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Author: John ONeill

Future Treasures: Azura Ghost, Volume II of The Graven by Essa Hansen

Future Treasures: Azura Ghost, Volume II of The Graven by Essa Hansen

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Nophek Gloss and Azura Ghost (Orbit, 2020 and 2021). Covers by Mike Heath

I seem to have increased the amount of space opera in my diet. I think it’s because there happen to be so many good series on the go — from Becky Chambers Wayfarers books to Ann Leckie’s Imperial Radch trilogy, from Alastair Reynolds’ Revelation Space to James S.A. Corey’s Expanse, Derek Künsken’s Quantum Evolution to Megan E. O’Keefe’s Protectorate trilogy.

But the one I’m excited about at the moment is Essa Hansen’s The Graven, the tale of one man and his sentient starship. Mostly because the second book, Azura Ghost, arrives next week. We covered the first volume, Nophek Gloss, last year. Not only has Hansen created an exciting space opera series, but she’s also mixed in the other hot SF theme de jour — the concept of the multiverse — spreading her tale across a rich canvas of parallel universes.

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Occult Detective Magazine #8 Now Available

Occult Detective Magazine #8 Now Available

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Wraparound cover for Occult Detective Magazine 8. Cover art by Stefan Keller

Occult Detective Magazine is back on the racks! With an overstuffed issue — 227 whopping pages! — and brand new fiction from Rhys Hughes, Robert Guffey, Rebecca Buchanan, Uche Nwaka, C L Raven, Christina White, and many more. Here’s the issue summary from their website.

ODM #8 – packed with more fiction and reviews than ever before, 230pp of dark deeds and daring detection. Fourteen new stories – moorland hags, necromancy, rogue angels in Japan, Ley lines, period mysteries, Nigerian demons, serial killers, ghostly trains, surreal puzzles, and judgement in Haiti.

Whew! That’s a promising line-up, and I’ve already ordered my copy. Read on for complete details, including sample art and the fiction Table of Contents.

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Vintage Treasures: The Dominions of Irth Trilogy by Adam Lee (A. A. Attanasio)

Vintage Treasures: The Dominions of Irth Trilogy by Adam Lee (A. A. Attanasio)

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The Dominions of Irth Trilogy by Adam Lee (Avon Eos, 1998-2000). Covers uncredited

The first science fiction website I ever launched was the SF Site, way back in 1995. I partnered with Rodger Turner, Neil Walsh, and Wayne MacLaurin to start Canada’s first big SF book blog, and it was a big success, with plenty of early traffic and award nominations. Best of all, we were soon on a first-name basis with the publicity departments at most of the big publishing houses. That’s how I met Andy Heidel at Avon, who helped me understand their big relaunch as they morphed from Avon Nova into Avon Eos in 1998 — including why they jettisoned cover art in favor of purely design-focused covers (“We’re trying to be the next big thing,” Andy explained).

I loved Avon Eos, and their dedication to quality SF and exciting new authors, but I didn’t love those covers. Frankly, I think readers didn’t know what to make of all the abstract shapes and colors, and especially the lack of identifiable heroes or storytelling elements, and they stayed away in droves. Eos eventually reverted to traditional covers, but I don’t think it ever recovered, and it is no longer a functioning imprint.

I think that misfire hurt most of Avon’s authors in the late 90s. Including “Adam Lee,” the pseudonym A. A. Attanasio adopted to publish his critically acclaimed Dominions of Irth trilogy in the US. The series appeared with a series of generic cover designs, and pretty much sank like a stone. “Adam Lee” died a lonely death, and Attanasio returned to publishing under his own name.

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New Treasures: The Vanished Birds by Simon Jimenez

New Treasures: The Vanished Birds by Simon Jimenez

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The Vanished Birds (Del Rey, January 26, 2021)

January is that time of year when I browse BEST OF THE YEAR lists, wondering what I missed (it’s usually a lot). One title that shows up repeatedly is Simon Jimenez’s debut novel The Vanished Birds, which I picked up in paperback last January, and which promptly vanished into the towering to-be-read stack next to my big green chair. I need a filing system that’s more like a library, and less like a geological rock formation.

