Browsed by
Author: Fletcher Vredenburgh

The Conclusion to a Grand Adventure: Hobgoblin Night by Teresa Edgerton

The Conclusion to a Grand Adventure: Hobgoblin Night by Teresa Edgerton

Comments 0 Comment

oie_433623CB5VCFSUHobgoblin Night (2015) is an e-book rerelease (and revision, and repackaging, along with three previously published short stories) of The Gnome’s Engine (1991), Teresa Edgerton’s charming follow-up to Goblin Moon (1991). In it, the adventures of brave Sera Vorder and dashing Francis Skelbrooke, and the evil machinations of the faerie-human hybrid, the Duchess of Zar-Wildungen, continue.

In my Black Gate review of Goblin Moon, I wrote,

Goblin Moon is a model of what light entertainment can be. It’s not going to change your world, but it will definitely bring a smile to the face of anyone with a taste for some swashbuckling and Gothic mystery. This tale, smelling just a little of lavender and gunpowder, is a fun respite from all the bloody, cynical “realism” permeating much of modern fantasy — come to think of it, much of modern life.

Those words hold true for Hobgoblin Night, as well. There’s a little less swashbuckling and a little more Gothic mystery in this volume, but it’s just as much outright fun as its predecessor. If you have any desire to visit a world suspiciously like Europe during the Enlightenment, but with Gnomes, Fairies, Trolls, magic, and alchemy, these two books are for you.

At the end of Goblin Moon Sera, her cousin Elsie, and Jed Braun were headed off over the Alantick Ocean to the hoped-for safety of the New World. Though they had thwarted the Duchess’ evil plan to wreak dire harm on Elsie as revenge for a slight perpetrated by Elsie’s mother, they hadn’t stifled her desire for satisfaction. By stealing an ancient, mysterious parchment from the Duchess before fleeing, they had, in fact, only enraged her more.

…

Read More Read More

May Short Story Roundup

May Short Story Roundup

Comments 4 comments

oie_2824427axWPyjIhWell, sad to say, there are just not that many swords & sorcery stories to round up this month. The big guns, Heroic Fantasy Quarterly and Grimdark Magazine, (the latter delayed while they run the Kickstarter for their anthology, Evil Is A Matter of Perspective) were silent. Beneath Ceaseless Skies’ two May issues didn’t have anything that fit the S&S bill. None of the other magazines yielded stories to review either. Only the stalwart Swords and Sorcery Magazine came through, just like it does every single month for over four years now.

According to the online Merriam-Webster Dictionary, a skimmington is “a boisterous procession intended to ridicule an unfaithful spouse or a shrewish wife often with effigies and a mock serenade” and “The Skimmington” is the title of B.C. Nance’s story in this month’s issue of SSM. No one in town believes wealthy landowner Daegal’s claim that his wife, Esma, ran out on him. Alden, a man who once loved the missing woman, convinces his fellow citizens to conduct a skimmington parade out to Daegal’s estate. His hope is they can shame Daegal into revealing where Esma really is. While there’s a supernatural element to the tale, it could just as easily be set in any small pre-industrial town. In any setting, though, it would remain a well told story with a haunting ending.

“Rivenrock,” by Connor M. Perry (whose previous story in SSM, “Stragglers in the Cold,” I enjoyed very much), tells of Elegia, the reborn Shepherd of Night, and her lover, Darza. Together, they are searching for the Shepherd’s ancestral home, a place called Rivenrock. Their guide is a man named Averon Thorn whom neither fully trusts, even though he claims to be a supporter of their cause. The concluding spasm of violence is brutal and affecting, but it doesn’t really provide a satisfying conclusion to the story.

Behind the events of “Rivenrock” is an ongoing struggle between the Shepherd of Night and the Lord of Morning. Each appears to have been recently reborn after having been gone for sometime. The Lord seems to have come back earlier and wields more temporal and magical power at present. The Shepherd is still finding her way, thus her need to reach Rivenrock. It’s all very vague and makes following the story less than compelling.

So that’s all there is to review this month. As usual, you should go read them and let the authors and editor know what you think.

…

Read More Read More

Captain Alatriste by Arturo Pérez-Reverte

Captain Alatriste by Arturo Pérez-Reverte

Comments 9 comments

oie_21724427RUFUMWe

Was once a captain,
the story goes,
who led me in battle,
though in death’s throes.
Oh, senores! What an apt man
was that brave captain.
— E. Marquina, The Sun Has Set in Flanders

Spain’s Golden Age ran from roughly 1492, the final year of the Reconquista, until 1659 and the signing of the Treaty of the Pyrenees with France. During that period seemingly endless rivers of gold and silver from the kingdom’s colonies around the world flowed into its coffers. The disciplined soldiers of her vaunted tercios (commands of about 3,000 men) were respected and feared across Europe. Great cathedrals and palaces were built and painting and literature flourished as never before.

