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Author: John ONeill

New Treasures: Isolation: The Horror Anthology edited by Dan Coxon

New Treasures: Isolation: The Horror Anthology edited by Dan Coxon

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Isolation: The Horror Anthology (Titan Books, September 27, 2022). Cover by Kerry Lewis

I know that plenty of you lot like to keep your horror reading seasonal, and once Halloween wraps it’s time to put the spooky tales away with the other decorations. But for me winter time, with its desolate landscapes and long dark nights, is the perfect time to curl up with some shivery tomes.

Dan Coxon’s Isolation: The Horror Anthology has successfully commanded my attention for much of this long wintry week. Inspired by the forced isolation of the COVID pandemic, Coxon has challenged some of horror’s brightest talents to tell creepy tales of isolation of all kinds. A mix of originals and reprints (15 originals, from Alison Littlewood, Mark Morris, Ramsey Campbell, Laird Barron, Tim Lebbon, Lisa Tuttle, Michael Marshall Smith, Nina Allen, Owl Goingback, Brian Evenson, and others, plus five reprints from Jonathan Mayberry, M.R. Carey, Joe R. Lansdale, Ken Lui, and Paul Tremblay), Isolation is an entertaining blend, with vampire tales, zombie apocalypses, tormented spirits, hostile presences, serial killers, and all the things that terrify us when we’re alone.

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A Sprawling Norse Epic for the Snowy Season:The Bloodsworn Saga by John Gwynne

A Sprawling Norse Epic for the Snowy Season:The Bloodsworn Saga by John Gwynne

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The Shadow of the Gods and The Hunger of the Gods (Orbit, 2021-22). Covers by Marcus Whinney

As we head into the the holidays, prime reading season, I’m in the market for a good adventure saga. John Gwynne’s Bloodsworn Saga looks like it could fit the bill. It’s got Saga right there in the title, and big-ass monsters front and center on the covers. The universe doesn’t usually serve me stuff on a platter but, I dunno, maybe this is just one of those times.

These books are popular, and that’s not a bad sign either. The Shadow of the Gods has a whopping 19,231 ratings, and a stellar 4.29 score on Goodreads, barely a year and a half after release. It’s popular with critics, too. Medium proclaims it “Magnificent… Gwynne shows why he’s one of the genre’s best,” and Publishers Weekly calls it a “jam-packed epic… [with] blood-soaked battles against trolls and frost-spiders.”

Trolls and frost-spiders! That’s exactly what I’m talking about right there. But the review that really caught my attention was at Vulture, who included it in their Best Sci-Fi and Fantasy Books of the Year last year.

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Vintage Treasures: 39 Short Novels edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

Vintage Treasures: 39 Short Novels edited by Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh

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The 13 Short Novels trilogy (Bonanza Books/Crown, 1984-87). Covers designed by Morris Taub

I spent a lot of hours last year chasing down, reading, and writing about some very fine anthologies produced by the triumvirate of Isaac Asimov, Martin H. Greenberg, and Charles G. Waugh. Their output in the decade before Asimov’s death in 1992 was frankly amazing: some 70 anthologies, including nearly a dozen each in Isaac Asimov’s Wonderful Worlds of Science Fiction and Isaac Asimov’s Magical Worlds of Fantasy; a decade-by-decade survey of 20th Century SF, The Mammoth Book of Classic Science Fiction; and dozens of others. These were highly readable books assembled with a deep love and knowledge of the genre.

Asimov, Greenberg and Waugh were playful in the themes they chose, and they had a mathematician’s love of lists, in books like The Seven Deadly Sins of Science Fiction and The Seven Cardinal Virtues of Science Fiction, and especially the trio 13 Short Fantasy Novels, 13 Short Science Fiction Novels, and 13 Short Horror Novels — the latter assembled without input from Asimov. The 13 Short Novels trilogy, which collects 39 terrific novellas in three volumes, is long out of print and forgotten today, which is a shame. These are exceptional books, and one is absolutely fabulous.

