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Author: Nick Ozment

Oz loves Godzilla, middle-school G.I. Joe (not old-school, not new-school; middle-school, spooky stories, trees, and really too many other things to list here.
Inkjetlings Round eTable: Jackson’s Desolation of The Hobbit?

Inkjetlings Round eTable: Jackson’s Desolation of The Hobbit?

smaugThis week Frederic S. Durbin, Gabe Dybing, and I discuss our impressions of Peter Jackson’s latest film The Hobbit: The Desolation of Smaug. The conversation is a casual and meandering one among friends, although I have tried to group observations under distinct topics. In keeping with the informal nature of the exchange, I have used our first names.

First Impressions (and a link to a completely different review)

FRED: It’s a lot of fun. I was surprised in this one by the extreme departures from the book . . . so this one felt to me like I was watching really well-done fan fiction. But if you can accept that, the movie really is entertaining. It’s fun seeing the characters and settings. I’ll hold off saying any more until I’m sure you guys have seen it.

GABE:  It was a lot of fun, but it certainly will be interesting to talk about. How about you, Nick? Are we waiting for you to see it?

NICK: I finally did get to The Desolation of Smaug — Mel and I arranged a date night and saw it together. She is a HUGE fan of the LOTR movies, but with this film, she feels that something is just off. I found it an enjoyable spectacle, with the caveat that in tone it is very little like Tolkien.

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Lay Down Your Weary Year

Lay Down Your Weary Year

time-enough-at-last-350x263“It… is… later… than… you… think.” — Arch Oboler, Lights Out radio program

10…

There’s that classic Twilight Zone episode about the bookwormish little gentleman who has a list long as his arm of books he’s always wanted to read, but who is constantly thwarted by the day-to-day demands of society and pressures of life. He happens to be down in the basement library stacks when a nuclear war breaks out. He emerges to find every other human being gone. After this revelation sinks in, he heads back to the library. Cut to hours or days later: he has amassed piles of books in the order he plans to — finally — read them all.

And then…the unexpected happens. The ol’ TZ twist. In this case, his glasses fall off, and he accidentally steps on them. In the closing shot, he stands there, blind as a bat without his reading glasses, with a look of utter despair on his face that dwarfs any emotions he may have felt on realizing that the rest of his fellow creatures were gone. With the books, even authors long dead were still with him. Now even they have been wrested away, leaving him truly alone.

Rod Serling provides his usual wry commentary in the coda of the closing narration, but everyone who’s seen that episode (“Time Enough at Last”, 1959, starring Burgess Meredith) remembers that final scene — within the context of the story’s simple little narrative, that pair of broken glasses is somehow, improbably, more devastating than the destruction of the human race.

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The Weird of Oz Wraps Up Christmas Shopping

The Weird of Oz Wraps Up Christmas Shopping

12d9_dungeons_and_dragons_clue_boxSince geek culture has pretty much overtaken popular culture these days, any visit to the local shopping mall comes inundated with looming dragons, flashing robots and space vehicles, menacing creatures from myth and legend, superheroes of every stripe, and a certain familiar blue police callbox. Now that I have kids of my own, Christmas shopping is really interesting…

Okay, I’ll confess: my gift purchases sometimes tend to be of the “Oh man when I was that age I would’ve loved this!” variety. My wife chides me about how my daughter’s tastes are starting to slant away from superheroes and monsters and toward Barbie and Polly Pocket.

I have a son, too, but he’s still just two, so some of the coolest toys just aren’t age appropriate for him yet. My daughter, on the other hand…

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The Cartoon Revolution Will No Longer Be Televised

The Cartoon Revolution Will No Longer Be Televised

Young-JusticeI hadn’t really kept up on children’s TV cartoon programming, not since I was part of the target demographic for it back in the ‘80s. As a young adult, I checked out the Batman series now and again, impressed by how well done it was. I became minorly obsessed with The Tick, because that was just a wonderful parody send-up of the whole superhero milieu I grew up in. The Simpsons crossed my radar, of course. But that’s about it.

I’ve been watching a lot of cartoons lately, because I have a daughter who’s almost five and a son who’s nearly three. And I’ve been pleasantly surprised. It turns out that television programming for kids has enjoyed something of a Renaissance in the last decade or so, similar to its counterpart programming for mature audiences.