But a rot had set in, unseen by many, by the early 17th century. Inflation, corruption, expulsions of Jews and Moors, and endless wars would render Spain a mortally wounded empire that would slowly wither away over the subsequent two centuries. In 1623, though, Madrid is a glorious city of poets and dashing swordsmen. One of the greatest of the latter is Diego Alatriste y Tenorio, the hero of Captain Alatriste (1996) by Arturo Pérez-Reverte. It’s been a while since I reviewed a historical adventure, so I decided to dive into the first book in this still-running series.

Disappointed with the lack of information about the Golden Age in his daughter’s textbooks, Pérez-Reverte took it upon himself to write a book exploring that dramatic period. His most obvious inspiration were the swashbuckling historical romances of Alexandre Dumas. Undoubtedly influenced by two decades as a war correspondent, his exposure to the darkness of combat also permeates Captain Alatriste.

Alatriste is a veteran of years of conflict with Spain’s recalcitrant subjects in the Netherlands and the Turks, having run away as a drummer boy at the age of 13. Now, some thirty-odd years later, the recently ended truce with the Netherlands has brought him back to Madrid. Struggling to make a living with the only skills he posseses, Alatriste sells his sword and strong arm to whomever will pay. In the past he has been hired to kill one man’s rival at court, and the lover of another’s wife. In this novel, the first of seven to date, he and the Italian swordman, Gualterio Malatesta, are hired to waylay and rob two men. Initially told not to hurt the strangers too badly, they are later given conflicting orders to, in fact, kill them. During the attack Alatriste comes to believe things are not as simple as they seem, as well as being struck by the honor of one of his two intended victims. The rest of the novel involves the fallout from Alatriste’s decision to prevent the men’s deaths, as powerful men at the center of the Empire’s complex and corrupt power structure turn their attention to the veteran sell-sword. And that’s it. That’s pretty much the plot of Captain Alatriste.

…

Read More Read More

Logical Swords & Sorcery: The Tritonian Ring by L. Sprague de Camp

Logical Swords & Sorcery: The Tritonian Ring by L. Sprague de Camp

Comments 16 comments

oie_1461552JKlZM7ZLLyon Sprague de Camp’s first published story was “The Isolinguals” in 1937. During the 1930s and 40s he became a significant author, writing dozens of stories and numerous novels. His time travel novel Lest Darkness Fall (1939) is considered a classic and is still read today. Alongside such genre standard bearers as Robert Heinlein and Isaac Asimov, he is considered one of the authors responsible for bringing greater sophistication to science fiction. He was the fourth Grand Master as chosen by the Science Fiction Writers of America in 1979, and in 1984 he was given the World Fantasy Award for Life Achievement. His 1996 autobiography, Time and Chance, won a Hugo Award. In his lifetime he was well-regarded and successful.

To call de Camp a polarizing figure is an understatement. His control over Robert E. Howard’s Conan character for so many years, his ham-fisted editing of Howard’s stories, his ruthless strangling of any effort to get pure, unadulterated Conan into print, raised the ire of readers. For an incredibly detailed history of de Camp’s relationship with REH’s work and legacy, I highly recommend tracking down Morgan Holmes’ 16-part series, “The de Camp Controversy.”

De Camp first encountered the character of Conan when his friend Fletcher Pratt tossed him a copy of Conan the Conqueror. According to Lin Carter, de Camp “yielded helplessly to Howard’s gusto and driving narrative energies.” In 1951 de Camp decided to try his own hand at Howardian swords & sorcery and wrote The Tritonian Ring. He sold it to the clunkily-titled magazine Two Complete Science-Adventure Books. 

…

Read More Read More

Lyonesse: Suldrun’s Garden by Jack Vance

Lyonesse: Suldrun’s Garden by Jack Vance

Comments 6 comments

oie_6184539ElxhnW3oLines from the song “Comedy Tonight” from A Funny Thing Happened on the Way to the Forum sprung to mind numerous times this past week while I was reading Jack Vance’s Lyonesse: Suldrun’s Garden (1983). While definitely not a comedy, it is by turns familiar and peculiar, convulsive and repulsive, as well as dramatic and frenetic. And sometimes, very funny. It is also one of the most inventive, strange, and bewitching books I have had the joy to read.

