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Author: Derek Kunsken

Uncanny X-Men, Part 15: 1974 and 1975 – The Last Tales of the Original X-Men

Uncanny X-Men, Part 15: 1974 and 1975 – The Last Tales of the Original X-Men

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Welcome to post 15 of my re-read of the X-Men, which began in the Silver Age with X-Men #1 in 1963. We’re now well into 1974. We’ve gone through pretty much every appearance and guest appearance of the X-Men and even some X-Men-adjacent characters and we’re only a year away from Len Wein and Dave Cockrum’s new take on the X-Men in Second Genesis.  I’m going to talk about five issues in this post and note a few others for those who want to read in a really completist way.

The first set of issues is a two-part Magneto appearance in The Defenders #15-16. I glossed over Magneto’s Amazing Adventures appearance against the Inhumans in the last post because he was bringing a bit of a tired plot to the table (creating a bunch of mutants from scratch to command and send into battle).

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Uncanny X-Men, Part 14: 1973 and 1974 – Magneto, the Hulk, Banshee and Post-Watergate Captain America

Uncanny X-Men, Part 14: 1973 and 1974 – Magneto, the Hulk, Banshee and Post-Watergate Captain America

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Welcome to part 14 of my X-Men reread! The X-Men are still in their publishing purgatory that lasted from 1970-1975. During this time, the X-Men series is reprinting middling mid-1960s material. Hank McCoy lasted 6 issues as the star of Amazing Adventures and the Silver Age X-Men seem to have had so little impact on the 1970s working creatives that artists, writers and colorists don’t know them well enough to get powers, personalities or even costumes right. It’s a dark era for X-Men fans.

But before getting into the main guest appearances in this post, I’m going to go back in time to cover four issues where the X-Men had at best a tangential role in the story because I like being something of a completist. Just before Hank McCoy’s run on Amazing Adventures, the title had been devoted to the Inhumans, who often split the issues with Black Widow. In issue #9-10 (Nov, 1971) Gerry Conway and Mike Sekowsky concluded an ongoing story-line with Magneto looking to make Blackbolt leader of a bunch of mutants Magneto would create.

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Uncanny X-Men, Part 13: Englehart’s Bronze Age Monster Horror – The Beast

Uncanny X-Men, Part 13: Englehart’s Bronze Age Monster Horror – The Beast

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Welcome to Part 13 of my complete reread of the X-Men. We’ve covered all the original X-Men run, many guest appearances and side stories. We’re now in 1972 and in my last post, Gerry Conway and Tom Sutton had taken the moribund second-strong superhero Beast and thrown him solo into the world of Jekyll-Hyde monster horror. In this post, we’re going to cover the remaining five issues of Amazing Adventures that follow Hank McCoy’s sundering from the X-Men.

Amazing Adventures #12 opens with Hank McCoy’s most obvious problem: His Jekyll and Hyde moment has permanently turned him into a twisted, inhuman beast, and he can’t change back. He can’t even pass for human. And he needs to pass for human to have a chance of marshalling his biochemical skills to cure himself. The artwork by Tom Sutton and Mike Ploog is perfect for a horror story, and we’ve seen Ploog do beautifully eerie with Doctor Strange’s contemporaneous stories in Marvel Premiere. Check out the splash page below.

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Uncanny X-Men, Part 12: X-Men Guest Appearances in 1971-1972 and Hank gets Furry!

Uncanny X-Men, Part 12: X-Men Guest Appearances in 1971-1972 and Hank gets Furry!

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We’re back in the Bronze Age, baby! We left the original X-Men in John’s Byrne’s X-Men: The Hidden Years and in this 12th installment in my reread of all the X-Men, we’re now into the guest appearances our merry mutants made in the dark period between 1970 and 1975 when they weren’t being published regularly.

I want to go over The Amazing Spider-Man #92 (guest-starring Iceman), The Incredible Hulk #150 (guest-starring Havok and Polaris), Marvel-Team-Up #4 (featuring Cyclops, Marvel Girl, Angel and Professor X), Amazing Adventures #9-10 (starring the Inhumans against Magneto), and finally Amazing Adventures #11, the most significant issue discussed today, because of permanent character changes to Hank McCoy.

I slagged a bit on The Hidden Years in my last post because it was a comic of the year 2000 with a 1980s writerly sensibility. We’re diving back 20 years now, where the action was more slap-dash and energetic, the dialogue more over the top, and the social-political positions both surprisingly advanced and backwards for the time.

The Amazing Spider-Man #92 is a quick single-issue story with pencils by Gil Kane, inks by John Romita Sr, and writing by Stan Lee. The webslinger finds Gwen Stacey and Sam Bullit, a secret criminal boss running for New York D.A. against Foggy Nelson.

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Uncanny X-Men, Part 11: Storm, the FF and Phoenix in John Byrne’s The Hidden Years

Uncanny X-Men, Part 11: Storm, the FF and Phoenix in John Byrne’s The Hidden Years

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Welcome to my 11th installment of my epic rereading of the X-Men, starting in 1963. I say that like it’s a big thing I’ve done, but to put things in perspective, I’ve done 10 posts before this and I haven’t even gotten to Giant-Sized X-Men #1 yet! Partly for that reason and partly because there are some swings and some misses in X-Men: The Hidden Years, and I really want to get back to the Bronze Age appearances of the X-Men.

