Browsed by
Author: Fletcher Vredenburgh

August Short Story Roundup

August Short Story Roundup

Comments 1 comment

oie_22035357ZM4AVpThough I spent much of August traveling, sipping drinks in distant lands (South Carolina), and taking a break from swords & sorcery, I still found time for my monthly dose of short fiction. Over the years I’ve really come to feel that it’s my obligation to get the word out to the S&S reading population about what’s going on in the land of short stories (and the occasional novella).

Swords and Sorcery Magazine #43 presented a strong issue this past month. Its two tales are by authors unknown to me, but for whom I will keep an eye open in the future.

The first, “Stragglers in the Cold,” is by Connor Perry. Theor Stormcrow is a skinchanger, refugee from the last survivors of a lost cause, and is dying of starvation. Stormcrow and his kind do not actually change into different creatures, but instead send their minds into them. Now, near death and fearing it, he has decided to commit the gravest crime of his kind: to steal the body of another skinchanger.

In a mere 3,000 words, Perry creates a complex and violent universe. As in the better S&S short fiction, “Stragglers” alludes to events outside the narrow confines of its first and last paragraphs, giving context to its characters and building atmosphere. In this case the context is a lost war, and the atmosphere is one of desperation.

…

Read More Read More

We Have Always Lived in the Castle by Shirley Jackson

We Have Always Lived in the Castle by Shirley Jackson

Comments 2 comments

oie_1452742F8rz4l3Z

My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are of the same length, but I have to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead.

So opens Shirley Jackson’s final novel, We Have Always Lived in the Castle (1962). Published three years before her death, this introduction to the book’s narrator, better known as Merricat, seems to promise readers they are in for the story of a quirky young woman. It is indeed beguiling but bears only the slightest hint of what’s to come in this short novel. It is a book built of dark and deep shadows, pierced at times by shimmering passages, before becoming darker and more claustrophobic.

Merricat lives with her sister and their crippled and addle-minded Uncle Julian in the great mansion that the Blackwoods have always lived in. Six years ago something terrible happened for which all the townsfolk hate, and perhaps even fear, the Blackwoods. One evening, arsenic found its way into the sugar bowl and the sisters’ parents, younger brother, and aunt died. Their uncle took less sugar and survived, though irreparably broken. Constance, who cooked, who never took sugar — and who cleaned the sugar bowl before the police arrived — was accused and tried. No motive could be found and she was acquitted, but she has never since left the property. Only Merricat braves the village — twice a week — to buy food, take out books from the library, and suffer the staring and unpleasant treatment of the villagers.

…

Read More Read More

For Gonji Lovers: A Hungering of Wolves by T.C. Rypel

For Gonji Lovers: A Hungering of Wolves by T.C. Rypel

Comments 9 comments

oie_6235149uAZhq0luI’ve finally read A Hungering of Wolves, the last published volume of T.C. Rypel’s dimension-spanning swords & sorcery epic series about Gonji, the half Japanese, half Norwegian samurai, fighting his way across Renaissance Europe in hopes of discovering his destiny. It shouldn’t be the last book, but as of now, sadly, it is. While there is a collection of shorter tales scheduled for the near future, the sequel to this book is not.

It was orginally published as Knights of Wonder by Zebra Books way back in 1986. Rypel and his books fell victim to the whims of the publishing industry and an agent who wasn’t a big heroic fantasy fan. My earlier review of the first three Gonji books, collectively called the The Deathwind Trilogy, contains a more detailed account of Gonji’s publishing history.

I tend to avoid series that haven’t been finished because I fear they never will be. My dad went to his grave never seeing the end of Roland Green’s Wandor series. I dread the screams that will pierce the heavens if A Song of Ice and Fire doesn’t reach its end. So when I tell you that I read A Hungering of Wolves knowing it sets up a story that remains unfinished, that should tell you something about how much I like Rypel’s books.

If you have any love for swords & sorcery then you should read the Gonji books. Though thirty years old, Rypel’s books don’t feel dated and avoid the cliches that infect the worst heroic fantasy. Gonji, his associates, and opponents react like real humans, not puppet characters moved about in service to some pre-ordained plot.

While the books have more blood and thunder than even I can handle at times, they also have detailed and nuanced character development contemporary readers expect. For every loud and explosive scene the books have calmer moments that create atmosphere and a believable world. Just enough time is spent with secondary characters to make you care when something happens to them or buy their motives when they act.