Anyway. While I didn’t make time to read the book, I didn’t fail to notice all the breathless notices. Kirkus Reviews, which called it “The best of what science fiction can be,” listed it as one of the Best Debut Fiction and Best Science Fiction & Fantasy of the year; Martin Cahill at Tor.com proclaimed it “brilliant,” and Paul Di Filippo at Locus called it “not only the best debut novel I’ve read in ages, but simply one of the best SF novels in recent memory.” Here’s a slice from Martin’s enthusiastic review.

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Celebrate Derek Künsken’s First Trilogy, The Quantum Evolution

Celebrate Derek Künsken’s First Trilogy, The Quantum Evolution

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The Quantum Evolution trilogy by Derek Künsken (Solaris; 2018, 2019, and 2021). Covers by Justin Adams

You lot know that every time one of our authors publishes a novel, we celebrate with dinner at the Black Gate rooftop headquarters in downtown Chicago. And you’re also aware that every time an author completes a trilogy, we bake a cake. So what do we do when a Black Gate author completes a trilogy, as our own Derek Künsken just did with the release of The Quantum War, the third novel in The Quantum Evolution?

Why, it’s cake for dinner, of course. In fact, it’s cake and bubbly for everyone! Have a drink on us to join in the celebration*!

(*Conditions apply. Must be 21 years old. Offer not valid outside the continental United States. Or anywhere that serves bubbly.)

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Neutron Stars, Dead Brains, and an AI in a Prison Colony: January/February 2022 Print SF Magazines

Neutron Stars, Dead Brains, and an AI in a Prison Colony: January/February 2022 Print SF Magazines

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January/February 2022 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact, and The
Magazine of Fantasy & Science Fiction. Cover art by Dominic Harman, Eldar Zakirov, and Kent Bash

There’s a good mix of covers for this month’s crop of print magazines. All except F&F, an ugly piece which prominently features a man smoking. I haven’t seen SF heroes smoking on covers for a very long time; seeing it now, in 2022, is a major disappointment. I have absolutely no interest in that at Black Gate; this is the first time we’ve showcased a cover with smoking in well over a decade (and probably longer). Don’t expect to see it again.

Other than that blemish, the January/February print magazines have the usual mix of intriguing contributors, including Michael Swanwick, Tom Purdom, A.A. Attanasio, Ian Creasey, Nick Wolven, Tony Ballantyne, Adam-Troy Castro, Stephen L. Burns, Eugie Foster, Bogi Takács, M. L. Clark, Karen Heuler, and many others.

Victoria Silverwolf at Tangent Online has been doing a fine job discussing Asimov’s and Analog for the past half-decade. Here’s her thoughts on the latest Asimov’s.

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Vintage Treasures: Isaac Asimov’s Wonderful Worlds of Science Fiction 1: Intergalactic Empires edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

Vintage Treasures: Isaac Asimov’s Wonderful Worlds of Science Fiction 1: Intergalactic Empires edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

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Isaac Asimov’s Wonderful Worlds of Science Fiction 1: Intergalactic Empires
(Signet, December 1983). Cover by Paul Alexander

Last year, while I was researching an article on Asimov’s industry-changing success as a science fiction anthologist, I came across some amazing stats. Here’s the summary:

The Internet Science Fiction database lists nearly 200 anthologies with Asimov’s name on them, averaging around seven per year between 1963 and his death in 1992… the vast majority were produced in partnership with a team of editors, especially Martin H. Greenberg and Charles G. Waugh. In the early days Asimov compiled anthologies the old-fashioned way: by himself. It was the enduring, decades-long success of those books that paved the way for the massive literary-industrial complex to spring up around Asimov in the 80s and 90s.

