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Author: markrigney

Mark Rigney is the author of numerous plays, including Ten Red Kings and Acts of God (both from Playscripts, Inc.), as well as Bears, winner of the 2012 Panowski Playwriting Competition (during its off Broadway run, Theatre Mania called Bears “the best play of the year”). His short fiction appears in Witness, Ascent, Unlikely Story, Betwixt, The Best of the Bellevue Literary Review, Realms Of Fantasy, Lady Churchill’s Rosebud Wristlet, and Black Static, among many others. “The Skates,” a comic (and ghostly) novella, is now available as an ebook from Samhain Publishing, with two sequels forthcoming, “Sleeping Bear” (Feb. 2014) and the novel Check-Out Time (autumn, 2014). In non-fiction, Deaf Side Story: Deaf Sharks, Hearing Jets and a Classic American Musical (Gallaudet University Press) remains happily in print one decade on. Two collections of his stories are available through Amazon, Flights of Fantasy, and Reality Checks. His website is www.markrigney.net.
Vintage Treasures: Watership Down by Richard Adams

Vintage Treasures: Watership Down by Richard Adams

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watershipdown“I announce,” read the Times of London’s review in 1972, “with trembling pleasure, the appearance of a great story.”

This is not the typical language of a contemporary book review, but then the book in question, Watership Down, was not a typical book. It was and is a fantasy with wide crossover appeal, a mythic adventure with rabbits as the principal characters. That’s right, rabbits: those long-eared good-for-nothings whom we humans largely dismiss as being dumber than a box of rabbit-sized rocks.

Having read and adored the book in my early teens, I determined it was time to share it with my twelve-year-old son, who still craves his daily dose of bedtime story. And why not? I’d get to read a tale I had not revisited for more than thirty-five years, and I’d get to gauge my son’s reactions every step of the way.

To say he was impressed would be an understatement. As we approached the closing chapters, he wanted extra, before-bed reading time, but in the same breath kept exclaiming how he didn’t want to finish. “Are there more books about Hazel and Bigwig?” he asked. “Are there?”

Spoilers follow. If by some terrible chance you, gentle reader, have not read Watership Down for yourself, then please, close this page. Go do something else. Purchase a copy of Watership Down, for example. You can always return here once you’ve read to “The End.”

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An Open Letter To George R. R. Martin and the Producers of Game Of Thrones

An Open Letter To George R. R. Martin and the Producers of Game Of Thrones

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game-of-thrones-daenerys-stormbornDear George & Co.,

I was wrong.

Back in 2011, when the first season of Game Of Thrones aired, I watched up until the episode where Ned Stark gets speared in the leg during a street fight. (His opponent? That bastion of modesty and ethics, Jaime Lannister). And then I gave up. I stopped watching despite the fact that the storytelling was excellent, the acting superb, the locations first-rate, the camera and tech work all but faultless. I gave up because I was tired of seeing the female characters on the show abused, one after the next. I began to suspect the worst of both you and the show runners.

Call me a pig-headed liberal progressive if you must, but I’d like to see the arts, both commercial and fine, be aspirational, which I realize is a very millennial sort of term, but I like it. I’m with Gene Roddenberry: I want at least some of our creative output to showcase what we could be as a society, not merely depict what we are (i.e., barbarous and brutal). Of course the particular world of A Song Of Ice and Fire and Game Of Thrones demands its share of brutality, but it became my position, following those early episodes, that the show was reveling in the violence rather than merely depicting what was necessary to develop the story. It was my considered opinion that I was once more in the throes of a TV show where female agency was, at best, a limp afterthought.

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John Crowley’s Aegypt Cycle, Books One and Two

John Crowley’s Aegypt Cycle, Books One and Two

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613744Elsewhere in the hallowed halls of Black Gate, you can find my musings on what I consider to be among the best and most endearing fantasy novels ever written, Little, Big. Perhaps its author, John Crowley, could have hung up his spurs after that one, certain that his honorifics were now firmly in place, his spot in the pantheon assured. But then, Little, Big was never a major financial success, never “popular,” and besides, Crowley is that rare jewel, a writer who is also a thinker, and he wasn’t done thinking.

Among the works that have followed is The Aegypt Cycle, beginning with The Solitudes and Love and Sleep, then extending into Demonomania and Endless Things. I read The Solitudes in early 2015, and, having finished, set it down with a pensive hmmm, the same restless yet satisfied noise made by those who encounter an attractive puzzle box more devious and brilliant than themselves.

At the risk of sounding like a bent brown puppet from The Dark Crystal, let me repeat that: Hmmm.