…

Read More Read More

July Short Story Roundup

July Short Story Roundup

Comments 6 comments

Between Heroic Fantasy Quarterly, Swords and Sorcery Magazine, and Beneath Ceaseless Skies, July was rich with fiction (nine stories, two poems, and a video treat), and some of it is pretty darn good. So let’s get started.

oie_105135GlDNN9g6Heroic Fantasy Quarterly #25, with beautiful banner art by Dana Martin, has the usual complement of stories and poetry, and, this month, a special bonus from editor Adrian Simmons.

“Beast Hunter’s Song” by Michael A. Liguori, is about Sedrick the monster hunter’s second chance in life. Dragon hunters get all the glory, but the really dangerous and dirty work is done by the men bold and crazy enough to stalk the caverns of the Underlands for beasts that can swallow a dragon whole. Since the High Lord of Hunters decided there aren’t enough monsters left underground to hunt anymore, men like Sedrick have been reduced to guard duty.

When a Trogon, a beast “twice the size of a dragon, with two or three heads and terrible claws that could cleave an ox in half with a single swipe” ravages a city, the High Lord has no choice but to call Sedrick back to duty. While the plot is nothing out of the ordinary, there’s a wild inventiveness to Liguori’s underground world and its denizens. The end felt a little abrupt, but it could easily serve as an introduction to more adventures for Sedrick, which I would like to read.

In Linda Donahue’s “White Elephants” Darius, sent to guard an Indian princess betrothed to the Persian emperor, becomes infatuated with his charge. When she and the priceless white elephant accompanying her are snatched by a roc, Darius is determined to rescue her. The thing is, neither the emperor nor the Indian king’s emissary care much about the princess; they just want the elephant rescued. There’s magic and mystery behind everything, and Darius is forced to make some dangerous choices along the road to save the princess. This is a solid adventure tale with a setting not used often enough in fantasy.

…

Read More Read More

June Short Story Roundup

June Short Story Roundup

Comments 1 comment

oie_733452qBKy8XQAIt’s that time again, folks: the short story roundup! June was a pretty good month, with some nice work from lesser-known (to me, at least) authors as well as some bigger names. A good sample of work from the spectrum of heroic fiction.

While there’s not a lot of action in either of Swords and Sorcery Magazine Issue 41‘s two stories, there is some very good writing.

The first, “Wind Song” by Kevin Cockle, is my favorite story this month. The narrator is a member of a class that possesses the special talent to control djinns, which are then used to power flying ships. His nation has fought great wars against the Kyberi, a people who fly dragons into battle. In the past the dragon-riders were often victorious, but now their enemies have developed weapons and stratagems to defeat them.

When the ship he directs is pursued by a dragon, the narrator finds he is able to make a psychic connection with its rider. From her he gains insights into the enemy he has never had before.

It’s a simple story with not much plot, but Cockle writes wonderfully.

The waters in the Bay of Nandorin are freakish clear – like stained blue glass – and one can see clearly the sunken hulks of long-ago warships littering the sea-floor like scattered toys. Though a man grown, I became a boy again whenever we made Nandorin, peering down into the pristine depths at the haphazard city of ghost-ships beneath. On the surface, stone towers stood like widely spaced square teeth across the mouth of the bay: their anxious sentinels craning their necks skyward to track our dragon-shadow.

…

Read More Read More

The Dark Island by Henry Treece

The Dark Island by Henry Treece

Comments 4 comments

oie_29192227FHd1h2WO

Britain is a dark island of mists and woods. It lies farther north than any other known land, so that the sun is seldom seen there. The people of this island are brave in battle but fearful of their gods and priests.

Arminius Agricola, Ambassador to Camulodunum, A.D. 25 – A.D. 30

The first written of Henry Treece’s Celtic Tetralogy, the second chronologically, and the third to be reviewed by me, The Dark Island (1952) is a story of 1st century AD Britain. I’ve previously reviewed The Great Captains and Red Queen, White Queen here at Black Gate. The fourth is The Invaders. Together, they present one of the most artistically successful attempts to portray ancient Britain and its people. Treece’s ancient Britons are the inhabitants of a dark and violent world, where signs and portents are seen in every event. For them, the gods and their blessings and curses are real. Fiercely independent as they believe themselves to be, even kings and princes bow down before the blood-soaked hands of the Druids. Under their direction human sacrifices to the gods are a regular occurrence. It is a world alien to us today and Treece presents it without condescension or sentimentality, and as completely believable.

