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Author: Brandon Crilly

In 500 Words or Less: From a Certain Point of View (Del Rey Books)

In 500 Words or Less: From a Certain Point of View (Del Rey Books)

Star Wars From a Certain Point of View-smallFrom a Certain Point of View
By Various Authors
Del Rey (400 pages, $35.00 hardcover, $14.99 eBook, October 2017)

I’m a massive Star Wars fan and grew up loving the Expanded Universe novels. My first exposures to writing greatness were people like Timothy Zahn, Christie Golden, and Kevin J. Anderson. When Disney announced that the Expanded Universe wasn’t canon anymore, I was pissed like a lot of people, and as much as I’ve enjoyed the new films, I couldn’t bring myself to read any of the new fiction.

Is that petty and stupid? Probably, especially when you consider the caliber of writers who are being brought on to write the new EU. And that if I’m ever at a career level to be offered a spot in that canon, I’ll probably take the deal.

So I finally shook off my old-timey stubbornness and bought a copy of the new anthology From a Certain Point of View. Big surprise: I have mixed feelings about it.

On the one hand, there are some amazing stories here. “Master and Apprentice” by Claudia Gray shows the ghost of Qui-Gon Jinn visiting Obi-Wan Kenobi before he takes Luke to Mos Eisley, and it’s touching and tragic because Qui-Gon knows what’s about to happen to his former apprentice. Wil Wheaton reminds us about the sacrifices of the average rebel in “Laina,” and Nnedi Okorafor brings us into the mind of the Death Star’s dianoga in “The Baptist.” There’s a great combination of writers, including a few Star Wars veterans (Christie Golden among them) and the likes of Ben Blacker, Mur Lafferty, Chuck Wendig, and more.

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The Top Five Books I Read in 2017

The Top Five Books I Read in 2017

Ghost-Talkers-Mary-Robinette-Kowal-smaller Red Country Joe Abercrombie-small Revenger-Alastair-Reynolds-smaller

Another year has passed, dear readers, which means that I’m mandated to assess the books I read in 2017 and declare my favorites. Of course, this mandate is self-imposed, and the difficulty of figuring out which books to pick this year is also self-inflicted. I’ve learned how to put down a book after 50 pages if I don’t enjoy it and move on, which means that the books I finished this year are all ones that I enjoyed on some level. I know, woe is me. But cut me some slack, because instead of a cop-out top ten list like last time, this year I forced myself to cut down my selections and present you with a Top Five. Note that these aren’t necessarily all books released in 2017; I just happened to read them in the last year.

Last year, I made an offhand comment that if I was forced under pain of death to absolutely pick a #1 title for 2016, I’d have chosen An Inheritance of Ashes by Leah Bobet. I’ve decided that for each of these annual posts (presuming I’m still around here in a year’s time) I’m going to nominate one book as my top pick for the year, and then list the rest in alphabetical order. Any ranking beyond #1 is going to be arbitrary anyway, since each of these novels is amazing in different ways.

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In 500 Words or Less: Sins of Empire by Brian McClellan

In 500 Words or Less: Sins of Empire by Brian McClellan

Sins of Empire-smallSins of Empire
By Brian McClellan
Orbit (640 pages, $18.99 hardcover/$15.99 paperback, November 2017 reprint)

Have you ever taken a look at your pile of unread books and thought, “I feel like reading about __________,” and realized that type of book is nowhere in the ten (or maybe thirty) you have waiting? Apparently having an ongoing stack of books you intend to get to is a sign of creative intelligence (yay me!) but it doesn’t help when you have a craving for, say, an epic fantasy with great worldbuilding and even better characters, and you have nothing like that on hand.

It was that desperate hour of need that led me to my local bookstore and a copy of Sins of Empire by Brian McClellan, whom I admit to having never heard of before that day. I picked up his book on a whim because the cover art and back cover description caught my eye, and to my amazement I think it’s one of my favorite books this year.

First and foremost, I’m a sucker for dynamic and flawed characters who I want to root for, and McClellan delivers a ton of them. There’s Michel Bravis, the ambitious member of the secret police who argues with himself when he’s nervous, or Lady Vlora Flint, the mercenary commander who’s hard as steel but whose heart bleeds for the underprivileged, or Mad Ben Styke, betrayed former lancer who’s spent ten years of good behavior behind bars to protect the people who served beneath him. The best part of what McClellan does is put these characters into situation after situation that pushes them in different directions and keeps the action moving — which isn’t easy in a 640-page book. In almost every epic fantasy book I’ve read there are moments where the story slows, but Sins of Empire doesn’t have that — there’s constant movement, but consistent character development and intrigue at the same time.

