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Author: Rich Horton

Astounding Science Fiction, February and March 1953: A Retro-Review

Astounding Science Fiction, February and March 1953: A Retro-Review

astounding science fiction February 1953-smallI thought it might be worthwhile to take a look at John Campbell’s Astounding, from the early ’50s, after its dominance of the market had been shaken by Galaxy and F&SF. So here are two 1953 issues.

I bought these two issues because the March issue has John Brunner’s first story for a major market, “Thou Good and Faithful.” I noticed that that issue also has the second part of a Piper serial that I hadn’t read, so I bought the February issue to get part 1.

Details, then. The February cover, for H. Beam Piper and John J. McGuire’s serial “Null-ABC,” is by H. R. Van Dongen, a pretty good one with a skull on a reddish background (flames and smoke, I think), and books and test tubes in the foreground.

The March cover, for “Thou Good and Faithful,” is less to my taste. It’s by G. Pawelka, an artist with whom I am unfamiliar, and it features a robot with a monkey-like creature on his shoulder, holding a globe of sorts — a very accurate depiction of a scene from the story, but not a picture I fancy much.

The features in each issue are the usual: Campbell’s editorial (“Redundance,” about information theory, in February; and “Unsane Behavior,” about war and the naivete of both those who think it works very well, and those who think stories of Atomic Doom will prevent it, in March); In Times to Come, The Analytical Laboratory, Brass Tacks, and P. Schuyler Miller’s review column.

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The Original Science Fiction Stories, November 1958 and May 1960: A Retro-Review

The Original Science Fiction Stories, November 1958 and May 1960: A Retro-Review

The-Original-Science-Fiction-Stories-November-1958-small2Recently, our esteemed editor John O’Neill blogged about having bought a set of copies of The Original Science Fiction Stories… so it occurred to me that a Retro-Review of a couple of those issues might be interesting. And here it is — something I wrote a few years ago, slightly polished.

Perhaps a long article about Robert A. W. Lowndes’s editorial career would be interesting. His career was rather odd. Off and on for some two decades, he edited two magazines in various combinations: Future, and Science Fiction Stories. For a time, they were the same magazine, called Future Combined With Science Fiction Stories.

Actually, for a couple of different times, they were the same magazine under that title. Charles Hornig was editor for the first few issues of both magazines, from 1939-1941, then Lowndes took over and, as far as I can tell, he was the only editor until the magazines finally limped to an end in 1960.

There were two main phases of publishing these titles: from 1939 through 1943, then from 1950 through 1960. I don’t think there is another example of a single editor being associated, for so long, through so many title changes and hiatuses, with the same publications. He apparently never had much of a budget to work with, either. The publisher, I suppose throughout these magazines’ history, was Columbia Publications. (In the 60s, Lowndes edited one more magazine, the Magazine of Horror.)

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Amazing Stories, July 1962: A Retro-Review

Amazing Stories, July 1962: A Retro-Review

Amazing Stories July 1962-smallBack to Cele Goldsmith’s tenure at Amazing/Fantastic. This is a pretty strong issue, with, notably and perhaps surprisingly, a strong “Classic Reprint” novelet, and a strong serial opener. (The shorter fiction is less impressive.)

The cover is by Lloyd Birmingham, a semi-regular at Amazing/Fantastic throughout the ’60s, who also had one cover for Analog, one for an Ace Double, and a couple more. But he was never well-known in the field. It illustrates the serial in this issue, part one of Keith Laumer’s A Trace of Memory, competently but not particularly specially. Interiors are by Birmingham again, Leo Summers, Virgil Finlay, Dan Adkins, and Austin Briggs.

Norman Lobsenz’s editorial discusses some evidence that may or may not support the Big Bang theory. (This was a couple of years before the discovery of the 3 degree background radiation of the universe.) The lettercol, “ … or So you Say”, features a long letter by Julian Reid complaining about two recent Mark Clifton stories (“Hang Head, Vandal!” and the serial Pawn of the Black Feet), following a very long defense of his work by Clifton himself.

This response may be the last thing Clifton ever published. (He died in 1963, and I am sure he published no more stories after “Hang Head, Vandal!”) I think Clifton gets the better of the argument, pointing out for one thing that Pawn of the Black Fleet (aka When They Come From Space) is a spoof, which Reid took altogether too seriously.

