambler (1981). And now we come to Murder on Usher’s Planet, by Atanielle Annyn Noël, published by Avon in 1987 (just as the Phaid the Gambler books appeared in the US.) This actually was a gift from John – we were wandering through the dealers’ room at the Chicago Pulp and Paper convention a few months ago, and I noticed this book, largely I think because of the author’s unusual name; and John grabbed it (along with a few others for himself, as I recall), and having bought it, pressed it on me – suggesting that if I read it I should review it for Black Gate. And here we are!

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A Far Future Journey Across a Strange Earth: The Song of Phaid the Gambler (Phaid the Gambler/Citizen Phaid) by Mick Farren

A Far Future Journey Across a Strange Earth: The Song of Phaid the Gambler (Phaid the Gambler/Citizen Phaid) by Mick Farren

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The Song of Phaid the Gambler (New English Library, October 1981). Cover by Tim White

Mick Farren (1943-2013) was for a time a sure enough rock star, front man for the Deviants, a sort of proto-punk band in England in the late 1960s. He did a couple solo albums too, then turned to journalism, particularly for the important UK magazine New Musical Express, where he was one of the first to herald the arrival of the official punk movement. And he also began to write fiction, much of it SF — some two dozen novels in all.

The Song of Phaid the Gambler was published in the UK in 1981. It was split in two (sensibly enough, I think, for marketing reasons) for US publication, from Ace in 1986 and 1987 as Phaid the Gambler followed by Citizen Phaid. There are differences between the two versions — I suspect, though I’m not sure, primarily to smooth out the separation into two separate books. I read the US version.

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Retro Review: Two F&SFs from Robert P. Mills’ Editorship

Retro Review: Two F&SFs from Robert P. Mills’ Editorship

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The November 1958 and May 1961 issues of The Magazine of
Fantasy & Science Fiction. Covers by John Pederson and Ed Emshwiller

I’ve recently looked at a few issues of The Magazine of Fantasy and Science Fiction from the early to mid-50s, when Anthony Boucher (at first in collaboration with J. Francis McComas) was the editor. Boucher left that post with the August 1958 issue, and Robert P. Mills took over. (Mills had been the editor of F&SF’s sister magazine Venture for its ten-issue stint running bimonthly from January 1957 through July 1958.) He edited F&SF until the March 1962 issue.

These two issues, then, neatly mark a period early in his term, and one in the last year of his term. So it seems like a good idea to consider them together. (If truth be told, though, I bought these for another reason — they feature two of the very best stories from the first phase of Carol Emshwiller’s career.)

Let’s look quickly at the TOCs of the two issues.

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Joseph Wrzos, September 9, 1929 — April 7, 2023

Joseph Wrzos, September 9, 1929 — April 7, 2023

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A few of the magazines edited by Joseph Wrzos: Amazing Stories
(complete year, 1967) and Fantastic Stories (complete years, 1966 & 1967)

I wanted to mention the passing on April 7, at the age of 93, of the former editor of Amazing and Fantastic, Joseph Wrzos, who used the name Joseph Ross professionally.

He was Cele Goldsmith Lalli’s immediate successor, and took over the magazines at a difficult time, when Ziff-Davis sold them to Ultimate Publishing. Lalli stayed with Ziff-Davis (and had a very successful career editing Modern Bride.) Ross worked under publisher Sol Cohen, who mandated severe budget cuts, including reprinting stories Amazing had first published decades before (and, until SFWA objected, not paying for them.)

Ross did his best in those circumstances, as far as I can tell, and was well liked by those who knew him. (I never met him myself.) In addition to his editing work (which included consulting for Arkham House, and for some later iterations of Amazing) he was a High School English teacher.

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Vintage Treasures: The Flashing Swords! Original Anthologies, edited by Lin Carter

Vintage Treasures: The Flashing Swords! Original Anthologies, edited by Lin Carter

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Paperback editions of Flashing Swords! #1-5 (Dell Books, 1973-1981).
Covers by Frank Frazetta (1 & 2), Don Maitz (3 & 4), and Richard Corben

Lin Carter is best remembered these days as the editor in charge of the Ballantine Adult Fantasy line, which was by any measure a monumental achievement, bringing back into print a truly impressive array of important fantasy books, many in serious danger of being forgotten. But Carter’s career extended beyond that. He was a very prolific author, with his best-known series being the Thongor books, with the hero a barbarian quite openly modeled on Conan.

