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Author: Isabel Pelech

A Review of The Isle of Glass, by Judith Tarr

A Review of The Isle of Glass, by Judith Tarr

isle-of-glass2The Isle of Glass, by Judith Tarr
The Hound and the Falcon Trilogy, Volume 1
St. Martins Press (276 pages, hardcover, February 1985)

Isle of Glass is the sort of book that will work excellently for some people and not for others, based both on the knowledge needed and the subject matter.

It’s fairly short, but dense and somewhat challenging. For instance, I think I have a fairly decent vocabulary, but I encountered a few words, like “crozier” or “thurifer,” that I didn’t know.

(According to my dictionary, both words are church terms. A crozier is an abbot’s staff; a thurifer is someone who carries a censer.)

The story centers around Alfred of St. Ruan’s Abbey, a monk who doesn’t seem to age. He was found in the snow, on the solstice, being warmed and protected by three white owls. Between his origin, his age, his inhuman beauty, and his ability to work magic, it’s quite clear to anyone who knows Alf that he is one of the Fair Folk, and the fact torments him.

Although Isle of Glass is technically an alternate history – this world contains at least one extra country, and the real countries seem to have somewhat alternate names – it’s still set in a version of medieval Europe, and not a sanitized or tolerant one. It’s widely accepted that sorcery is evil and elves have no souls.

Alf buries himself in the small world of the monastery so he doesn’t have to think about such things – he’s only somewhat successful – but his isolation is broken by the advent of an injured knight named Alun. Alun is a member of Alf’s species, the first he’s ever met, and he was trying to prevent a war before he was captured and brutalized.

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A Review of City of Bones by Martha Wells

A Review of City of Bones by Martha Wells

city-of-bonesCity of Bones by Martha Wells
Tor Books (383 pages, hardcover, June 1995)

It’s always fun to find a fantasy book that isn’t based on medieval Europe. City of Bones, by Martha Wells, is advertised as a story which draws on the Arabian Nights, and it does not have genies and magic lamps, but certainly brave thieves and dangerous deserts. It also contains a little bit of steampunk and a post-apocalyptic element.

Our hero Khat is a relic dealer, which is to say, a shady and unlicensed archeologist-for-profit. It seems that long ago, the world was wetter and cooler and more hospitable, and artifacts from that time have great value — not to mention, very occasionally, magic powers. Now, most of the world is covered by a rocky desert called the Waste. Khat is a krisman, a hardy marsupial humanoid who is well-adapted to the Waste, but reviled in most cities. Charisat, where he lives, may be one of the richest trading cities in the world, but it’s a cruel and hierarchical place.

Khat and most of the people he knows are noncitizens, and they take it for granted that they have very few rights. They aren’t even permitted to use “real” money, just tokens that serve the same purpose. Khat and his associates are very careful never to speak of buying artifacts; they barter for them. Even using the word “buying” could bring the Trade Inspectors down on them, and if the Trade Inspectors take them away, they won’t be coming back.

This tension between the powerful and the powerless is one of the driving forces of the story. When Khat is hired by a Patrician to help explore a nearby ruin, he takes it as read that he’ll probably be betrayed. It only becomes worse when he realizes that the Patrician is actually a Warder, a law enforcer who uses sanity-destroying magic. Khat becomes more and more involved in events, but he never entirely trusts any of his companions, even fellow relic dealer Sagai, his long-time partner. His paranoia is at least partly justified.

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A Review of Mairelon the Magician, by Patricia C. Wrede

A Review of Mairelon the Magician, by Patricia C. Wrede

mairelonMairelon the Magician, by Patricia C. Wrede
Tor Books (280 pages, hardcover, May 1991)

Mairelon the Magician is a little bit mystery, a little bit comedy, but mostly a mixture of alternate history and fantasy.  It’s a light, fun sort of book; no world-altering plots or pitched battles, but a fair amount of sneaking around, spying, and working out who’s plotting what against whom.  (It’s not much of a spoiler to say that the majority of the incidental characters are plotting something.) 

I think it works better in concert with its sequel, Magician’s Ward, which adds a bit of romance to the already eclectic mix, but the first book is enjoyable on its own. 

I really have only two reservations.  First, I found the pacing of the climax to be slightly off, although this may be because I was looking at it with the wrong set of genre lenses; it may fit better into mystery than fantasy. 

The second reservation is more of a warning than a complaint: if you’re American, do not watch British shows or movies, and know you have a hard time with dialect, avoid this book — or at least hunt down a period drama to watch first, just to get into the rhythm of the language.  Otherwise the amount of thieves’ cant will make the story nearly unintelligible.