His first collection, the fantasy classic The Dying Earth (which you can read about in John O’Neill’s post here), helped make Vance’s early reputation as a writer of lapidarian prose, cynical wit, and above all as an inventor of incredibly original cultures, worlds, and characters. For the next three decades of his career he seemed to eschew straight fantasy, and most of his published work was science-fiction and mysteries. In 1983, though, he released a lengthy work of fantasy, Lyonesse: Suldrun’s Garden (L:SG). It rapidly shifts from studies of realpolitik, to fey whimsy, to dark violence that might make George R.R. Martin blush, yet it’s never jarring but completely complementary and intoxicating.

Over the following six years he added two sequels, The Green Pearl (1985), and Madouc (1989). With the latter, Vance beat out Gene Wolfe, Tim Powers, and Jonathan Carroll, among others, to win the 1990 World Fantasy Best Novel Award.

In European legend, both the lands of Lyonesse and Hy Brasil, as well as the city of Ys, sank beneath the sea. In Vance’s novel they are found among the “Elder Isles, now sunk beneath the Atlantic, [which] in olden times were located across the Cantabrian Gulf (now the Bay of Biscay) from Old Gaul.”

…

Read More Read More

Beneath the Shining Jewel by Balogun Ojetade

Beneath the Shining Jewel by Balogun Ojetade

Comments 0 Comment

oie_242157WrHge7mkFor the most part I don’t review new fantasy novels. They get all the press they need, and I don’t read that many of them (though I am seriously looking forward to R. Scott Bakker’s The Great Ordeal). Once in a while, though, there’s something that intrigues me. This week, Balogun Ojetade’s sword & soul horror story, Beneath the Shining Jewel, caught my eye. And then chewed on it and swallowed it raw.

A few years back Ojetade and fellow sword & soul/steamfunk/cyberfunk impresario and author, Milton Davis, released an anthology called Ki Khanga (2013). I reviewed it at my site, Swords & Sorcery: A Blog. Ki Khanga is a world where sorcery and super science exist side by side, Godzilla-sized beasts endanger civilization, and flame thrower-equipped elephants battle monster beetles. It’s a wild setting painted with boldness and liveliness. While I found some of the stories too thin, reading like little more than character backgrounds, others punched hard and I found myself hoping there would be more tales from Ki Khanga in the future.

Last month I asked Davis, apropos of nothing at all, if there was anything planned for his and Ojetade’s shared world. He told me Ojetade had a horror novel set in the world due the very next week. That book is Beneath the Shining Jewel.

Ki Khanga is a large ocean-ringed continent split nearly in two by a gigantic inlet called the Cleave. Tradition holds that it was made when Daarila, the creator god, used his great axe to destroy two warring magical races who had dared to storm Heaven. The axe came down and cut a hole through which all sorts of dangerous creatures and magic now creep.

…

Read More Read More

April Short Story Roundup

April Short Story Roundup

Comments 3 comments

oie_1724340vOE0YC88Are you sitting comfortably? Then I’ll begin.

Another of 2016’s months has come and gone, which means it’s time to round up and review a batch of new short stories.

Swords and Sorcery Magazine #51  presented its usual complement of two stories in April. The first is by a newcomer to the magazine’s pages, Jason Ray Carney. “The Ink of the Slime Lord” gave me nearly everything I could want from a S&S story: a wicked sorceress, dire magics, a dashing pirate, and plenty of monsters.

A trio of evil sisters with dreams of dominion run up against powerful opponents:

The Three Sisters had established a cult centered on a book bound in human skin and inked with blood. This cult threatened the priesthood of Atok-the-Million-Eyed, and for this the sisters would be punished with impunity, the leaves of their philosophy scattered to the winds.

The youngest of the sisters, Mera, “was tenacious. She was able to put her head back on her body.” Revived, she sets off for the titular ingredient in order to bring her sisters back to life as well. Her quest builds in scope as she first faces off against a single wizard, then dives into the underworld in search of a certain pirate before making for a lost and ruined city and the temple of the demonic Slime Lord.

…

Read More Read More

More Metal on Metal: Swords of Steel II edited by D.M. Ritzlin

More Metal on Metal: Swords of Steel II edited by D.M. Ritzlin

Comments 18 comments

oie_905944pvOdEQohFrom its emergence out of the hard rock genre, heavy metal has drawn from the inspiration of swords & sorcery. “The Wizard” is the second track on what is considered the first metal album, the eponymous Black Sabbath. Uriah Heep upped the ante with its albums Demons and Wizards and The Magician’s Birthday. Manowar’s epic song “Battle Hymns,” from the album of the same name, channeled all the blood and thunder of heroic fantasy into 6 minutes and 55 seconds. Behold:

Gone are the days, when freedom shone – now blood and steel meet bone
In the light of the battle’s way, the sands of time will shake
How proud our soldiers stand, with mace and chain in hand
Sound of charge into glory ride, over the top of their vanquished pride

Other bands have gone as far as spinning songs directly from actual stories and novels. The Sword, for example, has Game of Thrones-inspired “To Take the Black,” and Manilla Road drafted both the plot and title of of a Robert E. Howard story for their “Queen of the Black Coast.”

