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Author: Managing Editor Howard Andrew Jones

Writing Against Resistance

Writing Against Resistance

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warofart1I think one of the reasons that there are so many books out there offering writing advice is that there are so many ways up the mountain. Different writers use different ways to battle their way up the height, sometimes changing their own approaches day to day or project to project. I wouldn’t be surprised if most serious writers have at least one or two of these books on their shelf, or in a box somewhere, its resting spot likely depending upon how useful the writer really found the information.

My current favorite is titled The War of Art, and it has held that position for almost two years, partly because I’ve been too busy to read many writing books, but mostly because it gave me everything I needed to fight my most recent battles. You may recognize its writer, Steven Pressfield, as the author of Gates of Fire, Tides of War, The Legend of Bagger Vance and sundry other works.

But it doesn’t matter if you’ve never heard of Pressfield or read a line of his work if you’ve ever had trouble procrastinating with your writing or any other creative pursuit. Pressfield names your opponent in the battle between creation and NOT-creation “Resistance,” with a capital R, and in this short, concise book, tells you how to recognize it and move forward up that mountain.

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Writing Tools: Notebooks, the Kind with Paper

Writing Tools: Notebooks, the Kind with Paper

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Ye olde trusty notebook.
Ye olde trusty notebook.

From the time I was in grade school all the way up until after I graduated from college I wrote in notebooks. It seemed such a natural process that I wonder now how I got away from it, and why it was such a revelation when I took up writing in notebooks again.

In my school days I used to carefully comb through available notebooks  and select one with multiple subjects, college-ruled. Usually it would be a spiral-bound Mead, 8 1/2 by 11, but sometimes I’d experiment with slightly smaller sizes. When I was older and wandering through the Kansas City Renaissance Festival with my wife, I purchased a lovely Celtic leather notebook cover with an unlined sketchbook, and I filled a succession of replacement sketchbooks between those covers with my scribbles for years after.

As striking as that notebook was, though, I eventually fell out of using the thing. It became impractical to drag it wherever I went: my student days were over so I no longer had a backpack over one shoulder, and I didn’t have the kind of job where I always toted a briefcase. In those rare instances where I DID have a briefcase, it was already so loaded down that something weighing as much as a hardback book was a nuisance. I never used a notebook for writing unless I was at home, at which point I might as well have been writing on the computer. I thought that I had “outgrown” the use of a notebook.

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Dragon*Con Report Part 2

Dragon*Con Report Part 2

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dragonconlogoI said a few words about Dragon*Con itself in Part 1 of my con report.  In this one, I’d like to share our experiences at the largest science fiction and fantasy convention in North America.

After a long  journey,  Black Gate publisher John O’Neill and I reached  Atlanta late Thursday afternoon. Reviews Editor Bill Ward acted as our elite scout, and was not only waiting with con badges, but had scoped out the route we’d need to follow to unload our boxes and boxes of Black Gate magazines and vintage science fiction paperbacks. While John and I have been corresponding with Bill Ward for several years, we’d never before met him in person, and it was a pleasure to be able to do so. Bill proved to be just as indispensable, organized, and articulate as he is online, and possessed a dry, quick wit as well.

Jason Waltz, owner of Rogue Blades Entertainment, shared a quarter of the booth with us, and although he and his friend John Whitman had driven down from Milwaukee and we had driven down from Illinois and Indiana, we somehow arrived within a few minutes of each other without coordination. I doubt it would have worked out as well if we’d actually planned it. Between the five of us we managed to get all the Black Gate gear and RBE gear unloaded within an hour. Unpacking it and putting it on display took a bit longer, and required additional time the following morning.

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Dragon*Con Report Part 1

Dragon*Con Report Part 1

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john-and-the-hobbits
John O'Neill mingling with celebrities.

Those of you who’ve never attended a convention, let alone Dragon*Con, might wonder what the purpose of one is, and what they are like. I used to wonder what all the fuss was over myself, so I thought I’d provide a quick primer for the uninitiated. Attending a fantasy or science fiction convention is an excellent opportunity to mingle with other people who enjoy the same things you do, to interact with the creators of the kinds of work you love, and to meet with the people who edit and publish that work. Sometimes it’s a chance to obtain reproductions of that work, or images from it, or objects based on props from said work. Conventions are also a fabulous chance to network with peers and publishers who might or might not know your own work, although I never advise cornering an editor for twenty minutes of unbroken narrative to pitch any novel, especially one that you haven’t written yet.

