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Author: John ONeill

A Band of Black Hearted Bastards in a Comic Romp: Articles of Faith by David Wragg

A Band of Black Hearted Bastards in a Comic Romp: Articles of Faith by David Wragg


The Black Hawks and The Righteous (HarperVoyager, October 2019 and September 2021).
Covers by Richard Anderson (left) and uncredited

I bought David Wragg’s debut fantasy The Black Hawks when it first appeared in 2019. It sounded right up my alley — the tale of a dysfunctional band of mercenaries drafted into a desperate conflict to protect a stranded prince.

I was delighted to see a second — and apparently, final — volume appear at the end of last year. The Righteous concludes the tales of the seasoned (and entertaining) mercenary band, and opens with them imprisoned and sentenced for execution for their part in the rebellion, alongside their employer, the knight Vedren Chel. A daring escape sends them on the run, and headlong into a brand new adventure.

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New Treasures: Seven Deaths of an Empire by G R Matthews

New Treasures: Seven Deaths of an Empire by G R Matthews


Seven Deaths of an Empire (Solaris, June 2021). Cover artist uncredited

I’m late to the party with this one. Solaris published G R Matthews’s mainstream debut Seven Deaths of an Empire in June of last year, and it received plenty of good notice. Library Journal called it “reminiscent of Game of Thrones,” SFX Magazine labeled it “Refreshingly original,” and Grimdark Magazine proclaimed it “fantasy at its finest.” Why do I always miss the good ones?

At this point I figure I’d wait for the paperback, and that’s finally arriving at the end of this month. About time — I’m impatient to learn what all the fuss is about.

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What a Cleric is For: Hall of Smoke by H. M. Long

What a Cleric is For: Hall of Smoke by H. M. Long


Hall of Smoke and Temple of No God (Titan Books, January 2021 and February 2022). Cover designs by Julia Lloyd

I first took notice of H.M. Long’s debut fantasy Hall of Smoke when The Guardian included it in their roundup of The best recent science fiction and fantasy last January, calling it “a compelling debut.” Closer to home, Paul Weimer at Tor.com celebrated it as that rarity of rarities — an entertaining fantasy focused on the most-neglected of the D&D archetypes, the cleric. (He also name-checked Greg Stafford’s Glorantha in his review, which warmed my heart.)

I saw a copy for the first time in Barnes & Noble on Saturday — alongside the newly-released sequel Temple of No God. The combination proved too much for someone with notoriously poor impulse control, and both volumes ended up coming home with me.

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Vintage Treasures: Swords Against Darkness edited by Andrew J. Offutt

Vintage Treasures: Swords Against Darkness edited by Andrew J. Offutt


Swords Against Darkness (Zebra Books, February 1977). Cover  by Frank Frazetta

Sword Against Darkness was a seminal five-volume sword & sorcery anthology series edited by Andrew J. Offutt in the late seventies (1977-79). It published original fantasy by some of the biggest names of the era, including Andre Norton, Tanith Lee, Keith Taylor, Charles de Lint, Charles R. Saunders, Orson Scott Card, Simon R. Green, David C. Smith, Robert E. Vardeman, Darrell Schweitzer, Diana L. Paxson, and many others.

The first volume appeared in early 1977, and it was one of the strongest original fantasy anthologies of the decade, packed full of tales of the haunted Roman frontier, a plague of giants, the wily goddess of Chance, the last survivor of Atlantis, Lovecraftian horrors, scheming demons, resourceful rogues facing evil spirits, and much more. It included a Simon of Gitta novelette by Richard L. Tierney, a powerful Robert E. Howard fragment completed by Andrew J. Offutt, plus Poul Anderson, Manly Wade Wellman, David Drake, Ramsey Campbell, and many others.