Connected to that is the rich history of the world. Characters make reference to past events and histories that motivate all the action in Empire, giving the world a level of detail that amazed me. Of course, I didn’t realize that this isn’t the first time McClellan used this setting , and that there’s a separate trilogy that takes place prior to Empire, featuring some of the same characters. Oops. But that doesn’t minimize the importance of the world’s history and how McClellan filters it through the narrative.

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Wordsmiths: Reasons and Examples Why Julie E. Czerneda is Genuinely Awesome

Wordsmiths: Reasons and Examples Why Julie E. Czerneda is Genuinely Awesome

Julie Czerneda-small

One of the cool things about being a columnist here at Black Gate is it gives me the opportunity to signal boost writers who I think deserve more attention, on top of providing my two cents on people who are already widely known. This week I decided to do a little of both, and in a slightly different format than usual, with a Very Special and Hopefully Surprising Shout-Out to acclaimed author and one-of-a-kind person Julie E. Czerneda.

Yes, Julie, this post is about you.

I met Julie a couple years ago in my role as a programming coordinator for Can*Con in Ottawa. At this year’s conference she launched her final Clan Chronicles novel, To Guard Against the Dark, and very graciously surprised us by offering a bunch of free copies to the con-com – because she’s awesome. On the last day of the con, I wanted to see if Julie could sign my copy but I was busy running around, so I said to the other programming coordinator, “If you see Julie, can you tell her I’m looking for her?” And then quickly amended that to, “If you see Julie, tell her I’m hunting her like wild game.” Cuz maybe it would make her laugh.

About an hour later, I was chatting with a couple editors in the dealer’s room when I saw movement out of the corner of my eye. I ignored it, then saw it again, like something disappearing behind the doorway out into the hall. Sure enough, it was Julie, peeking out from behind the door and then darting past it. I excused myself from my conversation and went out into the hallway, only to see Julie haul ass toward the nearest exit, forcing me to actually chase her – like wild game!

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In 500 Words or Less: Ride the Star Wind: Cthulhu, Space Opera, and the Cosmic Weird, edited by Scott Gable and C. Dombrowski

In 500 Words or Less: Ride the Star Wind: Cthulhu, Space Opera, and the Cosmic Weird, edited by Scott Gable and C. Dombrowski

Ride the Star Wind-small Ride the Star Wind-back-small

Ride the Star Wind
Edited by Scott Gable and C. Dombrowski
Broken Eye Books (445 pages, $39.99 hardcover/$19.99 paperback, February 2016)

When Scott Gable at Broken Eye Books offered me a review copy of Ride the Star Wind, an anthology that combines space opera with Lovecraftian weirdness, I told him straight up that I’m not really a fan of the Elder Gods, the Great Ones, and the rest. I get why Lovecraft’s shadow is so long (sort of) but honestly his writing never appealed to me, and I think his work is adapted too much, and usually badly. (I make one exception with Jonathan Maberry’s Kill Switch, which is awesome.)

That said… and work with me here, since I’m not supposed to curse… but @#$% this is a great anthology. I mean, after how much I enjoyed Never Now Always by Desirina Boskovich (also a Broken Eye title) I wasn’t really worried, but the stories in here hooked me way more than I expected.

Some are a little too weird for me, I’ll admit, but those are few and far between. If you’re into weird (unlike me) there’s material here for you, particularly Bogi Takács “A Subordinate Set of Principles,” which involves deadly creatures that are literally referred to by square and triangle symbols in the text because they’re impossible to describe. I’m going to have to reread that one.

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Wordsmiths: Black Gate Interviews Steven Erikson at Can*Con 2017

Wordsmiths: Black Gate Interviews Steven Erikson at Can*Con 2017

As I’ve mentioned periodically here, I’m part of the planning committee for Can*Con, Ottawa’s annual conference on science fiction, fantasy and horror writing, and specifically help to develop each year’s program. This year I had the amazing opportunity to sit down for a live interview with Canadian fantasy writer Steven Erikson, author of the Malazan Book of the Fallen and Willful Child series and one of our 2017 Guests of Honor. And we even recorded it!

