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Author: Rich Horton

Fantasy and Science Fiction, April 1966: A Retro Review

Fantasy and Science Fiction, April 1966: A Retro Review

Fantasy and Science Fiction April 1966-smallI called the last magazine I covered (Fantastic for April 1960) “determinedly minor.” This issue of F&SF seems much more significant to me.

The cover is by Jack Gaughan, illustrating Jack Vance’s Cugel the Clever novelet “The Sorcerer Pharesm.” The features include a Gahan Wilson cartoon, a poem by Doris Pitkin Buck, a very short science snippet by Theodore L. Thomas, Judith Merril’s Books column and Isaac Asimov’s Science column.

Asimov’s column is one of his lesser ones: little but a list of the Nobel Prize winners in the Science fields by nationality. That’s a long list, so it takes up most of his page count. He does a tiny amount of analysis of the numbers, but not much.

Merril begins by reviewing two very ’60s-ish popular science books: LSD: The Consciousness Inducing Drug (edited by David Solomon, with contributions from those you’d expect, like Alan Watts, Aldous Huxley, and Timothy Leary), and Games People Play by Eric Berne. She recommends the LSD book, but is quite negative about Games People Play.

In the way of SF, she begins by looking at two John Brunner books, The Day of the Star Cities and The Squares of the City. She identifies the first as “up there with the best of his earlier work” and the second as a step beyond, building on his growth that started with The Whole Man. I think that jibes with the consensus view of Brunner’s career. She ends up saying, “[I]t leaves me very eager to see Brunner’s next.”

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Fantastic Science Fiction Stories, April 1960: A Retro-Review

Fantastic Science Fiction Stories, April 1960: A Retro-Review

Fantastic Science Fiction Stories April 1960-smallI’d rank this as a determinedly minor issue of this magazine, from fairly early in Cele Goldsmith’s tenure. It has a bland cover by an artist I’ve never heard of, Jack Faragasso. The feature list is slim. Norman Lobsenz’s editorial, very brief, is about an idea to put a ring of dust around the Earth so that it is always light. (What a dreadful idea!)

There is also the lettercol, with no contributors I recognized – the names are Miles McAlpin, James W. Ayers, Wesley Sharp, Billy Joe Plott, Frank P. Pretto (perhaps a typo for Prieto), and Michael W. Elm – and their usual small “Coming Next Month.” Interior illustrations are by [Leo] Summers, Varga, and Grayam.

So, what about the stories?

The cover story is “Doomsday Army,” by Jack Sharkey, an entirely too long story about a National Guard captain who ends up being the main intermediary to a bunch of (as it turns out) very small alien invaders. He’s portrayed as a fairly ordinary suburban husband, prone to taking shortcuts in solving problems his wife brings to his attention: so of course his solution to the alien problem will be a dangerous shortcut. And so it is, with an implausible solution.

There’s joke enough here for maybe 3,000 words at the outside, and this drags terribly at some 13,000 words. (I wonder if it was written to the cover, which does portray a scene from the story but in a very generic fashion.)

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Galaxy, September 1972: A Retro Review

Galaxy, September 1972: A Retro Review

Galaxy September 1972-smallI don’t usually look at magazines quite this recent in these reviews… though now that I think about this, this issue appeared well over 40 years ago! It’s a fairly significant issue in context, though coming from a period in Galaxy’s history usually disparaged.

This period was the editorship of Ejler Jakobsson, which extended from 1969 to 1974. He succeeded Frederik Pohl, and preceded Jim Baen, two extremely important figures in SF editing. Indeed, the only other editor of Galaxy before Pohl was H. L. Gold, yet another absolutely central SF editor. So Jakobsson was bound to have a hard time being compared to that crowd. A number of writers complained that Jakobsson was an editorial meddler (ironically, the same complaint was often made of Gold).

I confess I have never thought much of Jakobsson’s reign myself. I began reading Galaxy in October 1974, shortly after Baen took over. And I loved Baen’s Galaxy. The few issues of Jakobsson’s I’ve seen before this one have been rather dull.

I often have read words to the effect that he knew little or nothing about SF, but that’s not quite true. He was Finnish and emigrated to the US in 1926, aged 15. In the ’40s, he worked on the magazines Astonishing Stories and Super Science Stories, and indeed edited the latter for a couple of years starting in 1949. But he had been out of the field since that time – so perhaps it was more accurate to say he knew little about then contemporary SF.

