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Author: John ONeill

Vintage Treasures: The Doom That Came to Sarnath by H.P. Lovecraft

Vintage Treasures: The Doom That Came to Sarnath by H.P. Lovecraft


The Doom That Came to Sarnath (Ballantine Books, November 1976). Cover by Murray Tinkelman

H.P. Lovecraft, creator of the Cthulhu Mythos, was one of the greatest horror writers of the 20th Century. But horror wasn’t all he produced, as editor Lin Carter adroitly pointed out in the introduction to The Doom That Came to Sarnath.

Those readers who know only the Cthulhu Mythos stories, know only a single side of Lovecraft… the Cthulhu Mythos, while completely his own invention, was constructed along the guidelines established by earlier writers whom he greatly admired… But far beyond his borrowing of basic techniques from Machen and Chambers, Lovecraft is more deeply indebted to the great Anglo-Irish fantasist, Lord Dunsany… not content to make up his own geography, Dunsany invented the religion to which his imaginary worlds paid worship. An extremely clever, even brilliant, idea, and one which has been used by many writers after him. Lovecraft used this theme as the basis for his own Cthulhu Mythos.

As a young reader, Lovecraft was enthralled by Dunsany’s superb fiction. Many of his earliest tales… are Dunsanian in texture and color… Last year I edited a volume of the most Dunsanian of these tales, The Dream-Quest of Unknown Kadath… I would have liked to have included all the fiction from Lovecraft’s “Dunsanian period” in that single book, but the size of the volume would have been impractical. Hence, this second collection.

The Doom That Came to Sarnath contains 14 stories and poems from early in Lovecraft’s career (1919-1925), plus half a dozen later tales, including his famous collaboration with Harry Houdini, “Imprisoned With the Pharaohs.” Although many of the tales — including the title story — are deliciously macabre, there’s very little horror here. It is, as Lin Carter promised, a surprise and delight for those who know Lovecraft only as a horror writer.

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Vintage Treasures: Frontera by Lewis Shiner

Vintage Treasures: Frontera by Lewis Shiner


Frontera (Baen Books, August 1984). Cover by Vincent Di Fate

I first discovered Lewis Shiner in Gardner Dozois’ Year’s Best Science Fiction anthologies, where he was a regular, and one of my favorite contributors. His first published story, “Tinker’s Damn,” appeared in the fifth issue of Charles Ryan’s Galileo magazine in October 1977, and he followed that with dozens more all through the 80s and 90s in places likes The Magazine of Fantasy & Science Fiction, Twilight Zone Magazine, Omni, and especially Asimov’s Science Fiction.

His first novel Frontera, the tale of a high-risk expedition to a supposedly abandoned Martian colony, was published as a paperback original in what we used to call the Year of Big Brother, 1984 (that’s a George Orwell reference, for all you young folks). It was nominated for both the Philip K. Dick Award and the Nebula Award for Best Novel, and was followed by perhaps his most famous novel, Deserted Cities of the Heart (1988), which garnered another Nebula nom.

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New Treasures: Ragged Maps by Ian R. MacLeod

New Treasures: Ragged Maps by Ian R. MacLeod

Ragged Maps (Subterranean Press,
September 15, 2023). Cover by Dominic Harman

Ian R. MacLeod’s novels include The Light Ages (2003) and sequel The House of Storms (2005), but his greatest acclaim has come from his short fiction. He’s produced no less than seven short story collections since 1996, including Voyages by Starlight (1996), Frost on Glass (2015), and the World Fantasy Award nominee Breathmoss and Other Exhalations (2004).

His latest collection, Ragged Maps, was released by Subterranean Press in a hardcover limited edition last year, and I finally got the chance to curl up with it this week. In contains fifteen stories, including an original novella and the Sturgeon Award nominee “The Visitor from Taured.” In his Locus Online review Paul Di Filippo called MacLeod’s prose “Just gorgeous… elegant, complex, mysterious, empathetic, melancholy, mystical, and, somehow, quintessentially British… he’s a peer and heir to Aldiss, Peake, Ballard, Priest, and Moorcock.”

