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Author: Derek Kunsken

From Toys to Comics: The Micronauts

From Toys to Comics: The Micronauts

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Life ain’t easy when you’re 3.75″ tall.

A number of toy properties have been re-imagined in comic books. Some examples are the Shogun Warriors, The Transformers, Rom the Space Knight, He-Man and the Masters of the Universe, and G.I. Joe.

My own personal favorite was Marvel’s/Mego’s The Micronauts. The story of how Mego’s Micronaut toy line got turned into a comic is unexpected.

It turns out that Marvel writer Bill Mantlo’s son was opening up his Christmas presents in 1977, which included a haul of Micronauts (something that happened in my house that year too).

Mantlo was inspired by the toys and asked Marvel Editor-in-Chief Jim Shooter to get his hands on the comics rights, and voila!

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A Positive View on the Accelerating Reboots in Comics

A Positive View on the Accelerating Reboots in Comics

uncanny-inhumans-640The Marvel and DC reboots seem to happen quicker and quicker. Every 2-3 years, the big two stop production of many lines and then re-origin or rework a bunch of characters and teams. On one hand, I get it.

A #1 issue sells better than a #5 or a #25. Also, some characters or storylines get long in the tooth and a refresh isn’t bad. And often, this is a place to sneak in (or boldly proclaim) new diversity to appeal to a broader range of fans. On the other hand, some consumers, myself included, like our continuity and the idea of collecting all the issues and knowing that what I bought five years ago is still cannon.

But I’ve got to say that the quality of the reboots is winning me over. There is so little pure continuity left that the emotional cost of a reboot for me is lower and lower.

For example, in 2012, Marvel launched the NOW! branding of their line. A bunch of new #1 issues came out and many were kicking serious ass (Ms. Marvel, Captain Marvel, Guardians of the Galaxy, Hawkeye, Black Widow, Magneto, etc). In 2015, Marvel destroyed the Marvel Universe (surprise!) to make Secret Wars.

As a personal aside, hearing that they were redoing Secret Wars had me a little anxious. I’m old enough that I bought the first Secret Wars series over twelve months in corner stores. I thought a redo would be crappy. However, Marvel made this one much, much bigger in scope, and included most of the current characters in the MU.

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Filling in the Gaps in my Education: Watching Buffy the Vampire Slayer for the First Time

Filling in the Gaps in my Education: Watching Buffy the Vampire Slayer for the First Time

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Whatchu talkin’ ’bout, Willis?

In nerd-world, my credibility is pretty good. Star Wars was the first movie I’d ever seen in theaters, I can name all the Super-Friends, read comics, I’ve sold a bunch of science fiction and fantasy stories, and I blog here.

However, my nerdish education and vocabulary has, until now, had a few embarrassing gaps.

Hi. My name is Derek and I have a problem. I never watched Buffy the Vampire Slayer, nor Firefly.

I have other nerd-world-related problems, like thinking Dr. Who is a bit dumb, never having cottoned to Lost, and not being that particularly drawn to zombies in any of their incarnations.

But, at least with Buffy, there’s no reason I can’t fix this. So, I’ve set out to correct this deficiency.

In the last 3 weeks, I’ve watched two and a half seasons. I have two sets of reactions: the frivolous ones and my reactions as a writer.

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Thinking About What Makes The Shining and The Exorcist Work

Thinking About What Makes The Shining and The Exorcist Work

Linda-Blair-in-The-Exorcist-1973
Aw, man. This just ain’t right.

Sometimes in the course of growing as a writer, you fluke into a success before you grow the skills to consistently hit that success. My second-ever fiction sale was to Asimov’s Science Fiction in 2008 and over the following two-and-a-half years, I collected nothing but rejections from them.

My 2008 story had accidentally included enough good elements that it made it into the magazine, but I didn’t understand what those science fictional elements were or how to use them properly until about 2011.

I think the same thing happened to me with a story called “Dog’s Paw.” I thought I’d been writing a lit story when in fact, I had included horror elements that eventually got it published in a horror anthology, Ellen Datlow’s Best Horror of the Year, and a superb audio version at Pseudopod.org (British people make everything sound extra-good). After my experience with my 2008 Asimov’s story, I was under no illusions that I was a competent horror writer, just a lucky one.

