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Author: Greg Mele

I Read a Year of Robert E. Howard Pastiche So You Don’t Have To (But you really might want to)

I Read a Year of Robert E. Howard Pastiche So You Don’t Have To (But you really might want to)


Three installments in The Heroic Legends Series from Titan Books: Conan:
The Shadow of Vengeance by Scott Oden (January 30, 2024), Solomon Kane:
The Hound of God by Jonathan Maberry (November 28, 2023), and Bran Mak
Morn: Red Waves of Slaughter by Steven L. Shrewsbury (March 26, 2024)

Pastiche — basically, licensed fan-fic — has been around as long as there has been fiction, but certain properties “lock in” on it; becoming sometimes so richly filled with authorized sequels, continuations or standalones, that the pastiche comes to outweigh the original work. BG’s Bob Byrne might tell me I’m wrong, and has the chops to do so, but I think Sherlock Homes probably outweighs every other character for stories written by hands other than the original author. But in the fantasy realm, that nod must go to Robert E. Howard, and of all his creations, to Conan of Cimmeria.

Starting with L. Sprauge de Camp and Lin Carter’s “posthumous collaborations,” of the mid-20th Century, wherein they finished unfinished manuscripts, rewrote non-Conan stories and added tales of their own to create a coherent timeline of his adventures, REH pastiche truckled along quite steadily through the 70s, with stories by diverse hands from Poul Anderson to Karl Edward Wagner, Dave Smith and Richard Tierney to Andrew Offut, and for not only Conan but for Solomon Kane, Bran Mak Morn, Black Vulmea and others.

Many of these works were forgettable, some pretty good and a few excellent (IMO, the Offut Cormac Mac Art stories co-written with Keith Taylor are decidedly better than Howard’s use of the character and stand on their own as great S&S). After a glut of Conan novels into the early 80s by TOR, again by many diverse hands such as Robert Jordan and John Maddox Robert, the wind went out of Sword & Sorcery’s sails and there was little-to-nothing in REH pastiche for decades. Conan lived on for a time in Marvel comics, then a Dark Horse’s excellent reboot, in a MMORG, and that was it.

Then, out of nowhere, Heroic Signatures proudly announced it had acquired the rights to Robert E. Howard’s properties in 2018 – and did nothing. Nothing until the last two years, when they suddenly launched a three-pronged approach – novel length works, a new Conan comic series partnered with Titan, and a series of monthly digital short stories penned by established fantasy and horror writers. It’s the latter we’ll talk about here.

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Neverwhens: In His Sunken House of… Doggerland… Dead Cthulhu Waits Dreaming

Neverwhens: In His Sunken House of… Doggerland… Dead Cthulhu Waits Dreaming

Yeah…Doggerland.

For those not in the know, during the last Ice Age Earth’s seas were about 300 feet lower, revealing a vast amount of land. While no true Atlantis or Mu have been found, examples include a broad plain — and now sunken lakebed — connecting Australia to New Guinea, the Sunda Shelf — a massive sub-continent that unites most of Southeast Asia in a single landmass that includes places as far flung as Java and the Philippines, and Doggerland.

This last was a remnant of an even earlier land mass that had covered the Irish, Baltic and North Seas during the last glaciation, and where we now see the English Channel and the regions of the North Sea that separate the British Isles from Denmark and southern Norway there was land of marshlands and forests, filled with the last remnants of European megafauna such as lions, sabertooths, giant elk, and mammoths. Doggerland was slowly inundated by rising waters, transforming into an archipelago of islands, before being finally subsumed in the late Mesolithic era, likely by a tsunami event.

This lost land provides the setting for The Shadow Over Doggerland, a rather interesting collection of Mythos fiction spear-headed by prolific horror author Tim Medees and published by Nordc Press that asks what actually happened to the people of Doggerland? Was there some great ancient evil bent on destroying the world dreaming below the surface waiting to emerge?

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Neverwhens: Ancient Civilizations Topple and the Age of Heroes ends in the Blades of Bronze Trilogy by Mark Knowles

Neverwhens: Ancient Civilizations Topple and the Age of Heroes ends in the Blades of Bronze Trilogy by Mark Knowles

Seriously, how many D&D encounters did this one scene inspire? (Jason and the Argonauts, 1963)

I sincerely doubt any Black Gate reader needs an education in who Ray Harryhausen was or why his films, despite the sea-change in special effects technology, remain seminal classics (I’ve been making my way through a bunch of his swashbuckling adventures with my Zoomer son, who notes, time and again, how ‘cheesy and awesome’ the stop motion is, but also calls out how perfect at times the strange movements are at making monsters seem, well…strange and *monstrous* in a way that smooth CGI does not).