Ha! That ‘literary-industrial complex’ line still busts me up. But the really interesting thing to come out of all that research was an obsession to track down all ten volumes in Isaac Asimov’s Wonderful Worlds of Science Fiction, starting with Volume 1, Intergalactic Empires. In the process I also managed to find the last surviving editor of the series, Charles G. Waugh, who proved a fascinating correspondent.

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Support Bernie Mireault’s The Jam Non Starter Campaign

Support Bernie Mireault’s The Jam Non Starter Campaign

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I’ve been following Bernie Mireault since his career began in Montreal in the mid-80s with the quirky and hilarious comic MacKenzie Queen, which he wrote and drew. When the chance came to recruit him to draw for Black Gate a decade later I jumped at it, and he soon became one of our most valuable and prolific contributors. His art appeared in virtually every issue — starting with our very first, when he illustrated Michael Moorcock’s Eternal Champion story “The Dreamthief’s Daughter.”

These days Bernie is best known as the creator of The Jam, aka Gordon Kirby, a normal guy whose unorthodox hobby (patrolling rooftops in costume, on the hunt for evildoers) has unexpected consequences. His adventures have been published by the top publishers in the industry. This year Bernie joined with Nat Gertler’s About Comics imprint to release a brand new Jam comic, The Jam Super-Cool Color-Injected Turbo Adventure From Hell issue 2, financed by an independent cloud-funding effort, The Jam Non Starter Campaign. Here’s what Bernie told me when I asked about it:

The Jam non-starter campaign is meant to be a humorous imitation of a Kickstarter thing except the book is already done and ready to order through the aboutcomics.com portal. Also available is a recent Jam-related graphic novel and by the end of January, a trade paperback collection of the first five issues from the original fourteen issue series. I’m thrilled to be back in print, even on a small scale.

I’m very excited to see The Jam return to print. Check out the promo video above, have a look at the campaign here — and help one of the most creative comic artists in the industry return his legendary creation to print. The world will thank you.

New Treasures: City of Iron and Dust by J.P. Oakes

New Treasures: City of Iron and Dust by J.P. Oakes

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City of Iron and Dust (Titan Books, July 2021). Cover by Shutterstock/Julia Lloyd

I don’t know much about J.P. Oakes. He lives on Long Island, City of Iron and Dust was his first (and so far only) novel, and he keeps a low profile.

But I know that the moment I read the back of City of Iron and Dust I wanted to buy it. It’s the tale of a goblin princess, the aftermath of a terrible war, an old soldier plotting a revolution, and The Iron City, a “singular dark fantasy creation that breathes with menace and decay.” (Paul Jessup, author of The Silence That Binds.)

Paul Di Filippo calls it “a grim’n’gritty yet often blackly humorous political-coup-cum-caper novel… [a] lusty, brutal, philosophical excursion.” Here’s an excerpt from his entertaining review at Locus Online.

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Vintage Treasures: Tales of Robin Hood by Clayton Emery

Vintage Treasures: Tales of Robin Hood by Clayton Emery

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Tales of Robin Hood (Baen, 1988). Cover by Larry Elmore

I’m a sucker for Robin Hood stories, and that’s probably why I bought Clayton Emery’s Tales of Robin Hood in 1988. Well, that and the fact that I thought it was an anthology. It’s actually a novel, a magical take on the legend of Sherwood Forest, with witches, demon boars, black-robed monks, and a Robin “attacked on all sides by sorcery and sword.”

Clayton Emery had a steady career as a TSR author in the late 90s, producing a series of Forgotten Realms books including the Netheril Trilogy (1996-98) and the third novel in the Lost Empires series, Star of Cursrah (1999), plus six Magic: The Gathering titles, including the Legends Cycle (2001-2). Tales of Robin Hood was originally published as a paperback by Baen and pretty much vanished without a trace, until iUniverse reprinted it in 2002 under the title Robin Hood and the Beasts of Sherwood. It caught on with modern readers in the new incarnation, and was warmly reviewed by a new generation of readers.

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