Black Gate

Before I was published, I read a lot of articles and books about writing, hoping to improve my craft. As I progressed, it became more difficult to find sage advice, because so much was slanted toward the novice writer just starting their first steps on the path. What I’d like to do today is pass along some tips for the intermediate writers out there — those who have been honing their work for a couple years with the goal of getting published.

One of the biggest hurdles I faced when coming up was in my head. When I first started, I wrote in my spare time. Just whenever I felt the urge, and not with any consistency. Even when I decided during my college years to switch my major to English with the goal of becoming a career novelist, I was still treating it like a hobby. I think I was more intrigued by the idea of being a writer than the reality, which sounded like a lot of work.

Taking that next step toward being a “professional” writer meant changing my habits, and my state of mind.

1. Write every day

Everyone has school or a job, family obligations, friendships that require nurturing, and so on. But putting your butt in the chair and writing for a specific amount of time every day builds a habit, and that habit will see you through some tough spots down the road. You won’t always feel like being creative, but you still need to put in the time. Think of it as an investment in your career. You have to put in the work, day after day, for months and years on end. Treat writing like a profession, and others will start to see you as a professional.

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There is an idea in our culture – and perhaps it’s universally felt – that women are not as good at writing male characters and men are not as good writing female characters. I’m not going to waste my time or yours debating whether this is true. (Hint: it’s not.)

However, when I talk to people who have read my books, I’m sometimes hit with the comment, “I’m surprised how well you write women characters.” While I take the compliment in the spirit it was intended, part of me is always thinking, “Why wouldn’t I be good at it? I’ve known women all my life. My wife is a woman. Some of my best friends are women. Hell, even my mother is a woman!”

Yet, people sometimes get strange ideas in their heads when it comes to sex. It seems predetermined in some circles that women authors write squishy, feely, ‘romantic’ sci-fi/fantasy, while men write bloody and gritty. If that were true, I’d probably have to look into gender-reorientation therapy, because I firmly believe that emotion — that gooey, squishy stuff — is the bedrock of all fiction.

Even when writing all that ‘manly’ combat action and suspense, emotion must be at the heart of it, or else there is no substance to the style. Because it is not the cuts and thrusts that really get our hearts pumping, but the meaning behind those lethal blows.

For me, writing a female character is a little more challenging, only because I have to put aside a lot of preconceived notions, but that’s what writing is all about. Whether the character is a princess, a professional assassin, or an amorous Cyclops, it comes down to whether or not you can understand their personal reality and convey it convincingly on the page.

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When my agent first told me that he had secured a three-book deal with Pyr Books, I was ecstatic. Three books! What a brilliant stroke of luck.

But then reality set in. Wait a tick. You mean I actually have to write all those books on a deadline?

And the publisher wants outlines for the second and third books right away? Gulp.

Eventually I recovered and dove in with gusto. What was the big deal, right? Writing a series is just like writing three separate books in order, isn’t it?

Well, yes and no. The biggest problem I ran into was maintaining a continuous theme throughout the series while giving each book its own separate identity.

Writing a novel, any novel, is a difficult task. Getting all your ideas down and having them make sense, AND be entertaining, is a tall order.

You would think a sequel would be easier because you’ve already introduced the main characters and the setting (if they carry over into the next book), but I found it more difficult because I had to devise a story that fit those specific characters. I couldn’t go too far off the deep end for fear of alienating those who had enjoyed the first book.

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