S. E. Cotts’s book review column, “The Spectroscope,” covers Damon Knight anthology A Century of Science Fiction, with very high praise for the stories, but some quibbling about Knight’s categorization of different aspects of the field; and J. F. Bone’s The Lani People, which Cotts considers not very original, but quite fun. There is a very brief “Benedict Breadfruit” squib by “Grandall Barretton” (Randall Garrett) … these are decidedly sub-Feghootian to begin with and this one is worse than usual. Ben Bova (or “Ben Ben Bova” as the TOC has it) contributes an article on “The Three Requirements of Life in the Solar System,” second in a four-article series on the possibilities of alien life, this one covering possibilities for life on other planets in our system.

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Fantasy and Science Fiction, April 1966: A Retro Review

Fantasy and Science Fiction, April 1966: A Retro Review

Fantasy and Science Fiction April 1966-smallI called the last magazine I covered (Fantastic for April 1960) “determinedly minor.” This issue of F&SF seems much more significant to me.

The cover is by Jack Gaughan, illustrating Jack Vance’s Cugel the Clever novelet “The Sorcerer Pharesm.” The features include a Gahan Wilson cartoon, a poem by Doris Pitkin Buck, a very short science snippet by Theodore L. Thomas, Judith Merril’s Books column and Isaac Asimov’s Science column.

Asimov’s column is one of his lesser ones: little but a list of the Nobel Prize winners in the Science fields by nationality. That’s a long list, so it takes up most of his page count. He does a tiny amount of analysis of the numbers, but not much.

Merril begins by reviewing two very ’60s-ish popular science books: LSD: The Consciousness Inducing Drug (edited by David Solomon, with contributions from those you’d expect, like Alan Watts, Aldous Huxley, and Timothy Leary), and Games People Play by Eric Berne. She recommends the LSD book, but is quite negative about Games People Play.

In the way of SF, she begins by looking at two John Brunner books, The Day of the Star Cities and The Squares of the City. She identifies the first as “up there with the best of his earlier work” and the second as a step beyond, building on his growth that started with The Whole Man. I think that jibes with the consensus view of Brunner’s career. She ends up saying, “[I]t leaves me very eager to see Brunner’s next.”

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Fantastic Science Fiction Stories, April 1960: A Retro-Review

Fantastic Science Fiction Stories, April 1960: A Retro-Review

Fantastic Science Fiction Stories April 1960-smallI’d rank this as a determinedly minor issue of this magazine, from fairly early in Cele Goldsmith’s tenure. It has a bland cover by an artist I’ve never heard of, Jack Faragasso. The feature list is slim. Norman Lobsenz’s editorial, very brief, is about an idea to put a ring of dust around the Earth so that it is always light. (What a dreadful idea!)

There is also the lettercol, with no contributors I recognized – the names are Miles McAlpin, James W. Ayers, Wesley Sharp, Billy Joe Plott, Frank P. Pretto (perhaps a typo for Prieto), and Michael W. Elm – and their usual small “Coming Next Month.” Interior illustrations are by [Leo] Summers, Varga, and Grayam.

So, what about the stories?

The cover story is “Doomsday Army,” by Jack Sharkey, an entirely too long story about a National Guard captain who ends up being the main intermediary to a bunch of (as it turns out) very small alien invaders. He’s portrayed as a fairly ordinary suburban husband, prone to taking shortcuts in solving problems his wife brings to his attention: so of course his solution to the alien problem will be a dangerous shortcut. And so it is, with an implausible solution.

There’s joke enough here for maybe 3,000 words at the outside, and this drags terribly at some 13,000 words. (I wonder if it was written to the cover, which does portray a scene from the story but in a very generic fashion.)

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Galaxy, September 1972: A Retro Review

Galaxy, September 1972: A Retro Review

Galaxy September 1972-smallI don’t usually look at magazines quite this recent in these reviews… though now that I think about this, this issue appeared well over 40 years ago! It’s a fairly significant issue in context, though coming from a period in Galaxy’s history usually disparaged.

This period was the editorship of Ejler Jakobsson, which extended from 1969 to 1974. He succeeded Frederik Pohl, and preceded Jim Baen, two extremely important figures in SF editing. Indeed, the only other editor of Galaxy before Pohl was H. L. Gold, yet another absolutely central SF editor. So Jakobsson was bound to have a hard time being compared to that crowd. A number of writers complained that Jakobsson was an editorial meddler (ironically, the same complaint was often made of Gold).