I myself am young enough that the only Harryhausen film I saw in theaters was his grand finale, Clash of the Titans (1981), though thanks to Saturday matinee TV I had a steady diet of all that came before.

Clash itself is interesting, because, written by Beverley Cross, while ostensibly the story of Perseus — one of the few *likable* Greek heroes, and one of the few with a reasonably “happy” ending to his tale — the film is to large extent a reworking of an early film Cross had done with Harryhausen, Jason and the Argonauts (1963).

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A Paean to the Outsider: A Review of Neither Beg Nor Yield, edited by Jason M. Waltz

A Paean to the Outsider: A Review of Neither Beg Nor Yield, edited by Jason M. Waltz

Neither Beg Nor Yield (Rogue Blades Entertainment, April 2024)

I can’t say if Jason M. Waltz and his Rogue Blades Entertainment’s swansong is the largest collection of Sword & Sorcery ever published, but it’s damn close.

It’s also the most metal. From this over-the-top, blood-splash cover featuring an axe headed toward the reader’s face to the powerful black & white line art that runs throughout. there’s a Savage Sword of Conan-meets-Heavy Metal vibe to the layout that tells you exactly the feel of the prose within.

With all respect to my friend Dave Ritzlin at DMR Books (and the most metal *publisher* of S&S), who literally launched his press by bringing S&S-loving metalhead musicians together to create anthologies of tales, I don’t mean erudite, I can tell you the difference between symphonic metal, thrash metal, Viking metal, dark metal, and the White Christ help us, Troll Metal (which I just learned a few months ago is actually a thing): I mean working out with your buddies in your dad’s garage gym with the Judas Priest-cranked between rewatches on VHS of Conan (the Barbarian, we don’t talk about the sequel), and Beastmaster, or cackling to yourself while working on your killer dungeon to spring on your friends at Friday night’s game with Black Sabbath and Iron Maiden wailing metal.

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Immaculate Scoundrels: That Tarantino-style Wuxia-80’s Heist-Fantasy Film… with Lizard People… you never knew you needed

Immaculate Scoundrels: That Tarantino-style Wuxia-80’s Heist-Fantasy Film… with Lizard People… you never knew you needed


Immaculate Scoundrels (Flying Wizard Press, March 5, 2024). Cover by Brian Leblanc

There are lots of jokes associated with being GenX; so many, in fact, that arguably, the best joke is being GenX, period. I mean, multiple discussions of various generations literally provided lists and manage to forget that there actually is a group of people born between 1965 and 1980 at all!

But thanks to the odd 80s nostalgia of Stranger Things, Maverick, and the never-ending exploitat… er… expansion of the Star Wars franchise… the rather odd era of Big Hair, Nuclear Escalation, the birth of the Summer Blockbuster and a lot of pretty bitchin’ music is in vogue. It was an interesting, weird and contradictory time to grow up, with a lot of contradictory media and mixed messages (I’ll never forget seeing a literal “Say No to Drugs” commercial attached to the trailer for Porkys).

The end result was a generation marked for having a certain feral cynicism born of constant reminder from about age 13 that we were the “baby bust” and had zero political or economic influence and likely never would so just “go do you.” And any inclination otherwise probably ended with the dot.com crash, 9/11 etc. all hitting as most of us were 25 – 33, with 1/2 the generation still on a Clintonian hangover and the other half still believing Reaganomics had been a thing.

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Hither Came Scott Oden: The Shadow of Vengeance, a Sequel Robert E. Howard SHOULD have Written

Hither Came Scott Oden: The Shadow of Vengeance, a Sequel Robert E. Howard SHOULD have Written

Conan: The Shadow of Vengeance (Titan Books, January 30, 2024)

Octavia tore her gaze from the grisly noose. Hope fluttered in her breast, for through the guttering smoke from scores of torches she saw the Cimmerian astride his mighty stallion. He stood motionless, a statue hewn from whalebone and gristle — save for his eyes. Even with the breadth of the Red Brotherhood between them, Octavia recognized the death fires kindled in those cold blue orbs.

There is a magic to some writer’s prose; it pulses and pounds, like Robert E. Howard writing about Conan, or has a clever, articulate subliminity in which a bright man finds himself feeling the fool in a genius’s shadow (Doyle’s Watson writing about Holmes), that infuses a character and their canon.

This is part of what makes pastiche such a tricky business to evaluate and review. Some hate the idea of pastiche, in which case, any review is pointless. On the other hand, pastiche — the continuation of an author’s characters in new adventures is a long-established tradition that reaches back to the tales of the pre-Classical world and continues on the reams of unlicensed fan-fic. So, let’s leave that debate for elsewhere, and just assume that you are this far because you love Robert E. Howard, you love Conan, and you want that pulse-pounding, blood-and-thunder sense of adventure you experienced long ago.