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A Review of Deep Secret

A Review of Deep Secret

deeep-secretDeep Secret, by Diana Wynne Jones
Tor Books (383 pages, hardcover, March 1999)

Diana Wynne Jones was born August 16, 1934 and died on March 26, 2011. Various writers who knew her have made some excellent biographical posts; I especially recommend stopping by Neil Gaiman’s blog. I never met Ms. Jones myself, but I’ve been a fan of her work since I stumbled upon Howl’s Moving Castle as a teenager. Because of that, I thought perhaps I should review one of her novels this week; preferably something other than Howl’s Moving Castle, which is quite well-known.

Deep Secret is a typical Jones book: it’s complicated. Rupert Venables, junior Magid for Earth, has a number of problems which all seem to converge on him at once. The empire at the center of the multiverse is falling. The late emperor was a paranoid, unpleasant man who hid his heirs and executed them if they discovered their own identities. He also worshipped an evil thornbush goddess. Rupert’s mentor has died, and he has to find a replacement Magid and he hates the most likely candidate on sight. When he decides to simplify matters by gathering all the candidates at a speculative fiction convention, his very odd neighbor wanders through his spell and becomes wrapped up in it. Also, his mentor is now haunting his car and won’t stop playing baroque music.

Maree Mallory, most likely candidate for Magid, has her own set of troubles, albeit more mundane ones. She’s had a bad breakup, she’s broke and living with relatives who dislike her — all except her younger cousin Nick, who she finds charming but slightly amoral. She keeps having dreams about a horrible and insulting old lady who is somehow also a thornbush. And she keeps encountering a person she thinks of as The Prat, also known as Rupert Venables.

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A Review of Unquenchable Fire, by Rachel Pollack

A Review of Unquenchable Fire, by Rachel Pollack

unquenchable-fireUnquenchable Fire, by Rachel Pollack
Overlook Press (390 pages, $13.95 in trade paperback, March 1992)

Reading fantasy or science fiction, they say, is not as easy as checking a book out of the library and digging in. You need to know the pattern. From the very beginning of the book, you look for clues about how the world works. When odd words are dropped into the narrative, you already know they won’t show up in any dictionary; if there isn’t a glossary in the back, you work them out through context. People who don’t know the code — people who are used to reading mystery, say, or mainstream literature — find themselves lost and frustrated within pages or even sentences. And there’s a similar phenomenon with every genre. It would be ridiculously difficult to read a mystery story, for instance, if you weren’t prepared for misdirection and red herrings.

When I was reading Rachel Pollack’s Unquenchable Fire, I struggled with the strong sense that I didn’t know the code.

Unquenchable Fire is, on the face of it, a fantasy novel set in a near-future America that has been transformed by a magical religion. Some decades ago, a group of people called the Founders converted the whole country with miracles and storytelling, which in this universe are very close to the same thing, and they’re revered somewhat like saints. Spirits and totems are everywhere and often have real physical effects. If someone’s soul rises during a particularly uplifting concert, it really, literally leaves their body and might possibly get caught in the propellers of a low-flying plane. Government agencies and businesses deal with magic; there’s an organization that will find any dream in their catalogue and tell the dreamer what it means, for instance. And it’s quite possible to be threatened by an evil spirit on the streets of New York, then rescued by a good one and given a mysterious task.

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A Review of Neptune Crossing by Jeffrey A. Carver

A Review of Neptune Crossing by Jeffrey A. Carver

neptuneNeptune Crossing (The Chaos Chronicles, Volume 1), by Jeffrey A. Carver
Tor (383 pages, hardcover, April 1994)

Neptune Crossing, by Jeffrey A. Carver, is the first of a series. As with some other books I’ve reviewed, it feels unfinished and awkward without its sequels. That’s not to say that it’s a bad book, or that you shouldn’t read this series, but you might want to pick up Strange Attractors at the same time and treat them as a set.

John Bandicut is a man with problems. He works for a mining company on Triton, the same mining company that caused him to lose his cybernetic implants, and he’s going insane from that loss. Also, an alien called a quarx has moved into his brain, declaring that he has to help it save the Earth — possibly doing quite a bit of the work himself, as the quarxx might die before the job gets done.

And it’s probably a suicide mission. And he can’t tell anyone. And he’s met a woman he likes.

Quite a lot of this book is about Bandicut struggling to cope with his situation, and sometimes failing. There’s sometimes a palpable sense of isolation and depression, which fits the subject matter; first and foremost, Bandicut has to wrestle cooperation out of his own mind.