The Dark Island is a story of trying to hold on to ideals in the face of overwhelming forces. Gwyndoc, cousin of Caradoc (better known as Caractacus), is a prince and a warrior. He was raised to be loyal, brave, and to fear the gods. In the wake of the Roman invasion, the shattering of the British army at the Battle of the Medway, and the easy acquiescence of most of the population to Roman rule, holding true to his ideals becomes difficult and self-destructive.

Gwyndoc and Caradoc are as close as brothers when they are young. They come of age during the golden days of the rule of Caradoc’s father, Cunobelin (more commonly known as Cymbeline). While Caesar’s invasions of Britain in 55 and 54 BC failed, Roman commerce and culture have made great inroads there. The merchants of Camulodunum and the tribal kings and princes have become richer than ever before. Their sons are educated by Roman tutors. Times are peaceful and plentiful.

…

Read More Read More

Death Angel’s Shadow by Karl Edward Wagner

Death Angel’s Shadow by Karl Edward Wagner

Comments 13 comments
Best Kane cover ever – by Stan Zagorski
Best Kane cover ever – by Stan Zagorski

I’ve read  Karl Edward Wagner‘s Death Angel’s Shadow (1973), with its three stories of Kane, the Mystic Swordsman, numerous times since first finding it in my attic in the 1970s. Before Conan’s or Elric’s, Kane’s adventures sparked my interest in swords & sorcery. Only a few years ago, I wrote a long piece about Wagner and this book over at my site, Swords & Sorcery: A Blog. I figured it was time to give it a reread and review here at Black Gate.

For the uninitiated, Kane is, in Wagner’s own words, a villain-hero. Cursed with immortality, over the course of his career he’s been an evil wizard, a crime lord, a bandit, and the general of a demon cult’s army. Sometimes he’s up against someone more diabolical than he is, but he’s never the good guy, never the hero.

This description of him gives you a sense of the wrongness that clings to him even when he’s not embarked on some nefarious plan:

It was his eyes that bothered Troylin. He had noticed them from the first. It was to be expected, for Kane’s eyes were the eyes of Death! They were blue eyes, but eyes that glowed with their own light. In those cold blue gems blazed the fires of blood madness, of the lust to kill and destroy. They poured forth infinite hatred of life and promised violent ruin to those who sought to meet them. Troylin caught an image of that powerful body striding over a battlefield, killer’s eyes blazing and red sword dealing carnage to all before it.

The three Kane novels, Darkness Weaves, Bloodstone, and Dark Crusade, are decent enough, but it’s in the short stories that Wagner’s immense talents shine most brightly. Two years ago I reviewed the collection, Night Winds (1978) at Black Gate. That book contains some of the best and darkest S&S stories ever set to paper. I cannot recommend it highly enough.

…

Read More Read More

Heroika 1: Dragon Eaters edited by Janet Morris

Heroika 1: Dragon Eaters edited by Janet Morris

Comments 8 comments

oie_15175053GW6bP5j3For the past several months I kept seeing notices for the coming release of Heroika 1: Dragon Eaters. Edited by Janet Morris, one of the true heavies in heroic fantasy, and someone I have known online for several years now, I knew this was a book I was going to be reading. That its table of contents included several writers I’m a big fan of as well as many whose names I’m starting to hear good things about made it look better and better. That it’s about killing dragons sealed the deal. So when John O’Neill asked if I wanted to review it and I could have an e-book of it, I said “YES!”

I’m happy to report that with all that buildup, it’s a terrific bunch of stories. Anthologies are great because you can pick them up and dive in anywhere and take a short, rewarding excursion into whatever genre it is. I generally don’t read anthologies from cover to cover in a short period of time. Reading for this review it turned out I wanted a break from dragon-killing when I tried to finish the book in only a few big sessions. There are a few stories that aren’t to my taste, but there are no clunkers and some real treasures in this book.

The stories, and there are seventeen of them, are presented chronologically — well, the ones set in the real world anyway. Those set in more fantastical settings are fit in among the medieval ones. In the earliest tales dragons stand toe-to-toe with the gods. Slowly, they lose that stature and become mere monsters. Deadly, true, but no longer forces of raw, elemental chaos. Eventually they’re regarded only as mythical. In the future, scientific explanations have to be found for their existence.

Janet and Chris Morris’ “The First Dragon Eater” opens the book. Narrated by Kella, a priest of Tarhunt, it tells of the battles between the Storm God, Tarhunt, and the dragon, Illuyankas. Taken from Hattan myth, it’s probably one of the earliest tales of dragon-killing. The story’s style — formal sounding, as if something recited in a temple — lends gravitas to the introduction of the monstrous worms that figure in so many world myths and fantasy stories.

