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Author: Charles Gramlich

The Fiction of Edgar Rice Burroughs, Part IV: The Hollow Earth and Pellucidar

The Fiction of Edgar Rice Burroughs, Part IV: The Hollow Earth and Pellucidar

The Hollow Earth novels of Edgar Rice Burroughs: At the Earth’s Core (Ace Books, August 1978), Pellucidar (Del Rey, May 1990), Tanar of Pellucidar, Back to the Stone Age, Land of Terror, and Savage Pellucidar (Ace Books, January 1973). Covers by Frank Frazetta and David Mattingly (Pellucidar)

Above are my Edgar Rice Burroughs Pellucidar books. Tarzan at the Earth’s Core goes with this series as well, although I included it in Part II of this series, with my Tarzan collection. In these stories, Pellucidar is a hollow area at the center of the Earth. There are openings into it at the North and South poles, but in the initial book, At the Earth’s Core, an American named David Innes reaches the interior by riding inside a giant drill. This is kind of a reverse of the Sword & Planet plot in which the Earthman is taken outward to another world.

Pellucidar is an interesting construction and ERB clearly gave it some thought. There’s a miniature sun at the center that leads to perpetual day, and the only shadowy area on the surface of Pellucidar is an area of constant twilight beneath the bulk of the unmoving moon. The interior has no horizon because everything curves up and away from the viewer, and the land and water masses are the reverse of the surface, leaving a lot of land. The world is populated by all kinds of extinct outer lifeforms that wandered in through the polar entrances, including some dinosaurs and the remnants of the mammal megafauna.

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The Fiction of Edgar Rice Burroughs, Part III: The Westerns and The Mucker

The Fiction of Edgar Rice Burroughs, Part III: The Westerns and The Mucker

Westerns by Edgar Rice Burroughs: The Bandit of Hell’s Bend and The Deputy Sheriff of Commanche County (Ace Books); Apache Devil and The War Chief (Ballantine Books). Covers by Boris Vallejo, the Brothers Hildebrandt, and Frank McCarthy.

Like many pulp writers of his day, ERB dipped his toes into the western genre. He wrote four: two pretty standard ones and two that incorporate the Native American experience. He knew something of what he wrote, having worked on his brother’s ranch in Idaho at age 16, and having served with the 7th cavalry in Arizona in the late 1890s.

His first standard western was The Bandit of Hell’s Bend (1924), followed by The Deputy Sheriff of Commanche County in 1940. Both of my copies are later printings from Ace with very cool Boris illustrations. I like these better than many of Boris’s paintings because they seem less static. He does a good job of portraying action here.

In Bandit, we have a disgraced ranch foreman and a young woman who has inherited the ranch, and various villains who want to steal the ranch from her because they know there’s silver on it. The foreman, Bull, has to rise to the occasion. There’s great action and pretty good plotting, although you’ll probably figure it out pretty soon. And, as always, ERB creates sympathetic heroes and dastardly villains.

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The Fiction of Edgar Rice Burroughs, Part II: Tarzan and The Land That Time Forgot

The Fiction of Edgar Rice Burroughs, Part II: Tarzan and The Land That Time Forgot

Tarzan novels #1 – #5 : Tarzan of the Apes, The Return of Tarzan, The Beasts of Tarzan, and The Son of Tarzan (Ballantine Books, December 1983, April 1969, April 1975, April 1975), and Tarzan and the Jewels of Opar (A.L. Burt, 1919). Covers by Charles Ren, Bob Abbett, Neal Adams, and Neal Adams.

Any discussion of Sword & Planet fiction needs to start with Edgar Rice Burroughs and his book A Princess of Mars. I discussed that series extensively — and also his other S&P series, the Carson of Venus books, and his Moon Maid trilogy, which is partially S&P — in Part I of this series.

But, of course, ERB wrote many other books that have no connection to S&P fiction. They are still very good stories, though, entertaining and worth discussing. I thought I’d cover some in my next series of posts.

