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Author: Fletcher Vredenburgh

Swords & Sorcery edited by L. Sprague De Camp

Swords & Sorcery edited by L. Sprague De Camp

oie_2763211ShPWYPH2The swords & sorcery that works best for me, the tales that get my heart pounding, come in short story form. It was Robert E. Howard’s “Beyond the Black River”, Fritz Leiber’s “Ill Met in Lankhmar”, and Karl Edward Wagner’s “Reflections for the Winter of My Soul” that made me love this genre. In those stories, the authors distilled everything down to forty or fifty pages of concentrated action, mayhem, and bloodshed. There are no wasted words, no longuers. While all three authors wrote decent enough S&S novels, it’s their short stories that roar down the tracks like a train, pulling me along. S&S is a fiction of action and plot. I want speed; economy of story-telling.

Even in 2015, thirty years after the end of swords & sorcery’s glory days, there are new short stories being written all the time. Each year, several anthologies’-worth of short fiction, once the lifeblood of S&S, still appear in various print and electronic magazines (read my most recent review here).

But you rarely see actual S&S anthologies published anymore. The only recent collections of original stories that spring to mind are the excellent Swords and Dark Magic, edited by Jonathan Strahan and Lou Anders, and Jason M. Waltz’s equally cool Return of the Sword. David Hartwell and Jacob Weisman’s The Sword and Sorcery Anthology is a decent enough collection, though of mostly reprints reaching all the way back to S&S’s earliest days.

But once upon a time anthologies seemed to be coming out of the woodwork. Probably the most well known are Lin Carter’s Flashing Swords! series and Andrew J. Offut’s Swords Against Darkness series. Amanda Salmonson edited two collections about women warriors, called succinctly, Amazons and Amazons II. Robot-like, Marion Zimmer Bradley’s Swords and Sorceress series continued for four years after she died in 1999.

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December Short Story Roundup

December Short Story Roundup

Magazine of Fantasy and Science Fiction Jan-Feb 2015-smallNot every month brings me a great big stack of stories to review. Which is fine. I mean, it’s not like we all don’t have a ton of things to do during December. Still, I did find three stories to tell you about, one them quite good.

Let’s start with the highlight of the December stories, “Prisoner of Pandarius,” by Matthew Hughes in The Magazine of Fantasy & Science Fiction (January/February 2015). It’s a tale of revenge, thievery, and guild politics starring Raffalon, a thief with a ready wit, an overriding sense of self-preservation, and a name more than a little reminiscent of E A Hornung’s famous gentleman thief, Raffles.

Hughes makes no bones about being a fan of, and inspired by, Jack Vance’s Dying Earth. On his site he refers to Raffalon as “my archetypal Dying-Earthish thief.” There’s certainly a Vancian sensibility to the story’s trappings, e.g. a spell with the name “Izzizitz’s Matchless Latch” and the thieves’ organization’s official name of “The Ancient and Honorable Guild of Purloiners and Purveyors.” I’m a sucker for Jack Vance-inspired stories, provided they’re done well. I’m quite happy to write that “Prisoner of Pandarius” is one of those.

My first encounter with Hughes’s fiction was just this past September, also on the pages of F&SF (Sept/Oct 2014). “Avianca’s Bezel,” which I like very much, also features Raffalon. Therein, he learns the hard way the problems attendant with working for wizards.

In the new story, his decision to never again work for a wizard is put to the test when he is defrauded by the Purveyors — i.e. fences — of his guild. An old associate, the sorcerer Cascor, approaches him with a job offer and he reconsiders the hard line he’d previously taken.

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A Look At The Year Gone By – 2014

A Look At The Year Gone By – 2014

oie_624347x4h9YP6xBy my count, I published forty-two articles here at Black Gate during 2014. I reviewed thirty-two novels and over forty short stories.

While most of the books were older ones [e.g. The Eternal Champion (1962) and Year of the Unicorn (1965)], I did manage to sneak a few newer ones into the mix, as you’ll read below. The short stories, all from presently publishing magazines, reinforced my belief that there’s a continuing renaissance in swords & sorcery. There are talented authors toiling away despite the lack of commerical interest. I hope I convinced other S&S fans to investigate these books and stories and learn for yourselves how much good heroic fantasy is out there waiting for you.

As I’ve written in the past, one of my initial reasons for blogging about S&S was to get myself to read many of the books I had missed or neglected over the years. I managed to accomplish a lot of that this year.