Let me start with some of the negatives with X-Men: The Hidden Years. I don’t start here to scare anyone off. I think the things that don’t work are generalized problems with this series and are also certainly not fatal. X-Men: The Hidden Years was in fact selling well and was only cancelled at 22 issues because Marvel saw it had too many X-Men books at the same time and needed to cut one.

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Another Childhood Classic Disappoints: Thuvia Maid of Mars by Edgar Rice Burroughs

Another Childhood Classic Disappoints: Thuvia Maid of Mars by Edgar Rice Burroughs

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Thuvia of Mars paperback editions (Ace 1962, Ballantine 1969, Four Square 1962). Art by Roy Krenkel, Jr., Bob Abbett, and Roy Carnon

During confinement and adjusting to a new job (while writing a new novel!), I’ve been feeling like my bandwidth is restricted. To calm my brain at times, I’ve been rereading books I enjoyed. My reread of the X-Men is well underway (here’s post X in the blog series), and I’ve also relistened to R. Scott Bakker’s Prince of Nothing (covered here by Theo), Charles Stross’ Saturn’s Children and the first two books of The Lord of the Rings. They were all good.

I’ve had rocky experiences on rereads before though. Dune aged poorly for me in some important ways (I detailed it here) and Anthony’s Spell for Chameleon had little redeem itself in my mind (the ways that reread fell flat are here).

I was optimistic about rereading my first novel experiences, Edgar Rice Burroughs though. I’d previously talked about Burroughs and the amazing biography written about him here. Princess of Mars, Gods of Mars and Warlord of Mars were all too well remembered so I downloaded Thuvia Maid of Mars at Librivox.org, which does audio recordings of public domain books. This novel was also discussed by Black Gate blogger Ryan Harvey a few years ago, so if you want an alternate view, it’s here.

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Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

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Holy cow! We’re into double digits of my reread of the X-Men story that began in 1963. I include a full set of links to the post series at the bottom of this post. As we saw last time, some later creators have had some fun in writing stories that fit into those empty years between 1970 and 1975 when X-Men was just a reprint title. One of the most famous is John Byrne’s 1999-2001 series X-Men: The Hidden Years. 

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These Violent Delights: HBOs Westworld

These Violent Delights: HBOs Westworld

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I don’t often find a lot I enjoy on TV. There are notable exceptions. I loved Battlestar Galactica and Sons of Anarchy, enjoyed a few seasons of Game of Thrones, Justified and Banshee, and dabble in Star Trek: Discovery.

A few years ago though, I was absolutely blown away by the first season of Westworld. Physical distancing has given me a bit of extra time and in Canada Westworld is on Crave premium, so I rewatched season one, blew through Season Two and found to my delight that new episodes of Season Three are appearing weekly.

What is it and why am I talking about it on Black Gate? It’s probably the most scientifically faithful science fiction I’ve ever seen on TV or the big screen, and yet it has the powerful literary and narrative qualities you’d expect in an HBO series. There is no hand-holding here for the viewer and no clumsy exposition. It’s keep up or go home all the way — the series treats you like you’re smart enough to keep up, which really means that Westworld has enough depth of character and story to leave you turning it over in your mind for quite some time.

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Uncanny X-Men, Part 9: Filling in the Corners of the Original X-Men with Savage Hulk #1-4

Uncanny X-Men, Part 9: Filling in the Corners of the Original X-Men with Savage Hulk #1-4

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Welcome to the 9th episode of my reread of the vast X-Men story that began in 1963. The X-Men series stopped putting out original stories in early 1970, due primarily to low sales; it was a reprint magazine from issues #67–93, cover dated December 1970 to April 1975, until the beginning of the Claremont and Cockrum run in issue #94.

I’m going to go through their early Bronze Age appearances in coming blog posts, but for story continuity purposes, I’m also reading issues created in contemporary times but fitting into that 5-year dead period, like I covered for the original X-Men in X-Men: First Class.

So this time I read the 2014 series Savage Hulk, by writer/penciller Alan Davis, inker Mark Farmer and colorist Matt Hollingsworth. 

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Uncanny X-Men Part 8, Issues 59-66: The Savage Land and the End of the Silver Age X-Men

Uncanny X-Men Part 8, Issues 59-66: The Savage Land and the End of the Silver Age X-Men

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This is a gigantic milestone! This is the 8th episode in my reread of the X-Men run. It covers from #59, the height of the Roy Thomas-Neal Adams run, to #66, the end of original X-Men stories, which hit the stands on March 10th, 1970. The end of the X-Men’s ongoing stories coincides with the end of the Silver Age and the beginning of the Bronze.

The Silver Age X-Men, as a distinctly 1960s phenomenon reached their peak with some of the Arnold Drake stories with some interesting experimentation under Steranko’s art. The arrival of Neal Adams feels much more like it belongs in the Bronze Age. Both the art and the story complexity (under Roy Thomas) feels like it’s breaking creative ground that the best of the 1970s will follow.

The merry mutants’ uneven momentum had carried them for 7 years, but even a spectacular finish couldn’t save the series from its failure to come into focus. We’re going to talk today about that end.

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