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A Sword Has Two (New) Edges: A Review of New Edge Sword & Sorcery Magazine, Issue #2

A Sword Has Two (New) Edges: A Review of New Edge Sword & Sorcery Magazine, Issue #2

New Edge Sword & Sorcery issue #2,
Winter 2023 (December 8, 2023). Cover by Gilead Artist

The second issue of New Edge Sword and Sorcery has been getting far less attention than its debut, likely because it lacks a story by legendary writer Michael Moorcock, but that’s a shame, as it actually exceeds its predecessor in every demonstrable way. This is editor Oliver Brackenbury’s third time at bat (including the Zero Issue) and he’s clearly getting a feel for how he wants his journal to work. I don’t always agree on the editorial choices of what is included under the NESS banner, but so what? I’m not the editor, and what matters here is that Brackenbury is experimenting and producing.

Let’s get to the goodies.

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Neverwhens: Hannibals’ Ghost(s) roams a City of Marble and Blood and a Genre is Reborn

Neverwhens: Hannibals’ Ghost(s) roams a City of Marble and Blood and a Genre is Reborn

The Chronicles of Hanuvar: Lord of a Shattered Land and The City of Marble and Blood
by Howard Andrew Jones (Baen, August 1, 2023 and October 3, 2023). Covers by Dave Seeley

Friends, Carthaginians, Dog-Brothers, I come to praise Howard Andrew Jones, not to bury him…

That was a lot of mixed-metaphors, but Howard’s mixed a lot of themes, tropes and reached back into the very roots of early heroic fantasy in his Chronicles of Hanuvar to breathe new life into what was considered a dead sub-genre, so perhaps appropriating Marcus Antonius’s funeral oration for Caesar and mentioning the Republic’s greatest rivals is appropriate.

Howard Andrew Jones is the leading Sword & Sorcery author of the 21st Century, and the growing saga of Hannuvar of Volanus (promised to be a five-volume series by Baen books) is his masterwork. The saga is the story of Hanuvar, the aging, last general of Volanus. Once a great city-state and naval power, Volanus has fallen to the legions and sorcery or the aggressive Dervan Empire.

Determined to make Volanus an object lesson to other nations, Derva leveled the city, scattered its stones, and carried its remaining survivors away in chains. But Derva has not reckoned with Hanuvar.

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Bringing a Whetstone to an Old Blade: New Edge Sword & Sorcery Magazine #1

Bringing a Whetstone to an Old Blade: New Edge Sword & Sorcery Magazine #1

New Edge Sword & Sorcery Magazine, Fall 2023. Cover by Caterina Gerbasi

Disclosure: I was a Backer for the first four issues of this new journal.

As with the Zero issue, New Edge has absolutely fantastic, journal-level production values: heavy paper stock, trade or hard-cover binding, 8.5 x 11 stock, clean, professional layout, and absolutely terrific artwork. It looks great, feels great in the hand and has nothing amateurish about it. Whereas a counterpart magazine, Tales From the Magician’s Skull, has similar production quality but leans into a 30s pulp-retro vibe intentionally, NESS has a much more contemporary vibe, which fits its idea of taking a venerable genre and recasting it for modern audiences. (Which it does to varying degrees of success.)

So, looks great. How’s the contents?

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Of Lies and Truth and the Personal Narratives We Weave Between: An Interview with Moses Ose Utomi

Of Lies and Truth and the Personal Narratives We Weave Between: An Interview with Moses Ose Utomi

Moses Ose Utomi

Moses Ose Utomi is a Nigerian American fantasy writer, who weaves his unique cultural heritage with the academic chops an MFA in fiction from Sarah Lawrence College and a dash of the wandering martial artist, living extensively across the US (most recently Honolulu). His work has been published with Tor and Fantasy Magazine, among others, but his most successful work to date has been his debut novella, Lies of the Ajungo (which, I recently reviewed at Black Gate), and is the first part of a trilogy of exploring his unique secondary world, the Forever Desert. Moses was kind enough to meet up for a long, rambling Zoom interview, where we discussed everything from the novella and its sequels, to identity, the role of violence as means of society change, world-building, and how Moses ‘signal-switches’ in his mind when writing adult vs. young adult fantasy. There was a lot of great stuff, but I’ve tried to pair it down to the most best — suffice it to say that, as shows in his fiction, Moses’s thoughts range wide and deep and it was a great chat!

GM: Moses, thanks for doing this and thanks for writing such a great novella!

MU: I’m glad to be here and glad you enjoyed it!

So let’s get to it… there’s a lot packed into 88 pages including not one but two twists, the second ‘reveal’ which, I confess, hit me in the gut.

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