Little, Big is sufficiently mysterious for most mortals, the equivalent of a buffet so satisfying and sumptuous that one reaches the end and returns at once to the beginning, eager to begin again. (Which I, in fact, did; I read the damn thing twice in a row.)

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Does Netflix Know Me Better Than I Know Myself?

Does Netflix Know Me Better Than I Know Myself?

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krysten-ritter-jessica-jonesIt’s late. The rest of my family has gone off to bed. I, however, have some busy work to accomplish. Folding laundry, perhaps. Packing up some gifts to send to my nephews. So what form of media do I power up to help me pass the time? Netflix, of course. As of now, it’s movie night. And why not? Netflix knows precisely what I want to see. Right?

Based on my previous viewing habits, Netflix has provided a sumptuous spread, a whole raft of tempting suggestions. There’s even a section entitled “My List,” which confuses me no end, because several of the titles (Atari: Game Over and The Act Of Killing among them) are ones I’ve never heard of, much less added to a playlist.

In theory, Netflix knows me well. But do they? The first lineup of choices is headed “Because I watched Jessica Jones,” and because I delved into all things Marvel and fantastical, I am now expected to sample Daredevil, which I don’t plan to do because I generally don’t care for super heroes (Jessica Jones was well done, but overlong, and I never finished).

Sense 8 pops up next, a slick show with terrific performers, but its Matrix-makers have only one solution to all problems, and that’s force. Season one will do for me. Flash, no. Arrow, no. More superheroes! Blacklist? I saw the pilot, and I adore James Spader, but sometimes craft can swallow heart. I wasn’t tempted to watch episode two.

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The Magic of Hobbyland

The Magic of Hobbyland

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HobbylandMy first addiction was model trains, HO gauge engines and layouts that I was forever redesigning. Because I grew up in Columbus, Ohio, the need for new boxcars and Plasticville edifices led me without fail to a mid-sized indie shop in the Graceland Shopping Center called Hobbyland.

What I didn’t know until the summer between sixth and seventh grades was that Hobbyland had also begun to carry, mixed in with the how-to guides on paper airplanes and WW II tank models, peculiar tomes that hinted at inexplicable mysteries: Greyhawk, Blackmoor, and Eldritch Wizardry.

To enter Hobbyland in those early years of my next addiction was to experience, in its most literal form, the marvelous. Forget about the trains, planes, and automobiles. The real heartbeat of the place turned out to be the display-rack bookshelves, gray-painted, not numerous.

You remember. You recall how those early D&D books were so peculiar, so thrown-together, more like pamphlets and broadsides than the sort of book that sat on your parents’ shelves at home. Greyhawk, etc., would have sat well with quackery advertising (phrenology, anyone?) or the meditations of theosophists or Doctor Dee.

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In the Wake Of Sister Blue: Chapter Fifteen (The End!)

In the Wake Of Sister Blue: Chapter Fifteen (The End!)

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In The Wake of Sister Blue Mark Rigney-medium

Linked below, you’ll find the final installment of a brand-new serialized novel, In the Wake Of Sister Blue. Yes, you heard a’right. This, me hearties, do be the closing section. For now. This will be Book One of a pair (but no, not an ongoing, endless cycle), and you have reached the Continental Divide between the two.

As part of the work of laboring on to the end, I’ve also gone back to the beginning with an eye toward cleaning up typos, improving the prose as needed, and catching the odd mistake. Let’s face it, serialization (at speed) is an invitation to inconsistency. More on that another day, but for now, suffice it to say that the manuscript as a whole is now a good deal neater and cleaner.

A number of you will already be familiar with my Tales Of Gemen (“The Trade,” “The Find,” and “The Keystone“), and if you enjoyed those titles (or perhaps my unexpectedly popular D&D-related post, “Youth In a Box,”) I think you’ll also find much to like in this latest venture. Oh, and if you’re only now discovering this portal, may I suggest you begin at the beginning? The Spur awaits…

Read the first installment of In the Wake Of Sister Blue here.

Read the fifteenth and final installment of In the Wake Of Sister Blue here.

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In the Wake Of Sister Blue: Chapter Fourteen

In the Wake Of Sister Blue: Chapter Fourteen

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In The Wake of Sister Blue Mark Rigney-medium

Linked below, you’ll find the fourteenth installment of a brand-new serialized novel, In the Wake Of Sister Blue. The battle for the armory is the main order of business, followed by a benedictory aftermath. But wait, we’re not done yet! The final installment will follow in two weeks’ time, so stay tuned –– and for those who fear I’m writing a doorstop, be reassured. This will be Book One of a pair (but no, not an ongoing, endless cycle), and the Great Divide between the two is all but in reach.