Two-thirds of the books I read were brand new to me. Among the older ones were Darrell Schweitzer’s strange and intoxicating Echoes of the Goddess and Adrian Cole’s phantasmagorical Oblivion Hand. I’m very happy I finally read Keith Taylor’s great Celtic S&S book, Bard, as well as Teresa Edgerton’s The Queen’s Necklace. The best contemporary books I read were the densely constructed The Constant Tower by Carole McDonnell, and sword & soul founder Charles R. Saunder’s brand new Abengoni: First Calling.

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Swords & Sorcery Gold from a Master of Horror: Far Away & Never by Ramsey Campbell

Swords & Sorcery Gold from a Master of Horror: Far Away & Never by Ramsey Campbell

oie_2324543h01RBwFmRamsey Campbell is considered one of the most important and skilled writers of horror fiction. His earliest stories, Lovecraft pastiches, were collected and published by Arkham House as The Inhabitants of the Lake and Less Welcome Tenants (1964) when he was only eighteen. Within a few years he was routinely being nominated for, and often winning, various major awards for his original works of contemporary horror such as The Doll Who Ate His Mother (1976) and The Parasite (1980). He has also edited and co-edited several stellar collections of horror stories, including New Tales of the Cthulhu Mythos (1980).

Any connoisseur of fine fright-fiction should know all that. But did you know he spent a bit of his considerable literary energies composing some top-notch sword & sorcery stories in the late seventies? Well, he did. The slim volume Far Away & Never (1996) from Necronomicon Press collects the seven heroic fantasy stories he wrote back in the seventies. Six are set on his mythical world Tond; four are about the mercenary and adventurer, Ryre. All of Ryre’s tales were published in Andrew Offutt’s terrific Swords Against Darkness anthologies.

In the highly informative forward, Campbell explains how he created the world of Tond. It first appeared in an excerpt of The Revelations of Glaaki, his contribution to the Cthulhu Mythos library of invented blasphemous tomes, in the story “The Inhabitant of the Lake.” Infatuated with Clark Ashton Smith’s “The Abominations of Yondo,” he was determined to use Tond for a complete story, resulting in “A Madness from the Vault.”

Campbell found himself revisiting Tond when he wrote “The Stages of the God” and “The Song at the Hub of the Garden,” both somewhat dreamy stories of characters seeking refuge and finding nothing they expect. Both are infused with a hazy dreaminess redolent of Clark Ashton Smith’s stories. “Hub” is more of a story than “Stages,” and more enjoyable, but neither is particularly memorable.

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November Short Story Roundup

November Short Story Roundup

Whelp, it’s well into December and I’m only getting to the November roundup now. My apologies, and here goes.

oie_146527XTeMGO0FLast month, I promised I’d let you know about Fantasy Scroll #3. Despite its name and its side-of-a-van-worthy covers, the magazine continues to be mostly science fiction or non-heroic fantasy. When you buy something with a cover like the one to the left of this paragraph (<—), and you don’t get a lot of swordplay, demons, and wizards, you might feel like you bought a pig in a poke. Maybe they’ve got plans to mix things up a little more in the future. There are two S&S out of thirteen stories in Issue #3, but I’m definitely hoping for more per issue in the future.

That said, the magazine managed to get a Piers Anthony story, “Descant.” It’s a love story set to music about an intelligent king and princess. There are some awkward sentences and overall I found it a little boring. But it doesn’t have any puns, so it’s got that going for it.

James Beamon’s very funny “Orc Legal” is about the prison and courtroom travails of an orc named Anglewood. He’s been jailed pretty much for being an ex-evil henchman. He takes on the defense of a centaur charged with lewd behavior in order to finish the community service part of his sentence. No Atticus Finch, he uses any tool, from obfuscation to outright threats, to win his client’s acquittal. Beamon has a lot of fun with all the orc stereotypes, and gets a few well-deserved digs at snooty elves as well. I like a funny story that’s actually funny, and this one definitely is.

The First First Fire” by Alexander Monteagudo is a very short story. Ralo, the first man ever appointed First Fire — essentially the tribal wizard –is normally a peaceful man. But a caravan from his home, the village of Pempansie, has been attacked by slavers. While warriors defeated the slavers, everyone knows they’ll be back. This brief tale describes how the young magic user decides what to do in the face of the threat to his family and friends. There’s not much here, but I enjoyed it and would be happy enough to see more of the character.

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Thongor of Lemuria – Part One by Lin Carter

Thongor of Lemuria – Part One by Lin Carter

BerkleyX1777If I didn’t know better, I’d swear Lin Carter’s Thongor of Lemuria novels were a deliberate exercise in camp. The first two novels in the seven book series, Thongor And The Wizard of Lemuria (1965) and Thongor And The Dragon City (1966), are so frenetic and exaggerated there are times it’s difficult to believe they were intended to be taken seriously. I struggle to believe that Carter hadn’t meant for me to laugh when I read that Thongor distrusted magic because of his “clean healthy, Northlander blood.”

