Black Gate

The Kyrik novels by Gardner F. Fox (Leisure Books, 1975-1976)

I’m getting ready to embark on a series of posts about Philip Jose Farmer, but got distracted looking through my shelves and decided to throw in a post about the Sword & Sorcery work of Gardner F. Fox, who I mentioned here a while back for his two book S&P series set on the planet Llarn.

While my small hometown library didn’t have anything by Robert E. Howard, they had various books claiming to be “In the tradition of Conan.” That’s how I found out about Howard. The first “In the tradition” book I read was Kyrik: Warlock Warrior by Fox, from Leisure Books, 1975. The cover was candy to a starving teen. By Ken Barr (although I didn’t know it at the time), the cover showed a muscled barbarian swordsman astride a pterodactyl with a nearly naked green-haired beauty beside him. My imagination ignited. And when I started reading it, I loved it even more.

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Andre Norton’s two-book series Judgment on Janus and Victory on Janus
(Fawcett Crest, December 1979 and January 1980). Covers by Ken Barr

Part I of Andre Norton: Gateway to Magic is here.

Two other fun books by Norton that I read between ages 12 and 16 were Judgment on Janus and Victory on Janus. In Judgement, a down and out young man named Naill Renfro ends up on the planet Janus, which is ruled by a group of religious fanatics from Earth. There are artifacts on Janus from a native civilization, which is thought extinct, and Renfro finds one but is contaminated by it and begins to mutate. Turns out, he’s mutating into a native of the planet, a changeling, if you will. He flees into the vast forest of Janus.

When I first read this book, I was caught up in the rousing adventure, which had elements of the Sword & Planet genre. Only with a later read did I realize all the things going on underneath the surface, the condemnation of religious fanaticism and racism, and the criticism of a corporate world of excess. I came around to that way of thinking myself many many years later. She was ahead of her time here.

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The complete run of Swords Against Darkness (Zebra Book, 1977-1979).
Covers by Frank Frazetta, Larry Kresek, Greg Theakston, and Luis Bermejo

In my opinion, Andrew Offutt’s greatest contribution to literary history is the five book anthology series he edited called Swords Against Darkness. They were simply called I through V and published between 1977 and 1979, all by Zebra.

I’ve got them all and have read them all. They knocked my socks off. I was just beginning to write around the time the series ended and one of the first pie-in-the-sky goals I had for myself was to write something good enough to be included in the series. The series ended before I got close to making it, or even submitting.

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Warrior of Llarn and Thief of Llarn by Gardner F. Fox (Ace Books,
1964 and 1966). Covers by Frank Frazetta and Gray Morrow

I discovered Thief of Llarn in my small hometown library. The swordsman on the cover screamed John Carter to me, and the demon skull with the gem in it didn’t hurt any.

I fell in love with this book and finally found a copy for myself. It’s not in great shape. It took me another fifteen years (pre-internet) or so to find Warrior of Llarn, which was actually the first book of the two book series.

I was somewhat disappointed in Warrior, probably because Thief had become almost mythically good to me in my memories. These are solid entries in Sword & Planet fiction. They were published in 1964 and 1966 respectively.

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The first eight Dray Prescot books (DAW Books, 1972-1975).
Covers by Josh Kirby, Tim Kirk, Jack Gaughan, and Richard Hescox

As I started collecting and reading the Dray Prescot series of Sword & Planet novels, I tried to find out more about the author: Alan Burt Akers. The early books, published by DAW books starting in 1973, had no description or details of Akers, although they had ample details on Dray Prescot, who supposedly had recorded his adventures on tapes, which Akers then transcribed.

At the time I was sure Alan Burt Akers was a real person. It was many years before I learned the truth. Akers was a pseudonym for Henry Kenneth Bulmer (1921-2005). I don’t know why he chose that particular pseudonym, although I noted that it included all three parts of the name, and I was sure this was an homage to Edgar Rice Burroughs and Otis Adelbert Kline.

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Dray Prescot 20: A Sword for Kregen (DAW Books, August 1979). Cover by Richard Hescox

About 1979, while in college at Arkansas Tech University, I visited a local used bookstore and found a copy of A Sword for Kregen.

The great cover, drawn by Richard Hescox (who I got a chance to meet), had what looked like a human locked in a sword fight with a creature with four arms and a tail with a hand on it. The four arms immediately reminded me of the Tharks of Barsoom. No way I was leaving the store without that book. It only cost me $1.17. (The price is still written on the cover.)

The book proved to be Sword & Planet and had one of the best swordfights I’d ever read. And, the human hero turned out ‘not’ to be the best swordsman in the fight. I’d never imagined such a thing from reading Edgar Rice Burrough’s Barsoom books and the works of Gardner Fox and others. I fell in love. And best of all, the cover said this was #20 of a series! I had a lot more good reading ahead of me, and I didn’t know the half of it.

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