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Author: Fletcher Vredenburgh

The IX by Andrew P. Weston

The IX by Andrew P. Weston

oie_235511s7P3HzLYAre you old enough to remember the Kirk Douglas Saturday Night Live sketch from 1980 that asked the important question: “What if Spartacus had a Piper Cub?” Well I am, and it was the first thing that popped into my head when I received a review copy of Andrew P. Weston’s new novel, The IX, from the fine people at Perseid Press. I don’t read or review much sci-fi, but they suspected, quite correctly it turns out, that this would be right up my alley.

No, modern aviation doesn’t save the famous Roman IX Legion from destruction. Instead, the IX — and a host of other soldiers from across the ages — get a chance to play with advanced weapons to stave off a massed army of energy-devouring monsters on a star far across the galaxy from Earth.

The Ardenese, a highly advanced race, rule dozens of worlds, crossing the stars in ships that rip holes in space…until they encounter an enemy they come to know only as the Horde.

First discovered on a colony world, the energy-devouring Horde manage to secrete themselves aboard Ardenese starships. One by one the colonies fall, until all that remains is the homeworld and the capital city, Rhomane.

Even protected by barriers and nearly impregnable walls, the Ardenese know they are doomed. In the end, and it is surely near, they will all die, subject to the hideous ravages of the Horde. To ensure the survival of their race, the handful of survivors turn their fates over to the Architect, a massive AI computer.

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January Short Story Roundup

January Short Story Roundup

oie_1743017Z1jBJggOHere we are again with a new batch of short stories for your reading pleasure. Some were good, some were alright, you know, the usual. Remember, though, whatever I write about these stories, take the time to go check them out yourself and let the writers and magazines know what you think.

Swords and Sorcery Magazine Issue 36 marks three years of continuous publication and is one of its best in a while. The first tale, “The Fourth River” by Brandon Ketchum, is a good old bit of monster-fighting set in the forests of a magical land called Ohio, in a seventeenth century filled with fantastical beasts. The story tells of the violent encounter between a party of colonial traders and a bunch of Shawnee with a Kinepikwa — a giant serpent with antlers and the power to paralyze any unlucky enough to view the evil gem embedded on its brow.

“The Fourth River” is good example of the continuing movement by some writers away from the too, too common medieval trappings of much fantasy. There’s not much to the characters — they’re too busy struggling to save the Ohio Territories from destruction — but Ketchum does a good job limning out his alternate reality in six thousand words.

Issue #36’s second story is “Warden’s Legacy” by Daniel Moley. It’s only his second published story, but it feel like it’s part of a much longer tale. Dane is a talented soldier hoping to join up with an elite unit, the Phantoms. They are the frontline in a war against a force of wizards bent on resurrecting the Forshai, a race of reptilian beings who once ruled mankind. Not a bad story at all, with enough tantalizing refrences to a larger world to make me want to read more.

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The Long Reach of Night: The Voidal Vol. 2 by Adrian Cole

The Long Reach of Night: The Voidal Vol. 2 by Adrian Cole

oie_862634UE7X7d5eLast year I reviewed (quite favorably, after an initial aversion to it) The Oblivion Hand (2001), the first collection of Adrian Cole’s stories about the Voidal. To say they’re excessive, over the top, and incredibly phatasmagorical barely does them justice. They are all those things and much more. These traits are carried over into the second volume, The Long Reach of Night (2011), an even better book than the first.

The Voidal is a man, cast out by the Dark Gods onto the currents of the Omniverse as punishment for some unknown sin. He has been stripped not only of his memory but also of his right hand, which has been replaced with the Oblivion Hand — a sentient-seeming thing that carries out the will of his tormentors. The Voidal is endlessly tossed about parallel dimensions and planets of the Omniverse, wholly against his will, a scourge in servitude to some celestial tribunal.

By the end of The Oblivion Hand the Voidal had acquired an associate, the froggy familiar, Elfloq. Together they set out on a search, from one hellish locale to another, for how to restore the Voidal’s lost memories and free him from the control of the Dark Gods.

Like its predecessor, The Long Reach of Night is a fix-up. Two of the stories appeared in magazines previously, but the rest appear here for the first time.

