Browsed by
Author: Fletcher Vredenburgh

December Short Story Roundup

December Short Story Roundup

Comments 3 comments

oie_353335828o37jb-4I hope everybody had a pleasant holiday and is off to a good New Year. For my inaugaral post 0f 2017, I’ve got a bag full of short stories for you from Grimdark Magazine and 2016’s standout newcomer, Cirsova.

I’ve often dismissed grimdark as a marketing device. First, there’s always been cynical and gritty fantasy, and second, a lot of what’s billed as grimdark is not all that dark and grim. Leave it to Grimdark Magazine editor Adrian Collins to find one of the grimmest, most throughly miserable and unpleasant stories imaginable with which to open Issue #9.

“A Length of Cherrywood,” by Peter Orullian, is like a poisoned crossbow bolt to the brain. Jastail J’Vache is a slaver of women and has a serious mother issue. Following his loss at game played for unique stakes — bets are made with items connected to horrible personal deeds — J’Vache decides he must face the fount of darkness in his soul. Maybe I’m a wuss, but I can’t say I liked this one. The story does a stellar job of creating a vile protagonist and exploring his mutilated soul. The game played between J’Vache and several other equally twisted characters is blackly brilliant. Still, “Cherrywood” isn’t something I enjoyed reading. Let me warn you, it’s not for the meek. While there’s some violence, the real grimdarkness lies in the ways the characters treat each other. The story was previously published in Blackguards, edited by J.M Martin, in 2015.

…

Read More Read More

The Blue Lamp by Robert Zoltan

The Blue Lamp by Robert Zoltan

Comments 3 comments

oie_19158312fpr312tLet me confide a secret I have never told anyone before: sometimes, when I’m reading a story, and I’m all by myself, especially if it’s night and the only illumination is from my reading light, I’ll read out loud. And do voices. I’ll only read the dialogue out loud, reading the rest silently so it’s like I’m creating my own radio show. I like to think it sounds pretty cool. It’s definitely fun. When Robert Zoltan Szeles began telling people he was hard at work on an audio version of his story “The Blue Lamp,” I was jazzed.

“The Blue Lamp” first appeared in Heroic Fantasy Quarterly #26 last year, as written by Robert Zoltan (a name, you have to admit, is pretty awesome for penning S&S). I liked it very much and reviewed it favorably in my October 2015 Short Story Roundup:

A catman, a mothwoman, and an eerie blue lamp figure in Robert Zoltan’s very fun and self-illustrated (well one picture anyway) “The Blue Lamp.” For any fan of S&S those three things should be enough to make you read the story. We know what we like and when we seen it we flock to it like, well, moths.

For those wanting to know more it’s simple: two friends — a tattoo-covered barbarian called Blue, and the poet (and master swordsman) Dareon Vin — get into a fight. Wandering into the big city by himself, Blue ends up looking into the wrong magic blue lamp. When Dareon goes out to find him, unexpected things start to happen. The two physically and temperamentally mismatched heroes bring to mind a certain pair from classic S&S, but only enough to be good fun, not reeking of thievery.

…

Read More Read More

Last of a Series… For Now: The Sea of Time by P.C. Hodgell

Last of a Series… For Now: The Sea of Time by P.C. Hodgell

Comments 7 comments
oie_1362841tq9cvryr
Baen finally does right by Jame and Hodgell

Earlier this year I promised myself I would finally finish all the volumes in P.C. Hodgell’s Kencyrath series so far. I did that yesterday, with my completion of The Sea of Time (2014). I’m really enjoying the series and book 7 is a blast. Regular readers will be shocked to read my one complaint: it’s too short. Before I explain that, let me fill you in on the book and tell you all about its good points.

First, one more time, the setup:

Thirty thousand years ago, Perimal Darkling began to devour the series of parallel universes called the Chain of Creation. To fight against it, the Three-Faced God forged three separate races into one: feline-like Arrin-Ken to serve as judges; heavily-muscled Kendar to serve as soldiers and craftsmen; fine-featured humanoid Highborn to rule them. For 27,000 years, the Kencyrath fought a losing battle, one universe after another falling to the darkness. Three thousand years ago, the High Lord Gerridon, fearful of death, betrayed his people to Perimal Darkling in exchange for immortality. Fleeing yet again, the Kencyrath landed on the world of Rathilien. Since then, they haven’t heard from their god and Perimal Darkling has seemed satisfied to lurk at the edges of their new home. Monotheists trapped on an alien world with many gods, the Kencyrath have had to struggle to make a life on Rathilien.