Above is the entirety of my interview with Steven, discussing his previous work, his writing process, the fantasy genre in general, and what’s coming next from this prolific author. The chance to chat with him was a huge privilege and an absolute blast, and I hope you enjoy it as much as we did.

You can check out Steven’s work at www.steven-erikson.com or his new Facebook author page, and see our previous coverage of his work here at Black Gate.

Also check out Can*Con at can-con.org/cc (@CanConSF on Twitter) and keep an eye out for dates and guests for 2018!

Many thanks to Silver Stag Studios for filming this interview. Scope them out here (@SilverStagStdio on Twitter).

In 500 Words or Less: An Advance Review of the The Nine by Tracy Townsend

In 500 Words or Less: An Advance Review of the The Nine by Tracy Townsend

The Nine Tracy Townsend-smallThe Nine (Thieves of Fate #1)
By Tracy Townsend
Pyr (400 pages, $17.99 paperback, $9.99 eBook, November 2017)

As an emerging author, I know that even once I land that coveted debut book deal, that’ll be the point when the real work begins. Completing a novel is one thing; afterward there’s the terrifying and unpredictable world of promoting the book and hoping that it does well enough that you can write a few more.

If my first novel is even half as good as Tracy Townsend’s The Nine, I will be well on my way.

Imagine a world where science and theology have been woven together, so that people believe not just in God, but in God the Experimenter, a rational entity controlling a world of Reason. Sort of like what the Enlightenment philosophes wanted – not to disprove God through science, but to show just how brilliant His world is by discovering more of its intricacies. Then imagine that God isn’t just observing His creation, but specifically testing nine individuals and recording everything they do, as a measure about whether His experimental world is a success. I’m not a religious person, but I’d be lying if I said that thought didn’t terrify me.

That’s the crux of The Nine, which explores a sort of steampunk world with just a hint of the magical, where people have electricity and gunpowder but tree- and ogre-like creatures coexist with humans (sort of) and people worry that magic might actually be real (until Reason proves otherwise!)

It’s an intricate and beautiful world that comes together slowly, but what really drew me in was the characters. For example, you have Anselm, the borderline cat burglar turned businessman and crime lord, who calls his lover Rare “kitten” in a way that’s almost a cliché – until he nicknames the young street urchin Rowena “cricket.” At first I thought he was following the same pattern of, well, lechery … but over time I realized Anselm was more honorable than I thought.

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In 500 Words or Less … Utter Fabrications: Historical Accounts Of Unusual Buildings And Structures, ed. by Dawn Vogel and Jeremy Zimmerman

In 500 Words or Less … Utter Fabrications: Historical Accounts Of Unusual Buildings And Structures, ed. by Dawn Vogel and Jeremy Zimmerman

Utter Fabrication-smallUtter Fabrications: Historical Accounts of Unusual Buildings and Structures
Edited by Dawn Vogel and Jeremy Zimmerman
Mad Scientist Journal Presents, DefCon One Publishing (354 pages, $14.99 paperback, $4.99 eBook, Sept 2017)

“No one understands strange places like the people who have been there,” opens the description for Utter Fabrications: Historical Accounts of Unusual Buildings and Structures, calling out the fact that everyone knows a place that gives them a funny feeling. For me, it was a stretch of residential street partway between the grocery store where I worked as a teenager and the home where my mom and stepdad lived. Walking that way wouldn’t always make my skin crawl… but enough that I started to avoid it.

The idea behind this anthology, I think, is to evoke that familiar feeling of the uncanny. And some of the stories in Utter Fabrications manage to do that. “Every House, A Home” by Evan Dicken focuses on a freelancer who tries to suss out the negative energy around buildings – not because of bad feng shui or poltergeists, but because the building is actually unhappy. In “Kingsport Asylum” by Diana Hauer, a woman returns to the asylum where she spent her youth and faces the very tangible memories of the crimes committed there.

Each story takes the idea of a place being inhabited by energies beyond our understanding and plays with it, and one of the strengths of this anthology is the different ways this idea is shaped, whether it’s through a roving bike rack, a house that dreams of exotic locales or a city district that sometimes takes people but also sometimes protects them. There are also a number of diverse characters on display; my favorite was the non-binary groundskeeper in “Asylum,” with a close second being Nat in “Every House,” who struggles with reading human emotions but can become totally in tune with a building.