But I do know better. Much has been written (some of it by me) about Lin Carter’s love for heroic fantasy and his efforts to emulate his favorite writers in his own books. The Thongor stories read like he took Robert E. Howard’s Conan stories, smooshed them together with Edgar Rice Burroughs’ John Carter novels, then cranked everything up to eleven. But, and this is true of his Lovecraft Mythos fiction too, he mimics the style of his literary heroes without ever conveying the substance that gives power to their work to this day.

To give Lin Carter his due, Wizard of Lemuria is his first published novel and Dragon City his third in only two years. In those ancient times, there was little new swords & sorcery of the mighty barbarian type being written. Michael Moorcock and Fritz Leiber were tweaking (and tweaking the nose of) the genre and Karl Edward Wagner and Charles Saunders were still kids. The big boom was right around the corner, but it hadn’t happened yet. He took the chance and stepped up to create the sort of stories he wanted to see and that’s something I will always respect.

One of the earliest reviews at my site, Swords & Sorcery: A Blog, was of Thongor And The Wizard of Lemuria (so, yes, for those of you who’ve read it, I have indeed read it a second time). It was harsh and a little intemperate. I’ve since decided that reviews of that sort don’t serve any real purpose. I also don’t want to pick on someone who can’t fight back. I want my reviews to promote the good books and understand why the weak ones fail and encourage better writing.

Like August Derleth and Sprague de Camp, Lin Carter’s too readily bad-mouthed these days (except when the stupendously important Ballantine Adult Fantasy Series is mentioned). I don’t think his fiction is read that much anymore and I feel I owe him at least the courtesy of that. So I’m going to plow through the series and report back to you, Black Gate‘s faithful readers.

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Some Things Need to Be Broken: Seeker’s Mask by P.C. Hodgell

Some Things Need to Be Broken: Seeker’s Mask by P.C. Hodgell

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Cover by P.C. Hodgell

A friend once told me of his desire to see a movie with even more action than Die Hard. He envisioned a film with action from first frame to last. I bring this up because the third book of P.C. Hodgell’s Kencyrath series, Seeker’s Mask (1995) is one of the most fast moving, packed-to-the-gills-with-thrills books I have ever read. It may not be the all-action nirvana my friend hoped for, but it’s about as close as I’ve ever found.

It starts in the rules-smothered confines of the Women’s Halls, and then whips Hodgell’s heroine Jame up and down the world before ending in the middle of a barbarian tribe’s fiery ceremony. Invisible assassins, gods, malign magics, and trips into people’s minds smash up against one another for the reader’s attention. If all I did was list the events in Seeker’s Mask, this article would be twice as long as I want it to be.

Jame is a Highborn of the Kencyrath, one of three species molded into one race by their god to fight against Perimal Darkling. The Highborn are the rulers and priests and the fewest in number. The most numerous species, the Kendar, are the soldiers and craftsmen. Finally there are the leonine Arrin-Ken, who served as the race’s judges until frustration led them to leave Kencyrath society in order to decide what needed to be done next in the war against Perimal.

Thousands of years ago, the High Lord Gerridon betrayed his people to Perimal Darkling in exchange for immortality. Two-thirds of the Kencyrath were killed and the survivors fled to the world of Rathilien.

In the previous book, Dark of the Moon (1985), Jame had reunited, after a decade of separation, with her twin brother, Torisen, Lord of the House of Knorth, and High Lord of all the Kencyrath. He and the Kencyrath armies had just emerged victorious from a great battle against the Waster Horde (read the review here). As the only other known member of the House of Knorth, Jame’s sudden appearance throws political calculations out of whack.

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October Short Story Roundup

October Short Story Roundup

oie_1851216pr439k8tThe last few weeks have been particularly busy for me in my real life (as opposed to the one I lead as a dashing blogger-about-town on all things old school Swords & Sorcery) so this won’t be as complete a roundup as I’d like it to be. Fantasy Scroll #3 will have to wait until next month. As for Beneath Ceaseless Skies, I failed to read either issue last month, but looking at October’s authors, I see World Fantasy Award-winning (for the splendid “The Telling“) Gregory Norman Bossert, along with some other talented writers, so let’s just assume you should go check them out for yourself.

What I did manage to read were magazines I never miss — Swords and Sorcery Magazine (#33) and Heroic Fantasy Quarterly (#22). I’ve been following the former since the third issue, so I never want to miss out on what happens next. As for HFQ, it’s consistently the best — and my favorite — magazine for heroic fantasy, which means as soon as it hits the electronic superhighway, I try to check it out.