A number of you will already be familiar with my Tales Of Gemen (“The Trade,” “The Find,” and “The Keystone“), and if you enjoyed those titles (or perhaps my unexpectedly popular D&D-related post, “Youth In a Box,”) I think you’ll also find much to like in this latest venture. Oh, and if you’re only now discovering this portal, may I suggest you begin at the beginning? The Spur awaits…

Read the first installment of In the Wake Of Sister Blue here.

Read the fourteenth and latest installment of In the Wake Of Sister Blue here.

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In the Wake Of Sister Blue: Chapter Thirteen

In the Wake Of Sister Blue: Chapter Thirteen

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In The Wake of Sister Blue Mark Rigney-medium

Linked below, you’ll find the thirteenth installment of a brand-new serialized novel, In the Wake Of Sister Blue. Urnua lives to see the secrets of the armory unveiled, Mother Coal instigates a disturbing extrication, and Maer escapes the Middle Isle. Chapter Fourteen will follow in two weeks’ time, so stay tuned –– and for those who fear I’m writing a doorstop, be reassured. This will be Book One of a pair (but no, not an ongoing, endless cycle), and the Great Divide between the two will be reached in Chapter Fifteen.

A number of you will already be familiar with my Tales Of Gemen (“The Trade,” “The Find,” and “The Keystone“), and if you enjoyed those titles (or perhaps my unexpectedly popular D&D-related post, “Youth In a Box,”) I think you’ll also find much to like in this latest venture. Oh, and if you’re only now discovering this portal, may I suggest you begin at the beginning? The Spur awaits…

Read the first installment of In the Wake Of Sister Blue here.

Read the thirteenth and latest installment of In the Wake Of Sister Blue here.

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The Refusal To Sprawl: Emily St. John Mandel’s Station Eleven

The Refusal To Sprawl: Emily St. John Mandel’s Station Eleven

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Station Eleven-smallTo peruse the book jacket of Station Eleven, one would think that this novel has a traditional main character (Kirsten). This, like the utterly misleading picture on the front –– the yellow tents and curving wall never crop up, so far as I can tell –– is a lie.

Station Eleven is akin in many ways to A Song Of Ice And Fire in that it positions a dozen main characters and asks us to follow them all, sometimes for moments, sometimes for chapters, in what amounts to a kind of prose chorale. The effort is largely successful, but it also suggests a grander canvas, one that Mandel, who surely thinks of herself as a writer of literary work, has no intention of pursuing.

Contrast with Mr. Martin: when he sets his dozen, then fifty, characters in motion, he follows every one, rabbit hole after rabbit hole. This is not to say that either approach is more valid than the other, but it’s telling; the one method begets only a single book, the other a series or even a cycle.

Once again, I find myself puzzled by the (apparently necessary) differences between genre and literary publishing tropes. I honestly don’t think Mandel even considered expanding her storylines, or following her characters farther afield. Expansion and long-form digressions are all but expected in fantasy and science fiction, and the short novel (say, Flowers For Algernon) is a rare bird these days, and getting rarer.

But in nominally literary work? One book, and you’re out. Covers closed, shelve the title. Move along, people. Nothing more to see here.

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In the Wake Of Sister Blue: Chapter Twelve

In the Wake Of Sister Blue: Chapter Twelve

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In The Wake of Sister Blue Mark Rigney-medium

Linked below, you’ll find the twelfth installment of a brand-new serialized novel, In the Wake Of Sister Blue. Vagen’s longest day continues into nightfall and beyond, featuring escape for some, capture for others, and the possibility of an unexpected crown for…well. Best read on and find out for yourself. Chapter Thirteen will follow in two weeks’ time, so stay tuned –– and for those who fear I’m writing a doorstop, be reassured. This will be Book One of a pair (but no, not an ongoing, endless cycle), and the Great Divide between the two will be reached in Chapter Fifteen.

A number of you will already be familiar with my Tales Of Gemen (“The Trade,” “The Find,” and “The Keystone“), and if you enjoyed those titles (or perhaps my unexpectedly popular D&D-related post, “Youth In a Box,”) I think you’ll also find much to like in this latest venture. Oh, and if you’re only now discovering this portal, may I suggest you begin at the beginning? The Spur awaits…

Read the first installment of In the Wake Of Sister Blue here.

Read the twelfth and latest installment of In the Wake Of Sister Blue here.

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