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Author: Mario Guslandi

Meeting a Great Australian Fabulist, Angela Slatter: The Tallow-Wife and Other Tales, Tartarus Press and All the Murmuring Bones, Titan Books

Meeting a Great Australian Fabulist, Angela Slatter: The Tallow-Wife and Other Tales, Tartarus Press and All the Murmuring Bones, Titan Books

The Tallow-Wife and Other Stories (Tartarus Press, February 24, 2021) and All the Murmuring Bones
(Titan Books, March 9, 2021). Covers by Kathleen Jennings, and unknown

Any new book by Angela Slatter is a reason to rejoice for any lover of good dark fantasy.

Slatter is a very talented Australian writer, a born storyteller or, to be precise, a great fabulist, an author of modern, complex fairy tales for grownups. The Tallow-Wife is a collection of stories and novellas the core of which is the long title story, a dark comedy portraying the downfall of a family hiding some unspeakable secrets. But, in turn, that narrative and the rest of the volume are strictly connected to the characters and events described in two previous books, also published by Tartarus Press, Sourdough and Other Stories and The Bitterwood Bibles and Other Recountings.

Thus, although each tale can be read as a stand alone story, the task may be a bit difficult — although always quite enjoyable thanks to Slatter’s exceptional storytelling ability — if you’re not already familiar with the characters and their previous predicaments and adventures. In fact all the stories are interconnected to form a complex mosaic.

Indeed in her Afterword the author admits,

My brain was trying to write The Tallow-Wife as a novel — to connect everything. But the fractured structure, the untidy threads are the whole point. In hindsight perhaps I should have just written a novel… I wanted to finish off some arcs that I’d left in the previous books.

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Ghost Lovers with Educated Minds: Ghosts of the Chit-Chat, edited by Robert Lloyd Parry

Ghost Lovers with Educated Minds: Ghosts of the Chit-Chat, edited by Robert Lloyd Parry

Ghosts of the Chit-Chat (Swan River Press, December 2020).
Cover by John Coulthart

Ghosts of the Chit-Chat
Edited by Robert Lloyd Parry
Swan River Press (255 pages, December 2020)
Cover by John Coulthart

There are books and BOOKS. And this one is of the latter. Not simply an anthology of supernatural  and ghost stories, but also the faithful, fascinating description of a Society (or Club) flourishing at Cambridge University, the Chit-Chat, members of which included famous authors of dark fiction such as Montague Rhodes James, the three Benson brothers and others.

The volume includes profiles of the more distinguished members, their activity at Cambridge and their consequent literary achievements. For each of these writers,  examples of their fictional output are featured. 

MR James’ work is represented here by the two “ghost” stories he read at the Chit-Chat meeting on October 28, 1893 ( “The Scrap-book of Canon Alberic” and “Lost Hearts”) in slightly different versions from those included in his subsequent collections. The stories are too well known to require any specific comment in the present review.

EF Benson’s contribution is “ The Other Bed,” a classic ghostly tale conveying a strong sense of dread, set in a hotel room where a suicide had taken place.

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Riding the Horror Rollercoaster: Children of the Fang and Other Genealogies by John Langan

Riding the Horror Rollercoaster: Children of the Fang and Other Genealogies by John Langan

Children of the Fang and Other Genealogies-back-small Children of the Fang and Other Genealogies-small

Cover by Matthew Jaffe

Children of the Fang and Other Genealogies
By John Langan
Word Horde (390 pages, $19.99 in trade paperback and $9.99 in digital formats, August 18, 2020)
Cover by Matthew Jaffe

Word Horde, Ross E. Lockhart’s small press, has produced some of the most interesting horror books of the past few years.

This is the fourth short story collection by horror writer John Langan (following Mr. Gaunt and Other Uneasy Encounters, The Wide, Carnivorous Sky and Other Monstrous Geographies, and Sefira and Other Betrayals). He’s also authored two successful novels, House of Windows and The Fisherman.

If you’re already familiar with Langan’s work, you know what to expect from his latest: a medley  of themes, locations, narrative styles, atmospheres, sometimes overwhelming and totally compelling, sometimes downright weird and not always quite satisfactory. Whatever he writes, however, Langan is never banal. You may love the story he’s telling or you may hate it, but it will never leave you indifferent. 

Thus, predictably, some of the featured tales left me spellbound and others just ill-humored. I will point the stories in the former group, and leave the latter to your judgement.