Swords and Sorcery Magazine #33 presents us with its usual quota of two new stories. In ages past, Jonathan Nathaniel De Este, commander of Queen Isabella’s Dark Army and protagonist of Alex B.’s “Black Water“, “drank the Black Water and took the Darkness upon his spirit.” Every other man who did that found himself transformed into a bestial man or a complete beast. Only Jonathan has managed to hold onto a portion of his humanity and prevent himself from being changed externally as well as internally.

It’s an interesting story filled with grisly bits. There’s real potential for some exploration of Jonathan’s past and motives, but it’s not supplied. The mystery over his relationship to a picture of a princess is left only vaguely answered at best.

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Epic Fantasy from the Father of Sword & Soul: Abengoni: First Calling by Charles R. Saunders

Epic Fantasy from the Father of Sword & Soul: Abengoni: First Calling by Charles R. Saunders

oie_105284GMwxHNOHAfter DAW killed the fourth Imaro novel, for nearly twenty years Charles R. Saunders’s published swords & sorcery output was limited to only a few short stories. Since 2006, starting with the reprinting of Imaro, new books from him have been appearing at a furious rate. In addition to new novels starring his established S&S characters, Imaro and Dossouye, he introduced a new pulp hero, Damballa.

Abengoni: First Calling (A:FC) is the first book in Charles R. Saunders’s foray into epic fantasy. From one of the masters of the 1970s golden age of swords & sorcery comes a project in the works for the past decade. And thanks to Milton Davis’s MVmedia, it’s seeing the light of day.

Full disclosure here: Milton Davis asked me to preview this book earlier this year and give him a blurb if I felt like it. Well, I jumped at the chance to read a new Charles Saunders book. That’s like asking if I want to hear some unreleased Led Zeppelin tracks before they hit the general public. There was no way I was going to say no. And before I go any further, I love the book and gave Milton this blurb I totally stand by:

“In Abengoni: First Calling, Charles Saunders writes the sort of epic fantasy I want to read. He tells the tale, with its large cast of sharply drawn characters and complex history, in a wonderfully spare and fast-paced style that doesn’t waste time getting to where it’s going. I can’t wait for the next book.”

When Saunders first created Imaro, his literary inspiration was Robert E. Howard. In this book, the influence of J.R.R. Tolkien is at work. He has specifically cited the two authors as his main influences. But in both cases, what he wrote was inspired by larger issues as well.

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The End of the Story: Sorceress of the Witch World by Andre Norton

The End of the Story: Sorceress of the Witch World by Andre Norton

oie_324651kfYzNZDkAndre Norton’s Sorceress of the Witch World (1968) completes the trilogy begun with Three Against the Witch World and continued in Warlock of the Witch World. (Follow the links to read my reviews here on Black Gate). The trilogy itself is a continuation of Norton’s Witch World saga begun in Witch World and followed with Web of the Witch World.

The heroes of the first two novels, Simon Tregarth and his wife Jaelithe, mysteriously disappear at the beginning of the trilogy. Their triplets, born between Web of the Witch World and this trilogy, are searching for them. Each volume tells the adventures of one of the siblings, Kyllan, Kemoc, and Kaththea.

In Three, brothers Kyllan and Kemoc rescue their sister Kaththea from her forced induction into the ranks of the Witches and escape into the magically hidden eastern land, Escore. In addition, the warrior Kyllan’s talents are put to the test against a growing horde of vile enemies. In Warlock, the scholarly Kemoc travels across dimensions to rescue his sister from her evil suitor.

You can probably tell from the title that Kaththea herself takes center stage in Sorceress of the Witch World. For reasons related to her situation in the previous book, Kaththea is spiritually damaged. Sadly, for the reader that damage seems to have rendered her a little boring also. She narrates the entire story in a dull voice that distances the reader from the action.

At the end of Warlock, Kaththea lost most of her magical abilities. Now, fearing that stripped of her defenses she is vulnerable to control by the powers of Shadow, she decides she must return to the West and seek guidance from the very same Witches from whom she once fled.

While trying to cross the mountains back into the West Kaththea’s party is caught in an avalanche. She is taken prisoner by a hunter from the Inuit-like nomads, the Vupsall. She manages to escape from the tribe during a bloody attack on their camp by raiders. Armed with magical knowledge gleaned from the possessions of the tribe’s wise woman, she makes for a great ruined city nearby. Hoping to escape the forces of Shadow she still fears, she enters an old dimensional gate. She doesn’t know what lay on the other side, only hoping it will be some sort of sanctuary. What she encounters are tremendous dangers in an utterly alien world.

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