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Author: John ONeill

Vintage Treasures: The Naphar Trilogy by Sharon Baker

Vintage Treasures: The Naphar Trilogy by Sharon Baker


Quarreling, They Met the Dragon, Journey to Membliar, and Burning Tears of Sassurum
(Avon, 1984, 1987, and 1988). Covers by Wayne Barlowe, Paul Lehr, and Ron Walotsky

Sharon Baker died in Seattle in June 1991, at the much-too-young age of 53. She began writing in her 40s, while she was busy raising four sons. In a Gale Contemporary Author interview in 1986 she said

I felt like a car appliance [and] to remind myself that I was not, I signed up for a weekly writing class… On good days, I no longer feel like an appendage of my station wagon or anything else. I feel like me. And I like it.

Her first novel was Quarreling, They Met the Dragon, published in 1984, and it drew immediate attention. In Trillion Year Spree, Brian Aldiss praised it as evidence of “An original mind at work on an ingenious world.” Gene Wolfe said “Sharon Baker is better than good… [she will be] one of the field’s most important author’s by the close of this decade,” and Publishers Weekly compared her to Samuel R, Delany.

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New Treasures: Ymir by Rich Larson

New Treasures: Ymir by Rich Larson


Ymir (Orbit, July 12, 2022). Cover by Arcangel

Rich Larson has enjoyed a vanishingly rare career phenomenon. He’s vaulted into the top rank of modern science fiction almost solely on the strength of his short fiction.

This used to be more common. In fact, it used to be the way to do it — you published a few dozen short stories in genre magazines, maybe got a series going, attracted a few sly looks from publishers, and next thing you know you had a book deal and a real writing career. That doesn’t happen any more. At least, not the way it used to.

Except for Rich Larson, apparently. He burst onto the scene in 2012, and sold over 100 stories in the next six years — more than one per month. In 2016 Gardner Dozois called him “one of the best new writers to enter science fiction in more than a decade.” Since then he’s been focusing on longer work, and in July of this year he published his third novel Ymir. Publishers Weekly says “The nonstop action and violence keep the pages flying. Fans of finely crafted, high-intensity sci-fi stories will enjoy.”

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Vintage Treasures: New Arrivals, Old Encounters by Brian Aldiss

Vintage Treasures: New Arrivals, Old Encounters by Brian Aldiss


New Arrivals, Old Encounters (Triad/Granada, August 1983). Cover by Tim White

New Arrivals, Old Encounters was Brian Aldiss’s 17th collection, an incredible accomplishment no matter how you slice it. It contains ten stories published between 1966-78, plus two originals.

The book is crammed full of classic Aldiss, including spacefarers who return after a century to find a radically transformed Earth, a society that worships computers, the Tahiti underworld, dream research, the future of human evolution, and missionary clones on a distant planet. There’s adventure, thoughtful speculation, dark comedy, and bleak satire all wrapped up in a tight package, as only Aldiss could do it.

Thomas M. Wagner wrote a detailed (and highly enthusiastic) review 25 years ago for SF Reviews; discussing each of the tales. Here’s the highlights.

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Future Treasures: The Wraithbone Phoenix by Alec Worley

Future Treasures: The Wraithbone Phoenix by Alec Worley

The Wraithbone Phoenix (Black Library, August 30, 2022). Cover uncredited.

Black Library’s new Warhammer Crime imprint has caught my eye recently. I heartily enjoy their Warhammer 40K novels — and we’ve covered them at Black Gate fairly extensively over the past 20 years — but there’s only so much bleak far future military SF you can include in your regular diet.

Or is there? In the last two years Black Library has branched out with new Warhammer Horror and Warhammer Crime imprints, which re-focus the galaxy-spanning genocidal conflicts of the Warhammer 40K era into far more personal tales of urban crime and supernatural intrigue, and they have reinvigorated my interest in the rich and consequential milieu. Some of the most exciting and well-crafted far-future SF of the past few decades has been published under the 40K banner, and I’m excited to see that tradition carry on with a new generation of talent.