Now, the power of the Three-Faced God seems to be reappearing. The Kencyrath believe that only the Tyr-ridan, three Highborn reflecting the three aspects of their god — destroyer, preserver, and creator — will be able to defeat Perimal Darkling. Jame, raised in the heart of Perimal Darkling, is fated to be the Regonereth: That-Which-Destroys.

At the end of the previous book, Honor’s Paradox, series heroine, Jame, had survived all the tests and trials thrown at her by the curriculum and her enemies at the Kencyrath military academy, and was promoted to second year cadet.  The Sea of Time opens with Jame arriving at the Southern Host. The Host is the main force of Kencyrath soldiers, hired out to the wealthy city of Kothifir.

…

Read More Read More

Why Swords & Sorcery?

Why Swords & Sorcery?

Comments 53 comments

oie_521202xl2lgoypAbout twenty years ago, I bought John Clute and John Grant’s The Encylopedia of Fantasy. I wasn’t reading much standard fantasy at the time, having abandoned it for science fiction and crime stories. As I pored over the Encyclopedia’s entries, several authors I’d never read caught my attention, enough so that I went out and bought books by them. That was I how I came to read Guy Gavriel Kay’s Fionavar Tapestry and Tad Williams’ Memory, Sorrow, and Thorn trilogy. While I liked parts of them, they struck me as long-winded and overwrought for much of their length. I also realized I was done with stories of willowy elfs, doughty dwarfs, and emo heroes — the seemingly standard players in most of what I was reading. If that was the current state of fantasy, I was all right without it.

I was drawn back to the genre a few years later, though, when I became aware of Night Shade Books publishing hardcover omnibuses of Karl Edward Wagner’s Kane stories and novels. As a monster fan of Wagner, I jumped at the chance to replace my battered paperbacks. As soon as I got them I found myself compelled to read them. I hadn’t read Wagner’s fantasy in several years, and had almost forgotten how visceral a punch it packs (click for my reviews of Death Angel’s Shadow and Night Winds). His stories grabbed me and shook me in a way none of the writers like Kay or Williams had. Battle scenes in epic novels seemed bloated in the light of Wagner’s taut action sequences. The Kane stories were both darker and more vivid than most of the epics I had read. And whatever else about the character of Kane, he never mopes or whines, as I found too many modern epic heroes prone to doing.

When I finished rereading all the Kane stories, I practically ran to my shelves looking for anything else that might affect me the same way. The obvious choices were Robert E. Howard and Michael Moorcock. I had read both authors’ works several times previously, but not for nearly twenty years in both cases.

Howard met my needs, Moorcock less so. Howard remained the ur-swords & sorcery writer, a teller of ripping yarns of the first caliber. This time around Moorcock struck me as too intent on holding the material at a distance, as if part of him was slumming, or maybe just putting on a show to make some shopworn points about heroism, politics, and religion.

…

Read More Read More

Into the Maelstrom: Berserker: Shadow of the Wolf by Chris Carlsen

Into the Maelstrom: Berserker: Shadow of the Wolf by Chris Carlsen

Comments 5 comments

oie_2231022c1px60owRobert Holdstock is best known for his Ryhope Wood series that started with the 1981 novella “Mythago Wood,” later expanded into the 1985 World Fantasy Award-winning novel of the same name. He would go on to write another six books in the series before his untimely death in 2009. I have only read the novel Mythago Wood, but recommend it highly. It is a fascinating excursion into England’s myths, Jungian archetypes, and damaged familial bonds.

Many readers of the Ryhope books, a series lauded for its psychological depth and poetic style, don’t know that Holdstock wrote at least fifteen earlier novels under various pen names. As Richard Kirk, he contributed to the bloody Raven series (the first of which I reviewed here). His Night Hunter horror series, written as Robert Faulcon, ran to six books. Today, I’m going to look at Shadow of the Wolf (1977), the first of the Berserker trilogy of swords & sorcery novels set in historical Europe, and written under the name Chris Carlsen.

Harald Swiftaxe is a young Norse warrior raiding Ireland for the first time. Despite participating with nearly as much fury and relish as the rest of the warband he belongs to, he lets a monk live out of an odd sense of mercy he doesn’t understand. When he doesn’t rape a woman and kill her child, one of his companions nicknames him “the Innocent.”