This spring, I decided to try to write a horror story. Knowing my weakness, I deliberately tried to figure out what goes into a good horror story. And when I want to analyze story structure, I go first to movies, because I find it easier to see the moving parts.

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Dr. Strange, Part II: Becoming Sorcerer Supreme and Dying in the Englehart Era

Dr. Strange, Part II: Becoming Sorcerer Supreme and Dying in the Englehart Era

Marvel_Premiere_Vol_1_9In a blog post of some weeks ago, looked at the one of my favorite Dr. Strange periods, when they’d established his overall mythos. The early 1970s was another kick-ass period for Dr. Strange, when the Master of the Mystic Arts became the Sorcerer Supreme.

In 1971, after the end of the series Strange Tales, Marvel’s Master of the Mystic Arts found a home in Marvel Premiere with issue #3. Marvel was just beginning an eerie period that mirrored the monster movie craze of the 1970s.

This period brought into prominence Marvel’s werewolves, zombies, Morbius the Living Vampire, Ghost Rider, Son-of-Satan, Dracula, Satana, Blade, and even ended up turning one of the X-Men into a furry monster. This tone seeped into Dr. Strange too.

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Monstress: An Interview with Marjorie Liu

Monstress: An Interview with Marjorie Liu

Marj-Monstress-Issue-1-Cover-smallOn November 4th, Image launched a new comic series called Monstress by Marjorie Liu and Sana Takeda. Liu is already well known as a New York Times Bestselling novelist, and from her work on Marvel titles such as Wolverine, X-23, Dark Wolverine, and Astonishing X-Men. I had a chance to interview Marjorie about Monstress.

Derek Kunsken: I read Monstress, and I have to say I was absolutely floored by how beautiful it is. I’ve seen Sana Takeda’s work with you on X-23, but it seems like all the stops were pulled out here. Not only that, the setting is original and the theme of inhumanity reminds me of Scott Snyder’s Wytches.

Marjorie Liu: You’re so kind. I’ve also been floored by Sana’s work on this book. I had a vision, I knew what I wanted Monstress to look like — but Sana took those ideas and just made them explode on the page. Her character designs, too, totally altered the story. I had one idea of what the book was going to be about — and then I saw what the monster looked like — and everything changed in that moment. For the better.

The revelations in the world of Monstress feel both fast and slow, drinking from the firehose, but piling up the questions on the side. Maika seems to be neither fully human nor Arcanic. Can you talk about Maika as an outcast character?

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Making Comics and Animated Shorts: Ian McGinty and Welcome to Showside

Making Comics and Animated Shorts: Ian McGinty and Welcome to Showside

welcome-to-showsideComic artist Ian McGinty has worked on Adventure Time, Hello Kitty, Fraggle Rock and many other titles, for publishers such as Archaia, BOOM!, Dynamite and now Z2. Ian is making his creator-owned debut with Welcome to Showside at Z2 Comics 28 October, 2015.

Not only that, but Welcome to Showside has also been developed into an animated series, with McGinty serving as showrunner and one of the voice actors. I wanted to e-interview Ian to chat about his successes.

Thanks for the chance to chat, Ian! You must be crazy busy in these last days of October!

Haha, yeah it’s definitely been pretty insane on this end, but it’s also been super rad and exciting to see everything coming together. A lot of hard work on many people’s parts have gone into Welcome to Showside, both the comic and the animated show, and to finally be seeing the end result, it’s like, damn, you know? I never expected such a great response from people, and it’s still sort of sinking in.

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Dr. Strange, Part I: Establishing the Mythos: Master of the Mystic Arts in The Lee-Ditko Era

Dr. Strange, Part I: Establishing the Mythos: Master of the Mystic Arts in The Lee-Ditko Era

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The brilliant, eerie worlds of Dr. Strange.

I’ve always liked Dr. Strange. Issue #43 was one of the first four comics my mother gave me in 1980. Stephen Strange is a lonely, stoic hero whose scope of danger and action is nearly always cosmic, and whose inner demons are as powerful as anything he faces with magic.