The point is, metal and S&S have been fist in glove for many a year now. They have the same penchant for extremes — the big gestures not the subtle, small ones. The idea that heavy metal musicians could turn their love for S&S into prose makes perfect sense.

And that’s exactly what D. M. Ritzlin has encouraged, starting with last year’s Swords of Steel, an anthology of heroic fantasy written by members of heavy metal bands. While I gave it a mixed review, I was utterly sold on the idea. The authors’ ardor was undeniable, even overwhelming weaknesses in some of the stories. Each story was illustrated with a work of hand-drawn lo-fi art that harks back to sketches on the backs of D&D character sheets and murals painted on the sides of vans. Flaws be damned, I enjoyed the book and was happy to learn that a second volume was being planned.

…

Read More Read More

Once More Into the Primal Land: Tarra Khash: Hrossak! by Brian Lumley

Once More Into the Primal Land: Tarra Khash: Hrossak! by Brian Lumley

Comments 8 comments

oie_331744OeH2c07SWith Tarra Khash: Hrossak!, the British horror luminary Brian Lumley returns with six more stories of derring-do and magical skullduggery set in his primeval land, Theem’hdra. (Two years ago, I reviewed The House of Cthulhu, his first collection of swords & sorcery stories, here at Black Gate.) For those not familiar with the great island-continent, it’s another prehistoric land shoehorned into the Lovecraft Mythos timeline that includes Mu, Lemuria, Hyboria, Hyperborea, and several other forgotten places. It’s the sort of place endemic to tales of swords & sorcery, replete with strong-muscled heroes, conniving merchants, demon-haunted tombs, backstabbing villains, and dastardly wizards with faces hidden in deep cowls (all of which are found in this book).

Any moderately-read consumer of S&S will have experienced these elements, if not to the point of boredom, at least a whole bunch. To get away with the use of such hoary elements, an author must use them without a bit of irony, and with brio. Lumley does exactly that.

Lumley told Robert M. Price that his inspiration for The House of Cthulhu was the work of Clark Ashton Smith and Lord Dunsany, and it’s a claim only bolstered by the tales in this collection. While his prose is never as ornate or bejewelled as his models, there is a similar love for exotic, haunted landscapes draped in mystery and populated by ancient deities and uncanny magic.

…

Read More Read More

Cirsova and Pulp Literature

Cirsova and Pulp Literature

Comments 3 comments

CirsovaTwo incredibly impressive magazines crossed my desk this past month: the very first issue of the brand new Cirsova, edited by P. Alexander, and Pulp Literature #10, edited by the triumvirate of Mel Anastasiou, Jennifer Landels, and Susan Pieters. Both are hefty collections (Cirsova is 95 pages and Pulp Literature is 229) and are available as e-books as well as real live paper versions.

Unfortunately, authors and editors of sci-fi and fantasy fiction seem to want to deny the genres’ pulp roots, or to hold up their literature as worthy of being taken seriously only as it has moved away from that which led to its existence in the first place. Cirsova  is a celebration of those roots. In his afterword, Alexander writes:

There are a number of reasons why I wanted to launch a Cirsova magazine, not the least of which being Jeffro Johnson’s Hugo-nominated Appendix N Retrospective series which both coincided with and helped spur my own look into a lot of older SFF stuff. Planet Stories in particular has become a favored inspiration of mine, and while I would not say that I plan or planned to model Cirsova on that particular publication, I cannot and would not deny the influence.

If that piques your interest the slightest, then Cirsova is for you.

Schuyler Hernstrom’s “The Gift of the Ob-Men” kicks off the issue. Exiled from his tribe, the young warrior Sounnu, is changed into the tool that the Ob-Men, “tall heavy creatures, bearing the form of a mushroom bent into the shape of men,” will use to reclaim their ancient homeland. They transform Sounnu, growing a third eye in his forehead that lets him see the past and more importantly, all possible futures, and turning him into a nearly unstoppable killing machine. Before he reaches his destination he will face slavering ur-wolves and a mad artist haunting a ruined city. The best individual moments are the nearly psychedelic visions the young exile has when he sees all potential futures simultaneously.

…

Read More Read More