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New Treasures: Far from the Light of Heaven by Tade Thompson

New Treasures: Far from the Light of Heaven by Tade Thompson


Far from the Light of Heaven (Orbit, October 26, 2021). Cover design by Lauren Panepinto

Tade Thompson is a fast-rising star. Rosewater, the opening novel in his Wormwood trilogy, was “a groundbreaking future noir” (B&N Sci-fi & Fantasy blog) that won the 2019 Arthur C. Clarke Award for Best Science Fiction Novel. The Rosewater Insurrection was nominated for the BSFA and Locus Awards, and closing novel The Rosewater Redemption was nominated for both the Locus and Philip K. Dick Award.

That’s a lot of attention so early in his career– and a whole lot of eyes on his newest project. Writers have been known to curl up under the bed for a lot less. But his follow up Far from the Light of Earth, the story of a series of mysterious deaths on an interstellar colony ship, has already been called “probably the best science fiction novel of the year… like the Tardis, larger inside than out, with a range of ideas, characters, and fascinating future settings” (The Guardian). Kirkus Reviews sums it up as “a thriller/horror-aboard-a-spaceship in the vein of Greg Bear’s Hull Zero Three [and] the classic film Alien… Gripping and bloody as a beating heart.” And Tor.com says it “marries shades of gothic horror with a sleuthing mystery and hard sci-fi.”

Sounds like a must-read in my book. Looks like Thompson’s ascent to the pinnacle of SF stardom continues on schedule.

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A Master With a Keen Eye: Robert Silverberg’s Original Anthologies of the 1970s

A Master With a Keen Eye: Robert Silverberg’s Original Anthologies of the 1970s

Paperback editions of Silverberg 70s original anthologies. Published by (left to right, from top left):
Dell, Manor Books, Dell, Manor Books, Dell, Dell, Fontana, Warner Books, Pinnacle

In 1966 Robert Silverberg published his first anthology, an unassuming volume titled Earthmen and Strangers from staid New York press Duell, Sloan and Pearce, known mostly for the infamous U.S. Camera 1941 annual that was banned in Boston for daring to include nudes. Earthmen and Strangers was hugely successful, remaining in print for an astonishing two decades, with paperback reprints from Dell, Manor Books, and Bart Books, and Silverberg was off to the races as an editor. Over the next five decades he published dozens of science fiction anthologies, including a handful of bestsellers like the seminal Legends (1998) and its science-fictional sequel Far Horizons (1999).

Beginning in the late 60s and all through the 70s Silverberg produced a steady stream of original anthologies, most of which had a signature format: each contained three novellas from the biggest names in the industry, including major award nominees by James Blish, Gordon R. Dickson, Jack Vance, Clifford D. Simak, Norman Spinrad, Gene Wolfe, Ursula K. Le Guin, and James Tiptree, Jr. — plus novellas by Roger Zelazny, R. A. Lafferty, Harry Harrison, Alexei Panshin, Poul Anderson, Larry Niven, John Brunner, George Alec Effinger, Gardner Dozois, Gregory Benford, Joan D. Vinge, Vonda N. McIntyre, Keith Roberts, James Gunn, Phyllis Gotlieb, and many others.

Like Terry Carr’s Universe, Damon Knight’s Orbit, and Silverberg’s own New Dimensions, these anthologies were prestige fiction markets, appearing in hardcover and distributed to libraries, and getting a lot of attention when awards season rolled around. As a result they attracted a lot of talent. Silverberg was a master with a keen eye for emerging talent, and an uncanny ability to coax top-notch work of out his contributors. The books still make entertaining reading today.

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New Treasures: The Best Science Fiction of the Year: Volume Six edited by Neil Clarke

New Treasures: The Best Science Fiction of the Year: Volume Six edited by Neil Clarke


The Best Science Fiction of the Year: Volume Six (Night Shade, January 25, 2022). Cover by Pascal Blanché

It’s here at last! The sixth volume of Neil Clarke’s Best Science Fiction of the Year, long-delayed by supply chain disruptions, pandemic publishing panic, and maybe Pacific pirates — I honestly have no idea. But it’s here. And packed full of stories from the long-ago era of 2020, when the pandemic was fresh and new, everyone was ordering their first masks, and looking forward to returning to work in two weeks. Ah, the good old days.