“Legacy of the Great Dragon” by S.E. Lindberg moves forward into ancient Egypt, as Thoth, physician of the gods, helps Horus to find power to avenge the death of his father, Osiris, at the hands of Set. This is a wild piece, with a cosmically huge dragon and gods fighting inside of it.

…

Read More Read More

May Short Story Roundup

May Short Story Roundup

Comments 5 comments

oie_6212435zQMwrmTD (1)I’m sorry that I let April pass without a short story roundup. The outpouring of new heroic fiction continues unabated on the pages of numerous magazines the genre is lucky to have. I’m back on track and here to tell you about last month’s must-reads.

I have never left any doubt in my reviews about which is my favorite fantasy magazine, so let me start by singing the praises of Adrian Simmons and his cohorts at Heroic Fantasy Quarterly. Each issue has terrific cover art, two or three stories and a number of poems, and in the three years I’ve been reading and reviewing the magazine it has always been at least satisfactory and usually splendid. What makes HFQ so strong is the editors’ love for and knowledge of the genre, which is obvious by their singular ability to select and edit stories. Always true to the traditions of heroic fiction, they yet manage to publish tales that push the genre in new directions.

Issue 24 is maybe their best yet. This quarter’s artwork is a dark, brooding piece titled “Wizard With Army” by Vuk Kostic. Click this link to see the painting in its full glory.

The issue opens with Cullen Groves’ first published story, “The Madness of the Mansa,” a tale of a capricious monarch with a peculiar penchant for poetry.

Following a night in which “a great storm arose over the western ocean, and many citizens and sailors in the port of Asongai told how they had seen the demons of madness walking the black winds in the darkness.”, the ruler, the Mansa, is struck by a curious madness. From that point on he allows people to address him only poetically, using “the old meters” of songs and legends.

In the wake of the Mansa’s madness, the merchants of Asongai find themselves unable to successfully compete for his attention against the skilled singers of his tribal subjects. When a merchant named Bukra overhears the ex-gladiator, Draba, singing in a tavern, he hires him to petition the Mansa on his behalf.

…

Read More Read More

Dragon’s Rook (The Lost Sword, Book 1) by Keanan Brand

Dragon’s Rook (The Lost Sword, Book 1) by Keanan Brand

Comments 1 comment

oie_26031584LVummnLet me start by stating that I am an inconsistent person with inconsistent tastes and opinions. I tend to get overly emphatic and dramatic when discussing things I like or dislike. In the light of what I’m about to write about Keanan Brand’s epic fantasy novel, Dragon’s Rook, I need to look back and see how many times I disparaged thick books and those set in European-styled worlds. Because that’s exactly what Brand’s book is and I really enjoyed it.

I actually like novels set in pseudo-European worlds. Tolkien, King Arthur, and much of the earliest fantasy reading I did was set in such places. The best included Lloyd Alexander’s Chronicles of Prydain and Poul Anderson’s various excursions in fantasy.

Brave farm boys, daring princesses, wise old women, and wicked kings (plus dragons!) are endemic to the fairy tales read to me by my dad. Mysterious huts in dark forests, dire castles towering over the countrysides, and dank, fetid caves were common locales for those characters’ exploits. This is good stuff that speaks deeply to me for nostalgic and cultural reasons (about 99% of my ethnic heritage originates north of the Rhine River) and it all makes its way into Brand’s novel.

It’s just that often I feel like it has been done to death. Prior to the late 1970s, fantasy was a pretty diverse field. While Tolkien loomed above the genre, he spawned few direct imitators. In the first part of the decade, fantasy writing was all over the place. Sure, there was plenty of swords & sorcery, but there was also Roger Zelazany’s wild romp, The Chronicles of Amber, Ursula K. LeGuin’s very non-European Earthsea trilogy, and Tanith Lee’s phatasmagorical Tales from the Flat Earth (books I need to reread and review).

And then came Terry Brook’s The Sword of Shannara. For the unitiated, many of Shannara‘s events parallel those of the Lord of the Rings closely, and it was a monster success. That was enough to convince publishers and authors that the key to sales lay in the same sort of mimicry. In the years that followed, dozens of quest stories set in very familiar Euro-style worlds appeared. The worst were slavish imitations of Tolkien’s masterpiece, while the best took advantage of the familiarity of quest and fantasy tropes and used them to explore original ideas. Either way, though, Dark Ages and Medieval Europe came to be the default setting for fantasy fiction.

…

Read More Read More