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New Treasures: Leech by Hiron Ennes

New Treasures: Leech by Hiron Ennes

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Leech (Tor.com, September 27, 2022)

I’m a fan of sci-fi horror, but to be honest I find much of it rather unimaginative. So I was very intrigued by Leech, the debut novel by Hiron Ennes, which is set in a crumbling chateau in a nightmarish post-apocalyptic America, and narrated by a parasitic monster masquerading as a human doctor who uncovers a competing parasitic horror spreading through his host’s castle. Part of my interest, I admit, arises from the flood of positive press:

“A sublime gothic sci-fi tale.” ― Library Journal, starred review
“Full of squirming terror.” ― Publishers Weekly, starred review
“Pure Gothic horror.” ― The Wall Street Journal
“A strange and fascinating far-future world is gradually revealed in this accomplished combination of gothic horror and sci-fi.” ― The Guardian
“Grotesque biology like I’ve never seen. If you’ve ever wondered what would happen if David Cronenberg and Edgar Allen Poe bumped into each other at the same parasitological conference, here’s your answer.” ― Peter Watts

When Peter Watts praises your inventive biology, you know you’re onto something. I was less than halfway through the summary on the inside flap when I knew I was gonna buy this one.

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Give Yourself Some Weird Horror for Christmas

Give Yourself Some Weird Horror for Christmas

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Weird Horror issues 4 and 5 (Undertow Publications, Spring & Fall 2022). Covers by Drazen Kozjan and Barandash Karandashich.

I love watching a new fantasy magazine get its sea legs. It’s been a real treat to see this decade’s crop of best new mags — including Tales from the Magician’s Skull (edited by Howard Andrew Jones), Startling Stories (helmsman Douglas Draa), New Edge Sword and Sorcery (edited by Oliver Brackenbury), and Wyldblood (Mark Bilsborough) — carve out unique identities, and grow better and better with each issue.

One of the best of the new lot — and there are times when I think it is the best — is Weird Horror, published by Michael Kelly’s Undertow Publications. Michael has been editing horror and dark fantasy for over a decade, and he’s one of the most gifted and respected editors in the industry. The roster at Weird Horror reflects that; in the last two years they’ve published new fiction from the best new horror writers in the biz, including John Langan, Steve Rasnic Tem, Brian Evenson, Josh Rountree, Stephen Volk, Steve Duffy, and Richard Strachan.

But the very best mags don’t rely on fiction alone. And what really makes we look forward to each new issue of Weird Horror are the lively columns by an enviable stable of authors, including Simon Strantzas On Horror, Orrin Grey Grotesqueries, Lysette Stevenson’s The Macabre Reader review column, and Tom Goldstein’s Aberrant Visions.

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Vintage Treasures: Dreamships by Melissa Scott

Vintage Treasures: Dreamships by Melissa Scott

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Dreamships (Tor paperback reprint, July 1993). Cover by Tony Roberts

Melissa Scott burst onto the scene with The Game Beyond in 1984 (a nominee for the Compton Crook Award for Best First Novel), and followed that quickly with the first two novels in the Silence Leigh trilogy (Five-Twelfths of Heaven and Silence in Solitude, featuring the first polyamorous triad I can remember encountering in SF) and A Choice of Destinies. In 1986 she capped off that impressive run by winning the John W. Campbell Award for Best New Writer (now known as The Astounding Award, so it’s no longer associated with a racist loon.)

But Scott didn’t really grab my attention until her 1992 novel Dreamships, her hardcover debut and a thoughtful examination of FTL and A.I. in a far-future setting. She followed it with a single sequel Dreaming Metal five years later; that one made the long list for the Locus Award for Best Novel. Dreamships is set in a universe in which the FTL drive that rockets travelers across impossible distances relies on a dreamspace navigated using a virtual reality landscape created by the pilot. Scientists in this future are on the brink of achieving true artificial intelligence, and these two advances drive the plot.
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Gods, Demons, Monsters & Magic: The Mkalis Cycle by Kerstin Hall

Gods, Demons, Monsters & Magic: The Mkalis Cycle by Kerstin Hall

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The Border Keeper and Second Spear (Tor.com, July 2019 and August 2022). Covers by Kathleen Jennings and Jamie Jones

Kerstin Hall is the Senior Editorial Assistant at Scott Andrews’s excellent online magazine Beneath Ceaseless Skies, and perhaps it was years of reading submissions that gave her the chops to write her acclaimed debut, the Tor.com novella The Border Keeper, a 2020 Nommo Award Finalist. (Yeah, I didn’t know what a Nommo Award was either, but I googled it and it’s legit — it’s presented by The African Speculative Fiction Society.) The Guardian called it “A phantasmagorical picaresque through a lushly realised underworld, populated by a grotesque bestiary of fantastical creatures… [a] twisty example of the new weird,” and Max Gladstone summed it up as “A labyrinth of demons, dead gods, [and] cranky psychopomps.” That sounds pretty cool.