I’m glad to finally have this book in my hot little hands, anyway. Even if it did take so long to arrive that I ended up accidently ordering a second copy from the Science Fiction Book Club six months after I ordered the first one. If anyone out there is in the market for a copy, we should talk.

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A Masterpiece of Old School Horror: The Cursed

A Masterpiece of Old School Horror: The Cursed

My son Tim and I went to the movies yesterday, as we do most Saturday nights. I wanted to see Tom Holland’s Uncharted, but the crowds were a little daunting, so instead we opted for a low-budget horror film that neither of us knew anything about: The Cursed. We settled into a virtually empty theater with a bucket of popcorn and no expectations.

Turned out to be a splendid choice. I doubt The Cursed will get much attention, as it was released with a virtually non-existent marketing budget — and I don’t expect a larger one would have done much good anyway, as it’s a claustrophobic little tale with few of the things modern horror fans seem to care about.

But those who love classic horror? Ah, that’s a completely different story. The Cursed is positively packed with all the delicious ingredients of top-notch vintage horror: a terrifying monster, a torch-wielding mob, a gypsy curse, a village with ghastly secrets, mist-covered countryside, a (very) creepy scarecrow, a monster-hunter with a tortured past, sinister clergy, wide-eyed children who stumble on things they shouldn’t, and a whole lot more.

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One From the Bucket List: The Year’s Top Robot and AI Stories: Second Annual Collection edited by Allan Kaster

One From the Bucket List: The Year’s Top Robot and AI Stories: Second Annual Collection edited by Allan Kaster


The Year’s Top Robot and AI Stories: Second Annual Collection (Infinivox, November 21, 2021). Cover by Maurizio Manzieri

I’ve been reading and writing about Year’s Best volumes for decades, and I’ve covered a lot of them, including anthologies by Terry Carr, Don Wollheim, Harry Harrison and Brian Aldiss, Gardner Dozois, Jonathan Strahan, Rich Horton, Neil Clarke, and many others.

So I hope you can appreciate what a pleasure it was to receive a copy of Allan Kaster’s The Year’s Top Robot and AI Stories: Second Annual Collection in the mail in December, a book that fulfilled a long-held dream. It’s the first Year’s Best to include a story of mine: “The Ambient Intelligence,” originally published in the October 2020 issue of John Joseph Adams’ Lightspeed magazine.

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Close to the Borders of Fairyland: Dark Breakers by C.S.E. Cooney

Close to the Borders of Fairyland: Dark Breakers by C.S.E. Cooney


Dark Breakers by CSE Cooney (Mythic Delirium, February 15, 2022). Cover by Brett Massé

It’s been a delight watching the meteoric career of C.S.E. Cooney, Black Gate‘s first Website Editor. Her short fiction has been reprinted in Jonathan Strahan’s The Best Science Fiction and Fantasy of the Year and Rich Horton’s Year’s Best Science Fiction and Fantasy (five times); her novella “The Bone Swans of Amandale” was nominated for a Nebula Award in 2015, and in 2016 she won a World Fantasy Award for her collection Bone Swans.

Somewhere in there she also found the time to release three albums (Alecto! Alecto!, The Headless Bride, and Corbeau Blanc, Corbeau Noir), and a poetry collection, How to Flirt in Faerieland and Other Wild Rhymes, containing her 2011 Rhysling Award-winning “The Sea King’s Second Bride.” More recently she published a Tor.com novella (Desdemona and the Deep, 2019), and in April of this year Solaris releases her long-awaited first novel, Saint Death’s Daughter.

Last week Mythic Delirium Books published her newest book Dark Breakers, a collection of five linked stories — including three never before published — all set in the same world as Desdemona and the Deep. ZZ Claybourne calls it “an art deco mural under the guidance of Galadriel, Zora Neale Hurston and the Brothers Grimm,” and Publishers Weekly proclaims it “Extravagant and gorgeous.”

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