But enjoy it while you can, because that era may be coming to an end…

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Yes, Virginia, There is a Cthulhu

Yes, Virginia, There is a Cthulhu

Cthulhu Stocking - LargeLast week I wrote about the famous editorial penned by Francis Church in response to a query by a girl named Virginia O’Hanlon as to whether there is a Santa Claus. Re-reading “Is there a Santa Claus?”, I was struck by a curious correspondence between part of Church’s argument and the very first paragraph of one of H.P. Lovecraft’s most famous stories, “The Call of Cthulhu.” I’ll run the relevant excerpts from Church, followed by the Lovecraft paragraph. See for yourself:

“…All minds, Virginia, whether they be men’s or children’s, are little. In this great universe of ours man is a mere insect, an ant, in his intellect, as compared with the boundless world about him, as measured by the intelligence capable of grasping the whole of truth and knowledge… The most real things in the world are those that neither children nor men can see… Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.

You may tear apart the baby’s rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, could tear apart.” (Church 1897)

“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.” (Lovecraft 1928)

Hmmm. Man is a mere insect in his intellect, unable to grasp the whole of truth and knowledge. His mind is unable to correlate all its contents. We are ignorant, in black seas of infinity, unable to peer through the veil covering the unseen world… See what I did there? Pretty much jumbled them together, and they are of a piece.

The shared premise, I think, is what Shakespeare succinctly expressed through the character of Hamlet four centuries ago: “There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy” (Shakespeare 1602).

The correspondence between the Christmas editorial and “The Call of Cthulhu” is undoubtedly coincidental, and there are two salient differences in the discordant philosophies expressed in both texts. Church asserts that we can only gain glimpses through that veil of ignorance via “faith, fancy, love, poetry, romance,” whereas Lovecraft suggests the sciences are drawing back the veil. And, of course, Church posits the hidden “supernal beauty and glory beyond” as a good thing. Lovecraft, most assuredly, portrays those “terrifying vistas of reality, and our frightful position therein,” as a bad thing. A very, very bad thing.

Both views resonate with me; I, perhaps contradictorily, sympathize with both. What does that say about me?

Yes, Virginia, Damn Straight There’s a Santa Claus

Yes, Virginia, Damn Straight There’s a Santa Claus

santa“Yes, Virginia, there is a Santa Claus.” You’ve probably heard that phrase even if you’ve never read the editorial, written by Francis Church and appearing in the September 21, 1897 edition of the New York Sun in response to a letter from an eight-year-old girl named (you guessed it) Virginia. It has become a part of American Christmas folklore, and rightfully so.

“Is there a Santa Claus?” From the first time I ever read that editorial, I knew it was true.

I believe it is true not in some cute or ironic way, but 100% legit, expressing a philosophical truth. Santa and all our treasured fictional characters are real.

(Incidentally, all you Tolkien fanatics and high-fantasy geeks: this is essentially the same argument that was put forth by J.R.R. Tolkien in his essay “On Fairy Stories” and in conversations and correspondence. So, doubly cool.)

Church expressed something that I believe philosophically, as much now as when I was ten, but which I have found frustratingly hard to articulate.

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Arak Delivers a Turkey

Arak Delivers a Turkey

Arak 12Happy Thanksgiving. All punning aside, issue 12 is a bit of a disappointment to this reader, especially coming on the heels of the most entertaining installment in the first year of the series.

The premise itself is plenty fun: it’s like Roy Thomas thought, hey, I’ve got Arak here on Mount Olympus; before he moves on, I should work in some run-ins with a couple more creatures of Greek myth. Cerberus. Charon, Ferryman of the Dead. And I’ve got the perfect way to tie them in!

Great. Sign me up. I’m on board. I’ve got some change in my pocket for ye olde skull-face ferryman, as long as it’s a two-way trip.

What seems to have been phoned in this issue is the writing. The dialogue and the narration read like someone filling in for Thomas, a poor imitation. Maybe he was on a tight deadline for this one; maybe the whole thing was rushed — Ernie Colón’s art and layouts also pale in comparison to his work on the previous issue. The exception is the back-up feature, which I’ll get to later.

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Blogging Arak Son of Thunder 11: Valda Dances Right Out of Her Armor

Blogging Arak Son of Thunder 11: Valda Dances Right Out of Her Armor

Arak_Vol_1_11As I mentioned before, Arak Son of Thunder issue 11 (July 1982) was the first Arak comic I ever bought from a newsstand (or, more likely, off one of those revolving racks loaded with comics that convenience stores used to have). To my surprise, though, checking the publication date, I now realize that I have been incorrect about a particular autobiographical detail. I have usually characterized myself as having been ten or eleven years old when I was reading these comics. However, I didn’t turn ten until July 1982, and since the dating on comics and other periodicals is usually a month or two ahead of the actual date, I was only nine when I first read this one.

If you remember last week’s post, you’ll see that it makes a bit more sense, given my age at the time, that I found some of the illustrations (reproduced later in this post after the “Read More” jump-break) so shocking. But that’s a topic I covered last week (if you missed it, you can read it here). Today, I want to dive right in to summarizing the issue that made me an Arak fan.

