Black Gate

Galactic Gambit (Lenox Hill Press, September 1971). Cover by Herbstman

In my recent looks at less-remembered novels of the ’70s and ’80s I’ve covered some obscurish works by well-remembered writers (Phyllis Eisenstein, L. Sprague de Camp) and some obscurish works by less well known but hardly unknown writers (Gerard Klein, Mick Farren), and even some quite little known writers (Atanielle Annyn Noel).

But this time I’m trying for something truly obscure — a hardcover from 1971 that is the only novel by its writer, from a publishing company that offered microscopic advances ($300) and sold only to libraries. The only semblance of a review of this novel I could find is in the Science Fiction Encyclopedia (of course!) and it reads in full: “US printing technician and author of Galactic Gambit (1971), an unremarkable Space Opera.”

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In the Hands of Glory (Timescape/Pocket Books, November 1981). Cover by Rowena Morrill

Here’s my new look at an SF paperback from the ’70s/’80s. Phyllis Eisenstein’s In the Hands of Glory is a book I eagerly bought and read back when it came out, in 1981. By a writer whose work I enjoyed. From a publishing imprint (Timescape, edited by David Hartwell) that I greatly respected. (Not to mention the Rowena Morrill cover which, let’s just say, overtly exaggerates certain physical characteristics of the protagonist relative to her actual depiction in the book.) And I had fond, but very dim, memories of the book. So I reread it.

Phyllis Eisenstein (1946-2020) was a Chicago writer. Black Gate is a Chicago-based ‘zine, and I’m originally from the Chicago area myself, and over the years I got to know Phyllis and her husband (and sometime collaborator) Alex fairly well, from meeting them at any number of conventions. Indeed, at this year’s Windy City Pulp and Paper Convention, I had a long conversation with Alex which touched on their time in Germany (Alex was in the military then) during which Phyllis drafted her first novel.

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The Fallible Fiend (Signet/New American Library, February 1973). Cover uncredited

This is another in my series of looks at fairly obscure SF from the ’70s and ’80s. In this case, I rescued a book that I had bought used decades ago from the chaos of my bookshelves. Most of the other writers I’ve discussed so far have been somewhat forgotten (or were never really known at all) but L. Sprague de Camp is an SFWA Grand Master, and a writer I and many others remember with great affection.

De Camp (1907-2000) began publishing SF in 1937 with “The Isolingual,” and was from the beginning a popular and prolific writer. He wrote both Fantasy and Science Fiction, though by the end of his long career the bulk of his work was Fantasy. His preferred mode was lightly cynical humor — this imbued his SF such as the Viagens Interplanetarias series, and his Fantasy beginning with his Incomplete Enchanter stories written with Fletcher Pratt.

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The Man Responsible (Ace Books, April 1978). Cover art by Vincent DiFate

This latest in my loose series of essays about fairly obscure 1970s/1980s SF books is about a writer who looked to be establishing a potentially significant career as what might be called a “Ben Bova” writer. Alas, Stephen Robinett contracted Hodgkin’s Disease as a young man, and died at only age 62 in 2004. His final two novels, Final Option and the sadly ironically titled Unfinished Business, were published in 1990, and are only borderline SF if at all, crime stories about a financial journalist investigating fraud. Robinett himself was a lawyer and a business journalist, and this background certainly informs his work, including the novel I’m discussing here.

I have called Robinett a Ben Bova writer, in the sense that the bulk of his stories were published in Ben Bova’s Analog, and his one collection, Projections, was part of a short-lived series of books from Ace labeled “Analog Books,” and edited by Bova. Robinett followed Bova to Omni, and his final short story appeared there in 1983. But Robinett also sold to Vertex, to Jim Baen’s Galaxy, and to Damon Knight’s Orbit, while his first sales were to John W. Campbell at Analog, beginning with “Minitalent” in March 1969. This makes him, along with Rob Chilson, Stepan Chapman and James Tiptree, Jr., one of Campbell’s latest discoveries.

The other interesting thing about Robinett’s first stories — all the way through a couple Galaxy pieces in 1975 — is that they were published as by “Tak Hallus.” And takhallus is a Persian word (derived from Arabic) meaning… pseudonym.

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Backflash (Sphere Books, January 1975). Cover by Bruce Pennington

Here’s another review of an obscure (at least to me!) 1970s SF novel. I found it on the free table at Boskone this year. It is slim, and I knew nothing about it or the author, so I figured it was worth a look.

Laurence James (1942-2000) was a British writer and editor, who published dozens of books between 1973 and his all too early death. He wrote in a number of fields, but mostly SF, and he was probably best known for a long series, Deathlands, which still continues with some 150 books published to date. James wrote over 30 novels in the series, most of the first 33 or so, which appeared between 1986 and 1996. All of the books (to this date) are published as by James Axler. I was completely unaware of these books or any other work by James until now.

The Simon Rack series comprises five volumes published in 1974 and 1975. Backflash is the third. It appears (though as I haven’t read the others I’m not sure) to be mostly a flashback to the first Simon Rack adventure by internal chronology (and perhaps that’s the reason for the title.) It opens with Commander Simon Rack of the Galactic Security Service confronting a madman who has stolen an experimental weapon and gone on a killing spree. As he corners him, the madman shoots — and it appears that the weapon’s effect includes messing with the brain’s sense of time, and Rack starts to experience his past life, on the planet Zayin.

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The Mote in Time’s Eye (DAW, January 1975). Cover by Josh Kirby

This is the latest in a series of posts I’m doing covering relatively obscure SF novels of the ‘70s and ‘80s. This novel was first published in French in 1965, but as it didn’t appear in English until 1975, I figure it fits this series.

One of the things on the good side of the Donald A. Wollheim ledger is his willingness to publish SF in translation. This was one of four novels by Gérard Klein that DAW books published. (Perhaps half a dozen translated short stories appeared in various places.)

Gérard Klein was born in 1937. He began publishing SF at the age of 18, and he seems to have mostly stopped in the mid-70s. He has also been a significant anthologist, and a critic, receiving the Pilgrim Award in 2005 for his scholarly work. His day job was as an economist. He is still alive, now 86 years old.

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