He did have a couple of important assistants: Judy-Lynn Benjamin was Managing Editor and Lester Del Rey was Features Editor. (Del Rey and Benjamin married later, of course, and co-founded the Del Rey Books imprint.)

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Satellite, December 1956: A Retro-Review

Satellite, December 1956: A Retro-Review

Satellite Science Fiction December 1956-smallThis is one of a great many ’50s digests. It began publication in October 1956 as a bimonthly, and became a monthly in 1959 for its last four issues (the last was May). 18 issues total. (Apparently the June and July issues were assembled at least to some degree.)

The publisher was Leo Margulies, and the editor for the first two issues was Sam Merwin, who had done good work with Startling Stories/Thrilling Wonder Stories.

According to the Science Fiction Encyclopedia, Margulies took over after that– although the ISFDB credits Cylvia Kleinmann for a number of the later issues. I tend to trust the SFE here, especially with Malcolm Edwards and Mike Ashley responsible for the entry.

That said, Kleinmann (Margulies’ wife) was also for a time editor of Mike Shayne’s Mystery Magazine (also published by Margulies) so very possibly she was the editor, or perhaps it was a collaborative effort, and, as Todd Mason notes, Margulies had a long history of fronting anthology projects (under his name) that were actually edited by others.

Frank Belknap Long edited the final four 1959 issues, which were letter-sized instead of digest.

For most of its run, Satellite featured “A Complete Novel in Each Issue” (according to the SFE, to compete with paperback novels). Based on the TOCs I’ve seen, these really were reasonable-length novels for the day – in the range of 40,000 words.

The December 1956 issue, the magazine’s second, has a promising TOC – stories by the likes of Philip K. Dick, Arthur C. Clarke, Gordon Dickson, Algis Budrys, and Michael Shaara among others. Indeed, the first few issues of the magazine were pretty promising, though it never really became a top market.

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Amazing Science Fiction, December 1959: A Retro-Review

Amazing Science Fiction, December 1959: A Retro-Review

Amazing Science Fiction December 1959-smallHere’s an issue from very early in Cele Goldsmith’s tenure (and very early in my life, I might add – this issue presumably appeared about a month after I did). It was in fact the first issue of Goldsmith’s second year at the helm.

The cover is by Leo Summers, illustrating (not too accurately) Alan Nourse’s novel Star Surgeon, which appears complete in this issue. Above the magazine title is the title of another story, “Knights of the Dark Tower,” without mention of the author, as was Amazing’s curious habit. Interior illustrations are by Summers, Virgil Finlay, and Mel Varga (with one uncredited).

The editorial, by Norman Lobsenz, celebrates Walter X. Osborn, a man living in the Philippines who was then 85 and had been reading Amazing since its beginning. Osborn’s favorite story? Possibly “The Green Man Returns,” by Harold M. Sherman from December 1947. His least favorite? The Shaver mysteries.

S. E. Cotts’ book review column, The Spectroscope, is extremely short. The one novel covered is Seed of Light, by Edmund Cooper, which Cotts criticizes for being too ambitious. But high praise goes to two anthologies, The World That Couldn’t Be, edited by H. L. Gold, and Mary Kornbluth’s Science Fiction Showcase, which she put together with Fred Pohl’s help (Pohl insists she picked the stories, though – he just helped clear the rights) after Cyril Kornbluth’s death.

The letter column features Bob Anderson, John Hitt, Ray Hahn, Jacqueline Brice, James S. Veldman, Paul Matthews, and Bobby Gene Warner (no names familiar to me, though Warner, as I recall, showed up in another Amazing lettercol from this period). No real controversies. Lots of Praise for Murray Leinster’s “Long Ago, Far Away”.

There is one “Complete Novel”, and 6 short stories, one of them a very brief vignette.

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Amazing, March 1961: A Retro-Review

Amazing, March 1961: A Retro-Review

Amazing Stories March 1961-smallThis is a pretty strong issue of Amazing, overall. Really strong list of authors. The cover is interesting – not so much the illustration, a decent and quite accurate Leo Summers painting illustrating James Blish’s “A Dusk of Idols.” What intrigued me were the words.