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Out of the Past: The Scarecrow and Other Stories by G Ranger Wormser

Out of the Past: The Scarecrow and Other Stories by G Ranger Wormser

The Scarecrow and Other Stories
G Ranger Wormser
Edited by William P. Simmons
Shadow House Publishing (161 pages, October 26, 2020)

Originally published in 1918, this collection of short stories is the first installment of a Macabre Mistresses series aiming to unearth forgotten dark fiction, much to the joy of genre fans.

As William P. Simmons points out in his insightful Introduction, Wormser’s work has nothing to do with the horror genre in its more blatant expressions, but relies upon subtlety, introspection and psychological uneasiness.

The volume assembles twelve stories, some of which are particularly worth note.

The title story is a subtly disturbing piece in which a scarecrow made from the uniform of an old soldier comes to life to signal to his grandson what he has to do with his life.

A somehow similar concept is developed in “China-Ching,” in which a quiet dog kept restrained becomes the symbol of an unhappy marriage.

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Women Do It Better? The Women of Weird Tales, from Valancourt Books

Women Do It Better? The Women of Weird Tales, from Valancourt Books

The Women of Weird Tales-small The Women of Weird Tales-back-small

The Women of Weird Tales
By Everil Worrell, Eli Colter, Mary Elizabeth Counselman and Greye La Spina
Introduction by Melanie Anderson
Valancourt Books (280 pages, $24.99 hardcover/$16.99 paperback/$9.99 digital, November 3, 2020)

It is well known by now that women had a pivotal role in the development of those literary genres called Gothic Fiction, Horror, Dark Fantasy, etc. If we look at the iconic Weird Tales, the golden era of which spanned the ‘20s to the ‘50s, female authors were constantly included, and they penned some of the magazine’s most popular stories. Not to mention that some of the most influential editors and cover artists of the era were women as well.

Valancourt Books has aptly published a new anthology showcasing stories from Weird Tales by female writers, Women of Weird Tales.

Greye La Spina is present with five stories. The most accomplished, to me, is “The Antimacassar,” an effective, well told tale portraying a case of vampirism, gradually disclosed throughout the yarn. Other good tales are the bizarre “The Remorse of Professor Panebianco,” in which a mad scientist designs a device to imprison the soul of dying people; “The Dead-Wagon,” a dark gothic tale about a family curse dating back to the times of the Black Death; and “ The Deadly Theory,” a disturbing piece showing how the power to bring back people from the dead leads to tragedy.

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A Delicious Mixed Bag of Dark Fiction: Apostles of the Weird, edited by ST Joshi

A Delicious Mixed Bag of Dark Fiction: Apostles of the Weird, edited by ST Joshi

Apostles of the Weird-smallApostles of the Weird
PS Publishing (337 pages, £25/$33 in hardcover, March 1, 2020)
Cover by John Coulthart

Weird fiction is an umbrella term that applies to a number of literary genres such as horror, fantasy, science fiction and so on. Editor ST Joshi has assembled a new anthology of weird fiction keeping in mind the various shades which constitute the “weird,” and leaving the contributors free to develop plots and outcomes as they please.

The result is a collection of tales of uneven quality and eclectic content, apt to satisfy the different tastes of dark fiction lovers. I expect that different readers (and reviewers) requested to pick favorite stories would express extremely different opinions.

Although one could argue that good fiction is good fiction, regardless of subgenres and personal inclinations, the truth is that personal taste always matters. Having said that, allow me to single out the stories that I found more interesting and accomplished.

“Sebillia” by John Shirley is a dark drama of sin and misery with a strong paranormal undercurrent, while “Axolotl House” by Cody Goodfellow is a quite horrific tale set in a Mexican “retirement home” where ancient, malevolent gods still survive.

WH Pugmire contributes “The Zanies of Sorrow,” an excellent atmospheric piece with a distinct supernatural texture and a surprising twist in the tale, and Stephen Woodworth pens “ Cave Canem,” an effective tale of sheer horror.

“This Hollow Thing” by Lynda E Rucker is an outstanding, spellbinding, atypical ghost story with a superb characterization of a group of former classmates reunited for a peculiar Christmas party.

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Weird Fiction at its Best From a Modern Scheherazade: We All Hear Stories in the Dark by Robert Shearman

Weird Fiction at its Best From a Modern Scheherazade: We All Hear Stories in the Dark by Robert Shearman

We All Hear Stories in the Dark

We All Hear Stories in the Dark
by Robert Shearman
PS Publishing (Three volume set, 586/628/585 pages, £90.00, April 2020)

How can a reviewer comment meaningfully on a three-volume collection featuring 101 stories? (That’s right, you read correctly). Simply impossible.