I confess I have never thought much of Jakobsson’s reign myself. I began reading Galaxy in October 1974, shortly after Baen took over. And I loved Baen’s Galaxy. The few issues of Jakobsson’s I’ve seen before this one have been rather dull.

I often have read words to the effect that he knew little or nothing about SF, but that’s not quite true. He was Finnish and emigrated to the US in 1926, aged 15. In the ’40s, he worked on the magazines Astonishing Stories and Super Science Stories, and indeed edited the latter for a couple of years starting in 1949. But he had been out of the field since that time – so perhaps it was more accurate to say he knew little about then contemporary SF.

He did have a couple of important assistants: Judy-Lynn Benjamin was Managing Editor and Lester Del Rey was Features Editor. (Del Rey and Benjamin married later, of course, and co-founded the Del Rey Books imprint.)

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Satellite, December 1956: A Retro-Review

Satellite, December 1956: A Retro-Review

Satellite Science Fiction December 1956-smallThis is one of a great many ’50s digests. It began publication in October 1956 as a bimonthly, and became a monthly in 1959 for its last four issues (the last was May). 18 issues total. (Apparently the June and July issues were assembled at least to some degree.)

The publisher was Leo Margulies, and the editor for the first two issues was Sam Merwin, who had done good work with Startling Stories/Thrilling Wonder Stories.

According to the Science Fiction Encyclopedia, Margulies took over after that– although the ISFDB credits Cylvia Kleinmann for a number of the later issues. I tend to trust the SFE here, especially with Malcolm Edwards and Mike Ashley responsible for the entry.

That said, Kleinmann (Margulies’ wife) was also for a time editor of Mike Shayne’s Mystery Magazine (also published by Margulies) so very possibly she was the editor, or perhaps it was a collaborative effort, and, as Todd Mason notes, Margulies had a long history of fronting anthology projects (under his name) that were actually edited by others.

Frank Belknap Long edited the final four 1959 issues, which were letter-sized instead of digest.

For most of its run, Satellite featured “A Complete Novel in Each Issue” (according to the SFE, to compete with paperback novels). Based on the TOCs I’ve seen, these really were reasonable-length novels for the day – in the range of 40,000 words.

The December 1956 issue, the magazine’s second, has a promising TOC – stories by the likes of Philip K. Dick, Arthur C. Clarke, Gordon Dickson, Algis Budrys, and Michael Shaara among others. Indeed, the first few issues of the magazine were pretty promising, though it never really became a top market.

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Amazing Science Fiction, December 1959: A Retro-Review

Amazing Science Fiction, December 1959: A Retro-Review

Amazing Science Fiction December 1959-smallHere’s an issue from very early in Cele Goldsmith’s tenure (and very early in my life, I might add – this issue presumably appeared about a month after I did). It was in fact the first issue of Goldsmith’s second year at the helm.

The cover is by Leo Summers, illustrating (not too accurately) Alan Nourse’s novel Star Surgeon, which appears complete in this issue. Above the magazine title is the title of another story, “Knights of the Dark Tower,” without mention of the author, as was Amazing’s curious habit. Interior illustrations are by Summers, Virgil Finlay, and Mel Varga (with one uncredited).

The editorial, by Norman Lobsenz, celebrates Walter X. Osborn, a man living in the Philippines who was then 85 and had been reading Amazing since its beginning. Osborn’s favorite story? Possibly “The Green Man Returns,” by Harold M. Sherman from December 1947. His least favorite? The Shaver mysteries.

S. E. Cotts’ book review column, The Spectroscope, is extremely short. The one novel covered is Seed of Light, by Edmund Cooper, which Cotts criticizes for being too ambitious. But high praise goes to two anthologies, The World That Couldn’t Be, edited by H. L. Gold, and Mary Kornbluth’s Science Fiction Showcase, which she put together with Fred Pohl’s help (Pohl insists she picked the stories, though – he just helped clear the rights) after Cyril Kornbluth’s death.

The letter column features Bob Anderson, John Hitt, Ray Hahn, Jacqueline Brice, James S. Veldman, Paul Matthews, and Bobby Gene Warner (no names familiar to me, though Warner, as I recall, showed up in another Amazing lettercol from this period). No real controversies. Lots of Praise for Murray Leinster’s “Long Ago, Far Away”.