The latest release to pique my interest is The Wraithbone Phoenix by Alec Worley, which arrives in trade paperback and audio formats next Tuesday. It’s the second tale featuring Baggit and Clodde, a fast-talking ratling and his ogryn pal, following the popular audio title Dredge Runners.

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New Treasures: The World Gives Way by Marissa Levien

New Treasures: The World Gives Way by Marissa Levien


The World Gives Way (Orbit, May 3, 2022). Cover design by Lisa Marie Pompilio

Here at the Black Gate rooftop headquarters there are few things as exciting as a good science fiction debut. (Maybe our Friday zeppelin races? Let’s call it a tossup.)

Marissa Levien’s The World Gives Way is one of the year’s strongest debuts. It made The New York Times list of Best Science Fiction Books of the Year, and Lacy Baugher at Culturess calls it “bleak, beautiful science fiction done right.” A.S. Moser at Strange Horizon says it’s “brave storytelling that uses the distorted mirror of science fiction to best effect.”

But my favorite review came from Martin Cahill at Tor.com, who calls it “incredible… The World Gives Way socks [readers] in the gut.” Here’s an excerpt.

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Future Treasures: The Year’s Best Fantasy: Volume One edited by Paula Guran

Future Treasures: The Year’s Best Fantasy: Volume One edited by Paula Guran

The Year’s Best Fantasy: Volume One (Pyr, August 16, 2022). Cover by Liu Zishan

Paula Guran edited ten volumes of The Year’s Best Dark Fantasy & Horror for Prime Books between 2010-2019. She brought the series to Pyr in 2020, and it’s done well enough that this year Pyr launched a companion volume: The Year’s Best Fantasy: Volume One, also with Paula’s capable hand at the helm.

I’m delighted to see a brand new BEST OF series devoted exclusively to fantasy. This is a great volume to start with, containing a new Morlock tale by James Enge, AND a story by our first website editor C.S.E. Cooney (co-authored with her husband Carlos Hernandez), plus fiction from P. Djèlí Clark, Karen Joy Fowler, Sofia Samatar, E. Lily Yu, Isabel Yap, Catherynne Valente, Tobias Buckell, Elizabeth Bear, and many others. It goes on sale next week.

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Blob Monsters, Killer Alien Plants, and Feral Automobiles: July/August 2022 Print SF Magazines

Blob Monsters, Killer Alien Plants, and Feral Automobiles: July/August 2022 Print SF Magazines

July/August 2022 issues of Analog Science Fiction & Fact, Asimov’s Science Fiction, and
The Magazine of Fantasy & Science Fiction. Cover art by Donato Giancola, Eldar Zakirov, and Alan M. Clark

It’s marvelous to see a cover by the great Donato Giancola on Analog, of all places. Donato did one cover for Black Gate, our famous Red Sonja cover for Black Gate 15, our special Warrior Women issue. Analog‘s last cover was by NASA, the inside of a satellite or reactor or Easy Bake oven or something. This one is much cooler.

Shipping problems have delayed the arrival of this month’s F&SF, so I don’t have a copy in my hot little hands in time to do this article (again), but Tangent Online has the Table of Contents, so I can fake it. There’s lots of good reading in this month’s print SF mags, including stories by Jerry Oltion, Sean Monaghan, Bruce McAllister, Alvaro Zinos-Amaro, Rick Wilber, Will McIntosh, Michael Swanwick, Octavia Cade, Jack McDevitt, Paul Melko, Nick Wolven, James L. Sutter, Nina Kiriki Hoffman, and many others. Let’s dive in.