This one is hands-down the best issue to date. The illustrations by Ernie Colón and Alfredo Alcala have never looked better; the plot points Roy Thomas has been setting up over the preceding year start to come together to create deepening mystery, suspense, and action against an epic, ever-expanding mythical background. Especially action. The plot is forwarded with new revelations (and new questions) while delivering nearly non-stop action from first page to last.

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Arak Interlude: Sexuality in Comics and Culture

Arak Interlude: Sexuality in Comics and Culture

ARAK7RLast week I promised that today’s post would touch on the topic of sexuality in comics and culture. The jumping-off point for that discussion is Arak, Son of Thunder issue #11, which I mislaid and still have not located. So, in lieu of a detailed plot synopsis of that issue (still forthcoming, as soon as I figure out where it absconded to), I will instead delve right into the broader memories that this comic brings back, demonstrating how different my preadolescent experience was in the 1980s from the media culture of youth today.

I can remember opening the pages of Arak, Son of Thunder issue #11 — the first issue of Arak I ever bought — and being shocked (and thrilled) by the scene in which Valda, the Iron Maiden sheds her armor. She has been moved by the pipes of the satyr to embrace her femininity, her freedom, and to dance. Somehow, though, she realizes what the satyr is up to; the spell is broken, and her carefree visage turns to rage. Then she’s standing there, fists clenched, looking like she’s about to rip a certain satyr’s horns off, but still naked. This was a comic approved by the “Comic Code Authority,” so she’s mostly bathed in shadow. Still, standing there in silhouette, she was naked!

When I saw that comic again, thirty years later, I couldn’t help but smile at the innocence and naiveté of that ten-year-old boy, straining his eyes to see if he could make out anything more through that shadow of black ink. I mean, Ernie Colon draws Valda beautifully, but for all the impression it made on me then, there’s not much on the actual page to titillate — far more is concealed than revealed.

No doubt it is nearly universal that when one’s age reaches the double digits, a new curiosity begins to dawn about the opposite sex, about the physical differences, and what those physical differences signify (you know, just what do adults do when they get alone together and take their clothes off? To put it bluntly). What varies greatly is how youth of different cultures and different generations manage to satisfy that inquisitive curiosity. And, of course, what might be titillating or even scandalous for one generation might not even warrant the batting of an eye for the next.

I want to steer clear of ranging too far on that last point: one could write a whole book about changing mores and stimuli, spanning from a Victorian era when a woman’s exposed ankle could cause heart palpitations, to contemporary times when a woman can turn up at nearly any beach in nothing but a G-string bikini without fear of getting arrested for indecent exposure. Indeed, whole books have been written on that subject. Instead, I’m going to narrow in on one preadolescent boy in the early ‘80s, and talk about how the culture was right then, in that little snapshot of pop-culture history.

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Weird of Oz: Hallowe’en Postmortem

Weird of Oz: Hallowe’en Postmortem

more ghost storiesHallowe’en always passes, for me, with a waft of melancholy, like a chilly breeze blowing down the last few clinging maple leaves.

Leaf 1: R.I.P. Hallowe’en 2013

This October was a busy one for me. Five days out of seven, I was hosting a ghost tour, accompanied on many of those nights by a bona fide “paranormal investigator.” The thirty or so guests we conducted into the shadows each night had quite a time and I must admit — note that I characterize myself as an “open-minded skeptic” — I may have had a paranormal experience or two myself. After having been “Haunted Master of Ceremonies” for these tours the past three years, dozens of evenings, that was a first. Maybe I’ll write about it sometime, somewhere. I have to process it a bit more first, try to debunk it and exhaust alternate explanations.

You might say I have a little Scully and a little Mulder in my head. Not that I have split personality disorder or anything, but when something happens, these two sides of my mind — the rational, scientific side and the childlike-wonder side who “wants to believe” — begin laying out their competing narratives to explain the event. Which side wins out? Both. Neither. This world is a mysterious place and no one’s gotten to the bottom of it. I certainly won’t.

I’ll just keep celebrating the mystery and fastidiously trying to avoid ever getting bored by it. Boredom is the end; it’s death; it’s deciding you don’t really care what’s going on. Whenever that starts to happen (and it does, friends, as you creep along toward gray hair and creaky bones), I retreat to the proverbial “black gate,” to the wellsprings of fantasy, to the towers of science fiction, to the tombstones of horror. Visiting imagined worlds reminds the disenchanted traveler how endlessly bizarre and fascinating and surprising is this world in which we live.

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