Sure enough, “A Dusk of Idols,” by James Blish, adorns the cover. Makes sense. But atop the title, we read “Playboy and the Slime God.” That’s an Isaac Asimov story. Wouldn’t you think they’d have promoted Asimov’s name? But no. I can’t figure that one out.

Interiors are by Summers, Ivie, Morey, and the great Virgil Finlay. The editorial is by Norman Lobsenz as usual, and it promotes the next issue – which is to be a special All-Reprint issue, consisting of classic Amazing stories selected by Sam Moskowitz. (Sigh … I know people defend his research, and I have no dispute with that, but I do dispute his taste.)

Anyway, the issue does seem to feature some significant stories – an early Bradbury, Eando Binder’s “I, Robot,” an ERB reprint, Nowlan’s Armageddon – 2419, and pieces by Starzl, Hamilton, and Keller. Lester Del Rey’s Fact Article, “Operation Lunacy,” essentially addresses the Mutual Assured Destruction doctrine, a little presciently, it seems to me.

S. E. Cotts’s book review column, The Spectroscope, is rather harsh on balance towards two anthologies, Judith Merril’s The Year’s Best S-F, Fifth Annual Edition and Robert P. Mill’s Decade of Fantasy and Science Fiction. Cotts opens by complaining that “there are more kinds of anthologies than you can shake a stick at… of one particular author’s output, or from one particular magazine, or on one particular subject… year’s best, year’s worst, or the year’s zaniest.”

Of Merril’s book Cotts begins kindly enough: “As far as the stories are concerned, it is the best yet.” And particular praise goes to newer writers, Daniel Keyes for “Flowers for Algernon,” Carol Emshwiller for “Day on the Beach,” and “an English author, J. G. Ballard” for “The Sound Sweep.”

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Amazing Stories, January 1962: A Retro-Review

Amazing Stories, January 1962: A Retro-Review

Amazing Stories January 1962-smallThis seems to me a fairly significant issue of Amazing, in its way, though  it doesn’t feature any of the really significant Goldsmith discoveries (no Zelazny, no Le Guin, no Bunch); nor are any of the stories lasting classics. But all of the writers are reasonably well-known, and it does feature one somewhat important sort-of-debut, as well as a near farewell.

The cover is by Ed Emshwiller, illustrating Ben Bova’s “The Towers of Titan.” (His wife Carol appears in form-fitting spacesuit.) There is a back cover illustration too, in black-and-white, by Virgil Finlay, for the serial, Mark Clifton’s “Pawn of the Black Fleet.” Interiors are by Finlay, Emshwiller, Adkins, Summers, and Kilpatrick.

The letter column, “… Or So You Say,” has letters from Ken Winkes, H. James Hotaling, and Bob Adolfsen, none of the names familiar to me, discussing among other things the question of whether serials are a good idea.

The book review column, The Spectroscope, by S. E. Cotts, reviews Daniel F. Galouye’s Dark Universe (very favorably – and indeed the novel became a Hugo nominee), Lester Del Rey’s Winston juvenile Moon of Mutiny (very unfavorably), Arthur C. Clarke’s non-fiction collection The Challenge of the Spaceship, John C. Lilly’s Man and Dolphins, an account of the author’s research on dolphins and in particular their intelligence and capacity for language (Cotts reveals himself as rather a skeptic in this area); and also a curious review of an Ace Double, Kenneth Bulmer’s No Man’s World backed with Poul Anderson’s Mayday Orbit.

Cotts modestly praises No Man’s World as “plain uncomplicated entertainment” – no real argument there from me – but he dismisses Mayday Orbit as a “minor trifle” – in itself not an absurd judgment, but if it is a minor trifle then so too surely is No Man’s World!

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Fantastic Stories, October 1964: A Retro-Review

Fantastic Stories, October 1964: A Retro-Review

Fantastic Stories October 1964I continue my peregrinations through the Cele Goldsmith Lalli years at Amazing/Fantastic.

This issue features a George Schelling cover. I don’t know if there are Schelling fans out here – but I have to say I found it quite poor, with absurdly stiff human characters, a particularly strange looking female character, a quite inaccurate representation (as to size) of the Tharn antagonist, and also not representing the scene it apparently depicts very well. Other than that… it’s kind of colorful.

