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Author: Bob Byrne

Ten Things I Think Think: Marvel Edition

Ten Things I Think Think: Marvel Edition

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At loose ends and not too keen on writing over the Labor Day holiday weekend, I decided to start a week-long Marvel deep dive. I had re-watched Guardians of the Galaxy stuff for the third one, so I set those aside. And I had watched the Logan movies not too long ago, so I skipped X-Men stuff.

With those parameters, I re-watched (with a couple first watches):

Avengers: Infinity War
Avengers: Endgame
Iron Man 1
Captain America: The First Avenger
Iron Man 2
The Amazing Spider Man 2 (Andrew Garfield – first watch)
Thor 1
The Avengers
Thor 2: The Dark World
Iron Man 3
Captain America: The Winter Soldier
The Fantastic Four 1
Venom (first watch)
The Fantastic Four 2: Silver Surfer
Spider-Man 1 (Toby Maguire)
Spider-Man 2
Spider-Man 3

That’s a lot of Marvel And I really enjoyed the re-watch. Because I figure the world always needs more of my opinion, it’s time for another Ten Things I Think I Think – Marvel Edition. I kept watching more, and there’s a follow up to this post, here. 🙂

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A (Black) Gat in the Hand: REH’s Swords of Shahrazar

A (Black) Gat in the Hand: REH’s Swords of Shahrazar

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Back in 2022, I covered three different Pulp genres of Robert E. Howard. The third looked at one of my REH favorites – the Adventure Pulps. I talked about Kirby O’Donnell’s “Gold from Tartary.” You can read that here.

Howard had created El Borak as teen, and refined him years later, with “The Daughter of Erlik Khan” appearing in December of 1934. El Borak is his best-known ‘Cowboy of the East,’ and rivals Conan as my favorite REH character. But Howard found it impossible to break into the higher-paying Adventure pulps, and only four of his seven El Borak stories saw print during his lifetime. Two were published not long after his suicide, while the other two lay unpublished for decades.

Kirby O’Donnell was a similar character to El Borak, and he saw print first, with “Swords of Shahrazar in the October, 1934 issue of Top-Notch Magazine. I talked about that publication in my prior essay. Curiously, “Swords” was actually a direct sequel to “Gold from Tartary,” which appeared after “Swords,” in the January, 1935 issue of Thrilling Adventures.

“Swords” was about twice as long as “Gold,” and maybe that played into the decision to pass on it. But it certainly flows smoother to read “Gold,” then “Swords.”

I mentioned in “Gold” that Howard starts thing off FAST. Here, O’Donnell had awoken to a stealthy footstep near his room in the palace of forgotten Shahrazar. And in paragraph four, was “a great black body hurtling at him from the shadows, the gleam of a plunging knife.”

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What I’ve Been Listening To: August (II) 2024

What I’ve Been Listening To: August (II) 2024

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I posted last week about several audiobooks I’ve been listening to. Audiobooks totally fit in with my lifestyle (to the extent I have one). I can listen to them while working, driving, writing, falling asleep, walking outside, and even watching soccer which I’m not too invested in.

I wouldn’t get to a lot of the stuff I listen to, if I had to read it. I mean, you have never heard such caterwauling as the folks in the carpool when I read a paperback while driving. Yeesh!

I re-listen to a lot of stuff. But between Audible Premium, and select library borrows through the Hoopla app, I have audiobooks going a lot of the time.

Here are some more recent listens – some repeats, some brand new to my ears.

LEAPHORN AND CHEE – Tony Hillerman

I did a rather in-depth three-part series on Tony Hillerman and his terrific police procedurals set on the Navajo reservation. I have read/listened to this series a dozen times over the years. I absolutely love it. Somewhere I’ve got some cassette tapes, read by Hillerman himself. But between DVDs and Audible, I’ve managed to get unabridged (do NOT get the abridged versions. Not nearly as good) versions of each novel, read well by George Guidall.