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Vintage Treasures: Tangled Webs by Steve Mudd

Vintage Treasures: Tangled Webs by Steve Mudd


Tangled Webs (Questar/Popular Library, August 1989). Cover by Blas Gallego

There was a time, not so many years ago, when my reading was spontaneous. My wife would mention an intriguing mystery she’d just finished, I’d pick it up for a minute, and the next thing you know I’ve spent two hours with my feet up on the washing machine. I could get lost in a book in a bookstore. I would miss stops on the bus. Once I was listening to the audiobook  of John Grisham’s The Pelican Brief during a nighttime road trip to Canada, and by the time that damn tape ended I’d missed the turnoff for Detroit by about two hours and was deep in northern Michigan. I still smell pines trees whenever anyone mentions pelicans. True story.

Anyway, the sad truth is these days my reading is by necessity much more planned. I have commitments that will take many months — to publishers, authors seeking cover blurbs, and writers looking for manuscript feedback. On top of that, there are new releases I dearly want to read, and only so many hours in the day.

I can’t let myself get distracted by the many tantalizing old books that pass through my hands. Even when they have cyborg assassins right there on the first page, like Steve Mudd’s forgotten 80s paperback Tangled Webs.

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Disembodied Heads, War Robots, and Crime Hives: May-June 2024 Print SF Magazines

Disembodied Heads, War Robots, and Crime Hives: May-June 2024 Print SF Magazines


May-June 2024 issues of Analog Science Fiction & Fact and Asimov’s Science Fiction. Covers
by Kurt Huggins (for “Uncle Roy’s Computer Repairs and Used Robot Parts”) and Shutterstock.

There’s no sign of the new issue of The Magazine of Fantasy and Science Fiction this month, which is a little concerning. Distribution issues caused the January/February issue to be renamed “Winter 2024” and ship significantly late, but now that spring and gone and summer is upon us, I’d hoped to at least hear news of the next issue. Their website still shows the Winter issue, and their Facebook Page hasn’t been updated since December. These are not promising omens.

Fortunately there’s plenty of great fiction in the print magazines we do have in hand, the May-June issues of Analog and Asimov’s SF, including new stories from Rich Larson, Kristine Kathryn Rusch, Christopher Rowe, William Preston, Amal Singh, Martin L. Shoemaker, Edward M. Lerner, Sean Monaghan, Aimee Ogden, Richard A. Lovett, Mark W. Tiedemann, and Robert Silverberg.

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Future Treasures: Vinyl Wonderland by Mark Rigney

Future Treasures: Vinyl Wonderland by Mark Rigney


Vinyl Wonderland (Castle Bridge Media, June 25, 2024). Cover artist unknown

Mark Rigney will be familiar to most long-time readers at Black Gate. He wrote his first blog post for us (Portals: A Writer Blogs About Process) more than a dozen years ago, and never really stopped, with more than a hundred articles here over the last decade. We published several of his excellent short stories as part of our Black Gate Online Fiction library, starting with “The Trade,” and serialized his complete novel In the Wake of Sister Blue back in 2015.

Mark is perhaps best known to Black Gate readers as the author of the Renner & Quist novels — The Skates, Sleeping Bear, Check-Out Time, and Bonesy — featuring unlikely occult investigators Reverend Renner and retired investigator Dale Quist. Fellow BG blogger William Patrick Maynard called them “Funny, moving, enlightening, entertaining – Mark Rigney’s Renner & Quist series is in a class of its own. The recommendations come no stronger.”

His latest novel Vinyl Wonderland, on sale in three weeks from Castle Bridge Media, has all the markings of a breakout book. It’s a terrifically twisty mystery with a fantastical bent, and easily the best novel I’ve read so far this year.

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Vintage Treasures: Cave of Stars by George Zebrowski

Vintage Treasures: Cave of Stars by George Zebrowski


Cave of Stars (Eos/HarperCollins, December 2000). Cover art by Bob Eggleton

I don’t know much about George Zebrowski.

I probably should. According to ISFDB he’s written more than a dozen science fiction novels, including the John W. Campbell Award-winner Brute Orbits (1999). He’s edited over a dozen anthologies, including four Synergy volumes and three Nebula Awards collections, and was the editor of The Bulletin of the Science Fiction Writers of America from 1970-74, and again from 1983-90. With his domestic partner Pamela Sargent he’s produced four Star Trek novels, and all on his own he published four collections of short fiction. That’s a pretty impressive career no matter how you slice it.