By the time I was finishing high school, my collection had grown to the point that I had a pretty good grip on his adventures from his first appearance in 1963 to his loss of everything in the late 80s.

Our fearless leader John O’Neill blogged recently about the news of the Dr. Strange movie. I don’t know how I feel about the movie — I have a lot of trouble with disappointing adaptations, but like I did with the Adam Warlock books, I’d like to take a retrospective look on my favorite comic sorcerer.

In my head, the classic Dr. Strange can be broken into three periods. In this post, I’ll look at the establishment of the Dr. Strange mythos in the Lee-Ditko era (roughly Strange Tales #130-#141).

In the early 1960s, there were essentially two creative engines at Marvel. Stan Lee and Jack Kirby had created Thor, the Hulk, the X-Men, Iron Man, the Avengers, and the Fantastic Four. Stan Lee and Steve Ditko had created Spider-Man.

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Talking Over the Drowning City: An Interview with Christopher Golden, Co-Author of Joe Golem, Occult Detective

Talking Over the Drowning City: An Interview with Christopher Golden, Co-Author of Joe Golem, Occult Detective

Joe Golem Occult Detective-smallI’ve been e-interviewing different comics creators (indie comics guys Mirror Comics and graphic novelist-turned-TV producer Jay Odjick) as well as comic book editors (Xander Jarowey, Heather Antos, Jake Thomas, and Daniel Ketchum, all from Marvel Comics).

This time out, I wanted to chat with Christopher Golden, a best-selling author and one half of the writing team (along with Mike Mignola) on the 5-issue series Joe Golem: Occult Detective, from Dark Horse. Issue #1 comes out in November, but Dark Horse was kind enough to share an advanced view with Black Gate for this interview 🙂

Click on any of the artwork in this article for bigger versions.


Hey Christopher. Thanks for the chance to chat. I read a review copy of Joe Golem, Occult Detective, and really enjoyed it. I hadn’t seen the world of the Drowning City before, but it was compelling.

Glad you dug it. Mike and I spent a lot of time crafting this world, making sure all the weird pieces fit, so I’m really looking forward to seeing what readers think.

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Blowing the Doors Off the Barn: Expanding the Iron Fist Mythos

Blowing the Doors Off the Barn: Expanding the Iron Fist Mythos

Immortal Iron Fist-smallMarvel’s Iron Fist has not traditionally been one of those characters that attracted me. I first encountered him in a second-hand Power-Man and Iron Fist I got in my first year of collecting comics in 1981.

I didn’t get the odd-couple humor, nor the 1970s movie aesthetic that drove the creation of these heroes. Maybe I just wasn’t ready to dig a character who wore slippers. In my defense, I didn’t cotton to Karnak of the Inhumans either. So maybe it’s was the karate chops.

Power_Man_and_Iron_Fist_Vol_1_77As a teen, I was briefly and underwhelmingly exposed to the black and white magazine-sized martial arts books Marvel published in the 1970s. The only positive sound I ever made when Iron Fist showed up on my radar was when he was drawn by John Byrne and when he briefly crossed paths with the X-Men.

That all changed for me in a 2006-2009 run of The Immortal Iron Fist written by Ed Brubaker, Matt Fraction, and Duane Swierczynski, and pencilled by Travis Foreman and David Aja. Why?

Before 2006, a few things were clear about Danny Rand, the Iron Fist. He was trained in the mystical city of K’un L’un after the deaths of his parents. He is one of a long line of successive possessors of the Chi force that he got from the Dragon of K’un L’un. His arch-enemy is the Steel Serpent, a bit of a bad apple from K’un L’un. It’s a tight superhero set-up, and to my taste, a bit tepid.

But in “The Last Iron Fist Story” (issues #1-6 of the Immortal Iron Fist), Brubaker and Fraction reveal that Danny is not the only living Iron Fist. His predecessor is still alive and kicking (sorry…); he’s been hiding in an opium haze for decades.

When the enemies of K’un L’un find him, he has to leave opium, in anticipation of something called the Tournament of the Seven Capital Cities.

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