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What I’ve Been Listening To: August, 2024

What I’ve Been Listening To: August, 2024

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A (Black) Gat in the Hand takes another week off, as I’ve continued listening to audiobooks daily. Last month I talked about some of my Audible choices. Whether I’m working, writing, driving, or trying to fall asleep, I am often listening to an audiobook. Often it’s a repeat, so my attention doesn’t have to be focused. But also, new things I wouldn’t get to otherwise.

EGIL & NIX – Paul S. Kemp

My Dungeons & Dragons-playing middle-school self devoured Elric, and Fafhrd and the Grey Mouser; loving both series’. But while I’ve re-read the Melnibonian many times, Leiber’s series lost its appeal. I’ve tried re-reading it a couple times, and just wasn’t into it.

I did enjoy, however, the first two of three Egil & Nix novels by Paul Kemp. These are absolutely an homage to Leiber’s duo. Anyone who likes Fafhrd and the Grey Mouser should really enjoy this pair. The constant non-swearing swearing (shite, farkin) is tiresome, but some authors seem to think it’s useful. Whatever.

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A (Black) Gat in the Hand: Richard Deming’s Manville Moon

A (Black) Gat in the Hand: Richard Deming’s Manville Moon

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Richard Deming’s career flourished during the end of the Pulps and the birth of the digests. He published short stories in five different decades. After serving in World War II, he was working for the Red Cross when he sold his first story, “The Juarez Knife,” to Popular Detective. He would write a total of sixteen more stories, as well as four novels, featuring his one-legged war veteran, Manville (‘Manny,’ ‘Mister’) Moon, mostly appearing in Black Mask, and Dime Detective.

He wrote three police procedural novels starring Matt Rudd, a vice cop in Southern California. Deming appeared in the final issue of Dime Detective, but had already transitioned to Manhhunt, the digest magazine that was the successor to the hardboiled Pulps.

Deming also wrote for television – an experience he did not speak of fondly.

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A (Black) Gat in the Hand: Hammett & ‘The Girl with the Silver Eyes’ (My intro)

A (Black) Gat in the Hand: Hammett & ‘The Girl with the Silver Eyes’ (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

 

Pulp Fest took place last week in Pittsburgh. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the second year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. This is my sixth intro for Steeger, and getting to write about Dashiell Hammett is a definite thrill. It’s about four times as long as my Fast One Intro. I could dig into Hammett for months. Check out my intro to that Volume Two, and then check out the book itself. Hammett is regarded as the Master, for good reason.

The Complete Black Mask Cases of the Continental Op, Volume One: Zigzags of Treachery, ended with “The House in Turk Street.” That was the tenth Op story, and as I wrote in the introduction to that volume:

‘For me, it’s in “The House in Turk Street” (which was adapted for the 2002 Samuel L. Jackson movie, No Good Deed) where we really see the classic Hammett for the first time. The characters, the pace, the tension, the plot elements: he was moving from learning, to improving, to the verge of mastering.’

Hammett had been honing his craft, and “The House on Turk Street” really saw things come together. While that was the first Hammett story to appear under Phil Cody’s editorship, it was surely accepted by George Sutton.

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A (Black) Gat in the Hand: Paul Cain’s ‘Fast One’ (My intro)

A (Black) Gat in the Hand: Paul Cain’s ‘Fast One’ (My intro)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Last year, Steeger Books put out its first deluxe edition hardback, containing all of Paul Cain’s short stories, as well as his lone novel, Fast One. I wrote the intro for Fast One, which is on every list of the greatest hardboiled Pulp novel (it battles The Maltese Falcon for my top spot). That was my sixth intro for Steeger, and it’s this week’s column. Clearly, I recommend reading this slim, recklessly-paced Pulp masterpiece.

Paul Cain’s Fast One is a relentless roller coaster ride, which never lets the reader catch their breath before the next heart-stopping drop. The hero, Gerry Kells, plays a never-ending chess game, in which new pieces are constantly added to the board. He maneuvers a constantly shifting labyrinth of players, alliances, and plots, like a Machievellian chess master. He doesn’t just respond to developments: He consistently moves to turn matters to his advantage. He is a hard guy, but he has a heart – which prevents him from being ruthless. A little more ruthlessness would have served him well.