But as to what a convention is like, they’re all different. World Fantasy Con, which Black Gate will be attending in force near the end of October, tends to be somewhat intimate, and fairly sober – at least during the day. Dragon*Con, well… I think Lou Anders of Pyr described it quite well in a post earlier today when he said it was like Mardi Gras on Middle-Earth. There are so many different lines of programming that Dragon*Con requires five immense hotels to provide space for them all, and so many attendees that they can’t fit into even those – there are at least five overflow hotels in addition to those with events. There seem to have been something in the area of 68,000 people attending this year. You could field a whole lot of Roman legions with all of those people, though you probably wouldn’t want to.

When I say “Lines of Programming” I mean different kinds of panels and events. There are so many special guests and panels to attend you can go to Dragon*Con with ten of your friends and each have entirely different, and interesting, experiences. If you want, you can go to nothing but writing panels and learn publishing secrets. You can go to media panels where movie, TV, or comic stars discuss what it was/is like working on their show. You can go to the art show and peruse the graphic arts, or maybe buy some, or go on the gaming track, or see a huge selection of independent films. There were two halls of exhibitors and one dealer room and even though I toured through all three I’m sure I didn’t see every product. Strolling through all of it are folk in costume. Some of those costumes are simple affairs, or store bought. Some are hand-crafted works of exquisite art. Some of them will sear your mind in wonder, although not always the good kind.

Into this we of Black Gate wandered, and I’ll provide a detailed account of what we saw and who we met before the end of the week.

After the Book Deal

After the Book Deal

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In May of 2010 I posted two short essays about something that had been a kind of holy grail for me: obtaining a book deal with a major publisher. That first essay is about the power of making connections; the second concerns itself more with the specifics of my own novel contract. In this third essay I thought I’d talk a little about what happened once the book contract was signed.1793-notebook1

The advice you usually hear is to not quit your day job, so you may be wondering why I did so, since, as I previously mentioned, I was not awarded a gold-plated limousine with my new book deal.  I have a spouse with a good income, and my advance was more than I would make in a year teaching as an adjunct professor at the local university, so my wife and I decided to have me try writing full time to see how it would all pan out. It is not as great a gamble as it might be for someone with a more permanent position, as I can always return to teach more adjunct classes.

In January I began to draft the promised second book. I continued to work away at it until I got the chance to submit a book proposal to a brand new novel line at Paizo. I had enjoyed my communications with Paizo’s Erik Mona and James Sutter during my years at Black Gate, and I’d thought highly of their game products, so I tossed my hat in the ring. The result was another book offer, which has kept me so busy for the summer that I pretty much disappeared from the Black Gate board. I have enjoyed working with the Paizo folks, but as that editorial process is just beginning and that for my first book is wrapping up, I thought I’d talk today about the steps of novel deal one.

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Black Gate Zeppelin to Dragon*Con Update

Black Gate Zeppelin to Dragon*Con Update

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zepplein-brochure2bThere’s a temporary lull in operations and the skies are clear over Oklahoma, so I thought I’d take the time to set the record straight about our expedition to Dragon*Con via the Black Gate zeppelin, the Harold Lamb. John described the start of our journey just after we departed the Black Gate rooftop headquarters Thursday.

Those of you who know publisher John O’Neill are aware that he has a tendency to exaggerate. For instance, he stated that the zeppelin is capable of Mach 2, but it usually maxes out around 1.5. He’d probably report that we were attacked by a flock of cybernetic pterodactyls, but in truth it was really only a half dozen, and Bill Ward and I took out most of them with the electric railguns. John was only blown back a few feet when the aft railgun exploded, too, so just nod politely if he tells you he was smashed into the hull and stunned.

I really wish John hadn’t broadcast our route, because I’m afraid it’s attracted unwanted attention. I’m fairly certain Dr. Zaius sent the cybernetic pterodactyls after us, but John Fultz tells me he sent mocking letters to both Aquaman AND the Legion of Doom on Black Gate letterhead, so there’s just no telling. Still, we’re prepared for pretty much anything on our journey, and we’ve decided to stick with the plan.

Now I thought I’d take a few moments to respond to some questions that have come in during our trip.

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Thinking of Heroes

Thinking of Heroes

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butch_o_hare-280I’ve been pondering the need for heroes in fiction again this week, and I thought it a good time to revisit a post I’d made on the Black Gate Livejournal page a few years ago. I imagine a lot of you haven’t read it; if you have, I apologize for the repeat.