Harald is a bit of an innocent, at least as innocent as a red-handed brigand can be. He may be a Viking at heart, primed and ready to kill and pillage, but he also longs to return to his father’s comfortable steading and Elena, the girl he plans to marry.

After leaving Ireland’s shores, Harald heads first for Elena’s town. Instead of a place of warm welcomes, he finds it destroyed and its people slaughtered. While he doesn’t discover his beloved’s body, when attacked by a wounded Berserker he does learn who annihilated the town. Even wounded near to death, Harald’s assailant almost proves too tough for him, but the young Viking survives and kills the raider.

…

Read More Read More

October Short Story Roundup

October Short Story Roundup

Comments 1 comment

oie_1554130bqieq2j7October brought another nice batch of heroic fantasy magazines to my electronic doorstep. Among them were regulars Swords and Sorcery Magazine and Heroic Fantasy Quarterly. A newcomer was the old-school paper-and-ink fanzine, Scrolls of Legendry (two issues in fact) from the hands of Swords of Steel maestro, Dave Ritzlin.

I am not sure I have ever heard mention of Swords and Sorcery Magazine outside this column or the blogs of the authors it publishes. While it hasn’t the professional look of Heroic Fantasy Quarterly or Beneath Ceaseless Skies, its commendable dedication to the genre deserves respect and recognition. For nearly five years now, Curtis Ellett has published two new stories each and every month and for that I am very grateful.

Issue #57’s first story is shy on swordplay, but heavy with poetical sorcery. “Ephemera” by David Bowles depicts a magical contest between a Mexican princess and a Japanese monk. In an alternate timeline, Japan has been conquered by the Aztec Empire. The story occurs during the celebration of Tanabata, the Star Festival. The event is a showcase of powerful Aztec magic, held in order to deter encroachment by the Ming Empire and inspire the inhabitants of Nippon.

…

Read More Read More

Last Term: Honor’s Paradox by P.C. Hodgell

Last Term: Honor’s Paradox by P.C. Hodgell

Comments 4 comments
oie_854428zsyhwbhz
Another tawdry Caldwell cover

Can you tell I really like P.C. Hodgell’s Kencyrath series? Not once have I followed up a review of an author’s book with a review of her next one. And in three weeks I’ll review the next one as well. In between there’ll be a short story roundup and then, provided the Canadian mail runs well, Chris Carlsen’s Shadow of the Wolf.

Last week, I wrote that Bound in Blood (2010) was essentially a story where just a bunch of stuff happens to Hodgell’s cat-clawed heroine, Jame. That’s pretty much the feel in Honor’s Paradox (2011) as well, but this time there’s more apparent purpose. The story is told in Hodgell’s usual mix of the funny, the tragic, and the sublime. One final time, the setting is the Kencyrath military school, the randon academy.

Again, the setup:

Thirty thousand years ago, Perimal Darkling began to devour the series of parallel universes called the Chain of Creation. To fight against it, the Three-Faced God forged three separate races into one: feline-like Arrin-Ken to serve as judges; heavily-muscled Kendar to serve as soldiers and craftsmen; fine-featured humanoid Highborn to rule them. For 27,000 years, the Kencyrath fought a losing battle, one universe after another falling to the darkness. Three thousand years ago, the High Lord Gerridon, fearful of death, betrayed his people to Perimal Darkling in exchange for immortality. Fleeing yet again, the Kencyrath landed on the world of Rathilien. Since then, they haven’t heard from their god and Perimal Darkling has seemed satisfied to lurk at the edges of their new home. Monotheists trapped on an alien world with many gods, the Kencyrath have had to struggle to make a life on Rathilien.

Now, the power of the Three-Faced God seems to be reappearing. The Kencyrath believe that only the Tyr-ridan, three Highborn reflecting the three aspects of their god — destroyer, preserver, and creator — will be able to defeat Perimal Darkling. Jame, raised in the heart of Perimal Darkling, is fated to be the Regonereth, That-Which-Destroys.

…

Read More Read More

Another Term: Bound in Blood by P.C. Hodgell

Another Term: Bound in Blood by P.C. Hodgell

Comments 0 Comment

oie_13432gaur4x7bWith Bound in Blood (2010), P.C. Hodgell continues to blow me away with her talent for telling tales. It’s the fifth book in the Kencyrath series, and the second one about our heroine Jame’s time at military school, the randon academy at Tentir. It’s not the most compelling novel so far. In fact, it’s more of a collection of stuff that happens to Jame or stuff she does. That the book manages to hold a reader from cover to cover proves just how good Hodgell is.