There is one “Complete Novel”, and 6 short stories, one of them a very brief vignette.

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Amazing, March 1961: A Retro-Review

Amazing, March 1961: A Retro-Review

Amazing Stories March 1961-smallThis is a pretty strong issue of Amazing, overall. Really strong list of authors. The cover is interesting – not so much the illustration, a decent and quite accurate Leo Summers painting illustrating James Blish’s “A Dusk of Idols.” What intrigued me were the words.

Sure enough, “A Dusk of Idols,” by James Blish, adorns the cover. Makes sense. But atop the title, we read “Playboy and the Slime God.” That’s an Isaac Asimov story. Wouldn’t you think they’d have promoted Asimov’s name? But no. I can’t figure that one out.

Interiors are by Summers, Ivie, Morey, and the great Virgil Finlay. The editorial is by Norman Lobsenz as usual, and it promotes the next issue – which is to be a special All-Reprint issue, consisting of classic Amazing stories selected by Sam Moskowitz. (Sigh … I know people defend his research, and I have no dispute with that, but I do dispute his taste.)

Anyway, the issue does seem to feature some significant stories – an early Bradbury, Eando Binder’s “I, Robot,” an ERB reprint, Nowlan’s Armageddon – 2419, and pieces by Starzl, Hamilton, and Keller. Lester Del Rey’s Fact Article, “Operation Lunacy,” essentially addresses the Mutual Assured Destruction doctrine, a little presciently, it seems to me.

S. E. Cotts’s book review column, The Spectroscope, is rather harsh on balance towards two anthologies, Judith Merril’s The Year’s Best S-F, Fifth Annual Edition and Robert P. Mill’s Decade of Fantasy and Science Fiction. Cotts opens by complaining that “there are more kinds of anthologies than you can shake a stick at… of one particular author’s output, or from one particular magazine, or on one particular subject… year’s best, year’s worst, or the year’s zaniest.”

Of Merril’s book Cotts begins kindly enough: “As far as the stories are concerned, it is the best yet.” And particular praise goes to newer writers, Daniel Keyes for “Flowers for Algernon,” Carol Emshwiller for “Day on the Beach,” and “an English author, J. G. Ballard” for “The Sound Sweep.”

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Amazing Stories, January 1962: A Retro-Review

Amazing Stories, January 1962: A Retro-Review

Amazing Stories January 1962-smallThis seems to me a fairly significant issue of Amazing, in its way, though  it doesn’t feature any of the really significant Goldsmith discoveries (no Zelazny, no Le Guin, no Bunch); nor are any of the stories lasting classics. But all of the writers are reasonably well-known, and it does feature one somewhat important sort-of-debut, as well as a near farewell.

The cover is by Ed Emshwiller, illustrating Ben Bova’s “The Towers of Titan.” (His wife Carol appears in form-fitting spacesuit.) There is a back cover illustration too, in black-and-white, by Virgil Finlay, for the serial, Mark Clifton’s “Pawn of the Black Fleet.” Interiors are by Finlay, Emshwiller, Adkins, Summers, and Kilpatrick.

The letter column, “… Or So You Say,” has letters from Ken Winkes, H. James Hotaling, and Bob Adolfsen, none of the names familiar to me, discussing among other things the question of whether serials are a good idea.

The book review column, The Spectroscope, by S. E. Cotts, reviews Daniel F. Galouye’s Dark Universe (very favorably – and indeed the novel became a Hugo nominee), Lester Del Rey’s Winston juvenile Moon of Mutiny (very unfavorably), Arthur C. Clarke’s non-fiction collection The Challenge of the Spaceship, John C. Lilly’s Man and Dolphins, an account of the author’s research on dolphins and in particular their intelligence and capacity for language (Cotts reveals himself as rather a skeptic in this area); and also a curious review of an Ace Double, Kenneth Bulmer’s No Man’s World backed with Poul Anderson’s Mayday Orbit.

Cotts modestly praises No Man’s World as “plain uncomplicated entertainment” – no real argument there from me – but he dismisses Mayday Orbit as a “minor trifle” – in itself not an absurd judgment, but if it is a minor trifle then so too surely is No Man’s World!

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