During the school year my little girl brings home reading practice sheets every week. Each day we’re to time her reading the fluency sheet for a minute, three times, the idea being that it will improve her reading. She does get better at reading each time through, naturally, but she also gets pretty bored – I suppose I would, too, if I had to read the same thing over and over three times a day. But she’s also bored because the stories as a whole haven’t been very interesting. Except for one.

She brought home the story of Butch O’Hare. I’d never given much thought to whom O’Hare airport was named after. I suppose I assumed it was named after a politician. None of these fluency stories can be read completely in a minute—she was only about a third of the way through when the minute timer dinged. My son, her older brother, was so interested that he looked up from his own homework and said “actually, that’s pretty interesting.” I agreed, and asked her to keep reading, and she was intrigued enough herself that she kept going without complaint.

Stories about heroes fascinate my family, and, I believe, humanity as a whole. I think that we’ve become so cynical that we sneer a little when we hear stories of heroics and imagine that it can’t really be true, or we wonder if the hero secretly beats his wife. We are programmed to think that we REALLY need to read stories of ordinary people or cowardly people or despicable people and that stories of heroes are for children. We’re savvy enough now not to believe everything we hear or read, because, God knows, we’ve been fooled plenty of times.

But we still need heroes. And Butch O’Hare was one.

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Ryan Harvey Wins Big

Ryan Harvey Wins Big

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ryan-harveyIt gives me great pleasure to announce what some of you may have already heard — the talented Ryan Harvey, author and Black Gate blogger extraordinaire, has placed third in the International Writers of the Future contest for the First Quarter of 2010.

Judged by a panel of experts made up of well-known speculative fiction writers like Orson Scott Card, Anne McCaffrey, Eric Flint (to name just a few!)  the Writers of the Future contest was established 27 years ago by L. Ron Hubbard “to discover and provide talented new and aspiring writers of science fiction and fantasy a chance to have their work seen and acknowledged.”

I can think of few writers as deserving of notice as Ryan, who’s been tirelessly drafting brilliant essays and reviews not only at  Black Gate, but for his own blog and the defunct swordandsorcery.org web site and other places besides.

What many of you may not know is that Ryan is also a talented fiction writer. The winning story is from his Ahn-Tarqa short fiction cycle which — if you haven’t already experienced it — will be featured in two upcoming stories in Black Gate.

I hope you’ll join with us in wishing Ryan congratulations!

Signing the Contract

Signing the Contract

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whispers_from_the_stoneLast week I wrote about obtaining my first book deal. Over the next few months I thought I’d talk from time to time about what happens next.

As the point of my first essay was mostly about the importance of contacts (and in working steadily and not giving up), I mentioned some things in passing that I thought I’d cover in more detail. For instance, how did I get the offer? By air mail? Phone call? Candygram?

My friend Scott Oden had submitted my manuscript to his editor at Thomas Dunne Books, Pete Wolverton. A little over three weeks later, I received an e-mail from Pete asking me to give him a call at my convenience.

When I’d sent previous novels to other publishers, at best I had only ever received pleasant e-mail rejections, or, in olden times, a letter. Sometimes my novels had just disappeared, with nary a response at all. I had never received a request to call, and with Sherlockian-like deductive reasoning figured that was a promising sign.

I deliberately slowed down, made myself a cup of tea, and took my time drinking it. About twenty minutes later I dialed the number Pete had provided.

I found myself on the phone with a bright, friendly professional who’d enjoyed my book and wanted to talk about it, and to talk to me to get a sense of who I was… and to discuss a book offer.

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How to Get a Book Deal

How to Get a Book Deal

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vengence-small2In late July of 2009 I got an offer for a historical fantasy novel from St. Martin’s imprint Thomas Dunne featuring my series characters, Dabir and Asim.

The deal itself reads anti-climatically, which is why I delayed posting about it. But I think that there’s something to be learned from the story of publication, so I’ve decided to share it.

I finished revising a book, I gave it to a friend, he showed it to his editor, I got an offer, I talked to agents of two writer friends, agonized about which agent to select, then chose one.

Boiled down, the process sounds simple; after all, I’m just one of those lucky guys who wrote a novel and showed it to a friend, then got a book deal after just a few weeks from the first pro who looked at it. Easy as pie, right?

This account of events manages to miss a couple of things.

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