Kells continually responds to the situations (which are often backed by a gat) thrown at him, by turning up the heat. Police, a newspaper, other gangsters – he’ll use, or take on, anything in the mix. It’s a continual sense of “What’s gonna happen next?” as you turn the pages. And when Kells gets an upper hand, a new wrench gums up the works.

Power, politics, and money: Kells continues to navigate this trilogy of shark-infested waters, right up to the final scene. If Kells had been willing to put a bad guy out of the story – or at least put a bullet in a knee or two, he would have had an easier time, moving forward. He leaves players on the board. And they’re not allies. He’s a tough guy, but he’s more honorable than his enemies.

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What I’ve Been Listening To: July, 2024

What I’ve Been Listening To: July, 2024

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It’s a week off from A (Black) Gat in the Hand, as I am currently reading Pulp, but except for the constant revisiting of Norbert Davis’ Max Latin, I’m not listening to it (though The Continental Op is on tap).

I am constantly listening to audiobooks. I’m fortunate that my mind can multi-task, and I listen to them while driving, working, writing, when I go to sleep at night. It lets me get to things I wouldn’t have time to read. It’s often re-visiting something I read before. And I can fall asleep to something that isn’t new – no damage done. Here are some things I’ve listened to recently.

 

THE BLACK COMPANY – Glen Cook

A couple months ago, I scored a rare Q&A with the socially reclusive Glen Cook. It was mostly about his terrific Garrett, PI series, which I love. But it did touch on The Black Company. That series about a mercenary company is a foundation block for Dark Fantasy. I’ve read through the whole thing (except Port of Shadows, which I haven’t gotten around to yet) three times.

And over several months this year, I listened to the entire series on audiobook. As when I read it, I definitely like some books more than others. But it remains an epic, gripping saga. Again excluding 2018’s Port of Shadows, it’s ten books. I simply didn’t have time to re-read it (especially after re-reading most of the Garrett series for that Q&A). Listening to the books worked great. At least a book or two had a different narrator, based on gender needs. I liked the four narrators, with Marc Vietor reading the majority. That’s a key part of the audiobook experience. Definitely recommended.

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A (Black) Gat in the Hand: 7 Upcoming Attractions

A (Black) Gat in the Hand: 7 Upcoming Attractions

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

My life gets crazy busy in July, and stays busy to Christmas, when I get a break. It’s a task to get my planned weekly column done. Which can shift the ‘current one’ into ‘in progress’ status. Which is the case this week. So, here’s a look at some of the stuff I hope to cover in the current incarnation of A (Black) Gat in the Hand.

DAY KEENE

Last week I posted (finally) the Jo Gar essay which I started in 2018. Nice to check that off the list. The current ‘in progress’ essay is on a Day Keene story from the September, 1949 issue of New Detective. I’ve already written one post on Keene here. I think he is an under-appreciated hard boiled writer. That issue also has a story by Frederic Brown. And one by my all-time favorite writer, John D. MacDonald. So, maybe I’ll mine that one for more material. The fact you’re reading this post right now, means I still haven’t finished my Keene essay.

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A (Black) Gat in the Hand: Hardboiled Manila – Jo Gar

A (Black) Gat in the Hand: Hardboiled Manila – Jo Gar

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Several hardboiled books were not actually novels at the start. They were multi-part serials in the Pulp magazines of the day. Perhaps the most famous of these is Dashiell Hammett’s The Maltese Falcon, which ran for five installments from September 1929 through January of 1930. Likewise, Ned Beaumont’s four-part adventure became The Glass Key. The same happened with The Continental Op. And it wasn’t just Hammett. Paul Cain’s The Fast One is arguably the finest hardboiled novel ever – and it was a serial.

Raoul Whitfield’s The Laughing Death enthralled readers for nine issues in a row. A five-issue story became Green Ice; and Ben Jardinn spent three issues working on a murder in Death in a Bowl. The author of several novels for juvenile boys, Whitfield actually wrote another hardboiled novella, except it wasn’t collected and issued separately, so it’s not regarded as a book. And this was the only serial featuring his wonderful island detective, Jo Gar.

WARNING – THERE BE SPOILERS AHEAD!
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