Most  readers I know discovered ERB through the character of Tarzan. The first ERB I read was A Princess of Mars, but the second one was Tarzan Lord of the Jungle. The book was an old hardback, with no dust cover. The cover was generally brown with the title embossed on it. I found it among my sister’s books. She was the only other big reader in my family. I don’t know how she came upon it. I still remember some fifty+ years later the opening scene, with Tarzan dozing on the back of Tantor the elephant. And before long Tarzan finds a lost civilization of crusaders in deepest Africa. And there was swashbuckling.

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The Fiction of Edgar Rice Burroughs, Part I: Sword and Planet

The Fiction of Edgar Rice Burroughs, Part I: Sword and Planet

Edgar Rice Burroughs’ Barsoom novels: A Princess of Mars, The Gods of Mars and The Warlord of Mars, and Thuvia, Maid of Mars and The Chessmen of Mars (Science Fiction Books Club, July 1970, January 1971, and January 1973). Covers by Frank Frazetta

For sheer fun and adventure there’s nothing better in my opinion than Sword & Planet fiction (also called Interplanetary Adventure, Interplanetary Romance, or Planetary Romance). But exactly what is Sword & Planet fiction? Well, Edgar Rice Burroughs (ERB) created the prototype in 1911 with A Princess of Mars, which featured an Earthman named John Carter who is mysteriously transported to Mars, called Barsoom by its inhabitants.

The basic Sword & Planet story involves an earthman (rarely an earthwoman up to this point in time; 2025) on a strange world where he must use his wits, his muscles, and his sword against a host of human and nonhuman foes. The hero is generally chivalrous and the setting is an exotic alien world, often with multiple suns or multiple moons, populated by a variety of strange plants, animals, and intelligent beings. Magic is virtually non-existent, but there may be elements of “super-science,” such as open-decked flying ships or even ray-guns, although the latter take second billing to the blade. The emphasis is on swashbuckling sword fights, wild escapes, and desperate rescues.

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The Masters of Narrative Drive

The Masters of Narrative Drive

The Outlaw of Torn and The Mad King by Edgar Rice Burroughs (Ace Books, January 1973 and February 1979). Covers by Frank Frazetta and Boris Vallejo

An author friend of 70+ books told me that a novel is just “one damned thing after another.” This is a layman’s way of saying that a book needs “narrative drive.” Narrative drive keeps readers turning the pages. It exerts a pull that drags the reader along. Edgar Rice Burroughs was the master of narrative drive. Things are happening on every page of his books that keep you wanting to know more.

There are two primary kinds of “wanting to know more.” One is, more information about the story’s plot. This is based on intellectual curiosity, and mystery stories illustrate this most clearly. Who committed the murder? Why? How? Etc. This is the primary type of drive that good nonfiction has.

The second kind of “wanting to know more” is based on emotion and character. What is going to happen to a particular character or characters the reader is attached to? The strongest narrative drive combines these.

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Action, Intrigue, and Glorious Battles: William R. Forstchen’s The Lost Regiment

Action, Intrigue, and Glorious Battles: William R. Forstchen’s The Lost Regiment

The Lost Regiment, by William R. Forstchen (Roc Books, 1990-99). Covers by Sanjulian

William R. Forstchen was born on October 11th, 1950, eight years and three days before my birthday. He earned a Ph.D. in history, specializing in the American Civil War, and teaches at Montreat College in North Carolina. He’s one of my favorite authors. He isn’t quite Sword & Planet but has a series that is adjacent with lots of S&P elements. It’s called The Lost Regiment and ran to 8 books. He later wrote a 9th book that took place 20 years after the end of the original series, but has not written any more.

All were published by Roc Science Fiction. Sanjulian is credited with the covers for books 6, 7, and 8, and if he did those I’m pretty sure he did all the previous ones as well, which clearly have the same style. However, book 9’s cover is credited to Edwin Herder. The Sanjulian covers are great but are quite small on the books and should have been larger.

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The Sword & Planet Fiction of Robert Moore Williams: Zanthar

The Sword & Planet Fiction of Robert Moore Williams: Zanthar


Jongor Fights Back (Popular Library, 1970). Cover by Frank Frazetta

Robert Moore Williams (1907 – 1977) wrote a lot of books, over 100. I’ve read two of them and that means there’s a 100 or so more books out there I won’t need to read before I die, including the ones he wrote under pseudonyms such as John Browning, H. H. Harmon, E. K. Jarvis, and Russell Storm. He also wrote an autobiography called Love is Forever – We Are for Tonight.