(Click on the image at left to get a full-size version).

Curiously, the cover features no author’s name – only the title of the serial, “Seed of Eloraspon,” and the description: “Magnanthropus returns in a new novel.”

The interiors are by Arndt, Schelling (rather better than the cover), Finlay, and Andragna.

The ads are mostly Ziff-Davis house ads, with one full page ad for the Rosicrucians. The editorial, as usual by editorial director Norman M. Lobsenz, is about progress towards a real life version of Donovan’s Brain (and many other stories). The only other feature is a single column on what’s “Coming Next Month.”

The fiction:

Novelet:

“Beyond the Ebon Wall,” by C. C. MacApp (18,700 words)

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The Magazine of Fantasy & Science Fiction, July 1961: A Retro-Review

The Magazine of Fantasy & Science Fiction, July 1961: A Retro-Review

Magazine of Fantasy & Science Fiction July 1961Now to an early ’60s issue of F&SF. This one has an Ed Emshwiller cover, illustrating Brian Aldiss’s “Undergrowth.” It is billed as an “All-Star Issue,” which I find curious, as several of the writers are what I would call “Little-Known.”  I’ll get into that a bit later.

The features: No interior illustrations, of course. There is of course Isaac Asimov’s Science article, “Recipe for a Planet,” which goes into great detail on the components of the Earth.

There is a Books column by Alfred Bester. He discusses a couple of Dover editions of Jules Verne, as well as a film about him (The Fabulous World of Jules Verne). He treats Kingsley Amis’s New Maps of Hell (with approval, expressed in no detail, and accompanied by a recommendation for Lucky Jim, “the funniest first novel since Pickwick Papers” [(Which later first novel might be added? A Confederacy of Dunces?]). He follows with three reviews of short story collections, by Knight, Nourse, and Pohl.

That tells us something, doesn’t it? How likely would  a review column today be to cover not a single current novel, but three collections?

And I suppose Feghoots can be called a feature, too. This issue features number XLI in “Grendel Briarton’s” series. I have enjoyed my share of Feghoots over time, but this one is awful, and not in a good way, concerning intelligent gnus. Really, one thinks, surely Mills (or whoever was editing F&SF at any particular time) could have rejected the really bad Feghoots. Bretnor had to know better. (“Grendel Briarton” was a pseudonym, and an acronym, for Reginald Bretnor.)

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Fantastic Science Fiction Stories, December 1959: A Retro-Review

Fantastic Science Fiction Stories, December 1959: A Retro-Review

Fantastic Science Fiction Stories December 1959As promised, a return to Cele Goldsmith’s years at Amazing and Fantastic. This issue comes from quite early in her term.

Last time I looked at Fantastic, I noted the subtitle “Stories of Imagination,” and I commented that much of the magazine remained Science Fiction, despite the Fantasy-leaning title and the ambiguous subtitle. This issue, by contrast, is subtitled “Science Fiction Stories” – an apparently deliberate rejection of the fantastical element. Turns out this subtitle had begun only with the September 1959 issue, and it lasted only through September of 1960, being supplanted by “Stories of Imagination” in October.

Interesting is a letter in this December issue from R. D. Miller, stating that with the September issue: “I took one look at the logo and the worst had happened: Fantastic Science Fiction Stories.” The letter in its whole praises the previous Fantastic for being a home to fiction in the Weird Tales tradition, and laments the apparent plan to discard that in favor of “the Science Fiction monster.”

The response from the editors (don’t know if Goldsmith or Editorial Director Norman M. Lobsenz wrote these) goes: “You want a magazine with 90% bad fantasy? Or one with 50% first-class fantasy and 50% first-class s-f?” (Logically, they should have been able to have a magazine with 50% first-class fantasy and 50% bad fantasy instead, right?)

The cover is by Edward Valigursky, illustrating Poul Anderson’s Flandry story “A Message in Secret.” I must say the man on the cover looks nothing at all like my image of Flandry.

Interior illustrations are by Mel Varga and Leo Summers. Interestingly, the cover of the Ace Double edition of “A Message in Secret,” retitled Mayday Orbit, is also by Valigursky – not as good, Flandry in a cold suit so not recognizable, but noticeably the same depiction of the “Prophet’s Tower” on each cover.

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