Yet this huge, unusual  opus is worth a mention, and a recommendation. First, because the writer is one of the very best fantasists around, the author of excellent, critically acclaimed collections such as Remember Why You Fear Me and They Do the Same Things Different There. And second, because among these many tales you’ll find an exceptional variety of dark and strange genres, from horror to surrealism, black humor to fantasy to (even if only apparently) mainstream literature. Some of the stories collected here have previously appeared in anthologies and magazines, some are brand new.

To get lost in this literary ocean is very easy, so if you don’t feel like reading each piece in the order presented, you can follow the author’s indications and suggestions, and jump from one volume to the other according to a personal roadmap. Whatever you decide, Shearman, this modern Scheherazade, will entertain you and entice you with his uncanny gifts as a storyteller.

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A Four-Way Road to Darkness: The Pale Illuminations, edited by Robert Morgan

A Four-Way Road to Darkness: The Pale Illuminations, edited by Robert Morgan

The Pale Illuminations-small

Dust Jacket Art by Paul Lowe

The Pale Illuminations
Edited by Robert Morgan
Sarob Press (145 pages, £35/$60 for a limited edition hardcover, September 2019)
Cover by Paul Lowe

Following up its long lasting tradition of providing elegantly produced volumes collecting old and new dark and supernatural stories, the excellent small imprint Sarob Press ( formerly based in the UK, then relocated in France) has just published a new anthology entitled The Pale Illuminations.

The book assembles four new stories ( one actually a novella) by four well respected authors of dark fiction, exploring the supernatural side of different geographical environments, where eerie mysteries are still lurking.

Peter Bell, a renowned author of refined modern ghostly tales, contributes “Labyrinth,” a complex, atmospheric novella set in the wilderness of the Peak District, where ancient worship, Roman old secrets and modern romance blend in a very disturbing, fascinating tableau.

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Ghostly Corners in a Fictional London: Where Shadows Gather by Michael Chislett

Ghostly Corners in a Fictional London: Where Shadows Gather by Michael Chislett

WHERE SHADOWS GATHER ~ MICHAEL CHISLETT-smallWhere Shadows Gather
Michael Chislett
Sarob Press (224 pages, £33.95/$60.00 [including shipping], July 2019)
Cover by Paul Lowe

Following his previous, acclaimed Sarob Press collection In the City of Ghosts Michael Chislett provides another bunch of ghostly tales, mostly set in the fictional London borough of Milford and the suburb of Mabbs End. Five stories are brand new, whereas eight have previously appeared in genre magazines (especially the excellent Supernatural Tales).

Chislett has a knack for creating creepy urban atmospheres, depicting sinister encounters and eerie experiences. Although, in my opinion, not up to the level of his previous collection, the present volume confirms his ability to create elegantly written, disquieting stories.

Among my favorite pieces are: “In the Garden,” an unusual story of botanical horror, where an ordinary garden of a London suburban house becomes the venue for ancient pagan forces, “Downriver,” an atmospheric tale where a walk along the Thames turns into a veritable nightmare and “The Raggy Girl”, a modern, disturbing ghost story revolving around a frightening apparition among the ruins of an old apartment building now being demolished.

A couple of stories are actually taking place overseas, such as the gloomy “The Coast Guard” set on the Baltic shore, hosting strange foxes and other horrific creatures.

The two highlights of the book are  “Mara,” an excellent, dark tale of vampirism featuring a beautiful but deadly vixen and an equally dangerous gentleman, and the outstanding “Endor,”a powerful, intoxicating mix of witchcraft, eroticism and possession.

A warning to the potential reader: if you’re interested in this book hurry up and order a copy. As usual, Sarob Press volumes have a limited print run and become quickly unobtainable.

Here’s the complete Table of Contents.

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The Many Shades of Horror: Best New Horror #29 edited by Stephen Jones

The Many Shades of Horror: Best New Horror #29 edited by Stephen Jones

Best New Horror 29 slipcase-small

For twenty-nine years editor Stephen Jones has been selecting the best horror stories of the year. Usually the anthology appears around October; the latest volume, Best New Horror #29, is actually a bit late, being published in February 2019 but showcasing the best of 2017.

As customary the book also includes a comprehensive overview of the books and movies that appeared during the year, and the changes in the horror publishing world (including pertinent obituaries).

The current volume assembles twenty-one stories penned by some of the most acclaimed horror writers in the genre, addressing a variety of themes. One always wonders if the tales are really the best, and comparisons are often made with the choices of other anthologists compiling the year’s best horror stories.

I have long concluded that those are useless questions. With a few exceptions of outstanding quality, on which anyone can agree, at the end of the day  personal taste is what really counts. Therefore, following that same way of thinking, I’ll mention here the stories that I found the best in this particular anthology.

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