First, the mandatory recap:

Thirty thousand years ago, Perimal Darkling began to devour the series of parallel universes called the Chain of Creation. To fight against it, the Three-Faced God forged three separate races into one: feline-like Arrin-Ken to serve as judges; heavily-muscled Kendar to serve as soldiers and craftsmen; fine-featured humanoid Highborn to rule them. For 27,000 years, the Kencyrath fought a losing battle; one universe after another falling to the darkness. Three thousand years ago, the High Lord Gerridon, fearful of death, betrayed his people to Perimal Darkling in exchange for immortality. Fleeing yet again, the Kencyrath landed on the world of Rathilien. Since then, they haven’t heard from their god, and Perimal Darkling has seemed satisfied to lurk at the edges of their new home. Monotheists trapped on an alien world with many gods, the Kencyrath have had to struggle to make a life on Rathilien.

Now, the power of the Three-Faced God seems to be reappearing. The Kencyrath believe that only the Tyr-ridan, three Highborn reflecting the three aspects of their god — destroyer, preserver, and creator — will be able to defeat Perimal Darkling. Jame, raised in the heart of Perimal Darkling, is fated to be the Regonereth, That-Which-Destroys.

…

Read More Read More

One Last Time into the Primal Land: Sorcery in Shad by Brian Lumley

One Last Time into the Primal Land: Sorcery in Shad by Brian Lumley

Comments 4 comments

oie_242034314rvenvucAll good things must come to an end. I get that, and as I’ve gotten older I appreciate that more than ever. However, they do not all have to end badly. Sometimes, though, as with Brian Lumley’s Primal Lands stories, they do. Despite some rough-hewn edges and some too-purple prose, I completely enjoyed the first two collections in the series, The House of Cthulhu and Tarra Khash: Hrossak! (follow the links to my Black Gate reviews). I looked forward to the culmination of these tales in the final volume, Sorcery in Shad (1991). Unfortunately, it’s a bit of a flop. Only Lumley’s easy-going style, colorful world-building, and a clear love for his characters kept its reading from being drudge work.

Lumley is a controversial figure in the world of Lovecraft Mythos fiction. By inclination, he is a writer of action and adventure. What he brought to Mythos stories were heroes who fought back, unwilling to acquiesce in the face of existential dread (and monsters), which didn’t always work very well.

It served him splendidly here, though, in his stories set on Theem’hdra, the continent-sized remnant of a gigantic volcano, in the earliest days of Man on Earth. House of Cthulhu introduced the setting and several recurring characters, most notably the sorcerer, Teh Atht, through a series of mostly independent short stories. Tarra Khash, through several linked stories, told the escapades of its titular good-hearted barbarian wanderer. By the end, Tarra Khash and his friends had saved the world from demonic domination and he had decided to head back home.

…

Read More Read More

Into the Mystic: The Mask of the Sorcerer by Darrell Schweitzer

Into the Mystic: The Mask of the Sorcerer by Darrell Schweitzer

Comments 1 comment

oie_1852341b75ezo3oI read a lot of fantasy — most of it older works — and yet Darrell Schweitzer’s mesmerizing The Mask of the Sorcerer (1995) had escaped my attention until fairly recently. Around the time I reviewed another of Schweitzer’s books, Echoes of the Goddess (2013), John Fultz told me that if I was looking for something really wild, Mask was where to go, so I bought it. And for two years it sat there on the virtual TBR stack. When John (who described it as “Harry Potter in Hell” and wrote an appreciation of Schweitzer here at Black Gate ten years ago) and others recently recommended it as a work of S&S horror, I finally picked it up. I have read some extraordinary novels this year, several of which I will positively reread in the years to come. The Mask of the Sorcerer (MotS) is one of those.

MotS is about the education of sixteen-year-old sorcerer, Sekenre. In a land inspired by ancient Egypt, he learns that magic and sorcery are two very different things:

Sorcery is not magic. Do not confuse the two. Magic comes from the gods. The magician is merely the instrument. Magic passes through him like breath through a reed pipe. Magic can heal. It can satisfy. It is like a candle in the darkness. Sorcery, however, resides in the sorcerer. It is like a blazing sun.

Sorcerers draw on deep forces, often by evil means. When one sorcerer kills another, the killer absorbs his victim’s soul and knowledge. There’s a cumulative effect to this, so one victory can yield the spirits of dozens of previously defeated opponents.

…

Read More Read More