It is Elfloq who is the real protagonist of this book. For much of the time, the Voidal is lost somewhere in the aether. In each story the familiar is forced to hunt for clues to where his master is, ever formulating a plan to get one step closer to their goals.

Sometimes Elfloq is forced to undertake some dangerous task in exchange for information. In the first story, “The Preposterous Library,” he must travel through the pages of a book entitled The Skullworks to a pocket world of the same name.

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What Price Immortality? In Yana, the Touch of Undying by Michael Shea

What Price Immortality? In Yana, the Touch of Undying by Michael Shea

oie_34161QIl911YLAs I was rushing to get out of the house the other morning I remembered that I had to pick a book to read and review for this week. Nothing in the front row of my swords & sorcery shelves caught my eye so I started going through the books stacked in the back and still, nothing called out to me (that was short enough to read in just a couple of days). Finally I snagged the late Michael Shea’s In Yana, the Touch of Undying (1985). I saw the print was big, so even though it’s just over three hundred pages I knew it would be a quick read. I can’t believe that such lame criteria led me to this dynamite book.

Last year John O’Neill wrote that a friend had told him this book would change his life, though I didn’t remember that when I took up In Yana last Thursday. What I knew, from the back cover, was that the book featured a student named Bramt Hex searching for the secret of immortality in a world filled with ogres, ghosts, vampires, and lots of magic. From reading Shea’s very good Nifft the Lean, I expected a similar work of Vancian fantasy — dark, bizarre imagery laced with humor.

For the first chapter or two, In Yana appears to be just that. At 28, Bramt Hex has been a student for much of his life. He’s fat, worried about failing his final examination, and coming to dread what he assumes will be a life of day-in day-out dreariness in academia. When a wealthy dowager, the Widow Poon, enters the inn where he’s dining, Bramt allows a wave of romantic dreaming to sweep over him.

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Swords & Sorcery edited by L. Sprague De Camp

Swords & Sorcery edited by L. Sprague De Camp

oie_2763211ShPWYPH2The swords & sorcery that works best for me, the tales that get my heart pounding, come in short story form. It was Robert E. Howard’s “Beyond the Black River”, Fritz Leiber’s “Ill Met in Lankhmar”, and Karl Edward Wagner’s “Reflections for the Winter of My Soul” that made me love this genre. In those stories, the authors distilled everything down to forty or fifty pages of concentrated action, mayhem, and bloodshed. There are no wasted words, no longuers. While all three authors wrote decent enough S&S novels, it’s their short stories that roar down the tracks like a train, pulling me along. S&S is a fiction of action and plot. I want speed; economy of story-telling.

Even in 2015, thirty years after the end of swords & sorcery’s glory days, there are new short stories being written all the time. Each year, several anthologies’-worth of short fiction, once the lifeblood of S&S, still appear in various print and electronic magazines (read my most recent review here).

But you rarely see actual S&S anthologies published anymore. The only recent collections of original stories that spring to mind are the excellent Swords and Dark Magic, edited by Jonathan Strahan and Lou Anders, and Jason M. Waltz’s equally cool Return of the Sword. David Hartwell and Jacob Weisman’s The Sword and Sorcery Anthology is a decent enough collection, though of mostly reprints reaching all the way back to S&S’s earliest days.

But once upon a time anthologies seemed to be coming out of the woodwork. Probably the most well known are Lin Carter’s Flashing Swords! series and Andrew J. Offut’s Swords Against Darkness series. Amanda Salmonson edited two collections about women warriors, called succinctly, Amazons and Amazons II. Robot-like, Marion Zimmer Bradley’s Swords and Sorceress series continued for four years after she died in 1999.

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December Short Story Roundup

December Short Story Roundup

Magazine of Fantasy and Science Fiction Jan-Feb 2015-smallNot every month brings me a great big stack of stories to review. Which is fine. I mean, it’s not like we all don’t have a ton of things to do during December. Still, I did find three stories to tell you about, one them quite good.

Let’s start with the highlight of the December stories, “Prisoner of Pandarius,” by Matthew Hughes in The Magazine of Fantasy & Science Fiction (January/February 2015). It’s a tale of revenge, thievery, and guild politics starring Raffalon, a thief with a ready wit, an overriding sense of self-preservation, and a name more than a little reminiscent of E A Hornung’s famous gentleman thief, Raffles.