If I’m being entirely honest, though, none of the stories really drew me in or gave me that “aha” moment I look for in short fiction. In some cases the stories are predictable, and in many cases things work out well in almost prosaic or Lifetime movie sort of way, which has never been my cup of tea. The roving bike rack that becomes attached to Alanna McFall’s protagonist in “Can’t Be Locked Down” is the one story that struck me with its quirky originality, but none of the others really did the same.

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In 500 Words or Less: Ninefox Gambit by Yoon Ha Lee

In 500 Words or Less: Ninefox Gambit by Yoon Ha Lee

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Yoon Ha Lee
Solaris (384 pages, $9.99 paperback, June 2016)

I will freely admit that I don’t think I understood everything in Yoon Ha Lee’s Ninefox Gambit.

Give me a break – there’s a reason I teach History and Social Studies and not advanced calculus. I spent about the first third of the novel trying to figure out what exactly “calendrical heresy” and “formation instinct” meant, which are cornerstones of a world where technology, military strategy and social order seem to be largely based on mathematical formulae.

I’m reasonably certain that the high calendar that dominates most of Ninefox’s human society is a sort of belief system that allows certain “exotic” technologies to exist; basically, if everyone in civilization is on the same page, then the machinery functions properly, but if people start believing a bunch of different things, machinery breaks down. That in and of itself is a brilliant concept – presuming I got it right.

But then you also add in the undead soul of a possibly-insane general bonded to an infantry captain in order to fight a campaign, robotic sentient servitors that take the forms of snakes and other animals, and apparently using antonyms as weapons (which I think was a way of disrupting the concentration of someone manning a protective shield around a space station) and things get even more… alien.

However, as Ann Leckie has said, Ninefox is somehow “human and alien at the same time.” Even as I slowly figured out the larger world of this novel, I was hooked by its characters and the conflict around them. Kel Cheris is great as a fish-out-of-water protagonist, someone comfortable as an infantry soldier promoted to general, and aware that she’s a pawn in someone else’s plot. Shuos Jedao, her undead bonded ally, is sort of like the hallucination of Kilgrave whispering in Jessica Jones’s ear, if Kilgrave recognized he was a psychopath and didn’t have absolute power to manipulate people.

You know you probably can’t trust a guy who murdered thousands of innocent people, including his own staff, and was locked away for four centuries as a result, but when he’s the guy telling Cheris to get some sleep and actually look after herself, it’s hard not to root for him.

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In 500 Words or Less: Allaigna’s Song: Overture by JM Landels

In 500 Words or Less: Allaigna’s Song: Overture by JM Landels

Allaigna’s Song Overture JM Landels-smallAllaigna’s Song: Overture
By JM Landels
Pulp Literature Press (288 pages, $17.99 paperback, $6.49 eBook, July 2017)

I’m a fan of the slow reveal in fiction, particularly if the writer provides just enough detail to intrigue you and increase the tension, but makes you wait to get a clearer picture about what’s going on. That’s part of the reason why Fringe is one of my all-time favorite shows. Building that tension and deciding what information to provide to the reader (or viewer) and when is very tricky; I’ve been told that some of my published stories have pulled it off, but I’ve written other pieces that totally buggered it up. And one thing I’ve never attempted is doing so with parallel narratives in a single work, where the connection isn’t clear at the outset and the tonal change is severe, since I’m always afraid that doing so will throw off my readers.

But in Allaigna’s Song: Overture, Jen Landels manages to avoid all of that, as she tells the story of child Allaigna and parallels it with two other narratives that, over time, are revealed to be the stories of her mother and grandmother. While the core is Allaigna’s discovery of her royal family’s true heritage and her capacity for magic, our real understanding of the world and the Game of Thrones-esque politics involving her family comes from these parallel narratives, since Allaigna is kept out of a lot of discussions and sometimes doesn’t understand or care about what’s really going on. The really neat thing is that when these parallel narratives first appear, there’s no indication about who we’re looking at or where the story has moved to – the first flashback to “Lauresa,” for example, occurs before we learn that Lauresa is Allaigna’s mother’s name – and there’s a shift in tense and narrative structure, which is really experimental and something I’ve never attempted. But Landels pulls it off, constructing a great slow reveal as details come to light.

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