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Author: Bob Byrne

A (Black) Gat in the Hand: Richard Deming’s Manville Moon

A (Black) Gat in the Hand: Richard Deming’s Manville Moon

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Richard Deming’s career flourished during the end of the Pulps and the birth of the digests. He published short stories in five different decades. After serving in World War II, he was working for the Red Cross when he sold his first story, “The Juarez Knife,” to Popular Detective. He would write a total of sixteen more stories, as well as four novels, featuring his one-legged war veteran, Manville (‘Manny,’ ‘Mister’) Moon, mostly appearing in Black Mask, and Dime Detective.

He wrote three police procedural novels starring Matt Rudd, a vice cop in Southern California. Deming appeared in the final issue of Dime Detective, but had already transitioned to Manhhunt, the digest magazine that was the successor to the hardboiled Pulps.

Deming also wrote for television – an experience he did not speak of fondly.

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A (Black) Gat in the Hand: Hammett & ‘The Girl with the Silver Eyes’ (My intro)

A (Black) Gat in the Hand: Hammett & ‘The Girl with the Silver Eyes’ (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Pulp Fest took place last week in Pittsburgh. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the second year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. This is my sixth intro for Steeger, and getting to write about Dashiell Hammett is a definite thrill. It’s about four times as long as my Fast One Intro. I could dig into Hammett for months. Check out my intro to that Volume Two, and then check out the book itself. Hammett is regarded as the Master, for good reason.

The Complete Black Mask Cases of the Continental Op, Volume One: Zigzags of Treachery, ended with “The House in Turk Street.” That was the tenth Op story, and as I wrote in the introduction to that volume:

‘For me, it’s in “The House in Turk Street” (which was adapted for the 2002 Samuel L. Jackson movie, No Good Deed) where we really see the classic Hammett for the first time. The characters, the pace, the tension, the plot elements: he was moving from learning, to improving, to the verge of mastering.’

Hammett had been honing his craft, and “The House on Turk Street” really saw things come together. While that was the first Hammett story to appear under Phil Cody’s editorship, it was surely accepted by George Sutton.

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A (Black) Gat in the Hand: Paul Cain’s ‘Fast One’ (My intro)

A (Black) Gat in the Hand: Paul Cain’s ‘Fast One’ (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Last year, Steeger Books put out its first deluxe edition hardback, containing all of Paul Cain’s short stories, as well as his lone novel, Fast One. I wrote the intro for Fast One, which is on every list of the greatest hardboiled Pulp novel (it battles The Maltese Falcon for my top spot). That was my sixth intro for Steeger, and it’s this week’s column. Clearly, I recommend reading this slim, recklessly-paced Pulp masterpiece.

Paul Cain’s Fast One is a relentless roller coaster ride, which never lets the reader catch their breath before the next heart-stopping drop. The hero, Gerry Kells, plays a never-ending chess game, in which new pieces are constantly added to the board. He maneuvers a constantly shifting labyrinth of players, alliances, and plots, like a Machievellian chess master. He doesn’t just respond to developments: He consistently moves to turn matters to his advantage. He is a hard guy, but he has a heart – which prevents him from being ruthless. A little more ruthlessness would have served him well.

Kells continually responds to the situations (which are often backed by a gat) thrown at him, by turning up the heat. Police, a newspaper, other gangsters – he’ll use, or take on, anything in the mix. It’s a continual sense of “What’s gonna happen next?” as you turn the pages. And when Kells gets an upper hand, a new wrench gums up the works.

Power, politics, and money: Kells continues to navigate this trilogy of shark-infested waters, right up to the final scene. If Kells had been willing to put a bad guy out of the story – or at least put a bullet in a knee or two, he would have had an easier time, moving forward. He leaves players on the board. And they’re not allies. He’s a tough guy, but he’s more honorable than his enemies.

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What I’ve Been Listening To: July, 2024

What I’ve Been Listening To: July, 2024

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It’s a week off from A (Black) Gat in the Hand, as I am currently reading Pulp, but except for the constant revisiting of Norbert Davis’ Max Latin, I’m not listening to it (though The Continental Op is on tap).