Hughes makes no bones about being a fan of, and inspired by, Jack Vance’s Dying Earth. On his site he refers to Raffalon as “my archetypal Dying-Earthish thief.” There’s certainly a Vancian sensibility to the story’s trappings, e.g. a spell with the name “Izzizitz’s Matchless Latch” and the thieves’ organization’s official name of “The Ancient and Honorable Guild of Purloiners and Purveyors.” I’m a sucker for Jack Vance-inspired stories, provided they’re done well. I’m quite happy to write that “Prisoner of Pandarius” is one of those.

My first encounter with Hughes’s fiction was just this past September, also on the pages of F&SF (Sept/Oct 2014). “Avianca’s Bezel,” which I like very much, also features Raffalon. Therein, he learns the hard way the problems attendant with working for wizards.

In the new story, his decision to never again work for a wizard is put to the test when he is defrauded by the Purveyors — i.e. fences — of his guild. An old associate, the sorcerer Cascor, approaches him with a job offer and he reconsiders the hard line he’d previously taken.

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A Look At The Year Gone By – 2014

A Look At The Year Gone By – 2014

oie_624347x4h9YP6xBy my count, I published forty-two articles here at Black Gate during 2014. I reviewed thirty-two novels and over forty short stories.

While most of the books were older ones [e.g. The Eternal Champion (1962) and Year of the Unicorn (1965)], I did manage to sneak a few newer ones into the mix, as you’ll read below. The short stories, all from presently publishing magazines, reinforced my belief that there’s a continuing renaissance in swords & sorcery. There are talented authors toiling away despite the lack of commerical interest. I hope I convinced other S&S fans to investigate these books and stories and learn for yourselves how much good heroic fantasy is out there waiting for you.

As I’ve written in the past, one of my initial reasons for blogging about S&S was to get myself to read many of the books I had missed or neglected over the years. I managed to accomplish a lot of that this year.

Two-thirds of the books I read were brand new to me. Among the older ones were Darrell Schweitzer’s strange and intoxicating Echoes of the Goddess and Adrian Cole’s phantasmagorical Oblivion Hand. I’m very happy I finally read Keith Taylor’s great Celtic S&S book, Bard, as well as Teresa Edgerton’s The Queen’s Necklace. The best contemporary books I read were the densely constructed The Constant Tower by Carole McDonnell, and sword & soul founder Charles R. Saunder’s brand new Abengoni: First Calling.

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Swords & Sorcery Gold from a Master of Horror: Far Away & Never by Ramsey Campbell

Swords & Sorcery Gold from a Master of Horror: Far Away & Never by Ramsey Campbell

oie_2324543h01RBwFmRamsey Campbell is considered one of the most important and skilled writers of horror fiction. His earliest stories, Lovecraft pastiches, were collected and published by Arkham House as The Inhabitants of the Lake and Less Welcome Tenants (1964) when he was only eighteen. Within a few years he was routinely being nominated for, and often winning, various major awards for his original works of contemporary horror such as The Doll Who Ate His Mother (1976) and The Parasite (1980). He has also edited and co-edited several stellar collections of horror stories, including New Tales of the Cthulhu Mythos (1980).

Any connoisseur of fine fright-fiction should know all that. But did you know he spent a bit of his considerable literary energies composing some top-notch sword & sorcery stories in the late seventies? Well, he did. The slim volume Far Away & Never (1996) from Necronomicon Press collects the seven heroic fantasy stories he wrote back in the seventies. Six are set on his mythical world Tond; four are about the mercenary and adventurer, Ryre. All of Ryre’s tales were published in Andrew Offutt’s terrific Swords Against Darkness anthologies.

In the highly informative forward, Campbell explains how he created the world of Tond. It first appeared in an excerpt of The Revelations of Glaaki, his contribution to the Cthulhu Mythos library of invented blasphemous tomes, in the story “The Inhabitant of the Lake.” Infatuated with Clark Ashton Smith’s “The Abominations of Yondo,” he was determined to use Tond for a complete story, resulting in “A Madness from the Vault.”

Campbell found himself revisiting Tond when he wrote “The Stages of the God” and “The Song at the Hub of the Garden,” both somewhat dreamy stories of characters seeking refuge and finding nothing they expect. Both are infused with a hazy dreaminess redolent of Clark Ashton Smith’s stories. “Hub” is more of a story than “Stages,” and more enjoyable, but neither is particularly memorable.