But I’ve never read any of his fiction, so when his 1999 novel Cave of Stars showed up in a small paperback collection I bought on eBay last year, I was very intrigued.

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New Treasures: Gogmagog and Ludluda by Jeff Noon and Steve Beard

New Treasures: Gogmagog and Ludluda by Jeff Noon and Steve Beard


Gogmagog and Ludluda (Angry Robot, February 13, 2024 and December 3, 2024). Cover art by Ian McQue

I had a fruitful trip to the local Barnes & Noble last week. I brought home the latest issues of Asimov’s Science Fiction and Analog, as well as a nice assortment of recent-ish trade paperbacks. In the mix was a new novel by the team of Jeff Noon and Steve Beard, Gogmagog, with an intriguing cover that grabbed me immediately.

I dipped into Gogmagog as soon as I got home, and I found it delightful. It’s the tale of Arcadia “Cady” Meade, a 78-year-old retired sea captain, who’s about as crusty and entertaining as they come. She’s hired by a young girl and her robot guardian to take them down the river Nysis, past treacherous shores peopled with strange plants and robots — and haunted by the spirit of a terrifying river dragon.

Gogmagog is the opening volume in a two-book set. The closing book, Ludluda, arrives at the end of the year. Feast your eyes on the wonderful matching covers by Ian McQue above, courtesy of Reactor.com.

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Vintage Treasures: Falling Free by Lois McMaster Bujold

Vintage Treasures: Falling Free by Lois McMaster Bujold


Falling Free (Baen Books, April 1988). Cover by Alan Gutierrez

Lois McMaster Bujold is one of the most acclaimed writers in science fiction, with four Hugo wins for Best Novel under her belt (matching Robert A. Heinlein’s record), and three enormously popular series to her credit — the Miles Vorkosigan saga, the fantasy trilogy World of the Five Gods, and the Sharing Knife series.

But in April 1988, when Falling Free appeared, she was a relative unknown. Her first novel Shards of Honor had appeared the previous year, followed quickly by two others set in the same universe: The Warrior’s Apprentice, the tale of the young Miles Vorkosigan, and Ethan of Athos, the story of an exclusively male planetary colony.

But Falling Free was the book that would catapult her to stardom. The first novel (in chronological order) in the sprawling and ambitious Vorkosigan Saga, it was nominated for a Hugo and won the Nebula Award for Best Novel, the first of numerous nominations and awards she’d receive during her career. In 2017, when the first Hugo Award for Best Series was awarded at the 75th World Science Fiction Convention in Helsinki, Bujold easily brought it home for the Vorkosigan Saga.

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Vintage Treasures: Sandkings by George R.R. Martin

Vintage Treasures: Sandkings by George R.R. Martin


Sandkings (Timescape/Pocket Books, December 1981). Cover by Rowena Morrill

Writing is a notoriously poor-paying profession. In 2017, after eleven months of work, I sold my first novel to Houghton Mifflin for $20,000 — about $10,000 below the poverty line for a family of five in Illinois. And I felt lucky to get it, believe me.

So when someone like George R.R. Martin earns $9 million a year as a fantasy novelist, it generates a lot of wonder and amazement. And in some corners, envy and resentment. For George — who’s dedicated his career to SF and fantasy, and was famous for hosting hundreds of fans every year at the genre’s social highlight, the Hugo Loser’s Party at Worldcon — I think the resentment culminated in 2021, when Natalie Luhrs’s essay “George R.R. Martin Can Fuck Off Into the Sun” was nominated for a Hugo Award. George, who was the Toastmaster for the Hugos in 2020, has not attended a Worldcon since.

In light of the fact that The Winds of Winter, sixth novel in the series, in now roughly a decade late, there’s also been a grumbling reevaluation of Martin’s magnum opus, Game of Thrones, with fans bitterly divided over everything from the final season of the HBO series to whether the series is worth starting at all.

To me, this whole exercise is misguided. Regardless of how you feel about the vast media franchise Game of Thrones, George R.R. Martin’s reputation as one of the most vibrant and groundbreaking authors of genre fiction was irrevocably established four decades ago with a string of brilliant short stories, including the Hugo-Award winners “A Song for Lya,” “The Way of Cross and Dragon,” and, especially “Sandkings,” one of the finest SF stories ever written.

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