The Border Keeper appeared in 2019, and the follow-up Second Spear arrived in August. Looking at the covers above, radically different in design and tone, the two books don’t look related (at all), but they are both part of what’s now being called The Mkalis Cycle. I much prefer Jamie Jones’s dynamic cover for Second Spear over Kathleen Jennings’ more abstract effort for The Border Keeper, but I gotta believe the dramatic cover shift was risky, and probably confused a few readers. I hope it pays off.

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Future Treasures: The Citadel of Forgotten Myths by Michael Moorcock

Future Treasures: The Citadel of Forgotten Myths by Michael Moorcock

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The Citadel of Forgotten Myths (Saga Press, December 6, 2022). Cover artist unknown.

No, your eyes don’t deceive you. That’s a brand new Elric novel, arriving in hardcover next week.

Described as a prequel, The Citadel of Forgotten Myths takes place between the first and second books in the Elric Saga, Elric of Melniboné (published a whopping 50 years ago, in 1972) and The Sailor on the Seas of Fate (1976). It’s the first new Elric novel since The White Wolf’s Son, way back in 2005, and is highly anticipated.

Because of Moorcock’s stature in the field these days, the back cover of his new novel is strewn with glowing quotes from J. G. Ballard, The New Yorker and NPR — and I have to admit, that NPR quote is pretty darn good. It’s taken from a 2014 piece titled (of all things) These Nautical Reads Will Put Wind In Your Sails, and is written by novelist Jason Sheehan. Here’s the whole thing; it’s worth the read.

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Vintage Treasures: Faster Than Light edited by Jack Dann and George Zebrowski

Vintage Treasures: Faster Than Light edited by Jack Dann and George Zebrowski

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Faster Than Light (Ace Books, March 1982). Cover art by Attila Hejja

Recently I’ve been on a steady diet of anthologies from the most respected SF editors of the 20th Century, including Isaac Asimov, Terry Carr, Mike Ashley, Lin Carter, and Karl Edward Wagner. And I cannot lie, it’s been a blast. I’ve been thoroughly enjoying classic tales by some of the best storytellers in the business, from A.E. van Vogt to Lucius Shepard.

But it’s time to branch out! I dunno, be intrepid. Try some new editors, maybe. Like Jack Dann, who’s produced over 50 SF anthologies in the past four decades. I recently picked up a copy of his very first, Faster Than Light, co-edited with George Zebrowski in the distant year of 1976, and it piqued my curiosity immediately.

It purports to be  a serious study of the problems and possibilities of FTL travel, with five highly-regarded essays on the topic by Isaac Asimov, Arthur C. Clarke, Keith Laumer, Ben Bova, and Poul Anderson, plus the first appearance of Harlan Ellison’s original teleplay for the TV show The Starlost, Phoenix Without Ashes, and original stories by Poul Anderson, Ian Watson, Chelsea Quinn Yarbro, Gregory Benford, Hal Clement, A. A. Jackson and Howard Waldrop — and two long stories by George R. R. Martin.

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Ruined Spaceships, Post-Apocalyptic San Francisco, and the Return of Gil Hamilton: November-December Print SF Magazines

Ruined Spaceships, Post-Apocalyptic San Francisco, and the Return of Gil Hamilton: November-December Print SF Magazines

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November/December 2022 issues of Asimov’s Science Fiction, Analog Science Fiction & Fact, and
The Magazine of Fantasy & Science Fiction. Cover art by Maurizio Manzieri (x2), and Mondolithic Studio

More than a month after their October 18th on-sale date, the November/December issues of Asimov’s SF and Analog are still not on the newsstand at my local B&N here in Illinois, which is annoying. At least I was able to find the Sept/Oct issue of F&SF, so I suppose that’s something.

I’m left relying on their (excellent) websites to learn what’s packed into the end-of-year issues of each magazine. And there’s a great deal to anticipate — including a brand new Gil Hamilton tale from Larry Niven & Steven Barnes, a story of desperate survival on a ruined spaceship by Suzanne Palmer, a novella of an enigmatic Galactic Federation by Mark W. Teidermann, and a cyberpunk mystery in post-apocalyptic San Francisco by J.C. Hsyu, plus tales by Marc Laidlaw, Nick Wolven, Ray Nayler, Michael Cassutt, Tom Purdom, James Maxey, Nick Mamatas, John Shirley, Sam J. Miller, Bennett North, and many others.

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