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November Short Story Roundup

November Short Story Roundup

Whelp, it’s well into December and I’m only getting to the November roundup now. My apologies, and here goes.

oie_146527XTeMGO0FLast month, I promised I’d let you know about Fantasy Scroll #3. Despite its name and its side-of-a-van-worthy covers, the magazine continues to be mostly science fiction or non-heroic fantasy. When you buy something with a cover like the one to the left of this paragraph (<—), and you don’t get a lot of swordplay, demons, and wizards, you might feel like you bought a pig in a poke. Maybe they’ve got plans to mix things up a little more in the future. There are two S&S out of thirteen stories in Issue #3, but I’m definitely hoping for more per issue in the future.

That said, the magazine managed to get a Piers Anthony story, “Descant.” It’s a love story set to music about an intelligent king and princess. There are some awkward sentences and overall I found it a little boring. But it doesn’t have any puns, so it’s got that going for it.

James Beamon’s very funny “Orc Legal” is about the prison and courtroom travails of an orc named Anglewood. He’s been jailed pretty much for being an ex-evil henchman. He takes on the defense of a centaur charged with lewd behavior in order to finish the community service part of his sentence. No Atticus Finch, he uses any tool, from obfuscation to outright threats, to win his client’s acquittal. Beamon has a lot of fun with all the orc stereotypes, and gets a few well-deserved digs at snooty elves as well. I like a funny story that’s actually funny, and this one definitely is.

The First First Fire” by Alexander Monteagudo is a very short story. Ralo, the first man ever appointed First Fire — essentially the tribal wizard –is normally a peaceful man. But a caravan from his home, the village of Pempansie, has been attacked by slavers. While warriors defeated the slavers, everyone knows they’ll be back. This brief tale describes how the young magic user decides what to do in the face of the threat to his family and friends. There’s not much here, but I enjoyed it and would be happy enough to see more of the character.

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Thongor of Lemuria – Part One by Lin Carter

Thongor of Lemuria – Part One by Lin Carter

BerkleyX1777If I didn’t know better, I’d swear Lin Carter’s Thongor of Lemuria novels were a deliberate exercise in camp. The first two novels in the seven book series, Thongor And The Wizard of Lemuria (1965) and Thongor And The Dragon City (1966), are so frenetic and exaggerated there are times it’s difficult to believe they were intended to be taken seriously. I struggle to believe that Carter hadn’t meant for me to laugh when I read that Thongor distrusted magic because of his “clean healthy, Northlander blood.”

But I do know better. Much has been written (some of it by me) about Lin Carter’s love for heroic fantasy and his efforts to emulate his favorite writers in his own books. The Thongor stories read like he took Robert E. Howard’s Conan stories, smooshed them together with Edgar Rice Burroughs’ John Carter novels, then cranked everything up to eleven. But, and this is true of his Lovecraft Mythos fiction too, he mimics the style of his literary heroes without ever conveying the substance that gives power to their work to this day.

To give Lin Carter his due, Wizard of Lemuria is his first published novel and Dragon City his third in only two years. In those ancient times, there was little new swords & sorcery of the mighty barbarian type being written. Michael Moorcock and Fritz Leiber were tweaking (and tweaking the nose of) the genre and Karl Edward Wagner and Charles Saunders were still kids. The big boom was right around the corner, but it hadn’t happened yet. He took the chance and stepped up to create the sort of stories he wanted to see and that’s something I will always respect.

One of the earliest reviews at my site, Swords & Sorcery: A Blog, was of Thongor And The Wizard of Lemuria (so, yes, for those of you who’ve read it, I have indeed read it a second time). It was harsh and a little intemperate. I’ve since decided that reviews of that sort don’t serve any real purpose. I also don’t want to pick on someone who can’t fight back. I want my reviews to promote the good books and understand why the weak ones fail and encourage better writing.

Like August Derleth and Sprague de Camp, Lin Carter’s too readily bad-mouthed these days (except when the stupendously important Ballantine Adult Fantasy Series is mentioned). I don’t think his fiction is read that much anymore and I feel I owe him at least the courtesy of that. So I’m going to plow through the series and report back to you, Black Gate‘s faithful readers.

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