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A review of Changeling by Roger Zelazny

A review of Changeling by Roger Zelazny

changeling

Changeling, by Roger Zelazny
Ace Books (251 pages, $2.95, June 1980)

I don’t know how the idea got started, but I’ve seen a number of books where magic is seen as a force fundamentally opposed to technology.  It doesn’t always make sense to me, since “technology” is an extremely diverse thing, but it makes for some good stories — not to mention a decent limitation for characterrs who would otherwise become much too powerful.  Changeling, by Roger Zelazny, is built on this concept.

The story starts with the defeat and death of a sorcerer called Det, Lord of Rondoval.  The conquering forces seriously consider killing his infant son as well, but they find another solution.

Thousands of years ago, the world split into two seperate dimensions, one ruled by magic, the other by technology.  If the baby were sent to the technological dimension, his sorcerous potential wouldn’t endanger anyone.

Of course, something else living would have to be brought back from that world to maintain the balance.

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A Review of The Time Ships by Stephen Baxter

A Review of The Time Ships by Stephen Baxter

time-shipsI’m not entirely sure how to review a sequel that’s written by a different author. I’m even less sure how to proceed if that sequel happens to be for a classic.

It’s not enough that it be a good book on its own. It also has to carry over themes from the original, and ideally, it should measure up to the original — which is almost impossible, because classics tend to become classics because the ideas in them are unique, cutting edge, or at least presented in a fascinating new way.

The Time Ships, by Stephen Baxter, is a sequel to H. G. Wells’ The Time Machine, and that’s one of the most impossible legacies in science fiction.

It’s a very good book, but it isn’t revolutionary in the way the original is — in part because it really can’t be. To top The Time Machine, you’d pretty much have to invent a new genre.

When The Time Machine ends, the nameless Time Traveller promises to be right back, departs for the future, and vanishes forever. The Time Ships repeats this scene from his perspective (in the original, we see it from the Writer’s point of view) and explains what happened to him.

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A Review of Another Fine Myth by Robert Asprin

A Review of Another Fine Myth by Robert Asprin

another-fine-mythAnother Fine Myth, by Robert Asprin
Dell Fantasy (224 pages, $1.95, 1978)

Reading Another Fine Myth, by Robert Asprin, was a peculiar experience. This is not because of the book itself, but because I’ve been following the comic by Phil Foglio, currently being posted as a webcomic. I think Foglio’s style made me expect a more frantic story than I got; if you read any of his comics, such as Girl Genius, you’ll know that the panels tend to be full to the point of bursting.

While I liked Another Fine Myth, I didn’t love it, and some of that may be because I was expecting a different sort of story. Mostly, though, I think it’s because the narrator never really took control of the events, making him more a sidekick than the protagonist I thought he was supposed to be.

He’s not enough of a fool to be the sort of protagonist who solves the problem through sheer luck and incompetence, but he doesn’t really get a shining moment either. He’s just there. I suspect this is a problem that goes away as the series progresses. My opinion of the series as a whole will probably be a bit different from my feelings about this one book.

Skeeve is a magician’s apprentice, but arguably not a very good one. He sees magic mainly as a potential thieves’ tool, a point of contention between him and his master. To show Skeeve that control is more important than power, the master decides to summon a “cold, vicious and bloodthirsty” demon by way of demonstration. Unfortunately, said master is assassinated just as the ritual is completed.

Fortunately for Skeeve’s continuing existence, the demon is not as vicious and deadly as advertised. His name is Aahz.

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A review of War for the Oaks, by Emma Bull

A review of War for the Oaks, by Emma Bull

warfortheoaksWar for the Oaks, by Emma Bull
Ace Books (309 pages, $3.50, 1987)
Cover by Pamela Patrick

Thematically, War for the Oaks by Emma Bull has a lot in common with Charles de Lint’s Jack the Giant Killer, which also appeared in 1987 (and which I reviewed here.) If I’d known exactly how similar they were, I’m not sure I would have picked it to review for a few months yet. Still, it’s a good book, and I’m glad I got a chance to read it.

Eddi McCandry, guitarist and singer, is about to leave both her old band and her boyfriend, the lead singer. She’s ready, she thinks, for a normal life. It’s a plan that falls apart in only one chapter; the fey need a mortal presence to witness their upcoming war, and they’ve chosen her.

In short order, Eddi is stalked by a man and chased by a huge dog, insulted by a woman made of water, drafted by the Seelie Court, and saddled with a constant guardian: the man-dog shapeshifter who herded her into the encounter.

To make matters worse, Eddi finds out that she has to stay under surveillance for at least half a year so that the Unseelie Court can’t assassinate her. Her watchdog is a phouka who enjoys living up to his trickster roots, and keeping a regular job would be impossible with him following her everywhere even in the unlikely event that he decides to behave himself, so Eddi bows to the inevitable and decides to start a band.

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