With L. Sprague de Camp, he produced a great many “posthumous collaborations” with Robert E. Howard, featuring Conan — in stories either expanded from fragments Howard left, or new stories featuring Conan. Carter’s Callisto series is fairly derivative of Edgar Rice Burroughs. He also wrote pastiches of Lovecraft, of Dunsany, of Clark Ashton Smith. Carter was also an historian and critic of fantasy fiction, producing book length studies of Lovecraft and Tolkien, as well as Imaginary Worlds, an ambitious introduction to and history of fantasy.

And he was a prolific anthologist, putting out a number of reprint anthologies, a Year’s Best series devoted strictly to fantasy, and finally the subject of this article, the five original anthologies collectively called Flashing Swords.

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Infinity, June 1956: A Retro Review

Infinity, June 1956: A Retro Review

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Infinity Science Fiction, June 1956. Cover by Ed Emsh

In my previous Retro Review I covered If, which I called a “classic digest magazine of what might be called the “second tier” of SF magazines.” Infinity was another, though it lasted for a much shorter time — 19 issues from 1955 through 1958. (I note for the record that the magazines of the so-called “first tier” – that is, the Big Three of Astounding/Analog, Galaxy, and F&SF – all went through ups and downs in quality and sometimes other magazines surpassed them – notably Venture in the late ‘50s, If in the mid-60s, Thrilling Wonder and Startling in the early ‘50s, and others, including, as John O’Neill reminds me, Amazing and Fantastic in the early ’60s under Cele Goldsmith Lalli. I’ll also note that there was surely a third tier, magazines of lesser quality than the likes of If and Infinity.)

The editor of Infinity was the greatly respected Larry T. Shaw. The original anthology series Infinity, from the early 1970s, edited by Robert Hoskins, was published by Lancer Books, which was the successor company to Royal Publications, the firm responsible for the magazine. Indeed Robert Hoskins was the immediate successor to Larry Shaw as editor of the Lancer SF line. Hoskins did reprint the most famous story the magazine published, Arthur C. Clarke’s Hugo winner “The Star,” in the first volume of the original anthology, and therein he called the anthology the “lineal descendant” of the magazine.

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If, December 1957, A Retro-Review

If, December 1957, A Retro-Review

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IF, December 1957. Cover by Mel Hunter

If was a classic digest magazine of what might be called the “second tier” of SF magazines. (The term second tier might be a bit dismissive — there were a number of quality magazines that for a time surpassed one or more of the so-called “Big Three” (Astounding/Analog, Galaxy, and F&SF.) That said, those three magazines, via comparative longevity, consistent quality, and simply tradition were considered “the big three” by the SF community for most of the ’50s through ’70s.) It was founded by James Quinn (Quinn Publishing Company) in 1952, with Paul Fairman the initial editor. Quinn took over from Fairman fairly soon (though Larry Shaw was listed as Associate Editor but was apparently the actual editor from May 1953 to March 1954), and he edited it until 1958, after which Damon Knight briefly took over. Quinn sold the magazines to the publishers of Galaxy, and it was a companion to Galaxy for the rest of its existence; under the editorship, sequentially, of H. L. Gold, Frederik Pohl, Ejler Jakobsson, and Jim Baen, before folding after the November-December 1974 issue.

There was a single-issue revival in 1986, edited by Clifford Hong, officially called Worlds of If. Though that revival quickly failed, it should be said that the list of contributors is fairly impressive (Niven, Van Vogt, Salmonson, Schenck, Card, Zelazny, etc.) As far as I know the official title of the magazine (except for the last issue) was always If, sometimes subtitled “Worlds of Science Fiction,” but the cover, especially late in the run, often appeared to give the title Worlds of If. During Pohl’s editorship, when it was positioned as the somewhat lighter, more adventure-oriented, magazine in the Galaxy stable, it won three consecutive Hugos as best magazine, supposedly to Pohl’s slight dismay, as he considered Galaxy the better product.

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