As a writer myself, I hesitate to be too critical of other writers. I know how difficult it is to finish a novel. But I don’t know how else to say it other than that — in my opinion — Moore was not a good one. The first book I found by him was Jongor Fights Back, a Tarzanesque effort featuring Jongor in a lost land. It was readable, but just barely. The cover, by Frank Frazetta, was a million times better.

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Chess in Sword & Planet Fiction, Part IV: Lin Carter’s Callisto

Chess in Sword & Planet Fiction, Part IV: Lin Carter’s Callisto

The 8-volume Callisto series by Lin Carter (Dell, 1972-1978). Covers by Vincent DiFate and Ken Kelly

After Burroughs worked chess — in its Martian version of Jetan — into his John Carter series with Chessmen of Mars, it practically became a rule that all later writers of Sword & Planet fiction had to do the same. As I’ve mentioned in previous posts, John Norman did it in the Gor series and Ken Bulmer (writing as Alan Burt Akers) did it in the long running Dray Prescot series. I did it too in my 5 book Talera series.

It would be surprising then if Lin Carter didn’t do it. Carter made almost his entire fiction career off following the leads of ERB and REH (Robert E. Howard). And indeed, Carter did invent his own version of chess.

In the last of his 8-book Callisto series, called Renegade of Callisto, Carter pens his own version of ERB’s Chessman of Mars. Although Carter’s main hero in this series is an earthman named Jonathan Dark (Jandar), Dark has — like John Carter before him — recruited and befriended various allies on the moon of Callisto (called Thanator by its natives).

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Two Classic Fantasy Anthologies: Barbarians and Barbarians II, edited by Robert Adams

Two Classic Fantasy Anthologies: Barbarians and Barbarians II, edited by Robert Adams

Barbarians, edited by Robert Adams and Martin H. Greenberg and Charles G. Waugh, and
Barbarians II, edited by Pamela Crippen Adams, Robert Adams, and Martin H. Greenberg
(Signet New American Library, January 1986 and February 1988). Covers by Ken Kelly

Besides editing the Friends of the Horseclans books (discussed here last week), Robert Adams also edited — along with others — two thick anthologies from Signet entitled Barbarians (1985) and Barbarians II (1988). Covers by Ken Kelly. I bought these when they came out because they each have a Robert E. Howard story, and I was an REH completist at the time. I liked both of these collections, although the concept of “Barbarian” is stretched very broadly.

For example, in the initial volume you have a mostly SF story by Fred Saberhagen and a Witch World fantasy tale by Andre Norton. Both are good stories but have little to do with any concept I might have of barbarians. There’s a Fritz Leiber Fafhrd and Mouser story that fits the concept, and the truly excellent “Swordsman of Lost Terra” by Poul Anderson, which also has a lot of Sword & Planet elements.

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Robert Adams was a Master of Narrative Drive

Robert Adams was a Master of Narrative Drive

The first ten novels in the Horseclans series by Robert Adams (Signet/
New American Library editions, 1979-1983). Cover art by Ken Kelly

Franklin Robert Adams (1933 – 1990) only used his middle and last name on his books. He wrote twenty-six of them, in three different series, and edited nearly a dozen more.

His first and most famous series is called Horseclans. It’s set on a post-apocalyptic Earth, after a nuclear war, and begins on America’s great plains with tribal groups organized along Native American lines. Later, it moves toward a more feudal society with city states and knights in armor. There’s a fairly elaborate back story about how the modern societies were built from the remnants of American survivors and some of the invaders.

The first book was called The Coming of the Horseclans and published in 1975. The last one published was #18, The Clan of the Cats, and it appeared in 1988, two years before Adams’ death. The series may be post-apocalyptic, but it’s long after Earth’s recovery has begun so it really feels more like standard Sword & Sorcery. There is some magic with undying heroes, telepathy, and “Witch” men. It’s definitely not Sword & Planet but most folks who like S&P like these pretty well.

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