Black Gate

The Jack Williamson Lectureship is a little known, hidden gem of science fiction. Taking place every April in Portales, New Mexico, it always attracts an impressive list of authors, who gather in an unnaturally high concentration in places such as the local Dairy Queen.

I’ve attended the Lectureship for over a decade, so I remember the days when Jack was alive and we held events in his house. He was a brilliant, unassuming man who was one of the founding fathers of science fiction. Words such as “psionics,” “terraform,” and “genetic engineering” had their first appearance in his fiction, and he also coined concepts such as The Prime Directive and androids. He was the second ever SFWA Grand Master and holds the record for publishing stories in more consecutive decades than any other author (nine decades in total!)

This year I sat down with Professor Patrice Caldwell (far right in the picture above, next to Connie Willis and Betty Williamson, Jack’s niece). Patrice coordinates the Lectureship every year, and we took a moment to discuss Jack’s legacy, and this annual event that honors him. If you’ve never heard of the Jack Williamson Lectureship, listen up! It’s an event you won’t want to miss.

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Susan Kaye Quinn is an author and a rocket scientist who hails from the Chicago area. It’s hard to say what she’s best known for. Her YA science fiction Mindjack trilogy, noir science fiction Debt Collector serial, South Asian steampunk Dharian Affairs trilogy, and middle grade fantasy Faerie Swap have all been well received.

Her most recent release is dystopian cyberpunk The Legacy Human, which is the first book of her Singularity series. A member of the Indelibles (one of the first indie author groups to take off, back in the day) and the Emblazoners (an equally pioneering middle grade indie author group), she is also the author of The Indie Author’s Guide.

Now, this interview is a little out of sync with reality. I conducted it in September 2013, and then hit some technical difficulties, and then got buried by my startup business, so I apologize that the projects she’s talking about are now all published (but that means you don’t have to wait to read any of them.)

I have the privilege of sharing a German translator with Susan, and we both started our indie careers at around the same time (I’m E.M. Tippetts in indie world, a chick-lit writer). Together we’ve seen indie publishing evolve from an unheard of option with a strong stigma, to what it is today, providing both her and me a living. I’m just lucky.

She, on the other hand, is good, so I strongly recommend you hear what she has to say!

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Stephanie Burgis got her first short story published when she was fifteen, and hasn’t stopped since.

Now the author of over thirty published short stories and the Regency fantasy novel trilogy The Unladylike Adventures of Kat Stephenson (Atheneum – US, Templar – UK), she makes her home in Wales with her husband, Patrick Samphire (also a writer).

I had the opportunity to sit down with her and ask about her research process for her novels, the path she’s taken in her career, and on a more personal note, her life with Chronic Fatigue Syndrome.

Stephanie and I also collaborated on some jewelry pieces I designed to tie in with her novel trilogy, and here we also share the story behind those pieces and the various hurdles we had to overcome to get them into production.

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Ellen Datlow is one of the most award-winning, if not the most award-winning, editors in science fiction and fantasy. To date, she has won four Hugos, three Bram Stoker Awards, nine World Fantasy Awards, two International Horror Guild Awards, two Shirley Jackson Awards, and five Locus Awards.

Regular readers of Black Gate will remember her brief interview calling for backers for a Kickstarter Campaign, and readers delivered in a big way. Her campaign was funded and even reached a stretch goal, and that anthology, Fearful Symmetries will be open to submissions May 1, 2013, so if you have a horror story to submit, mark your calendar. Details will be on the Kickstarter campaign page.

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I had the privilege of meeting Sandra Tayler last year at the Nebulas and Howard online at the start of this interview. Famous as the team behind Schlock Mercenary, they’re a noteworthy example of how to build a creative business. What began as a hobby for Howard, doodling a space opera, has become the primary source of income for their family of six, and I really wanted to get a chance to talk to them about the process of moving from a corporate job to self employment. Their web comic has been nominated four times for the Hugo Award and the Taylers have branched out into print books, merchandise, and even a board game.

Howard originally did his degree in music and then went to work for Novell, the software company, for a decade. He and Sandra ran a small music production company for several years before Howard’s interest turned to drawing and comics.

Sandra earned her degree in humanities, which she says she chose, in part, because it didn’t require math. However, one of the first jobs she took on for the family business was the accounting, which she learned through her own study to do as well as a professional accountant. She also took on the book design portion of the business, again teaching herself how to use InDesign and manage the workflow.

In this interview, we discuss that whole journey, and even share a few anecdotes about our mutual faith. As coincidence would have it, all three of us are Latter-day Saints (aka Mormons), and religion also played a significant role in Howard and Sandra’s business decisions.

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