I am constantly listening to audiobooks. I’m fortunate that my mind can multi-task, and I listen to them while driving, working, writing, when I go to sleep at night. It lets me get to things I wouldn’t have time to read. It’s often re-visiting something I read before. And I can fall asleep to something that isn’t new – no damage done. Here are some things I’ve listened to recently.

 

THE BLACK COMPANY – Glen Cook

A couple months ago, I scored a rare Q&A with the socially reclusive Glen Cook. It was mostly about his terrific Garrett, PI series, which I love. But it did touch on The Black Company. That series about a mercenary company is a foundation block for Dark Fantasy. I’ve read through the whole thing (except Port of Shadows, which I haven’t gotten around to yet) three times.

And over several months this year, I listened to the entire series on audiobook. As when I read it, I definitely like some books more than others. But it remains an epic, gripping saga. Again excluding 2018’s Port of Shadows, it’s ten books. I simply didn’t have time to re-read it (especially after re-reading most of the Garrett series for that Q&A). Listening to the books worked great. At least a book or two had a different narrator, based on gender needs. I liked the four narrators, with Marc Vietor reading the majority. That’s a key part of the audiobook experience. Definitely recommended.

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A (Black) Gat in the Hand: 7 Upcoming Attractions

A (Black) Gat in the Hand: 7 Upcoming Attractions

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

My life gets crazy busy in July, and stays busy to Christmas, when I get a break. It’s a task to get my planned weekly column done. Which can shift the ‘current one’ into ‘in progress’ status. Which is the case this week. So, here’s a look at some of the stuff I hope to cover in the current incarnation of A (Black) Gat in the Hand.

DAY KEENE

Last week I posted (finally) the Jo Gar essay which I started in 2018. Nice to check that off the list. The current ‘in progress’ essay is on a Day Keene story from the September, 1949 issue of New Detective. I’ve already written one post on Keene here. I think he is an under-appreciated hard boiled writer. That issue also has a story by Frederic Brown. And one by my all-time favorite writer, John D. MacDonald. So, maybe I’ll mine that one for more material. The fact you’re reading this post right now, means I still haven’t finished my Keene essay.

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A (Black) Gat in the Hand: Hardboiled Manila – Jo Gar

A (Black) Gat in the Hand: Hardboiled Manila – Jo Gar

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Several hardboiled books were not actually novels at the start. They were multi-part serials in the Pulp magazines of the day. Perhaps the most famous of these is Dashiell Hammett’s The Maltese Falcon, which ran for five installments from September 1929 through January of 1930. Likewise, Ned Beaumont’s four-part adventure became The Glass Key. The same happened with The Continental Op. And it wasn’t just Hammett. Paul Cain’s The Fast One is arguably the finest hardboiled novel ever – and it was a serial.

Raoul Whitfield’s The Laughing Death enthralled readers for nine issues in a row. A five-issue story became Green Ice; and Ben Jardinn spent three issues working on a murder in Death in a Bowl. The author of several novels for juvenile boys, Whitfield actually wrote another hardboiled novella, except it wasn’t collected and issued separately, so it’s not regarded as a book. And this was the only serial featuring his wonderful island detective, Jo Gar.

WARNING – THERE BE SPOILERS AHEAD!
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A (Black) Gat in the Hand: John D. MacDonald’s ‘Ring Around the Redhead’

A (Black) Gat in the Hand: John D. MacDonald’s ‘Ring Around the Redhead’

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I’m putting the finishing touches on my long-delayed Jo Gar essay. But I realized I’ve not talked about my all-time favorite author yet here in A (Black) Gat in the Hand. I have written about a half-dozen essays on John D. MacdDonald, and I included Bill Crider’s review of The Brass Cupcake.

But I haven’t included any of his stuff in my Pulp column. Though he achieved fame as a paperback writer, John MacD honed his skills as a prolific Pulpster. He was a regular in Doc Savage in 1946, before breaking into both Dime Detective, and Black Mask, the following year. He became a regular in the sci-fi Pulps, and even contributed to the Mystery Pulp successors, Manhunt, and the (short-lived) Justice. Black Mask’s famed editor, Joe ‘Cap’ Shaw was MacDonald’s agent for a time.

Back in 2016, I wrote a detailed piece on MacDonald for the 100th anniversary of his birth. Click on over if you want to learn some things about him. Back in 2018,I guested in Steve H Silver’s Birthday Reviews column, with a rare science fiction post by me. So, bringing that one over here into the Pulp column to get some JDM here. More to come (though not sci-fi).