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Vintage Treasures: Tales from the Spaceport Bar edited by George H. Scithers and Darrell Schweitzer

Vintage Treasures: Tales from the Spaceport Bar edited by George H. Scithers and Darrell Schweitzer


Tales from the Spaceport Bar and Another Round at the Spaceport Bar
(Avon Books, 1987 and 1989). Covers by James Warhola and Doug Beekman

Science fiction has a rep for being serious stuff. Tales of dystopias, climate catastrophes and environmental collapse, dire warnings about worrying trends, that’s SF in a nutshell. Even dressed up in its best story-telling adventure garb, Star Wars or Mad Max-style, it’s still often perceived as all about desperate battles in apocalyptic settings.

Of course, science fiction is much broader and richer than that, and most of its best writers have amply demonstrated their love of whimsy and fun. One of SF’s best-loved sub-genres is the Club Tale/Bar Story, exemplified by Arthur C. Clarke’s famous Tales From the White Hart, L. Sprague de Camp and Fletcher Pratt’s long-running Gavagan’s Bar stories, Lord Dunsany’s Jorkens tales, Isaac Asimov’s Black Widowers mysteries, Spider Robinson’s Callahan’s Bar, Larry Niven’s spacefaring tales of Draco Tavern, and many others.

In the late 80s Weird Tales editors George H. Scithers and Darrell Schweitzer assembled a collection of the best such stories, Tales from the Spaceport Bar. It made the Locus Award list of Year’s Best Anthologies (in 11th place), and was quickly followed by Another Round at the Spaceport Bar. Both books are a fine antidote to anyone who’s dabbled just a little too long on the dark side of science fiction.

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New Treasures: World Breakers edited by Tony Daniel and Christopher Ruocchio

New Treasures: World Breakers edited by Tony Daniel and Christopher Ruocchio


World Breakers (Baen mass market reprint, July 26, 2022). Cover by Dominic Harman

If you’re one of the (very few) folks who pay attention when I complain, you know that I frequently lament the decline of the mass market science fiction anthology. Book store shelves used to be full of ’em, and nowadays they’ve all but vanished. Folks don’t have an appetite for short fiction these days, at least not in the way they used to. And that’s a shame — anthologies are a great way to discover new writers, fil the time when you can’t commit to a longer work, and just read some great stories.

Tony Daniel and Christopher Ruocchio previously edited Star Destroyers (2018) for Baen, and with Baen senior editor Hank Davis, Ruocchio has produced nearly half a dozen others, including Space Pioneers (2018), Sword & Planet (2021), and Time Troopers (2022). Last year Daniel and Ruocchio released World Breakers, a collection of original stories of super tanks, and what did I find in my local bookstore last week but a handsome and affordable mass market edition. Civilization isn’t dead after all.

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Vintage Treasures: The New Hugo Winners edited by Isaac Asimov

Vintage Treasures: The New Hugo Winners edited by Isaac Asimov


The New Hugo Winners, Volume I & II and The Super Hugos
(Baen, 1991, 1992, and 1992). Covers by Vincent Di Fate, Bob Eggleton, and Frank Kelly Freas

Last month, as part of my master plan to examine every interesting science fiction paperback ever printed, I surveyed five of the finest SF anthologies of all time: the first Hugo Winners volumes, all edited by Isaac Asimov and published by Doubleday between 1962 and 1986.

Although the first two volumes, collected in one big omnibus by the Science Fiction Book Club in 1972, were on the bookshelf of every serious SF fan in the 70 and 80s (and much of the 90s), by the time Volume IV and V were released in the mid-80s, sales had fallen off so significantly that neither one was reprinted in paperback. Asimov, who frequently noted that “the fine folks at Doubleday have never said no to me” — even indulging him with a massive 1,005-page, highly uncommercial vanity project in 1974, Before the Golden Age, a bunch of pulp stories threaded together with Asimov’s reminiscences of growing up in Brooklyn — found Doubleday saying ‘No” to further Hugo volumes.

It was Martin H. Greenberg, Asimov’s frequent collaborator, who talked him into doing additional installments. Together they produced three more: The New Hugo Winners, Volume 1 (1989) & Volume II (1992) and The Super Hugos, released after Asimov’s death in April 1992.

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