Every so often, I prove that the Black Gate firewall needs some serious tightening up by jumping in and putting up a post where I don’t belong (many readers and fellow bloggers believe that would be the entirety of the Black Gate website…). So, if you’re reading this, the crack web monitoring team hasn’t seen it yet. Don’t tell Steven. He might gnaw through the restraining chain around his ankle and crawl over to my desk in the cellar…basement…journalist’s suite to thrash me.

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A (Black) Gat in the Hand: Dime Detective – August, 1941

A (Black) Gat in the Hand: Dime Detective – August, 1941

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Black Mask’s major competition came in the form of Dime Detective Magazine, which touted itself as “twice as good – for half the price” (Black Mask cost 20 cents at the time; though the price would shortly drop to 15 cents, in part due to Dime Detective’s success at the cheaper cost).

Editor Kenneth White (the same mentioned above) was instructed to lure as many writers from Black Mask as he could, paying an extra penny a word as enticement. And with a going rate of one to two cents for pulp writers (Black Mask’s three cents a word was indicative of its standing and quality in the field), the four cent rate made a significant difference to writers. As the prolific Erle Stanley Gardner supposedly replied to observations that he always seemed to use his hero’s last bullet to knock off the story’s antagonist:

“At three cents a word, every time I say ‘Bang’ in the story I get three cents. If you think I’m going to finish the gun battle while my hero still has fifteen cents worth of unexploded ammunition in his gun, you’re nuts.”

Writers were forbidden from doing novel serializations (The Maltese Falcon was first a serial) and were also instructed to create their own characters, which could not appear elsewhere, for the magazine. The onslaught was successful, with many of the era’s most popular writers switching to Dime Detective. Carroll John Daly (who brought the iconic Race Williams with him), Erle Stanley Gardner, Frederick Nebel and Norbert Davis (whose humorous stories were frequently rejected by Shaw but who flourished at his new home) were among those lured to Dime Detective.

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A (Black) Gat in the Hand: Rex Stout’s ‘The Mother of Invention’

A (Black) Gat in the Hand: Rex Stout’s ‘The Mother of Invention’

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

If you read more than just this Pulp series of mine each summer, you know that I am a gargantuan Nero Wolfe fan. It’s my favorite mystery series, and I have written a lot of fiction and non-fiction about Wolfe, and Archie Goodwin.

Rex Stout wrote several novels and many short stories, before the first Wolfe novel dropped in 1934. Of course, there was no looking back after Fer de Lance.

He placed “A Professional Recall” in the December, 1912 issue of The Black Cat magazine. “Pamfret and Peace” followed the next month. There would be three more over the next few years.

The Black Cat was founded by Herman Umbstaetter in 1895. He had gained and lost a fortune before managing to fund his own magazine in Baltimore. It was not a Pulp, and was about the size of the Dime Novels of the day (about 6” x 9”). Umbstaetter encouraged new writers, and paid based on the quality of the story, not by the word. His wife did the early covers.

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A (Black) Gat in the Hand: Ya Gotta Ask – Reprise

A (Black) Gat in the Hand: Ya Gotta Ask – Reprise

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Nine years ago this past January, I wrote a post here titled, Ya Gotta Ask. I felt like that one could use a bit of polish and expansion, and it would still be a pretty good post. So, here’s a revised version, as the Monday morning column gets ready to kick off another Summer of Pulp with A (Black) Gat in the Hand.

One of the cool things about Black Gate is that there are a bunch of authors who blog here. These are Writers with a capital ‘W’. I have worked hard to become a pretty good blogger, and I think I’ve succeeded. I’ve got a couple awards to back that up. I’ve published some short stories and non-fiction, as well. But I still think of myself as a lower case ‘w’ writer. I am working towards capitalizing that letter, but as any Writer will tell you, you just gotta keep working at it.

Now, some authors here at Black Gate can (and have) given you advice on how to write a novel, or get a book published: be it here, or on their own blogs or other sites. Follow their advice, make it happen, and then you can be a Writer too (a novel isn’t the defining element: I’m just using it as a benchmark for this essay). I’m going to make a suggestion on how you can become a writer, like me. I know, I know: you’re all atingle.

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